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Relevant bibliographies by topics / Giacomo Puccini

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Dissertations / Theses
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Academic literature on the topic 'Giacomo Puccini'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 June 2025

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Journal articles on the topic "Giacomo Puccini"

1

McKee, David. "Tosca. Giacomo Puccini." Opera Quarterly 11, no. 2 (1995): 136–38. http://dx.doi.org/10.1093/oq/11.2.136.

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McKee, David. "Tosca. Giacomo Puccini." Opera Quarterly 12, no. 2 (1995): 127–29. http://dx.doi.org/10.1093/oq/12.2.127.

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Baxter, Robert. "Tosca. Giacomo Puccini." Opera Quarterly 12, no. 2 (1995): 142–44. http://dx.doi.org/10.1093/oq/12.2.142.

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McKee, D. "Tosca. Giacomo Puccini." Opera Quarterly 16, no. 3 (2000): 487–90. http://dx.doi.org/10.1093/oq/16.3.487.

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Pines, R. "Tosca. Giacomo Puccini." Opera Quarterly 18, no. 1 (2002): 135–37. http://dx.doi.org/10.1093/oq/18.1.135.

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Levine, Robert. "Tosca. Giacomo Puccini." Opera Quarterly 5, no. 1 (1987): 151–53. http://dx.doi.org/10.1093/oq/5.1.151.

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Eckert, Thor. "Turandot. Giacomo Puccini." Opera Quarterly 6, no. 1 (1988): 107–9. http://dx.doi.org/10.1093/oq/6.1.107.

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Albright, W. "Tosca. Giacomo Puccini." Opera Quarterly 20, no. 1 (2004): 148–52. http://dx.doi.org/10.1093/oq/kbh023.

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Pines, R. "Edgar. Giacomo Puccini." Opera Quarterly 20, no. 4 (2004): 756–59. http://dx.doi.org/10.1093/oq/kbh094.

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Graeme, Roland. "Tosca. Giacomo Puccini." Opera Quarterly 10, no. 1 (1993): 138–41. http://dx.doi.org/10.1093/oq/10.1.138.

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Dissertations / Theses on the topic "Giacomo Puccini"

1

Fairtile, Linda Beard. "Giacomo Puccini's operatic revisions as manifestations of his compositional priorities /." Ann Arbor (Mich.) : UMI, 2005. http://catalogue.bnf.fr/ark:/12148/cb40042833z.

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English, David Landon. "Role of Schaunard in La Boheme : Composer: Giacomo Puccini." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/31614.

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The thesis for the Master of Music degree in Opera consists of the performance of a major role in one full opera production in the first or second year. My major role in one full opera production was Schaunard performed in La Boheme on February 8th and 10th of 2007.<br>Arts, Faculty of<br>Music, School of<br>Graduate

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Sloan, Whitney-Leigh. "Role of "Mimi" in "La Bohème" : composer : "Giacomo Puccini"." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/32350.

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The thesis for the Master of Music degree in Opera consists of the performance of a major role in one full opera production in the first or second year. My major role in one full opera production was "Miml" performed in "La Boheme" on "February 9 and February 11, 2007".<br>Arts, Faculty of<br>Music, School of<br>Graduate

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Krejčí, Václava. "Giacomo Puccini - Opera Edgar- studie interpretačních problémů role Tigramy." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79446.

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In my master Thesis I decided to deal with the first full-lenght opera from Giacomo Puccini Edgar, with the auxiliary view of the lead role Tigrana. In the first part of my work I´m describing the rise of verism and it´s top personators with the inclusion of their fundamental work. Then I consider about the childhood and music starts of Giacomo Puccini. In the next chapter I follow the first Puccini´s opera Le Villi. I mention here the factors, the storyline and the interpretation problems of this opera. After this, my work is only about the opera Edgar. I describe the storyline and the factors of it´s creation, I also compare opera Edgar with the other veristic operas. At the end of my work I describe my professional experience with the role of Tigrana and the introduction of this opera in the Theatre F.X.Šalda in Liberec.

