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1

Keitel, Wilhelm. Gioachino Rossini. München: A. Knaus, 1992.

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2

Gioachino Rossini. [Paris]: Bleu nuit, 2009.

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3

Gallo, Denise P. Gioachino Rossini. New York: Routledge, 2010.

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4

Gioachino Rossini: Mode d'emploi. Paris: Premières Loges, 2020.

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5

Gioachino Rossini: A guide to research. New York: Routledge, 2002.

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6

Iesuè, Alberto. "Rossini rivoltato": Incipitario testuale della musica vocale di Gioachino Rossini. Roma: Istituto di bibliografia musicale, 1997.

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7

Gioachino Rossini dai ritratti e dalle scritture. Roma: Paleani, 1985.

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8

C, Bartlet M. Elizabeth, ed. Guillaume Tell di Gioachino Rossini: Fonti iconografiche. Pesaro: Fondazione Rossini, 1996.

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9

Bartlet, M. Elizabeth C. 1948- and Bucarelli Mauro, eds. Guillaume Tell di Gioachino Rossini: Fonti iconografiche. Pesaro: Fondazione Rossini, 1996.

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10

Ferrara, Gianfranco. Zelmira e lo stile compositivo "tedesco" di Gioachino Rossini. Roma: Aracne, 2013.

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11

Italy) Rossini 2017 (Conference) (2017 Pesaro. Gioachino Rossini, 1868-2018: La musica e il mondo. Pesaro: Fondazione Rossini, 2018.

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12

Pedrotti, Roberta. Le donne di Gioachino Rossini: Nate per vincere e regnar. Bologna: Odoya, 2018.

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13

Barbara, Frittoli, Ganassi Sonia, Filianoti Giuseppe 1974-, Schrott Erwin, Abdrazakov Ildar, Muti Riccardo, Rossini Gioacchino 1792-1868, and Teatro alla Scala, eds. Gioachino Rossini: Moïse et Pharaon : Riccardo Muti : Teatro alla Scala. Milano: Electa, 2004.

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14

Gioachino Rossini: Il viaggio a Reims : Ottavio Dantone, Teatro alla Scala /. Firenze: Banca CR Firenze, 2009.

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15

Daniele, Benati, Medica Massimo, and Palazzo del podestà (Bologna, Italy), eds. La quadreria di Gioachino Rossini: Il ritorno della Collezione Hercolani a Bologna. Cinisello Balsamo, Milano: Silvana, 2002.

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16

Baricco, Alessandro. Il genio in fuga: Due saggi sul teatro musicale di Gioachino Rossini. Torino: Einaudi, 1997.

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17

Baricco, Alessandro. Il genio in fuga: Due saggi sul teatro musicale di Gioachino Rossini. [Genova]: Il Melangolo, 1988.

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18

Grempler, Martina. Rossini e la patria: Studien zu Leben und Werk Gioachino Rossinis vor dem Hintergrund des Risorgimento. Kassel: G. Bosse, 1996.

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19

Kagekidan, Nihon Opera Shinkōkai Fujiwara. Sebiria no rihatsushi: Rosshīni sakkyoku, opera 2-maku gengo jōen = Il barbiere di Siviglia : Gioachino Rossini (1792-1868). Tōkyō: Shin Kokuritsu Gekijō Unʼei Zaidan, 2000.

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20

Fanan, Giorgio. Drammaturgia rossiniana: Bibliografia dei libretti d'opera, di oratori, cantate ecc. posti in musica da Gioachino Rossini. Roma: Istituto di bibliografia musicale, 1997.

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21

Gioachino in Bologna: Mezzo secolo di società e cultura cittadina convissuto con Rossini e la sua musica. Bologna: Pendragon, 2018.

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22

1948-, Fabbri Paolo, and Fondazione Rossini di Pesaro, eds. Gioachino Rossini, 1792-1992, il testo e la scena: Convegno internazionale di studi, Pesaro, 25-28 giugno 1992. Pesaro: Fondazione Rossini Pesaro, 1994.

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23

1948-, Fabbri Paolo, and Fondazione Rossini di Pesaro, eds. Gioachino Rossini, 1792-1992, il testo e la scena: Convegno internazionale di studi, Pesaro, 25-28 giugno 1992. Pesaro: Fondazione Rossini Pesaro, 1994.

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24

Romero, José Rallo. Il mondo affettivo di Gioachino Rossini e la sua opera musicale: Conferenza al Museo Poldi Pezzoli : Milano, 5 marzo 1994. Castrovillari (CS): Teda, 1995.

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25

Johnson, Janet Lynn. Il viaggo a Reims, ossia L'albergo del giglio d'oro: Dramma giocoso in un atto di Luigi Balochi ; musica di Gioachino Rossini. Pesaro: Findazione Rossini, 1999.

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26

Rymer, Balfe Roberta, Pinilla Graciela, Mydske Valerie, and Graf Mark, eds. A young person's introduction to the arts featuring the opera La cenerentola (Cinderella) by Gioachino [sic] Rossini: Music, drama, language, costumes, games, puzzles. Miami: Young Patronesses of the Opera, 2008.

