Relevant bibliographies by topics / Gilliam

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Gilliam'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Gilliam"

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Gilliam, Angela, and Keisha-Khan Y. Perry. "Transformation of the Self in a Time of Chaos." Journal of Black Studies 52, no. 6 (August 9, 2021): 565–76. http://dx.doi.org/10.1177/00219347211011585.

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This essay looks at the intellectual relationship between author Angela Gilliam and Afro-Brazilian scholar-activist Abdias Nascimento. In 1968, both Gilliam and Nascimento were involved in self-examination and reinvention in terms of the positive affirmation of blackness and politicization of racial consciousness. This was a crucial time of social change and political struggle for equal rights to citizenship in Brazil and the United States. It was in her interpreter-translator work for Nascimento that Gilliam’s relationship to cultural and political expressions of peoples of African descent became deepened. This essay is a longer version of the lecture she delivered during the 2015 Abdias Nascimento symposium held at Brown for which she sent to us to include in this special issue before her passing in September 2018.
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Brown, Jackson. "Sam Gilliam." Callaloo 40, no. 5 (2017): 59–68. http://dx.doi.org/10.1353/cal.2017.0155.

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Glass, Fred. ": Brazil . Terry Gilliam." Film Quarterly 39, no. 4 (July 1986): 22–28. http://dx.doi.org/10.1525/fq.1986.39.4.04a00060.

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Linton, Otha W., and Bob Gayler. "Byron Gilliam Brogdon, MD." Radiology 273, no. 3 (December 2014): 948. http://dx.doi.org/10.1148/radiol.14144030.

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Swift, Carol. "Gilliam Autism Rating Scale (GARS)." Diagnostique 24, no. 1-4 (March 1999): 115–24. http://dx.doi.org/10.1177/153450849902401-411.

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Glass, Fred. "Review: Brazil by Terry Gilliam." Film Quarterly 39, no. 4 (1986): 22–28. http://dx.doi.org/10.2307/1212482.

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Hadlock, Heather. "After Wagner: Gilliam and Daub." Opera Quarterly 31, no. 4 (October 15, 2015): 308–15. http://dx.doi.org/10.1093/oq/kbv011.

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Karren, Benjamin C. "A Test Review: Gilliam, J. E. (2014). Gilliam Autism Rating Scale–Third Edition (GARS-3)." Journal of Psychoeducational Assessment 35, no. 3 (March 7, 2016): 342–46. http://dx.doi.org/10.1177/0734282916635465.

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Lefler, Susan. "Kettle Bottom by Diane Gilliam Fisher." Appalachian Heritage 33, no. 1 (2005): 80–83. http://dx.doi.org/10.1353/aph.2005.0011.

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Rowell, Charles Henry. "An Interview With Dorothy Butler Gilliam." Callaloo 37, no. 2 (2014): 223–43. http://dx.doi.org/10.1353/cal.2014.0053.

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Dissertations / Theses on the topic "Gilliam"

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Sweeney, Michael. "Infinitos caballeros Quijano, Welles, Gilliam /." Diss., Connect to the thesis, 2004. http://hdl.handle.net/10066/770.

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Cadoret, Erwan. "Les Manifestations oniriques dans le cinéma de Terry Gilliam." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030148/document.

