Relevant bibliographies by topics / Giovanni Alessandro

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Giovanni Alessandro'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Giovanni Alessandro"

1

Kieven, Elisabeth. "An Italian Architect in London: The Case of Alessandro Galilei (1691–1737)." Architectural History 51 (2008): 1–31. http://dx.doi.org/10.1017/s0066622x00003002.

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‘I will carry with me the best architect in Europe.’ With these bold words Robert, first Viscount Molesworth, announced to his wife his arrival in Ireland in the company of the young Italian architect and engineer Alessandro Galilei in May 1717. Lord Molesworth could not know that, twenty years later, Galilei would be indeed one of the best-known architects in Europe, after having built in Rome, to the order of Pope Clement XII Corsini (1730–40), the facade of San Giovanni in Laterano (St John Lateran), the Cappella Corsini in the same church and the facade of San Giovanni dei Fiorentini.Galilei was born on 25 August 1691, in Florence, the eldest son of the notary Giuseppe Maria Galilei and his wife Margherita Merlini. The Galilei family could trace their lineage to the Buonaiuti, who in the fourteenth century twice held the post of ‘Gonfaloniere della Giustizia’, then the most important position in the city government. They took the surname Galilei from the last Gonfaloniere in their family, the master of philosophy and medicine, Galileo (early fifteenth century). Even into the sixteenth century, members of the family belonged to the town council. The most famous bearer of the name was without doubt Galileo Galilei (1564–1641), from whom Alessandro was not directly descended but to whom he was remotely related. Although Alessandro’s father, Giuseppe, who in 1707 and 1711 was Proconsul of Notaries, counted himself as one of the nobili, the standing of the old patrician families had been considerably reduced under the Medici Grand Dukes because they did not actually hold a landed title. Financial decline seems also to have damaged the prestige of Alessandro’s branch of the family.
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Zapperi, Roberto. "Alessandro Farnese, Giovanni della Casa and Titian's Danae in Naples." Journal of the Warburg and Courtauld Institutes 54 (1991): 159. http://dx.doi.org/10.2307/751486.

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Peintinger, Barbara. "Giovanni Alessandro Brambillas Appendice – eine Quelle zum Gesundheitswesen im Josephinismus." VIRUS - Beiträge zur Sozialgeschichte der Medizin 1 (2020): 147–55. http://dx.doi.org/10.1553/virus10s147.

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Farneti, Fauzia. "Il quadraturismo in Pallazzo Pitti da Cosimo II a Cosimo III de' Medici." Varia Historia 24, no. 40 (2008): 369–86. http://dx.doi.org/10.1590/s0104-87752008000200002.

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Nei primi decenni del Seicento la pittura decorativa a Firenze risulta ancora legata all'ornamentazione tradizionale tardomanierista attuata nei modi di Alessandro Allori o di Bernardino Barbatelli detto il Poccetti. L'interesse per le novità e per l'aggiornamento dell'ambiente artistico fiorentino portarono il granduca Ferdinando II a chiamare a Firenze tra il 1636 ed il 1637 Pietro da Cortona, Angelo Michele Colonna e Agostino Mitelli. I due bolognesi completarono il ciclo pittorico celebrativo del governo di Ferdinando cui aveva dato inizio Giovanni da San Giovanni, con la decorazione delle tre sale di rappresentanza del quartiere estivo di palazzo Pitti realizzata tra il 1637 ed il 1641. L'intervento, condotto secondo il più moderno linguaggio barocco che vede la perfetta integrazione dell'illusionismo architettonico, che supera i limiti dello spazio reale, con le scene figurative, verrà a costituire nell'ambiente fiorentino un ineludibile modello di riferimento nella decorazione d'interni, soluzioni di grande modernità su cui si formerà Jacopo Chiavistelli e i giovani della sua scuola. Anche Giovan Carlo, fratello del granduca, nel 1637 diede inizio ad una serie di trasformazioni che si protrassero per oltre un ventennio, trasformando gli ambienti a lui assegnati in Pitti in veri e propri luoghi di delizie, decorati dagli artisti più significativi del momento quali ad esempio Angelo Michele Colonna, Agostino Mitelli, Pietro da Cortona, Jacopo Chiavistelli. Fu quest'ultimo frescante che con i suoi 'scolari', fin dagli anni Cinquanta fu attivo in palazzo Pitti, decorando a quadratura gli ambienti dei quartieri dei membri della famiglia granducale, ambienti che in gran parte sono andati perduti in quanto interessati dalle ristrutturazioni lorenesi e sabaude. Con i lavori commissionati dal gran principe Ferdinando si chiude in palazzo Pitti la grande stagione del quadraturismo barocco fiorentino.
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Romero Benguigui, Daniel. "Caprara, Giovanni y Alessandro Ghignoli (dirs.) (2015). TENDENCIAS CULTURALES EN ITALIA. ENTRE LITERATURA, ARTE Y TRADUCCIÓN." Entreculturas. Revista de traducción y comunicación intercultural, no. 7-8 (January 1, 2016): 1009–11. http://dx.doi.org/10.24310/entreculturasertci.vi7-8.11508.

