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Journal articles on the topic 'Gibson Girl'

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1

Lawhorn, Jennifer L. "Beyond the Gibson Girl: Reimagining the American New Woman, 1895?1915." Journal of Popular Culture 39, no. 5 (2006): 909–10. http://dx.doi.org/10.1111/j.1540-5931.2006.00318.x.

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Rudnick, L. "Beyond the Gibson Girl: Reimagining the American New Woman, 1895-1915." Journal of American History 93, no. 2 (2006): 551–52. http://dx.doi.org/10.2307/4486313.

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Ardis, Ann L. "Beyond the Gibson Girl: Reimagining the American New Woman, 1895-1915 (review)." Modernism/modernity 14, no. 1 (2007): 168–70. http://dx.doi.org/10.1353/mod.2007.0000.

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Yue, Genevieve. "The China Girl on the Margins of Film." October 153 (July 2015): 96–116. http://dx.doi.org/10.1162/octo_a_00228.

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The “China Girl” has appeared in more films than any actress, but she is almost never seen. Used in industrial film laboratories since the late 1920s, this image-nearly always a woman positioned next to color swatches and patches of white, gray, and black—is clipped to the leader of a film reel and used throughout the processing, developing, and printing of photochemical film to determine the desired exposure, density, and ideal appearance of the human body. This article addresses the China Girl's essential but often overlooked role in film history, specifically as it pertains to questions of
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Crowley, Terry. "Madonnas before Magdalenes: Adelaide Hoodless and the Making of the Canadian Gibson Girl." Canadian Historical Review 67, no. 4 (1986): 520–47. http://dx.doi.org/10.3138/chr-067-04-03.

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Bush, Elizabeth. "Althea Gibson: The Story of Tennis' Fleet-of-Foot Girl by Megan Reid." Bulletin of the Center for Children's Books 73, no. 4 (2019): 183–84. http://dx.doi.org/10.1353/bcc.2019.0875.

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Albertine, Susan. "Beyond the Gibson Girl: Reimagining the American New Woman, 1895–1915 (review)." American Literary Realism 40, no. 2 (2008): 184–86. http://dx.doi.org/10.1353/alr.2008.0000.

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Bovsunivska, Tetiana. "Looking-Glass Space in “Pattern Recognition” by William Gibson." Слово і Час, no. 12 (December 20, 2019): 50–57. http://dx.doi.org/10.33608/0236-1477.2019.12.50-57.

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The paper deals with the poetics of the novel, based on the principles of literary cyberpunk. William Gibson, the founder of cyberpunk as a genre, in the novel “Pattern Recognition” used the looking-glass image of Lewis Carroll’s book “Through The Looking-Glass And What Alice Found There” as a leitmotif, reminiscently curved and shown only in the mind of the main character Case Pollard. The paper analyzes the semantics of the leitmotif of looking-glass and its functionality in the novel, as well as the conformity with the principles of transrealism and posthumanism. The state of the main chara
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Nagels, Katherine Frances. "From the New York Herald to the Italian screen." Feminist Media Histories 3, no. 2 (2017): 175–93. http://dx.doi.org/10.1525/fmh.2017.3.2.175.

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The popular 1907–9 American newspaper comic strip character Fluffy Ruffles was an iconic embodiment of contemporary American femininity between the eras of the Gibson Girl and the later flapper and “it” girl. This article discusses Fluffy Ruffles as a popular phenomenon and incarnation of anxieties about women in the workplace, and how she underwent a metamorphosis in the European press, as preexisting ideas of American youth, wealth, and liberty were grafted onto her character. A decade after her debut in the newspapers, two films—Augusto Genina's partially extant Miss Cyclone (La signorina C
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Gordon, Lynn D. "The Gibson Girl Goes to College: Popular Culture and Women's Higher Education in the Progressive Era, 1890-1920." American Quarterly 39, no. 2 (1987): 211. http://dx.doi.org/10.2307/2712910.

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Schwartz, Joshua S. "Publish the Picture at Your Peril: Visual Ideas and the Commercial Apparatus of Life Magazine." Journal of the Gilded Age and Progressive Era 20, no. 2 (2021): 301–24. http://dx.doi.org/10.1017/s1537781420000821.