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Cette thèse se propose d’analyser les manifestations oniriques (rêve, hallucination, projection mentale) dans six films de Terry Gilliam réalisés entre 1985 et 2009 : Brazil, Fisher King, L’Armée des douze singes, Las Vegas parano, Tideland et L’Imaginarium du docteur Parnassus. Après avoir déterminé l’étendue et les limites de l’espace onirique, la première partie en décrit les principales caractéristiques sur le plan dramatique (organisation et place des manifestations dans les films) et sur le plan formel (effets oniriques). La deuxième partie s’intéresse plus particulièrement au corps du héros "gilliamien", qui sert d’interface entre le réel et l’onirisme, en insistant sur trois points : le mouvement du corps, l’importance accordée au regard et la capacité de dédoublement. Enfin, la troisième partie aborde les manifestations oniriques sous l’angle de la dimension critique à l’œuvre dans ces six films. À partir d’une vision pessimiste de l’existence tempérée par des notes d’espoir, Gilliam remet en cause les sociétés occidentales contemporaines, leur matérialisme et leur idéologie libérale
This Ph.D. attempts to analyse the numerous dreamlike scenes (dreams, hallucinations, mind projections) to be found in six films directed by Terry Gilliam from 1985 to 2009: Brazil, The Fisher King, Twelve Monkeys, Fear and Loathing in Las Vegas, Tideland, and The Imaginarium of Doctor Parnassus. The first part delineates the range and limits of the dreamlike occurrences as well as their main characteristics, both on the dramatic side (the organisation and distribution of dreamlike scenes) and on the formal side (dreamlike effects). The second part deals with the main character’s body as an interface between the “real world” and the dream world depicted by the films, laying emphasis on three aspects: the body language, the all-important gaze and the hero’s ability to split himself in two. Finally, the third part studies how the dreamlike scenes contribute to build up Gilliam’s critical stance toward the modern world. Informed by a pessimistic view on human life barely alleviated by some glimpses of hope, Gilliam challenges the contemporary occidental societies, which he sees as suffused with materialism and a free-enterprise ideology
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Mühlbeyer, Harald. ""Perception is a strange thing" die Filme von Terry Gilliam." Marburg Schüren, 2005. http://d-nb.info/998737399/04.

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Deroche, Sophie. "L'esthétique grotesque chez Lydie Salvayre, Tim Burton et Terry Gilliam : dénonciation et échappatoire de la société contemporaine du simulacre." Thesis, Reims, 2013. http://www.theses.fr/2013REIML003.

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Les œuvres de l'écrivain française Lydie Salvayre et des cinéastes américains Tim Burton et Terry Gilliam présentent une même dénonciation de la société du simulacre à travers une esthétique grotesque. Ils contestent dans leurs œuvres la pratique de la novlangue, celle du politiquement correct et le mélange de la réalité avec la fiction. Le fonctionnement dialectique du grotesque et sa capacité à procurer un vertige étonnant lui permet de rendre visible ces contradictions. La modification de l'imaginaire par la société de consommation et du simulacre les préoccupent particulièrement, car les auteurs observent que la transformation des signes en simples signifiants, dont le postmodernisme illustre le fonctionnement, conduisent l'individu à avoir un rapport déformé à la réalité, à la conscience historique et au symbole. Le grotesque est cette esthétique qui leur permet de former des mélanges dans leurs œuvres en préservant l'identité des signifiés et de restaurer ainsi un rapport à l'Histoire et au symbole. Le grotesque est cette esthétique qui permet le mélange sans équivalence, car elle donne à voir les contraires et leur confère du sens. Les auteurs lient leurs œuvres grotesques au mythe, cette fiction particulière qui permet d'avoir un rapport instinctif à la connaissance par le biais d'images particulièrement fortes. Le grotesque, dans sa dimension anthropologique et ontologique, réhabilite en définitive des fictions qui échappent aux problématiques du simulacre
The works of Lydie Salvayre, American movie directors Tim Burton and Terry Gilliam present a similar criticism of a society of simulacrum, by their use of the aesthetically grotesque. In their work, they question the use of newspeak, of the politically correct, and the mixing of reality and fiction. The dialectical working of the grotesque and its ability to produce an astonishing sense of vertigo enables it to bring out these contradictions. They are particularly concerned by the extent to which a society of consumption and simulacrum has modified the imaginary. These autors have observed that the transformation of signs into mere signifiers, something the workings of which are demonstrated in postmodernism, leads the individual to have a distorted relationship with reality, historical awareness and the symbol. The grotesque is that aesthetic form which allows them to make mixes in their work whilst preserving the meaning of the signified and which thereby allows them to restore a relationship to history and the symbol. The grotesque is that esthetic form which allows them to make mixes with no equivalent, since it shows opposites whilst conferring sense on them. The autors link their grotesque works to myth, that kind of fiction which enables us to have a instinctive relationship to knowledge by the means of particularly strong images. When all is said and done, the grotesque, in its anthropological and ontological dimension, reinstates a fiction which avoids the problems of simulacrum
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Axelrod, Daryl. "The Death of the Freedom Lie in The Graduate and the Mutation of the American Dream in Fear and Loathing in Las Vegas." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_theses/178.