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Tendencias culturales en Italia: Entre literatura, arte y traducción, proyecto dirigido por Giovanni Caprara y Alessandro Ghignoli, ambos docentes de la Universidad de Málaga, contempla un objetivo muy claro: abarcar los elementos definitorios de la cultura italiana a través de diversas manifestaciones. Para alcanzar esta meta no se ocupa únicamente de la literatura nacional (aunque esta conforma una parte importante de la obra), sino que procura extenderse a otras facetas de la cultura, como perfectamente se indica en el subtítulo.
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Terrone, Enrico. "Alessandro Armando e Giovanni Durbiano, Teoria del progetto architettonico. Dai disegni agli effetti." Rivista di estetica, no. 67 (April 1, 2018): 230–35. http://dx.doi.org/10.4000/estetica.2870.

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Newcomb, Anthony. "The New Roman Style and Giovanni Maria Nanino." Journal of Musicology 36, no. 2 (2019): 167–94. http://dx.doi.org/10.1525/jm.2019.36.2.167.

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As a composer of secular music, Giovanni Maria Nanino seems to have published only three books of madrigals and one of canzonettas, yet he contributed numerous pieces to anthologies, and his madrigals were often reprinted. Scarcely an important anthology appeared in these years without a contribution by him. Indeed in the fifteen years before the death of Giovanni Pierluigi da Palestrina in 1594, Nanino rivaled him as the most esteemed of Roman composers; in the decade after Palestrina’s death, Nanino was the undisputed head of the large and important Roman school. By certain measures Nanino was the most often represented composer in anthologies printed between 1570 and 1620. In this area he surpasses not only Palestrina, but also Luca Marenzio, Philippe de Monte, and Alessandro Striggio. Despite Nanino’s immense prestige among his contemporaries, in modern histories his secular music is scarcely discussed, with just a passing mention in Alfred Einstein’s voluminous The Italian Madrigal. This article establishes Nanino’s leadership in defining the new Roman style of madrigal in the late sixteenth century, outlines its musical characteristics, and suggests paths for future research into this as yet little studied school.
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Katorova, A. A., and Y. S. Boronenkova. "The evolution of the Italian novel (based on the works of Clorinda Di Fini), part 1." Язык и текст 4, no. 1 (2017): 17–38. http://dx.doi.org/10.17759/langt.2017040103.

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The article deals with the evolution of the Italian novel in different literary and historical periods, starting with the epic poem of Antiquity up to the historical novel (“The Betrothed” by Alessandro Manzoni) and the social novel (“The House by the Medlar-Tree” and “Mastro-don Gesualdo” by Giovanni Verga). Based on the works of Italian philologist Clorinda Di Fini, the article shows how the focus of narrative shifts from the fate of the upper classes to the lives of ordinary people in a larger historical context, as well as the author's position in the novel moves towards impersonality and objective reflection on social problems
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Katorova, A. A., and Y. S. Boronenkova. "The evolution of the Italian novel (based on the works of Clorinda Di Fini), part 2." Язык и текст 4, no. 2 (2017): 14–31. http://dx.doi.org/10.17759/langt.2017040203.

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The article deals with the evolution of the Italian novel in different literary and historical periods, starting with the epic poem of Antiquity up to the historical novel (“The Betrothed” by Alessandro Manzoni) and the social novel (“The House by the Medlar-Tree” and “Mastro-don Gesualdo” by Giovanni Verga). Based on the works of Italian philologist Clorinda Di Fini, the article shows how the focus of narrative shifts from the fate of the upper classes to the lives of ordinary people in a larger historical context, as well as the author's position in the novel moves towards impersonality and objective reflection on social problems.
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Prokop, Krzysztof R. "Sukcesja święceń biskupich pasterzy Kościoła warszawskiego (1798-2007)." Prawo Kanoniczne 53, no. 1-2 (2010): 315–66. http://dx.doi.org/10.21697/pk.2010.53.1-2.16.