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27

Rymer, Balfe Roberta, Pinilla Graciela, Mydske Valerie, and Graf Mark, eds. A young person's introduction to the arts featuring the opera La cenerentola (Cinderella) by Gioachino [sic] Rossini: Music, drama, language, costumes, games, puzzles. Miami: Young Patronesses of the Opera, 2008.

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28

Reto, Müller, and Deutsche Rossini Gesellschaft, eds. Hommage an Rossini: Katalog zur Ausstellung : Gioachino Rossini in den Zeichnungen seiner Zeit : Lithographien, Stahl- und Holzstiche, Fotos, Karikaturen und Ansichtskarten aus der Sammlung Reto Müller : Ausstellung der Deutschen Rossini Gesellschaft e.V. zu ihrem 10jährigen Bestehen, Stuttgart, Galerie im GENO-Haus, 9. Juni bis 7. Juli 1999, Bad Wildbad, Trinkhalle, 11. bis 25. Juli 1999. [Leipzig]: Leipziger Universitätsverlag, 1999.

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29

Sennefelder, Doris. Moitié italien, moitié français: Untersuchungen zu Gioachino Rossinis Opern Mosè in Egitto, Maometto II, Moïse et Pharaon, ou, Le passage de la Mer Rouge und Le siège de Corinthe. München: Utz, 2006.

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30

Biografia Di Gioachino Rossini. Creative Media Partners, LLC, 2022.

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31

Biografia Di Gioachino Rossini. Creative Media Partners, LLC, 2022.

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32

Gioachino Rossini und seine Zeit. Laaber Verlag, 2015.

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33

Gallo, Denise. Gioachino Rossini: A Research and Information Guide. Taylor & Francis Group, 2015.

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34

Gallo, Denise. Gioachino Rossini: A Research and Information Guide. Taylor & Francis Group, 2012.

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35

Gioachino Rossini: A Research and Information Guide. Routledge, 2014.

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36

Gallo, Denise. Gioachino Rossini: A Research and Information Guide. Taylor & Francis Group, 2012.

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37

Gallo, Denise. Gioachino Rossini: A Research and Information Guide. Taylor & Francis Group, 2012.

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38

Gallo, Denise. Gioachino Rossini: A Research and Information Guide. Taylor & Francis Group, 2012.

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39

Gallo, Denise. Gioachino Rossini: A Research and Information Guide. Taylor & Francis Group, 2012.

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40

Luque, Antonio Domínguez. Gioachino Rossini · Más allá de Il Barbiere. Lulu.com, 2007.

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41

Gioachino Rossini - William Tell / Teatro alla Scala. Home Vision, 1991.

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42

Rossini, Gioacchino. Gioachino Rossini - Favorite Overtures: Critical Edition Full Score. Ricordi, 2003.

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43

Poriss, Hilary. Gioachino Rossini's The Barber of Seville. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190299637.001.0001.

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Gioachino Rossini’s The Barber of Seville surveys the opera’s fascinating performance history, mapping out the myriad changes that have affected the work since its premiere, exploring many of the personalities responsible for those alterations, and taking into account the range of reactions that these changes have prompted in spectators and critics from the nineteenth century to the present. Opening with a wide-ranging overview of the types of alterations that have been imposed on Rossini’s score for the past two centuries, the first chapter addresses the mechanics behind these changes as well as the cultural forces that both fostered and encouraged them. The book next looks at some of the earliest revivals, drawing attention to alterations that were made to the score and to individual singers who were responsible for the changes, especially those who appeared in the roles of Almaviva and Bartolo. An entire chapter is devoted to Rosina, examining the wide array of creative liberties that prima donnas have unremittingly and unrepentantly taken with their interpretations of this character. The final sections turn to the opera’s recent history, observing how the Rossini Renaissance brought with it a new dedication to the “work concept” and to shedding the types of alterations that had long characterized performances of this work. The book closes with a consideration of operatic consumerism from the nineteenth century to the present, exploring the myriad ways that one can now experience The Barber of Seville in all its recorded, digitized, and commodified glory.
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44

Rossini, Gioacchino. Quelques riens pour album (The Critical Edition of the Works of Gioachino Rossini, Volume 7). Fondazione Rossini, 1986.

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45

Rossini, Gioacchino. Album francais--Morceaux reserves (The Critical Edition of the Works of Gioachino Rossini, Section I: Operas). Fondazione Rossini, 1991.

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46

Rossini, Gioacchino. Album francais--Morceaux reserves (The Critical Edition of the Works of Gioachino Rossini, Section I: Operas). Fondazione Rossini, 1991.

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47

La quadreria di Gioachino Rossini: Il ritorno della collezione Hercolani a Bologna. Cinisello Balsamo (Milano): Silvana, 2002.

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48

(Editor), Philip Gossett, ed. Tancredi: Melodramma eroico in Two Acts by Gaetano Rossi (The Critical Edition of the Works of Gioachino Rossini, Section I: Operas). Fondazione Rossini, 1986.

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49

(Editor), Philip Gossett, ed. Tancredi: Melodramma eroico in Two Acts by Gaetano Rossi (The Critical Edition of the Works of Gioachino Rossini, Section I: Operas). Fondazione Rossini, 2008.

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50

Rossini, Gioacchino. Sinfonie giovanili (The Critical Edition of the Works of Gioachino Rossini, Section I: Operas). Fondazione Rossini, 1998.

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