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The type of commentary a narrative is able to make is fully dependant on the type of narrator who is relating it. The visual elements present in a film are the true narrational forces which guide it. The presence of the camera, the use of lighting, the architecture, and the objects present in the film each have their own meaning. These elements come together to make a greater commentary than the dialogue. How these meanings interact with each other is what defines what type of narrator is present in the film. By analyzing what type of narrator is relating the story it is possible to examine what commentary the film is able to make. Mike Nichols? 1967 film The Graduate and Terry Gilliam?s 1998 film adaptation of Hunter S. Thompson?s 1971 literary work Fear and Loathing in Las Vegas make commentaries that act as bookends for the ideals of the youth culture during the late 1960?s. Where as The Graduate is condemning the shining emptiness of 1967 suburban California society which its narrator inhabits, Fear and Loathing?s narrator is depicting the twisted abomination which grew within the emptiness of that society during those four years. The fact that Gilliam?s adaptation came 27 years after the source material was created allows for an even more specific translation of Thompson?s message. The Graduate is looking towards the unknown future where as Fear and Loathing is look backwards at the results. The Graduate is commenting on the current situation and looking forwards where as Fear and Loathing is looking backwards to see what has happened in the interim. It is this difference that forces the type of narration and the visual style employed by the films to be diametrically opposed.
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Reis, Caroline Moreira. "Os cavaleiros imaginários de Terry Gilliam: uma análise da transição da figura do cavaleiro medieval da literatura para o cinema." Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7101.

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As narrativas em torno da busca do Graal tiveram origem no século XI e foram de grande importância para fixar a imagem de um personagem típico da sociedade medieval, o cavaleiro, como um novo modelo heroico. Nesse sentido, os cavaleiros que encontraram o Graal nessas narrativas, especialmente no ciclo literário conhecido como Matéria da Bretanha, representam a configuração máxima desse paradigma. Esta pesquisa visa analisar a permanência de tal imagem no cinema, que é igualmente uma arte narrativa, como o eram as novelas de cavalaria que originaram o modelo. O corpus a ser analisado são três significativas obras do cineasta norte-americano Terry Gilliam que direta ou indiretamente retomam a questão do Graal: Monty Python em busca do Cálice sagrado (Monty Phyton and The Holy Grail, 1974), O pescador de ilusões (The Fisher King, 1991) e Os doze macacos (Twelve Monkeys, 1995). Assim, procura-se com esta tese traçar um panorama das retomadas da imagem literária e medieval dos cavaleiros no cinema, assim como observar as mudanças no padrão dessas imagens descritas literariamente para sua representação óptico-sonora
The narratives around the quest for the Grail originated in the XI century and were of great importance to fix the image of a typical character of medieval society , the knight , as a new heroic style. In this sense, the knights who found the Grail in these narratives, especially in the literary cycle known as the Matter of Britain, represent the maximum configuration of this paradigm . This research aims to examine the permanence of such an image on film , it is also a narrative art , as were the novels of chivalry which originated the style. The corpus to be analyzed are three significant works of American filmmaker Terry Gilliam who directly or indirectly reproduce the issue Grail : Monty Python and The Holy Grail , 1974; The Fisher King, 1991 and Twelve Monkeys, 1995. Thus, looking to give an overview of thesis resumed literary image and medieval knights in film, as well as observe the changes in the pattern of these images described literarily to optical - sound representation
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Ross, Simon David. "Nostalgia in postmodern science fiction film." Thesis, Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23472741.

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Borg, Caroline, and Jennifer Arvidsson. "Att gilla och att bli gillad- en sociologisk studie om unga på sociala medier." Thesis, Högskolan i Halmstad, Akademin för hälsa och välfärd, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-28958.