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AbstractIn the early years of the twentieth century, Life magazine had only approximately one hundred thousand subscribers, yet its illustrated images (like the Gibson Girl) significantly influenced fashion trends and social behaviors nationally. Its outsized influence can be explained by examining the magazine’s business practices, particularly the novel ways in which it treated and conceptualized its images as intellectual property. While other magazines relied on their circulation and advertising revenue to attain profitability, Life used its page space to sell not only ads, but also its ow
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Kalayjian, P. "Raising the Dust: The Literary Housekeeping of Mary Ward, Sarah Grand, and Charlotte Perkins Gilman; Beyond the Gibson Girl: Reimagining the American New Woman, 1895-1915." American Literature 79, no. 1 (2007): 189–91. http://dx.doi.org/10.1215/00029831-2006-080.

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Klimasmith, B. "MARTHA H. PATTERSON. Beyond the Gibson Girl: Reimagining the American New Woman, 1895-1915. Urbana and Chicago: University of Illinois Press. 2005. Pp. xii, 230. $35.00." American Historical Review 111, no. 5 (2006): 1525–26. http://dx.doi.org/10.1086/ahr.111.5.1525.

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Cuchí Espada, Víctor. "Antes de ser compañeras : Gibson Girls mexicanas, 1881-1911." Secuencia, no. 71 (January 1, 2008): 065. http://dx.doi.org/10.18234/secuencia.v0i71.1043.

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<p>La historia de las operadoras telefónicas en la ciudad de México es la de un pequeño grupo de mujeres que operaban los equipos de conexión en las oficinas de la Compañía Telefónica Mexicana y la Empresa de Teléfonos Ericsson entre 1882 y 1915. Fueron contratadas por cuanto las empresas consideraban que ellas eran las trabajadoras adecuadas en razón a su sexo. Ello generó una experiencia laboral singular caracterizada por la relación con los hombres, lo mismo empleados y administradores que la clientela. Otra característica era que ellas fungiesen como operadoras de complejos aparatos
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Briggs, Michele Kielty, A. Renée Staton, and Tammy D. Gilligan. "The Girls’ Leadership Experience Camp: A Parallel Process of Leadership Skill Development for School Counselors-in-Training." Professional School Counseling 13, no. 2 (2009): 2156759X0901300. http://dx.doi.org/10.1177/2156759x0901300208.

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School counseling programs must provide counselors-in-training with effective and multifaceted leadership skill-building opportunities (Brott, 2006; DeVoss & Andrews, 2006; Dollarhide, Gibson, & Saginak, 2008; Kaffenberger & Murphy, 2007). The Girls’ Leadership Experience Camp (GLEC) was created by the authors to enhance the leadership abilities of local girls while providing a training ground for future school counselors to develop their own leadership abilities. The camp participants included 16 rising sixth-grade girls who were potential first-generation college students and wer
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Fagg, John. "Chamber Pots and Gibson Girls: Clutter and Matter in John Sloan’s Graphic Art." American Art 29, no. 3 (2015): 28–57. http://dx.doi.org/10.1086/684919.

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MONTEITH, SHARON. "Between Girls: Kaye Gibbons' Ellen Foster and Friendship as a Monologic Formulation." Journal of American Studies 33, no. 1 (1999): 45–64. http://dx.doi.org/10.1017/s0021875898006069.

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In the work of contemporary writers who explore the racial and social geography of growing up in the American South, fleeting encounters between white and black girls abound but enduring friendships prove to be more problematic to represent. In Ellen Foster (1987), Ellen and Starletta's association stretches across the novel whereas, most frequently in fictions, the points at which black and white women converge and relate tend to be brief and transient, as in Toni Morrison's Beloved (1987) where a heavily pregnant and fugitive Sethe is aided by poor white Amy; or in Thulani Davis's 1959 (1992
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Myklestad, Ingri, and Jostein Rise. "Predicting Willingness to Engage in Unsafe Sex and Intention to Perform Sexual Protective Behaviors Among Adolescents." Health Education & Behavior 34, no. 4 (2006): 686–99. http://dx.doi.org/10.1177/1090198106289571.