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Lituhayu, Cahaya. "G. Puccini Turandot." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202816.

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The complete process of Giacomo Puccini?s opera called Turandot for DAMU International Master Degree final tasks, that includes the analysis of the play, the characters studies, performance references, the design process and the result of the model making and the photographs The writer personal view on how the story influenced her to created the space.

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Seifert, Andrew. "Giacomo Puccini's Suor Angelica, production considerations : based on the University of Washington's 2006 production /." Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/11431.

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Howe, Teresa Metzger. "Rodolfo and Mimi : a study of the powerful blend of lyrics and music in Puccini's La Bohème /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/11361.

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Kim, Soo Hong. "The Songs of Giacomo Puccini: An Analytical Study of His Style and Self-borrowing." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc935714/.

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The songs of Puccini provide another approach to understanding the composer's musical development. The objective of the study is twofold; first to provide a discussion of the musical style of Puccini's songs; and second, to show how Puccini utilized and integrated the preexistent material into the operas. The songs are grouped and characterized in three stylistic periods. In each period, Puccini was concerned with different issues in text setting. They anticipated or corresponded to the musical style of his operas, and this is evident by his use of the earlier songs in the later operas. Three examples of such cases are examined. The details involved in the transformation of self-borrowing are illustrated in terms of recomposition, expansion of the vocal line and orchestration. Each case illustrates the textual and/or musical consideration by Puccini of the original source for the new dramatic context of the opera. The borrowed material, often incorporated with new themes and expressive orchestration, blooms as an effective dramatic piece of music in his operas. In addition to the lecture recital, based on the dissertation and given on June 23, 1997, three other public recitals were performed. The first, on February 27, 1989, included works of Schubert, Brahms, Wolf, and Strauss. The second program, an operatic performance of The Queen of Spades by Tchaikovsky, was given on April 20, 1991. The third recital was performed on February 20, 1995, and included works by Handel, Mozart, Stravinsky, Schubert, Poulenc, and Turina.

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Baldi, Fiammetta <1991&gt. "La Fondazione Giacomo Puccini di Lucca: prospettive storiche ed economiche." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15611.

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L’elaborato propone uno studio approfondito della Fondazione Giacomo Puccini di Lucca, Fondazione attiva nella città di Lucca dal 1972. La tesi ripercorre la storia della Fondazione dalla nascita alla sua affermazione nel territorio Lucchese come centro culturale che nel corso degli anni ha operato su vari fronti. È stato dato un quadro generale riguardo la biografia del Maestro Giacomo Puccini, analizzando in particolare il rapporto con la città che ha gli ha dato i natali e fornendo una analisi del brand Puccini. Dopo di che l'elaborato si concentra prettamente sulla Fondazione: sono state conseguite analisi a livello manageriale, economico e finanziario, cercando di comprendere l’impatto che essa abbia sul territorio e che tipologia di proposta culturale venga attuata nella città di Lucca. Sono state analizzate nel dettaglio le numerose attività della Fondazione nel corso della sua storia, con particolare riferimento alle iniziative culturali proposte nell’anno corrente. L'elaborato si chiude con l'analisi economico finanziaria della Fondazione al fine di fornire una comprensione globale circa la sostenibilità delle iniziative e i possibili investimenti da attuare in futuro.

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Ferrell, Roger Scott. "The performance practices of Giacomo Puccini's "Che gelida manina" from La bohème : a study of stylistic development and transformation /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9983124.

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Books on the topic "Giacomo Puccini"

1

Marnat, Marcel. Giacomo Puccini. Fayard, 2005.

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Martino, Daniele A. Giacomo Puccini. Skira, 2009.

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3

Conrad, Wilson. Giacomo Puccini. Phaidon, 1997.

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4

Pernye, András. Giacomo Puccini. 2nd ed. Zeneműkiadó, 1988.