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Nel presente articolo è stata trattata la problematica della successione apostolica (delle ordinazioni episcopali) dei pastori della diocesi (dal 1818 archidiocesi) di Varsavia. Prima sono presentati insieme i dati riguardanti le ordinazioni episcopali dei singoli vescovi ordinari, arcivescovi metropoliti ed ausiliari, nonché degli insigniti di dignità vescovile amministratori apostolici della Chiesa di Varsavia. Poi, questi presuli sono stati aggregati alle distinte, nella letteratura d’argomento, linee della successione delle ordinazioni episcopali. I trattati nel presente lavoro membri dell’episcopato cattolico – enumerando in ordine cronologico secondo la data dell’ordinazione episcopale – sono: Adalberto Giuseppe Skarszewski (1791), Giovanni Battista Albertrandi (1796), Giuseppe Miaskowski (1800), Francesco Malczewski (1815), Giovanni Paolo Woronicz (1816), Daniele Elia Ostrowski (1816), Stefano Hołowczyc (1819), Niccolò Giovanni Manugiewicz (1822), Francesco Pawłowski (1827), Stanislao Choromański (1829), Tomasso Chmielewski (1837), Antonio Melchiore Fijałkowski (1842), Giovanni Dekert (1859), Enrico Lodovico Plater (1859), santo Sigismondo Feliński (1862), Vincenzo Teofilo Popiel (1863), Casimiro Ruszkiewicz (1884), Alessandro Kakowski (1913), Stanislao Gall (1918), Ladislao Szcześniak (1925), Augusto Hlond (1926), Antonio Ladislao Szlagowski (1928), Stefano Wyszyński (1946), Sigismondo Choromański (1946), Venceslao Majewski (1946), Giorgio Modzelewski (1959), Bronislao Dąbrowski (1962), Ladislao Miziołek (1969), Sbigneo Giuseppe Kraszewski (1970), Giuseppe Glemp (1979), Casimiro Romaniuk (1982), Mariano Duś (1986), Stanislao Kędziora (1987), Casimiro Nycz (1988), Giuseppe Zawitkowski (1990), Slavoj L. Głódź (1991), Pietro Jarecki (1994), Stanislao Wielgus (1999) e Taddeo Pikus (1999). Tra essi la maggioranza apparteneva alla linea polacca (famiglia di Lorenzo Gembicki/Claudio Rangoni) e solo tre – G.B. Albertrandi, G. Miaskowski, C. Nycz – rappresentano la linea romana (famiglia di Scipione Rebiba).
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Dissertations / Theses on the topic "Giovanni Alessandro"

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Ansaldi, Ansaldo. "Ansaldo Ansaldi / Alessandro Stradella: Libretto zum Oratorio di San Giovanni Battista / Oratorium 'Johannes der Täufer'." Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig, 2017. https://slub.qucosa.de/id/qucosa%3A7977.

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Im Jahre 1675 komponierte Alessandro Stradella (1639–1682) ein »Oratorio di San Giovanni Battista« nach einem Libretto von Ansaldo Ansaldi (1651–1719). Ansaldis Libretto wird hier erstmals in einer Edition und einer deutschsprachigen Übersetzung vorgelegt.<br>In 1675, Alessandro Stradella (1639–1682) composed an “Oratorio di San Giovanni Battista” based on a libretto by Ansaldo Ansaldi (1651–1719). This is an edition and German translation of Ansaldi’s libretto.
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Barr, Helen. "Lektionen : Bronzino, Allori, Naldini; Studien zum Lehrer-Schüler-Verhältnis in der Florentiner Malerei des mittleren Cinquecento /." kostenfrei, 2006. http://d-nb.info/990670708/34.

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Marri, Fabio. "Un approccio alle raccolte poetiche-drammatiche tra Sei e Settecento." Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden, 2020. https://slub.qucosa.de/id/qucosa%3A70944.