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This article examines the sociocognitive processes contributing to intention to use contraception and willingness to engage in unsafe sex, using extended versions of the theory of planned behavior (TPB) and the Prototype/Willingness model (Gibbons & Gerrard, 1995, 1997). Data were obtained from a questionnaire delivered to all the pupils in ninth grade ( N = 196) at three schools in Oslo. Hierarchical multiple regression analysis was used to predict intention and willingness. The results showed that subjective norm was the most important predictor of intentions for girls, whereas moral nor
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Hicks, Heather J. ""Whatever It Is That She's since Become": Writing Bodies of Text and Bodies of Women in James Tiptree, Jr.'s "The Girl Who Was Plugged in" and William Gibson's "The Winter Market"." Contemporary Literature 37, no. 1 (1996): 62. http://dx.doi.org/10.2307/1208751.

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Campbell, R. A., and I. Beveridge. "The genus Acanthobothrium (Cestoda : Tetraphyllidea : Onchobothriidae) parasitic in Australian elasmobranch fishes." Invertebrate Systematics 16, no. 2 (2002): 237. http://dx.doi.org/10.1071/it01004.

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The onchobothriid tetraphyllidean cestode genus Acanthobothrium van Beneden, 1849, parasitic in the spiral intestine of elasmobranch fishes, was investigated in the Australian region. Thirty-three species are recognised, including 27 that are new. Diagnoses compare the morphological taxonomic characters of all congeners. New species are: Acanthobothrium adlardi; A. angelae; A. arlenae; A. bartonae; A. blairi; A. brayi; A. cannoni; A. chisholmae; A. clarkeae; A. cribbi; A. edmondsi; A. gasseri; A. gibsoni; A. gloveri; A. jonesi; A. lasti; A. laurenbrownae; A. martini; A. mooreae; A. ocallaghani
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Moldovan, Horașiu. "CARDIAC SURGERY AT A CROSS-POINT." Journal of Surgical Sciences 2, no. 2 (2015): 59–62. http://dx.doi.org/10.33695/jss.v2i2.106.

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The cardiac surgery is the youngest surgical specialty that has emerged in the early period of the 20th century. Surprisingly, however, it is also the first surgical specialty that seems to be the first to disappear in a way or another in the second half of the 21st century. Even if the optimists consider this will never happen, it is expected that cardiac surgery will suffer a radical metamorphosis, which makes the realists say that this field of surgery will actually disappear.Before the beginning of the 20th century, the surgeons around the world have been convinced that human heart is unto
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Suryana, Dadan, Fitriana Sari Khairma, Novi Engla Sari, Lina, Farida Mayar, and Sri Satria. "Star of The Week Programs Based on Peer Relationship for Children Social Emotional Development." JPUD - Jurnal Pendidikan Usia Dini 14, no. 2 (2020): 288–302. http://dx.doi.org/10.21009/jpud.142.07.

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The influence of family, school and peers on students' emotional social development is very important as a starting point for the design of school activities that will also improve student development in an integral way. The Star of the Week program was developed with the aim of helping students apply the knowledge, attitudes, and skills needed to socialize and understand and manage emotions. This study uses the Thiagarajan model stages, namely define, design, develop, and disseminate (4D). The results of the validity test from the experts show that this program has workable value with 91.1% m
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"Beyond the Gibson Girl: reimagining the American New Woman, 1895-1915." Choice Reviews Online 43, no. 09 (2006): 43–5142. http://dx.doi.org/10.5860/choice.43-5142.

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McCarron, Rebecca. "The politicization of girlhood: from the Gibson girl to the National Woman's Party, 1895–1920." Women's History Review, April 14, 2020, 1–25. http://dx.doi.org/10.1080/09612025.2020.1744844.

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Pratley, Gerald. "Toronto 2000." Kinema: A Journal for Film and Audiovisual Media, November 20, 2000. http://dx.doi.org/10.15353/kinema.vi.914.