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Marnat, Marcel. Giacomo Puccini. Fayard, 2005.

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6

Schickling, Dieter. Giacomo Puccini: Biographie. Deutsche Verlags-Anstalt, 1989.

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7

Carner, Mosco. Giacomo Puccini, Tosca. Cambridge University Press, 1985.

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8

Demel, Stefan. Giacomo Puccini: Eine Psychobiographie. W. Kohlhammer, 1995.

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9

Flury, Roger. Giacomo Puccini: A discography. Scarecrow Press, 2012.

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10

Dandro, Iovine, Luisotti Nicola, and Buonatesta Tania, eds. Terra di Giacomo Puccini. Pacini, 2008.

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Book chapters on the topic "Giacomo Puccini"

1

Maehder, Jürgen. "Puccini, Giacomo." In Metzler Komponisten Lexikon. J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_234.

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Maehder, Jürgen. "Puccini, Giacomo." In Komponisten Lexikon. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_238.

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Maehder, Jürgen. "Puccini, Giacomo." In Komponisten. J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02947-8_36.

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Wagner, Hans-Joachim. "Exkurs: Giacomo Puccini." In Fremde Welten. J.B. Metzler, 1999. http://dx.doi.org/10.1007/978-3-476-03768-8_9.

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Schickling, Dieter. "Giacomo Puccini – Aspekte einer Biografie." In Puccini-Handbuch. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05441-8_1.

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Senici, Emanuele. "Introduction: Puccini, His World, and Ours." In Giacomo Puccini and His World, edited by Arman Schwartz and Emanuele Senici. Princeton University Press, 2016. http://dx.doi.org/10.1515/9781400884063-003.

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Meißner, Thomas. "Giacomo Puccini: Premiere ohne den Maestro." In Der prominente Patient. Springer Berlin Heidelberg, 2025. https://doi.org/10.1007/978-3-662-70111-9_14.

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Earle, Ben. "Puccini, Fascism, and the Case of Turandot." In Giacomo Puccini and His World, edited by Arman Schwartz and Emanuele Senici. Princeton University Press, 2016. http://dx.doi.org/10.1515/9781400884063-009.

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Schwartz, Arman. "Realism and Skepticism in Puccini’s Early Operas." In Giacomo Puccini and His World, edited by Arman Schwartz and Emanuele Senici. Princeton University Press, 2016. http://dx.doi.org/10.1515/9781400884063-004.

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Groos, Arthur. "Madama Butterfly Between East and West." In Giacomo Puccini and His World, edited by Arman Schwartz and Emanuele Senici. Princeton University Press, 2016. http://dx.doi.org/10.1515/9781400884063-005.

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Conference papers on the topic "Giacomo Puccini"

1

Ferrarese, Samuele. "OUTSIDE AND INSIDE THE MUSIC, OUTSIDE AND INSIDE ONESELF. INCLUSION AND MULTICULTURALISM IN SCHOOL WITH GIACOMO PUCCINI'S OPERA "TURANDOT"." In 17th annual International Conference of Education, Research and Innovation. IATED, 2024. https://doi.org/10.21125/iceri.2024.0493.

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Cui, Yang. "THE INFLUENCE OF GIACOMO PUCCINI'S WORK ON THE MUSIC OF CHINA." In Themed collection of papers from Foreign international scientific conference «Joint innovation - joint development». Part 1. by HNRI «National development» in cooperation with PS of UA. October 2023. - Harbin (China). Crossref, 2024. http://dx.doi.org/10.37539/231024.2023.17.98.065.

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This article explores the influence of Giacomo Puccini's work on the music of China.The influence of Puccini's operatic works on the development of Chinese musical tradition,especially in the field of opera,is analyzed.The main reasons for the popularity of Puccini's music in China and the interaction between the Italian and Chinese opera traditions are also discussed.The study provides a better understanding of Giacomo Puccini's contribution to the development of Chinese music and cross-cultural relations in the field of opera.

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