Relevant bibliographies by topics / Gilman, Charlotte Perkins, 1860-1935 Herland

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  2. Dissertations / Theses
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Academic literature on the topic 'Gilman, Charlotte Perkins, 1860-1935 Herland'

Author: Grafiati
Published: 10 December 2022
Last updated: 31 July 2025

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Journal articles on the topic "Gilman, Charlotte Perkins, 1860-1935 Herland"

1

Zhang, Wenhui. "An Exploration of Female Masculinity in Herland." Advances in Education, Humanities and Social Science Research 13, no. 1 (2025): 351. https://doi.org/10.56028/aehssr.13.1.351.2025.

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Charlotte Perkins Gilman (1860–1935), a prominent feminist, writer, and theorist, has left an enduring legacy through her diverse body of work and her contributions to feminist thought and social reform. Among her influential works, Herland (1915) stands out as a seminal feminist utopian novel, portraying a harmonious, all-female society where traditional gender roles are subverted. This thesis explores the concept of female masculinity as constructed and represented in Herland, with a focus on six characters: Celis, Alima, Alado, Sommel, Zawa, and Mao Dai. Grounded in the concept of female ma
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Haubert, Laura Elizia. "introdução ao pragmatismo na filosofia de Charlotte Perkins Gilman." Cognitio: Revista de Filosofia 25, no. 1 (2024): e66439. http://dx.doi.org/10.23925/2316-5278.2024v25i1:e66439.

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O resgate da memória e dos trabalhos das filósofas pragmatistas que foi iniciado na década de 1990 por Charlene Haddock Seigfried culminou na revisão do cânone histórico do pragmatismo, ao qual foi adicionado uma série de novos nomes, entre eles, o de Charlotte Perkins Gilman (1860-1935). Embora mais conhecida no âmbito literário, Gilman foi considerada uma filósofa pragmatista em recentes interpretações devido tanto a sua proximidade contextual com os pragmatistas da idade de ouro, quanto a proximidade de seu método reflexivo e de questões abordadas. O presente trabalho visa introduzir aos le
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3

Jiménez Rodrigo, María Luisa. "Redescubriendo a Charlotte Perkins Gilman: Aportaciones precursoras para una Sociología feminista." Investigaciones Feministas 13, no. 2 (2024): 639–51. http://dx.doi.org/10.5209/infe.81758.

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Introducción/Objetivos: La enseñanza de la Sociología, aún hoy, arrastra un marcado componente androcéntrico que tiende a invisibilizar e infravalorar las aportaciones de las mujeres como productoras de conocimiento y de teoría social. Este sesgo es especialmente patente en el período clásico y fundacional de la disciplina. Entre las sociólogas olvidadas del canon sociológico destaca Charlotte Perkins Gilman (Estados Unidos, 1860-1935). En este trabajo se pretende recuperar su figura mostrar sus aportaciones precursoras para la configuración de una Sociología feminista. Metodología: Se ha real
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4

Khleif, Instructor: Alia. "The Psychological Isolation in Charlotte Perkins Gilman’s “The Yellow Wallpaper”." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 225, no. 1 (2018): 83–92. http://dx.doi.org/10.36473/ujhss.v225i1.129.

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This paper examines how Charlotte Perkins Gilman(1860-1935) depicts the effects of isolation, physical and psychological, on the heroine in her story "The Yellow Wallpaper"(1892). By using the first person narration which is a subjective style of writing, the writer reveals the thoughts and feelings of the narrator as she tries to fight against psychological pressures which she could not cope with. Furthermore, the paper examines the reasons which lead to the woman's breakdown, mainly her isolation from people, her need for communication and the way of treatment she receives from her husband.
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Dissertations / Theses on the topic "Gilman, Charlotte Perkins, 1860-1935 Herland"

1

Denance, Pascale Ortemann Marie-Jeanne. "I - " Tim -and-Me " essai sur l'entrelacs des genres comme fondement fictionnel à une rhétorique du sujet. Etude d'un corpus transgénérique de la fin du XIXe siècle : The Portrait of a Lady de Henry James, The Yellow Wallpaper de Charlotte Perkins Gilman et une sélection de poèmes d'Emily Dickinson /." [S.l.] : [s.n.], 2007. http://castore.univ-nantes.fr/castore/GetOAIRef?idDoc=43136.