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Syftet med denna uppsats var att skapa en djupare förståelse för hur unga tänker och handlar kring ”likes och om de gör det till en värdering där de kan mäta sig själv och andra både när det gäller online som offline. För att ta reda på detta undersökte vi om det sociala samspelet både online och offline påverkas av denna eventuella värdering. Forskning visar på att sociala medier har en påverkan på unga, dock finns det ingen forskning om just ”likesfenomenet” och hur det tar sig uttryck bland unga användare av sociala medier. Studien är av kvalitativ art och har genomförts med hjälp av fokusgrupper vilka senare har tolkats utifrån ett hermeneutiskt perspektiv samt med stöd av teorier så som socialt kapital (Bourdieu), jaget och maskerna (Goffman) och panoptikon (Foucault). Huvudresultatet visar att unga tillskriver en värdering av sig själv och andra utifrån antalet ”likes”. Denna värdering har visat sig innehålla både positiva och negativa effekter. Positiva effekter på så vis att omtyckta och populära personer offline får ännu en konfirmation på att de är omtyckta- genom många ”likes” och negativa effekter för de personer som är mindre omtyckta offline genom att de får den tillskrivningen även online- genom få ”likes”. Vårt resultat visar även att unga använder sig av olika tillvägagångsätt och strategier för att uppnå så många ”likes” som möjligt och ett av dem är att framställa sig från sin allra bästa sida på bland annat bilder.
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Kirby, Jason. "LIKE A WRECKING BALL: GILLIAN WELCH AND THE MODERN SOUTH." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1151330052.

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Gersbo, Susanne. "Jag gillar snacka." Thesis, Malmö högskola, Fakulteten för lärande och samhälle (LS), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-29472.

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Syftet med min undersökning är att se om litteratursamtalet kan öka elevernas lust att läsa genom att samtala tillsammans om litteratur. I kursplanen för ämnet svenska (Lgr-11, 2011) står det att undervisningen ska stimulera elever till att läsa, samt att formulera egna åsikter och tankar. Vidare framhävs litteraturens roll i svenskundervisningen i Lgr-11 samt i forskning genomförd av Tengberg, Chambers, Gibbons, Thorson och Eriksson Barajas. Jag väljer att göra denna undersökning då jag tycker att boksamtalet verkar vara ett intressant arbetssätt och då det visat sig att svenska elever har sjunkande kunskaper i läsförståelse (PISA 2012). Det tillvägagångssätt som ligger till grund för undersökningen baseras på att elever fått i uppgift att läsa en bok. Därefter genomförs ett boksamtal tillsammans med en lärare och en grupp elever. Upplevelsen av detta boksamtal dokumenteras genom forskningsintervjuer med sex elever, där de redogör för vad de lärt sig samt om de efter samtalet har mer läslust än tidigare. I min undersökning kommer jag fram till att eleverna ”gillar att snacka”, d.v.s. de uppskattar boksamtalet som arbetssätt. De föredrar att samtala om litteratur till skillnad mot att bara skriva om den som de tidigare har gjort. Jag kommer även fram till att de elever som i vanliga fall inte läser känner att de har mer motivation att läsa böcker när de vet att de slipper skriva och istället får samtala om boken. De upplever att boksamtalet stimulerar till fortsatt läsning. Undersökningen har gett mig ett nytt arbetssätt som jag kommer att använda mig av i min framtida undervisning.
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Books on the topic "Gilliam"

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Gilliam, Terry. Gilliam on Gilliam. London: Faber and Faber, 1999.

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Marks, Peter. Terry Gilliam. Manchester, UK: Manchester University Press, 2009.

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Smith, David L. Family of Jesse Gilliam and Jennett McDowell Gilliam. [Atlanta, Ga] (2330 Greenglade Rd., NE, Atlanta 30345): D.L. Smith, 1993.

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Gilliam, Terry. Terry Gilliam: Interviews. Jackson: University Press of Mississippi, 2004.

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David, Sterritt, and Rhodes Lucille, eds. Terry Gilliam: Interviews. Jackson: University Press of Mississippi, 2004.

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Strickland, David N. Our Gilliam family. Carrollton, TX: D.N. Strickland, 1990.

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Phillips, Patricia Clare Gibbs. The family of Eleazar Gilliam and Nancy Jane Robbins Gilliam. [Bend, Or.]: P.C.G. Phillips, 1990.