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I manoscritti qui considerati vanno dal Seicento al primo Ottocento, e documentano una fase della letteratura italiana che continuava a interessare lettori e collezionisti. Un caso esemplare è il manoscritto Ob.37, raccolta calligrafica, che contiene soprattutto sonetti, canzoni e poesie musicali senza indicarne il nome dell’autore. La prima menzione di questo supporto è nel catalogo Scheureck del 1755, ma non sappiamo altro sulla sua acquisi-zione. Il lavoro erudito consiste nell’identificare gli autori delle poesie, e rintracciare i testi anche in codici simili della stessa epoca. Interessante pure un gruppo di manoscritti che portano le segnature Mscr.Dresd.Ob.48.b, Ob.48.c, Ob.48.d, Ob.48.e, Ob.48.f, Ob.48.g, Ob.48.ga e Ob.48.h, prevalentemente libretti di opere liriche, con l’eccezione del Falcone, commedia la cui esecuzione va collocata a Vienna intorno al 1740. Di qualche interesse ne è la lingua, aperta sia a modi proverbiali, letterari o popolari, sia a sezioni in dialetto veneto e lombardo, che si possono paragonare a quelle della commedia dell’arte fino ai primi successi di Carlo Goldoni.
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Aprile, Alessandro [Verfasser], Claus [Gutachter] Arnold, and Thomas M. [Gutachter] Schmidt. "In bilico tra fede e scienza : il confronto di Giovanni Gentile con il modernismo nel contesto storico-ecclesiastico e storico-filosofico italiano ed europeo degli inizi del XX secolo / Alessandro Aprile ; Gutachter: Claus Arnold, Thomas M. Schmidt." Frankfurt am Main : Universitätsbibliothek Johann Christian Senckenberg, 2017. http://d-nb.info/1124901280/34.

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Novembre, Alessandro [Verfasser]. "Il giovane Schopenhauer e Fichte : la duplicità della coscienza / Alessandro Novembre." Mainz : Universitätsbibliothek Mainz, 2014. http://d-nb.info/1048415163/34.

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BINDA, LAURA. "NUOVE RICERCHE PER LA BIOGRAFIA E LA PRODUZIONE STORIOGRAFICA DI CARLO BIANCONI (1732-1802)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/18751.

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Nuovi dati e considerazioni sulla biografia e gli scritti di Carlo Bianconi che emergono principalmente dallo spoglio di materiale archivistico inedito. Con questo studio viene ad essere chiarita la fase formativa di Bianconi cresciuto in una casa di bibliofili e collezionisti d’arte. Aggiornato sulle elaborazioni teoriche di Winckelmann e Mengs entrambi conosciuti personalmente, lo vedono progressivamente avvicinarsi e aderire ai modi del classicismo, mediato anche dal rapporto instaurato con Francesco Algarotti, a cui viene in questa sede ridato valore. Uno spiraglio viene aperto sul biennio trascorso a Roma, la frequentazione del cardinale Albani e sul viaggio a Napoli con importanti risvolti per la sua maturazione intellettuale. Seguono i motivi della scelta di Bianconi a segretario dell’Accademia di Brera, le sue iniziative a livello didattico e il rapporto con Carlo di Firmian. Vengono, di volta in volta ricordati i suoi numerosi corrispondenti, la sua produzione figurativa e soprattutto commentati i suoi scritti editi (guide di Bologna e Milano) e inediti (Vitruvio, scritti teorici sull’origine dell’architettura e dell’incisione, orazioni) e riconsiderata la collaborazione all’Enciclopedia Metodica di Pietro Zani. Artista, collezionista, scrittore d’arte e insegnante, immerso in una temperie di matrice razionalista è precoce assertore dei dettami del nuovo gusto per il classico.<br>New information and analysis about Carlo Bianconi’s biography and writings mainly appear from unpublished archival material bare. This work allows to clarify the education of Bianconi, who grew up in a family of bibliophiles and art collectors. He kept abreast of theoretical development of Winckelmann and Mengs, who personally knew and he gradually moved closer and accepted the models of the classicism that was also mediated by the relationship established with Francesco Algarotti, who is here reevaluate. Regarding his two-year period spent in Rome, the relationship with the Cardinal Albani and moreover his trip to Naples, a glimmer is opened, with important implications for his intellectual maturity. Furthermore, there are: the reason regarding the choice of Bianconi as Secretary of the Academy of Brera, his educational initiatives and the relationship with Carlo di Firmian. From time to time, his many correspondents, his figurative works of art and especially his published writings were commented (for example the guide of Bologna and Milan) and his unpublished writings (such as Vitruvius, theoretical writings on the origin of architecture and engraving, orations) are remembered and also the collaboration with the Enciclopedia Metodica of Pietro Zani is reconsidered. Artist, collector, art writer and teacher, immersed in a climate of a Rationalism, he is a early supporter of the new taste for the classic.
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Breidenbaugh, Kenneth. "Opera seria and late Baroque Venetian forms in scenografia, quadratura, and narrative fresco painting Alessandro Scarlatti, Ferdinando Bibiena, Gerolamo Mengozzi-Colonna, and Giambattista Tiepolo /." 1995. http://catalog.hathitrust.org/api/volumes/oclc/43720969.html.