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TORONTO INTERNATIONAL FILM FESTIVAL MARKS ITS 25th ANNIVERSARY Stardom (2000) aka 15 Minutes & Fandom Canada-France co-production (102min in French and English and with English sub-titles)D: Denys Arcand; sc: Jacob Potashnik, Denys Arcand; lp: Jessica Pare, Dan Aykroyd, Charles Berling, Robert Lepage, Thomas Gibson, Frank Langella, Camille Rutherford A small-town girl becomes a famous model in this stinging satire, a biting comedy, a perfect parody of the mindless people who inhabit television; not forgetting the foolish fashion designers, the shams who call themselves artists, and the cra
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Lambert, Anthony, and Catherine Simpson. "Jindabyne’s Haunted Alpine Country: Producing (an) Australian Badland." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.81.

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“People live here, they die here so they must leave traces.” (Read 140) “Whatever colonialism was and is, it has made this place unsettling and unsettled.” (Gibson, Badland 2) Introduction What does it mean for [a] country to be haunted? In much theoretical work in film and Cultural Studies since the 1990s, the Australian continent, more often than not, bears traces of long suppressed traumas which inevitably resurface to haunt the present (Gelder and Jacobs; Gibson; Read; Collins and Davis). Felicity Collins and Therese Davis illuminate the ways Australian cinema acts as a public sphere, or “
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Felton, Emma. "The City." M/C Journal 5, no. 2 (2002). http://dx.doi.org/10.5204/mcj.1958.

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In the television series Sex and the City, there is a scene which illustrates a familiar contempt for suburban life as dull and boring. Implicit is the oppositional view that urban life by comparison, is the more exciting one. Charlotte (one of four women whose sexual and romantic relationships are the focus of the series), has spent time with her in-laws in an upper middle class suburban enclave, and is confessing to her three girl friends her fantasies and ultimate sexual encounter with her in-law's hunk of a gardener. She's racked with guilt over the incident, not least because she is marri
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Koonce, Jacqueline. "Oooh, It’s Sooo Good!!!: Black Adolescent Females Experiencing the Delicacy of Reading." Qualitative Report, March 26, 2017. http://dx.doi.org/10.46743/2160-3715/2017.2513.

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Black adolescent females have largely been neglected in the research literature on their avid reading. While Gibson (2010) explained that Black girls are often portrayed in the literature as struggling and even “remedial” readers, those Black adolescent females who are avid readers receive even less attention. The purpose of this study, then, was to investigate the voracious reading proclivities of this population in order to provide a balanced view of Black adolescent females’ reading lives. The findings of this phenomenological study indicate that these five participants go beyond loving rea
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RHÉ, HSE /. "Table of Contents." Historical Studies in Education / Revue d'histoire de l'éducation, November 18, 2019, i—viii. http://dx.doi.org/10.32316/hse/rhe.v31i2.4753.

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 James Miles, "Historical Pageantry and Progressive Pedagogy at Canada’s 1927 Diamond Jubilee Celebration," 1–26.
 
 
 
 Bruce Curtis, "Colonization, Education, and the Formation of Moral Character: Edward Gibbon Wakefield’s A Letter from Sydney," 27–47.
 Gerald Thomson, "The Determination of the Intellectual Equipment Is Imperative: Mental Hygiene, Problem Children, and the History of the Provincial Child Guidance Clinic of British Columbia, 1932–1958," 48–78.
 Andrée Dufour, "Le métier d’institutrice indépendante francophone à Montréal, 1869 –1
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Hanscombe, Elisabeth. "A Plea for Doubt in the Subjectivity of Method." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.335.

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Photograph by Gonzalo Echeverria (2010)Doubt has been my closest companion for several years as I struggle to make sense of certain hidden events from within my family’s history. The actual nature of such events, although now lost to us, can nevertheless be explored through the distorting lens of memory and academic research. I base such explorations in part on my intuition and sensitivity to emotional experience, which are inevitably riddled with doubt. I write from the position of a psychoanalytic psychologist who is also a creative writer and my doubts increase further when I use the autobi
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De Vos, Gail. "News, Awards & Announcements." Deakin Review of Children's Literature 4, no. 4 (2015). http://dx.doi.org/10.20361/g2w02g.

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News and Announcements1) Canadian Children's Book News, Spring 2015 IssueIn recognition of the TD Canadian Children's Book Week and its theme "Hear Our Stories: Celebrating First Nations, Métis and Inuit Literature," this issue explores several facets of this vibrant part of children's literature. It includes a profile of author David Alexander Robertson and a look at the publishers and market for First Nations, Métis, and Inuit stories.2) TD Canadian Children's Book Week (May 2- May 9, 2015) is the single most important national event celebrating Canadian children’s books and the importance o
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De Vos, Gail. "News and Announcements." Deakin Review of Children's Literature 5, no. 3 (2016). http://dx.doi.org/10.20361/g21300.