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L, Smith David. Family of Andrew Jackson Gilliam and Sarah T. Clay Gilliam. [Atlanta, Ga]: D.L. Smith, 1989.

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Binstock, Jonathan P. Sam Gilliam: A retrospective. Berkeley, CA: University of California Press, 2006.

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Gilliam, James E. Gilliam autism rating scale. Leicester: Taskmaster Ltd., 1995.

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Book chapters on the topic "Gilliam"

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Scahill, Lawrence David, Koorosh Kooros, Ramon Barinaga, Rechele Brooks, Marisela Huerta, Lindsey Sterling, Jeffrey J. Wood, et al. "Gilliam Autism Rating Scale (GARS)." In Encyclopedia of Autism Spectrum Disorders, 1441–44. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4419-1698-3_879.

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Robinson, Janine. "Gilliam Autism Rating Scale (GARS)." In Encyclopedia of Autism Spectrum Disorders, 1–4. New York, NY: Springer New York, 2020. http://dx.doi.org/10.1007/978-1-4614-6435-8_879-3.

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Robinson, Janine. "Gilliam Autism Rating Scale (GARS)." In Encyclopedia of Autism Spectrum Disorders, 2234–38. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-91280-6_879.

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Birkenstein, Jeff, Anna Froula, and Karen Randell. "Introduction. Fear and Loathing in Hollywood: Looking at Terry Gilliam through a Wide-angle Lens." In The Cinema of Terry Gilliam, edited by Jeff Birkenstein, 1–8. New York Chichester, West Sussex: Columbia University Press, 2013. http://dx.doi.org/10.7312/birk16534-intro.

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Scahill, Lawrence David, Koorosh Kooros, Ramon Barinaga, Rechele Brooks, Marisela Huerta, Lindsey Sterling, Jeffrey J. Wood, et al. "Gilliam Autism Rating Scale, Second Edition." In Encyclopedia of Autism Spectrum Disorders, 1444. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4419-1698-3_100646.

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Wiedenstried, Holger E. "Gilliams, Maurice." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4376-1.

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Rathing, Frederike. "Flynn, Gillian." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5299-1.

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Hassoun, Nicole. "Brock, Gillian." In Encyclopedia of Global Justice, 89–91. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-1-4020-9160-5_197.

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Gooch, Jan W. "Gilling." In Encyclopedic Dictionary of Polymers, 340. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_5499.

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Pattinson, Shaun D. "Gillick." In Revisiting Landmark Cases in Medical Law, 54–91. Abingdon, Oxon [UK] ; New York, NY : Routledge, 2018. | Series: Biomedical Law and Ethics Library: Routledge, 2018. http://dx.doi.org/10.4324/9781315750651-3.

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Conference papers on the topic "Gilliam"

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Gillis, Floyd. "Floyd Gillis." In the ACM SIGGRAPH 05 electronic art and animation catalog. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1086057.1086090.

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Fragoso Santos, José, Petar Maksimović, Sacha-Élie Ayoun, and Philippa Gardner. "Gillian, part i: a multi-language platform for symbolic execution." In PLDI '20: 41st ACM SIGPLAN International Conference on Programming Language Design and Implementation. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3385412.3386014.

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Susanti, Dwi Lisa, and Novi Wulandari. "Demistifikasi Gender Biner dalam Novel Gone Girl Karya Gillian Flynn: Bahasa, Kekuasaan, dan Hegemoni Maskulinitas." In Seminar Nasional Struktural 2018. Semarang, Indonesia: Dian Nuswantoro University, 2018. http://dx.doi.org/10.33810/274168.

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Alme, Kayleigh C., Kenneth Lepper, Amy Towell, and Timothy G. Fisher. "OSL EVALUATION OF DUNE-SOURCED SAND LENSES FROM GILLIGAN LAKE, MICHIGAN, USA." In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-285997.

