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Relevant bibliographies by topics / Gibson Girl

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Academic literature on the topic 'Gibson Girl'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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Journal articles on the topic "Gibson Girl"

1

Lawhorn, Jennifer L. "Beyond the Gibson Girl: Reimagining the American New Woman, 1895?1915." Journal of Popular Culture 39, no. 5 (2006): 909–10. http://dx.doi.org/10.1111/j.1540-5931.2006.00318.x.

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Rudnick, L. "Beyond the Gibson Girl: Reimagining the American New Woman, 1895-1915." Journal of American History 93, no. 2 (2006): 551–52. http://dx.doi.org/10.2307/4486313.

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Ardis, Ann L. "Beyond the Gibson Girl: Reimagining the American New Woman, 1895-1915 (review)." Modernism/modernity 14, no. 1 (2007): 168–70. http://dx.doi.org/10.1353/mod.2007.0000.

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Yue, Genevieve. "The China Girl on the Margins of Film." October 153 (July 2015): 96–116. http://dx.doi.org/10.1162/octo_a_00228.

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The “China Girl” has appeared in more films than any actress, but she is almost never seen. Used in industrial film laboratories since the late 1920s, this image-nearly always a woman positioned next to color swatches and patches of white, gray, and black—is clipped to the leader of a film reel and used throughout the processing, developing, and printing of photochemical film to determine the desired exposure, density, and ideal appearance of the human body. This article addresses the China Girl's essential but often overlooked role in film history, specifically as it pertains to questions of

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Crowley, Terry. "Madonnas before Magdalenes: Adelaide Hoodless and the Making of the Canadian Gibson Girl." Canadian Historical Review 67, no. 4 (1986): 520–47. http://dx.doi.org/10.3138/chr-067-04-03.

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Bush, Elizabeth. "Althea Gibson: The Story of Tennis' Fleet-of-Foot Girl by Megan Reid." Bulletin of the Center for Children's Books 73, no. 4 (2019): 183–84. http://dx.doi.org/10.1353/bcc.2019.0875.

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Albertine, Susan. "Beyond the Gibson Girl: Reimagining the American New Woman, 1895–1915 (review)." American Literary Realism 40, no. 2 (2008): 184–86. http://dx.doi.org/10.1353/alr.2008.0000.

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Bovsunivska, Tetiana. "Looking-Glass Space in “Pattern Recognition” by William Gibson." Слово і Час, no. 12 (December 20, 2019): 50–57. http://dx.doi.org/10.33608/0236-1477.2019.12.50-57.

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The paper deals with the poetics of the novel, based on the principles of literary cyberpunk. William Gibson, the founder of cyberpunk as a genre, in the novel “Pattern Recognition” used the looking-glass image of Lewis Carroll’s book “Through The Looking-Glass And What Alice Found There” as a leitmotif, reminiscently curved and shown only in the mind of the main character Case Pollard. The paper analyzes the semantics of the leitmotif of looking-glass and its functionality in the novel, as well as the conformity with the principles of transrealism and posthumanism. The state of the main chara

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Nagels, Katherine Frances. "From the New York Herald to the Italian screen." Feminist Media Histories 3, no. 2 (2017): 175–93. http://dx.doi.org/10.1525/fmh.2017.3.2.175.

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The popular 1907–9 American newspaper comic strip character Fluffy Ruffles was an iconic embodiment of contemporary American femininity between the eras of the Gibson Girl and the later flapper and “it” girl. This article discusses Fluffy Ruffles as a popular phenomenon and incarnation of anxieties about women in the workplace, and how she underwent a metamorphosis in the European press, as preexisting ideas of American youth, wealth, and liberty were grafted onto her character. A decade after her debut in the newspapers, two films—Augusto Genina's partially extant Miss Cyclone (La signorina C

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10

Gordon, Lynn D. "The Gibson Girl Goes to College: Popular Culture and Women's Higher Education in the Progressive Era, 1890-1920." American Quarterly 39, no. 2 (1987): 211. http://dx.doi.org/10.2307/2712910.

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Dissertations / Theses on the topic "Gibson Girl"

1

Manzur, Jennifer Elena. "An Illustrated Celebrity in American Society: The Biography of the Gibson Girl, 1890-1920." Thesis, The University of Arizona, 2014. http://hdl.handle.net/10150/321797.

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Snow, Megan Ashley. "The Unexpected Symbol of the New Woman: Ella Ferris Pell's Salome." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6371.

