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Relevant bibliographies by topics / Giotto, 1266?-1337

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Academic literature on the topic 'Giotto, 1266?-1337'

Author: Grafiati

Published: 4 June 2021

Last updated: 24 February 2023

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Journal articles on the topic "Giotto, 1266?-1337"

1

Berrie, Barbara H. "Unusual Pigments Found in a Painting by Giotto (1266-1337) Reveal Diversity of Materials Used by Medieval Artists." Microscopy and Microanalysis 20, S3 (2014): 2014–15. http://dx.doi.org/10.1017/s1431927614011805.

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2

Pizzorusso, Ann C. "A portrait of central Italy's geology through Giotto's paintings and its possible cultural implications." Geoscience Communication 3, no. 2 (2020): 427–42. http://dx.doi.org/10.5194/gc-3-427-2020.

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Abstract. Central Italy has some of the most complex geology in the world. In the midst of this inscrutable territory, two people emerged – St. Francis and Giotto – and they would ultimately change the history of ecology, religion and art by extolling the landscapes and geology of this region. From antiquity to the Middle Ages, humans had a conflicting relationship with nature, seeing it as representing either divine or satanic forces. On the vanguard of a change in perspective toward the natural world was St. Francis of Assisi (ca. 1181–1226) who is now, thanks to his pioneering work, a patro

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3

Potter, Polyxeni. "Giotto di Bondone (c. 1267-1337). St. Francis of Assisi Receiving the Stigmata (c. 1290)." Emerging Infectious Diseases 8, no. 12 (2002): 1531. http://dx.doi.org/10.3201/eid0812.ac0812.

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4

Schneider, Talise Adriele Teodoro, Meire Aparecida Lóde Nunes, Thais Regina Ravazi de Souza, and Vanessa Silvestre Lima. "Um estudo do crucifixo de Padova de Giotto di Bandone." Educação e Fronteiras, November 30, 2021, e021028. http://dx.doi.org/10.30612/eduf.v11iesp.2.16485.

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O objetivo deste texto é analisar o painel do Crucifixo de Padova pintado por Giotto di Bondone (1266-1337) com direcionamento da premissa de que a imagem expressa a dualidade da natureza de Cristo por meio do corpo humano de Jesus. O corpo humanizado de Cristo é compreendido, no estudo, como indício da mudança de mentalidade acerca dos conceitos de homem e de mundo que se consolidariam no Renascimento Italiano. A orientação metodológica se estabelece por meio dos preceitos apresentados por Matine Joly no que se refere as mensagens provenientes dos signos plásticos, icônicos e linguísticos. A

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5

Berrie, Barbara H., Marco Leona, and Richard McLaughlin. "Unusual pigments found in a painting by Giotto (c. 1266-1337) reveal diversity of materials used by medieval artists." Heritage Science 4, no. 1 (2016). http://dx.doi.org/10.1186/s40494-016-0070-9.

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6

Oliveira, Terezinha, and Meire Aparecida Lóde Nunes. "A expulsão dos mercadores do templo: um estudo da usura na pintura de Giotto di Bondone." Série-Estudos - Periódico do Programa de Pós-Graduação em Educação da UCDB, July 1, 2014, 275–93. http://dx.doi.org/10.20435/serie-estudos.v0i37.767.

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O objetivo deste texto é analisar a pintura de Giotto di Bondone (1267-1337), A expulsão dos vendilhões do templo. A investigação é desenvolvida pelo olhar da História da Educação e os pressupostos teóricos são provenientes da História Social, a qual nos permite dialogar com várias áreas do conhecimento e utilizar a produção imagética como fonte de pesquisa. Nossas reflexões serão direcionadas pelas inquietações acerca da expansão comercial do século XIII, advento que propiciou o surgimento de novas necessidades e questionou valores da tradição cristã. Em consequência, a Igreja se deparou com

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7

Gasanova, Svetlana, Nikolas Bakirtzis, Dominique Levif-Martos, and Sorin Hermon. "Giovanni Baronzio's 'Crucifixion': analytical approaches and art historical considerations." Heritage Science 8, no. 1 (2020). http://dx.doi.org/10.1186/s40494-020-00443-7.