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Gras, R., R. Neale, O. J. Rossebø, and E. Verkuil. "Fault Seal in the Upper Slochteren (Rotliegend), Case Study from the Gillian Gas Field, Block L11c, Netherlands Offshore." In 78th EAGE Conference and Exhibition 2016. Netherlands: EAGE Publications BV, 2016. http://dx.doi.org/10.3997/2214-4609.201601354.

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Guess, Trent M., and David G. Alciatore. "Model Development and Control Implementation for a Magnetic Levitation Apparatus." In ASME 1995 15th International Computers in Engineering Conference and the ASME 1995 9th Annual Engineering Database Symposium collocated with the ASME 1995 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1995. http://dx.doi.org/10.1115/cie1995-0830.

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Abstract This project takes a comprehensive look at model development for the classic magnetic levitation system and examines differences between the conventional mag-lev model and an actual system. Also examined are the effects that un-modeled dynamics can have on the stability of a simulated system. This project combines and expands upon modeling techniques presented in similar projects (Lawson and Gillies, 1989, Lin and Jou, 1993, Oguchi and Tomigashi, 1990, Wong, 1986), and presents a method for modeling the mag-lev system which combines conventional electromagnetic theory and data from the physical plant. The model is then tested by designing and simulating controllers with the model and then applying the controllers to the experimental apparatus.
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Monteleone, Michael. "The Former Fort Gillem: A Unique Case History in Closed Army Base Redevelopment." In Geo-Chicago 2016. Reston, VA: American Society of Civil Engineers, 2016. http://dx.doi.org/10.1061/9780784480182.003.

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Placencia, Greg. "Psychological and Cultural Components Affecting Rail Worker Culture: A Literature Review." In 2015 Joint Rail Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/jrc2015-5609.

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Developing and maintaining a healthy work environment is an important consideration to the rail industry. Several theories have been advanced to examine, understand, and influence how workers function and interact within their working environments. These include motivational theories such as Taylor’s Theory of Scientific Management and Maslow’s Hierarchy of Needs, models of moral develop such as developed by Kohlberg and Gilligan, theories of personality types like Myers–Brigg and Keirsey, and the theory of cultural dimensions developed by Hofstede. Positive work environments can contribute to safe and efficient operations, while negative work environments almost inevitably degrade performance and increase the potential for injury and accidents. Therefore understanding and managing these elements properly can greatly contribute to better organizational outcomes. This paper will then examine the underlying role of human behavior as determined by these theories appear to have played in 5 incidents at Metro–North Railroad in 2013–2014.
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Lee, S., W. S. Song, H. R. Kim, and J. G. Park. "Design of Large-Scale, High-Efficient, Vertical Wind Turbine." In ASME/JSME 2007 5th Joint Fluids Engineering Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/fedsm2007-37542.

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This paper presents the overall design of a 2 MW vertical-type wind turbine power generation system. Firstly, the performance of the jet-wheel turbo turbine was optimized by considering the design parameters such as the rotor inlet angle, the solidity, and the diameter-height ratio with the guide vanes fixed. The effects of the side guide vane and the opening area ratio upon the efficiency were tested. As the wind speed increases from 3m/s to 7m/s, the maximum power coefficient reached the limit value of about 0.6 based on the rotor area, which is much higher than those of ever-designed three-bladed horizontal turbines. The maximum power coefficients occurred at the tip speed ratio ranging between 0.6 and 0.7. Based on the performance of small prototype model, the large-scale wind turbine rotor was designed within the constraints of material cost, machining cost, structural safety at extreme conditions, and maintenance. Thus, the aspect ratio of the diameter-to-height and the hub-tip ratio were set as 0.8 and 0.0857, respectively. All sides of the rotor were almost opened to achieve a maximum efficiency with only possible blocking by the sprocket gear attached to the bottom of the rotor. To evaluate the structural safety of the turbine at extreme wind speeds over 25m/s lasting 10 minutes, the numerical simulations were performed to evaluate the pressure loadings on the blades and the guide vanes. According to the structural analysis based on the pressure loadings and its weight, the entire system is considered to be stable for the extreme and static loadings. The overall performance of the jet-wheel turbo wind-turbine system was analyzed to find the capacity factor for the wind characteristics of Gillim province in China by considering the gear box efficiency, the roller bearing losses, and the SCIG/DFIG generator efficiency.
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Reports on the topic "Gilliam"

1

Coiner, Josh. Gilliam County Riparian Buffers; 2002-2003 Annual Report. Office of Scientific and Technical Information (OSTI), May 2003. http://dx.doi.org/10.2172/897652.