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Denance, Pascale. "I - « Tim -and-Me » : essai sur l'entrelacs des genres comme fondement fictionnel à une rhétorique du sujet. Etude d'un corpus transgénérique de la fin du XIXe siècle : The Portrait of a Lady de Henry James, The Yellow Wallpaper de Charlotte Perkins Gilman et une sélection de poèmes d'Emily Dickinson." Nantes, 2007. http://www.theses.fr/2007NANT3036.

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L'étude d'un corpus transgénérique de la fin du XIXe siècle, constitué de The Portrait of a Lady de Henry James, The Yellow Wallpaper de Charlotte Pekins Gilman et d'une sélection de poèmes d'Emily Dickinson révèle l'entrelacs des genres en tant que fondement fictionnel à une rhétorique du sujet. Protéiformes sans toutefois se situer hors catégorie, ils ont recours à une écriture spiroïdale qui est la conjonction parfaite du narratif et du poétique. Leur emploi du féminin et de l'épicène fait apparaître les distinctions de genre linguistique qui avaient été occultées dans les écrits romantique
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Gignac, Sylvie. "Du silence à la parole : étude comparative de La chambre au papier peint (1892) de Charlotte Perkins Gilman et du Cercle de Clara (1997) de Martine Desjardins." Mémoire, 2008. http://www.archipel.uqam.ca/1183/1/M10483.pdf.

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Charlotte Perkins Gilman, une femme de lettres du XIXe siècle, a bien failli perdre, complètement et à jamais, sa capacité d'écrire au terme de traitements inappropriés pour sa dépression. Elle rédige un récit autobiographique et dénonciateur qui illustre son combat contre la science et la société de son époque. À la fin du récit, la narratrice, quoique anéantie, refuse de se soumettre et continue désespérément d'aller de l'avant. C'est une fin qui suggère, même au XIXe siècle, qu'elle (la femme, la Nature) avait raison, et que le médecin (l'homme, la Culture) avait tort. Au XXe siècle, Martin
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Polefrone, Phillip Robert. "Human/Nature: American Literary Naturalism and the Anthropocene." Thesis, 2020. https://doi.org/10.7916/d8-jnms-bw83.

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“Human/Nature: American Literary Naturalism and the Anthropocene” examines works of fiction from the genre of American literary naturalism that sought to represent the emergence of the environmental crisis known today as the Anthropocene. Reading works by Jack London, Frank Norris, Charlotte Perkins Gilman, and Charles W. Chesnutt, I show how the genre’s well-known tropes of determinism, atavism, and super-individual scales of narration were used to create narratives across vast scales of space and time, spanning the entire planet as well as multi-epochal stretches of geologic time. This readi
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Books on the topic "Gilman, Charlotte Perkins, 1860-1935 Herland"

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Lane, Ann J. To Herland and beyond: The life and work of Charlotte Perkins Gilman. Pantheon Books, 1990.

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2

1954-, Knight Denise D., and Davis Cynthia J. 1964-, eds. Approaches to teaching Gilman's "The yellow wall-paper" and Herland. Modern Language Association of America, 2003.

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3

Perkins, Gilman Charlotte. With her in Ourland: Sequel to Herland. Praeger, 1997.

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Perkins, Gilman Charlotte. With her in Ourland: Sequel to Herland. Greenwood Press, 1997.

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5

Davis, Cynthia J. Charlotte Perkins Gilman: A biography. Stanford University Press, 2010.

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6

Perkins, Gilman Charlotte. Diaries of Charlotte Perkins Gilman. University Press of Virginia, 1994.