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Abstract The small panel of the ‘Crucifixion’ attributed to Giovanni (da Rimini) Baronzio is a perfect example of the artistic achievements of the so-called School of Rimini. Baronzio, active between 1320 and 1350, was one of the most important painters of a group of artists working in Rimini during the first half of the 14th-century whose work was heavily influenced by the work of Giotto di Bondone (1267–1337), characterized by Gothic and Byzantine influences. The panel, with an estimated date in the end of the 1320 s, represents a popular iconographic theme during this period and was painted

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Dissertations / Theses on the topic "Giotto, 1266?-1337"

1

Crossley, Elizabeth Ellen. "Changes in the image of the feminine from Giotto to Raphael." Thesis, Rhodes University, 1985. http://hdl.handle.net/10962/d1009448.

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From Introduction: The ideal of femininity which developed in Renaissance painting, was a visual and psychological type which was to become the Western European Christian formula of the feminine. This type has survived until the present day, so a discussion of its origins can be revealing for us in the twentieth century, especially as it has been neglected in traditional art historical works. In this essay, the changes in the image of the feminine, in just under three hundred years of Florentine painting, starting with Giotto1. and ending with Raphael~· will be covered. The images will be take

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2

Costantini, Michel. "Narratologie picturale, : ou O Jocte, quid de illo narrasti ? : à propos des vingt-huit fresques dépeignant la vie de saint François en la basilique supérieure d'Assisi." Paris 8, 1993. http://www.theses.fr/1993PA080823.

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Le titre entend signifier que la recherche est de peinture, plus precisement giottesque en l'occurence, c'est le cycle consacre par le peintre a la vie de saint francois, le long des parois de la nef de la basilique superieure d'assise ; que la methode employee est semiotique, main mobilise essentiellement la partie de cette discipline qui s'occupe des enchainements et des concatenations par lesquels le recit advient ; enfin, que l'on aura garde constamment a l'esprit qu'il s'agit d'un phenomene de transmission de sens, mettant en jeu des instances d'enonciation complexe et variables. La these

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3

Beaudet, Isabelle. "Recherches sur les cadres et les bordures des peintures murales exécutées par Giotto et son atelier : élaboration d'un vocabulaire d'analyse, étude iconographique et stylistique." Paris 4, 2000. http://www.theses.fr/2000PA040154.

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Notre étude propose une « relecture ornementale » des cycles de peintures murales - complets et fragmentaires - attribués à Giotto (v. 1267-1337). Focalisée sur l'analyse des systèmes décoratifs des cycles giottesques, elle explore le vocabulaire ornemental employé par le maitre et son atelier. Sauf exception, l'étude les cadres et bordures en peinture murale est mésestimée. « Tout » ce qui entoure les scènes intéresse peu les spécialistes. Personne n'a encore songe à examiner ce qu'apportent aux cycles entiers giottesques ces œuvres secondaires que sont les cadres et bordures. Cette étude pro

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4

Pais, João Miguel Pereira Correia 1955. "A luz na pintura de representação : mito, representação e luz na prática pictórica : (1550-1650)." Doctoral thesis, 2014. http://hdl.handle.net/10451/10980.

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Tese de doutoramento, Belas-Artes (Pintura), Universidade de Lisboa, Faculdade de Belas-Artes, 2014<br>As diferentes civilizações desenvolveram as suas cosmogonias e antropogonias em torno de conceitos míticos universais. A sua tradução expressou-se pelas linguagens oral, pictórica e finalmente escrita. Confrontados com estes legados míticos,verificamos a universalidade de alguns mitos, salientamos o mito universal da luz nesta investigação. Cremos que, a partir das narrativas míticas sobre a luz foi possível e necessário, a materialização de imagens pictóricas sobre as descrições dos seres e

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Books on the topic "Giotto, 1266?-1337"

1

d'Arcais, Francesca Flores. Giotto. Abbeville Press Publishers, 2012.

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2

Anne, Derbes, Sandona Mark 1955-, and Giotto 1266?-1337, eds. The Cambridge companion to Giotto. Cambridge University Press, 2003.

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3

1949-, Ladis Andrew, ed. Giotto as a historical and literary figure. Garland Pub., 1998.

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4

Bellosi, Luciano. Giotto: Complete works. Constable, 1990.

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5

Bellosi, Luciano. Giotto--complete works. Scala Books, 1993.

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6

Barasch, Moshe. Giotto and the language of gesture. Cambridge University Press, 1987.

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7

1949-, Ladis Andrew, ed. Giotto, master painter and architect: Florence. Garland Pub., 1998.

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8

1266?-1337, Giotto, ed. Giotto and his publics: Three paradigms of patronage. Harvard University Press, 2011.

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9

Giotto: The Scrovegni Chapel, Padua. George Braziller, 1993.

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10

The heritage of Giotto's geometry: Art and science on the eve of the scientific revolution. Cornell University Press, 1991.

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