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AWARDSSome major international children’s literature awards have just been announced as I compile the news for this issue. Several of these have Canadian connections.2016 ALSC (Association for Library Service to Children) Book & Media Award WinnersJohn Newbery Medal"Last Stop on Market Street,” written by Matt de la Peña, illustrated by Christian Robinson and published by G. P. Putnam’s Sons, an imprint of Penguin Books (USA) LLC Newbery Honor Books"The War that Saved My Life," written by Kimberly Brubaker Bradley and published by Dial Books for Young Readers, an imprint of Penguin Books (
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Shannon Hoctor. "THE INFLUENCE OF HYPNOSIS ON CRIMINAL LIABILITY." Obiter 30, no. 2 (2021). http://dx.doi.org/10.17159/obiter.v30i2.12435.

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“Sleep. Your eyelids are getting heavy. Sleep. Watch the swinging object. Concentrate. When you awake you will be completely under my power.” These words are familiar language to almost all of us, from images of the popular media, of a hypnotist attempting to place a subject in a hypnotic state. This subject has proved to be a source of fascination for many, and a source of intense debate in both psychological theory and jurisprudence for over two centuries, largely because of one controversial issue: can a person be induced to commit acts which are against his or her normal prudence and moral
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"Für Sie gelesen: Aktuelle Studien: Chowdhury N, Gibson K, Wetherell M. Polyphonies of depression: The relationship between voices-of-the-self in young professional women aka „top girls”. Health 2019; 1–18; DOI: 10.1177/1363459319846934." PPH 25, no. 04 (2019): 206. http://dx.doi.org/10.1055/a-0897-9570.

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Hill, Beverley. "Consumer Transformation: Cosmetic Surgery as the Expression of Consumer Freedom or as a Marketing Imperative?" M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1117.

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IntroductionTransformation, claims McCracken, is the expression of consumer agency and individual freedom in which consumers, as “co-creators of culture,” are empowered to creatively construct new improved selves (xvi). No longer an “extraordinary event for extraordinary creatures,” transformation today is routine and accessible (McCracken xxi). Contemporary consumer culture encourages individuals to enact these transformations by turning to the market to purchase the resources they require to achieve their desired identity (Ellis et al. 179). This market model of transformation embraces the c
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Hand, Richard J. "Dissecting the Gash." M/C Journal 7, no. 4 (2004). http://dx.doi.org/10.5204/mcj.2389.

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Given that the new advances in technology in the 1980s had a major impact on the carefully constructed myth of authenticity in horror and pornography, ranging from flawless special effects at one extreme to the idea of the handheld voyeur movie at the other, it is rather ironic that the key progenitor to the erotic-grotesque form is a long-established and in some ways basic form: the pen and paper art of manga. This medium can be traced back to pillow books and the illustrated tradition in Japanese culture – a culture where even written language has evolved from drawings rather than alphabetic
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Knowles, Claire Elizabeth. "A Woman’s Place Is in the Morgue: Understanding Scully in the Context of 1990s Feminism." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1465.

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SCULLY: I said, I got the lab to rush the results of the Szczesny autopsy, if you're interested.MULDER: I heard you, Scully.SCULLY: And Szczesny did indeed drown, but not as the result of the inhalation of ectoplasm as you so vehemently suggested.MULDER: Well, what else could she possibly have drowned in?SCULLY: Margarita mix, upchucked with about 40 ounces of Corcovado Gold tequila which, as it turns out, she and her friends rapidly consumed in the woods while trying to reenact the Blair Witch Project.MULDER: Well, I think that demands a little deeper investigation, don't you?SCULLY: No, I do
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Kennedy, Ümit. "Exploring YouTube as a Transformative Tool in the “The Power of MAKEUP!” Movement." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1127.