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This thesis argues that Ella Ferris Pell's 1890 painting, Salome, provides a unique interpretation of the ideals of the New Woman, specifically in terms of reclaiming female power through Salome's confidence in her sexuality. By examining the cultural context in which Pell exhibited her painting, as well as her background as an artist, I hope bring to the light the significant ways in which Pell's Salome participates in the construction of the New Woman in late nineteenth-century culture. Since Pell was an American woman who trained and exhibited in both the United States and France, this pape

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3

Andersson, Sapir Erika. "Cowboys, meat-puppets och razor-girls : Ett genusperspektiv på kroppen i William Gibsons Neuromancer." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-85671.

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Cyberpunk som litterär genre tar ofta upp teman som berör kroppen och dess förhållande till teknik på olika sätt. I denna uppsats studeras mäns och kvinnors förhållande till sin egen kropp och synen på manliga och kvinnliga kroppar i cyberpunk-romanen Neuromancer av William Gibson, utifrån Yvonne Hirdmans teorier om genus. I analysen av romanen kan man se två huvudsakliga spår utifrån Hirdmans tre formler för förhållandet mellan könen, varav det tydligaste är det som Hirdman kallar jämförelsens formel. Kvinnor ses som impulsstyrda och kroppsliga medan män står för intellektet och en längtan ef

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Lipsos, Eleni. "Anatomy of a pin-up : a genealogy of sexualized femininity since the Industrial Age." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/14896.

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Pin-up images have played an important role in American culture, in both their illustrated and photographic configurations. The pin-up is viewed as a significant representational cultural artifact of idealistic and aspirational femininity and of consumerism and material wealth, especially reflective of the mid-twentieth century period in America spanning the 1930s to the 1960s. These images not only reflect great shifts in social mores and women’s social status, but also affected changes in both areas in turn. Furthermore, pin-up images internationally circulated in magazines, advertising and

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Books on the topic "Gibson Girl"

1

Vincent, Gillon Edmund, ed. The Gibson girl and her America: The best drawings of Charles Dana Gibson. Dover Publications, 2010.

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2

Beyond the Gibson Girl: Reimagining the American new woman, 1895-1915. University of Illinois Press, 2005.

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3

Gibson's girl. Mills & Boon, 1999.

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4

Gourley, Catherine. Gibson girls and suffragists: Perceptions of women from the turn of the century through 1918. Twenty-First Century Books, 2008.

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5

Dana, Gibson Charles. Gibson Girl Postcards. Dover Publications, 1988.

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Dana, Gibson Charles. 6 Gibson Girl Postcards. Dover Pubns, 1993.

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Tierney, Tom. Gibson Girl-Paper Dolls. Tandem Library, 1985.

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Dana, Gibson Charles. Gibson Girl Giftwrap Paper. Dover Publications, 1988.

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9

(Editor), Carol Belanger Grafton, ed. Gibson Girl Illustrations CD-ROM and Book. Dover Publications, 2006.

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10

Dumphy, Adam. The Misadventures of a "Modern Day" Gibson Girl. AuthorHouse, 2005.

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Book chapters on the topic "Gibson Girl"

1

Lowery, Allison. "Edwardian Era/Gibson Girl (1901–1910)." In Historical Wig Styling. Routledge, 2019. http://dx.doi.org/10.4324/9780429422676-5.

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Gaskell, Elizabeth. "Chapter V calf-love." In Wives and Daughters. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199538263.003.0006.

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One day, for some reason or other, Mr Gibson came home unexpectedly. He was crossing the hall, having come in by the garden-door—the garden communicated with the stable-yard, where he had left his horse—when the kitchen door opened, and the girl who was underling...

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Conference papers on the topic "Gibson Girl"

1

Batista, Sarah. "Emotional Branding: emotions and feelings aroused by the design of the olfactory experience of consumption according to the ecosystem approach to communication." In Systems & Design: Beyond Processes and Thinking. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3270.

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This article discusses the recognition of semiotics experience and olfactory experienced by consumers in Farm brand’s physical store environment, so that it can be achieved the goal of conceptualizing the consumer olfactory design experience within the environment aroma of the brand from the semiotic point of view and the ecosystem approach to communication. In this sense, the theoretical background involves studying and researching of languages, representations and aesthetic communication from an ecosystem perspective, according to authors Monteiro (2011) and Pereira (2012), Peirce’s semiotic

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