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Perkins, Gilman Charlotte. Diaries of Charlotte Perkins Gilman. University Press of Virginia, 1994.

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8

Gilman, Charlotte Perkins. Charlotte Perkins Gilman: A nonfiction reader. Columbia University Press, 1991.

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9

Perkins, Gilman Charlotte. The selected letters of Charlotte Perkins Gilman. University of Alabama Press, 2009.

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10

Catherine, Golden, and Zangrando Joanna S. 1939-, eds. The mixed legacy of Charlotte Perkins Gilman. University of Delaware Press, 2000.

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Book chapters on the topic "Gilman, Charlotte Perkins, 1860-1935 Herland"

1

Murphy, Julien S. "Charlotte Perkins Gilman (1860–1935)." In A History of Women Philosophers. Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-011-1114-0_3.

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Tolle, Andrew. "Charlotte Perkins Gilman (1860–1935)." In The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism. Routledge, 2023. http://dx.doi.org/10.4324/9781003006923-25.

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Davis, Cynthia J. "Charlotte Perkins Gilman (1860–1935)." In Fifty-One Key Feminist Thinkers. Routledge, 2016. http://dx.doi.org/10.4324/9781315558806-17.

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Berch, B. "Gilman, Charlotte Perkins (1860–1935)." In The New Palgrave Dictionary of Economics. Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_760.

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Berch, B. "Gilman, Charlotte Perkins (1860–1935)." In The New Palgrave Dictionary of Economics. Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1057/978-1-349-95121-5_760-1.

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Berch, B. "Gilman, Charlotte Perkins (1860–1935)." In The New Palgrave Dictionary of Economics. Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_760-2.

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7

Bollobás, Enikő. "Charlotte Perkins Gilman Magyarországon." In "SO FAR SO GOOD". Szegedi Tudományegyetem, 2023. http://dx.doi.org/10.14232/tntebooks.1.2023.4.

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Tanulmányom témája Charlotte Perkins Gilmannak (1860-1935), az amerikai fe-minizmus első hulláma ismert képviselőjének magyarországi megjelenése, beleértve budapesti látogatásait és műveinek magyar nyelvű kiadásait. Ám mielőtt bemutatom Gilmanpályájának magyar kapcsolódásait, röviden összefoglalom három legjelentősebb, feminista tételekből strukturált művének legfőbb állításait, amelyek azután budapesti előadásainak, illetve A nő és a társadalomlapba küldött írásainak sarokköveiként is szolgáltak. Végül kitérek egy különös következetlenségre („elv-hűtlenségre”), amely Gilman gondolkodásának ép
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Moore, P. S. "Gilman, Charlotte Perkins (1860–1935)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem1970-1.

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Charlotte Anne Perkins was born in 1860 in Hartford, Connecticut, to a family of preachers, abolitionists, suffragists and literary luminaries. In 1884 she compromised her youthful dreams of ‘world service’ for marriage, which she later skewered as unpaid ‘domestic service’. The constraints and demands of married life, compounded by postpartum depression following the birth of her daughter, contributed to her suffering from severe depression. In 1887 she was sent to S. Weir Mitchell for his famous ‘rest cure’—a regime of physical and mental passivity that, she said, nearly drove her mad.
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Berkin, Carol Ruth. "Charlotte Perkins Gilman (1860-1935)." In Portraits of American Women. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195120486.003.0014.

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Abstract Charlotte Perkins Gilman was born July 3, 1860, in Hartford, Connecticut, to parents who separated soon after she was born. Following her own divorce from her first husband in 1894, Gilman moved to California where she began to establish her career of social reform by publishing in several literary forms and by lecturing to women’s clubs and to socialist and working men’s associations.
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Lengermann, Patricia, and Gillian Niebrugge. "Charlotte Perkins Gilman (1860–1935)– Gender and Social Structure." In Charlotte Perkins Gilman. Routledge, 2018. http://dx.doi.org/10.4324/9781315260617-4.

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