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2

Coiner, Josh. Gilliam County Riparian Buffers; 2003-2004 Annual Reports. Office of Scientific and Technical Information (OSTI), June 2004. http://dx.doi.org/10.2172/897653.

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3

Ewing, Bill, and Nick Schott. Gilliam County Riparian Buffers; 2004-2005 Annual Report. Office of Scientific and Technical Information (OSTI), November 2005. http://dx.doi.org/10.2172/897654.

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4

Dredge, L. A. Surficial geology, Lake Gillian, Baffin Island, Nunavut. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2003. http://dx.doi.org/10.4095/214602.

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5

Dredge, L. Surficial geology, Lake Gillian, central Baffin Island, Nunavut. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2004. http://dx.doi.org/10.4095/216172.

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6

EMC ENGINEERS INC MARIETTA GA. Energy Savings Opportunity Survey, Fort Gillem, Georgia. Volume 1. Fort Belvoir, VA: Defense Technical Information Center, September 1992. http://dx.doi.org/10.21236/ada330560.

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7

EMC ENGINEERS INC MARIETTA GA. Energy Savings Opportunity Survey, Fort Gillem, Georgia; Executive Summary. Fort Belvoir, VA: Defense Technical Information Center, September 1992. http://dx.doi.org/10.21236/ada330612.

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8

EMC ENGINEERS INC DENVER CO. Energy Savings Opportunity Survey Fort Gillem, Georgia Volume 2, Appendices E and F. Fort Belvoir, VA: Defense Technical Information Center, September 1992. http://dx.doi.org/10.21236/ada330265.

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9

Crispin, Darla. Artistic Research as a Process of Unfolding. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.503395.

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As artistic research work in various disciplines and national contexts continues to develop, the diversity of approaches to the field becomes ever more apparent. This is to be welcomed, because it keeps alive ideas of plurality and complexity at a particular time in history when the gross oversimplifications and obfuscations of political discourses are compromising the nature of language itself, leading to what several commentators have already called ‘a post-truth’ world. In this brutal environment where ‘information’ is uncoupled from reality and validated only by how loudly and often it is voiced, the artist researcher has a responsibility that goes beyond the confines of our discipline to articulate the truth-content of his or her artistic practice. To do this, they must embrace daring and risk-taking, finding ways of communicating that flow against the current norms. In artistic research, the empathic communication of information and experience – and not merely the ‘verbally empathic’ – is a sign of research transferability, a marker for research content. But this, in some circles, is still a heretical point of view. Research, in its more traditional manifestations mistrusts empathy and individually-incarnated human experience; the researcher, although a sentient being in the world, is expected to behave dispassionately in their professional discourse, and with a distrust for insights that come primarily from instinct. For the construction of empathic systems in which to study and research, our structures still need to change. So, we need to work toward a new world (one that is still not our idea), a world that is symptomatic of what we might like artistic research to be. Risk is one of the elements that helps us to make the conceptual twist that turns subjective, reflexive experience into transpersonal, empathic communication and/or scientifically-viable modes of exchange. It gives us something to work with in engaging with debates because it means that something is at stake. To propose a space where such risks may be taken, I shall revisit Gillian Rose’s metaphor of ‘the fold’ that I analysed in the first Symposium presented by the Arne Nordheim Centre for Artistic Research (NordART) at the Norwegian Academy of Music in November 2015. I shall deepen the exploration of the process of ‘unfolding’, elaborating on my belief in its appropriateness for artistic research work; I shall further suggest that Rose’s metaphor provides a way to bridge some of the gaps of understanding that have already developed between those undertaking artistic research and those working in the more established music disciplines.
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10

Gilliam County Riparian Buffers 2007-2008 Annual Report. Office of Scientific and Technical Information (OSTI), November 2008. http://dx.doi.org/10.2172/962634.

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