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IntroductionSince its launch in 2005, YouTube has fast become one of the most popular video sharing sites, one of the largest sources of user generated content, and one of the most frequently visited sites globally (Burgess and Green). As YouTube’s popularity has increased, more and more people have taken up the site’s invitation to “Broadcast Yourself.” Vlogging (video blogging) on YouTube has increased in popularity, creating new genres and communities. Vlogging not only allows individuals to create their own mediated content for mass consumption—making it a site for participatory culture (B
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Mantle, Martin. "“Have You Tried Not Being a Mutant?”." M/C Journal 10, no. 5 (2007). http://dx.doi.org/10.5204/mcj.2712.

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 There is an expression, in recent Marvel superhero films, of a social anxiety about genetic science that, in part, replaces the social anxieties about nuclear weapons that can be detected in the comic books on which these films are based (Rutherford). Much of the analysis of superhero comics – and the films on which they are based – has focussed its attention on the anxieties contained within them about gender, sexuality, race, politics, and the nation. Surprisingly little direct critique is applied to the most obvious point of difference within those texts, namely the acq
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Brien, Donna Lee. "The Real Filth in American Psycho." M/C Journal 9, no. 5 (2006). http://dx.doi.org/10.5204/mcj.2657.

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 1991 An afternoon in late 1991 found me on a Sydney bus reading Brett Easton Ellis’ American Psycho (1991). A disembarking passenger paused at my side and, as I glanced up, hissed, ‘I don’t know how you can read that filth’. As she continued to make her way to the front of the vehicle, I was as stunned as if she had struck me physically. There was real vehemence in both her words and how they were delivered, and I can still see her eyes squeezing into slits as she hesitated while curling her mouth around that final angry word: ‘filth’. Now, almost fifteen years later, the
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Craven, Allison Ruth. "The Last of the Long Takes: Feminism, Sexual Harassment, and the Action of Change." M/C Journal 23, no. 2 (2020). http://dx.doi.org/10.5204/mcj.1599.

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The advent of the #MeToo movement and the scale of participation in 85 countries (Gill and Orgad; see Google Trends) has greatly expanded debate about the revival of feminism (Winch Littler and Keeler) and the contribution of digital media to a “reconfiguration” of feminism (Jouet). Insofar as these campaigns are concerned with sexual harassment and related forms of sexual abuse, the longer history of sexual harassment in which this practice was named by women’s movement activists in the 1970s has gone largely unremarked except in the broad sense of the recharging or “techno-echo[es]” (Jouet)
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Bond, Sue. "The Secret Adoptee's Cookbook." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.665.

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There have been a number of Australian memoirs written by adoptees over the last twenty years—Robert Dessaix’s A Mother’s Disgrace, Suzanne Chick’s Searching for Charmian, Tom Frame’s Binding Ties:An Experience of Adoption and Reunion in Australia, for example—as well as international adoptee narratives by Betty Jean Lifton, Florence Fisher, and A. M. Homes amongst others. These works form a component of the small but growing field of adoption life writing that includes works by “all members of the adoption triad” (Hipchen and Deans 163): adoptive parents, birthparents, and adoptees. As the br
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Varney, Wendy. "Homeward Bound or Housebound?" M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2701.

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 If thinking about home necessitates thinking about “place, space, scale, identity and power,” as Alison Blunt and Robyn Dowling (2) suggest, then thinking about home themes in popular music makes no less a conceptual demand. Song lyrics and titles most often invoke dominant readings such as intimacy, privacy, nurture, refuge, connectedness and shared belonging, all issues found within Blunt and Dowling’s analysis. The spatial imaginary to which these authors refer takes vivid shape through repertoires of songs dealing with houses and other specific sites, vast and distant
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Hartley, John. "Lament for a Lost Running Order? Obsolescence and Academic Journals." M/C Journal 12, no. 3 (2009). http://dx.doi.org/10.5204/mcj.162.

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The academic journal is obsolete. In a world where there are more titles than ever, this is a comment on their form – especially the print journal – rather than their quantity. Now that you can get everything online, it doesn’t really matter what journal a paper appears in; certainly it doesn’t matter what’s in the same issue. The experience of a journal is rapidly obsolescing, for both editors and readers. I’m obviously not the first person to notice this (see, for instance, "Scholarly Communication"; "Transforming Scholarly Communication"; Houghton; Policy Perspectives; Teute), but I do have
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