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Masse, Vincent. "Sublimés des Nouveaux Mondes – Évocation des lieux de l'expansion européenne dans les imprimés français, des origines à 1560." Thesis, 2009. http://hdl.handle.net/1807/19202.

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Cette thèse propose l'analyse des processus de l'intégration discursive des « Nouveaux Mondes » – c'est-à-dire des nouveaux lieux de l'expansion européenne des XVe et XVIe siècles – dans les imprimés français d'avant 1560. Le corpus s'y veut exhaustif, mais l'étude porte en priorité sur (1) les mentions brèves (dites sublimées), que celles-ci relèvent de la digression ou qu'elles soient intégrées, et (2) les textes actualisés, c’est-à-dire les traductions, les rééditions avec annexes, les adaptations, etc. Une division bipartite et heuristique est proposée, avec d'une part les actualisations d'écrits procédant par l'exclusion d'un ou d'élément(s) de l'hypotexte (c'est-à-dire du matériel textuel qui préexiste à l'acte de publication), et d'autre part par l'adjonction d'éléments supplémentaires. Cette division permet d'analyser les dits lieux, d'une part en fonction d'un principe de pertinence (lequel est révélé par les phénomènes d'exclusion), et d'autre part en fonction d'une recherche de l'inédit, voire de l'acte contentieux (qu'exprime éloquemment l'acte d'adjonction). La thèse démontre comment les deux principes, celui de la pertinence et celui de la recherche de l'inédit, sont liés à la culture émergente de l'imprimé, ainsi qu'au développement d'une grande variété de genres et de discours: littérature géographique, chroniques annales, pamphlets ou manuels anti-syphilitiques, lettres missionnaires, littérature eschatologique, traités didactiques, etc. Le concept d'acte de publication, qui est corrélatif à celui d'actualisation, permet d'aller au-delà d'une opposition entre l'ouvrage dit « périmé » et l'ouvrage dit « progressiste ». Pour ce faire est reconsidéré l'apport, pour la diffusion des nouveaux lieux, de textes comme le Tractatus de sphaera de Joannes de Sacrobosco (XIIIe siècle) et la lettre apocryphe du Prêtre Jean (XIIe siècle), qui aux XVe et XVIe siècles sont réactualisés suivant une perspective heuristique ou didactique, et participent ainsi à l'émergence d'une économie discursive des « Nouveaux Mondes ».
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Books on the topic "Giovanni Alessandro"

1

Zanelli, Gianluca. Restauri nella chiesa di Nostra Signora delle Grazie: Giovan Bernardo Lama, Giovanni Battista Paggi, Cesare e Alessandro Semino. Sagep editori, 2015.

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2

Luisa, Servadei, ed. Il Festino degli dei di Giovanni Bellini: Mitologia e paganesimo rinascimentali da Alessandro VI a Leone X. Kappa, 2007.

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Petrocchi, Francesca. Conversione al mondo: Studi su Piero Jahier : in appendice Lettere di Jahier ad Alessandro Casati, Emilio Cecchi e Giovanni Papini. Edizioni Scientifiche Italiane, 1989.

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Conversione al mondo: Studi su Piero Jahier : in appendice lettere di Jahier ad Alessandro Casati, Emilio Cecchi e Giovanni Papini. Edizioni scientifiche italiane, 1988.

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Pazzini, Domenico. Il prologo di Giovanni in Cirillo di Alessandria. Paideia, 1997.

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Tani, Irene. Le Rime di Bernardo Cappello. Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-257-4.

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Bernardo Cappello (Venezia 1498 ca.-Roma 1560), member of one of the oldest patrician families of Venice, played an active role in the politics of the Venetian Republic, until his exile in 1540. After that, he became a collaborator and a protégé of cardinal Alessandro Farnese, who is one of the most significant figures of the century. Then he took refuge in Rome, where over the years he held varied appointments. Since his youth and in parallel with his political career, Cappello constantly devoted himself to humanistic studies and to rhymes production: pupil of Pietro Bembo, interlocutor of Giovanni Della Casa and close friend to Bernardo Tasso, the author is among the greatest exponents of the sixteenth-century Petrarchism. For the first time the critical edition of Rime by Bernardo Cappello is here given, namely the book of 353 compositions that the author elaborated on the pattern of Bembo’s directives, over a large period of time. In his book of poetry (canzoniere), through lyrical pieces, the author creates his own existential and biographical path. Regarding the evolution of the architecture of Cappello’s collection, four witnesses survived, in which we distinguish different phases: the first one is genetic and manuscript (Roma, Biblioteca Casanatense, 277), with addition of corrections that generally are close to the textual variants of the princeps; the second is the print of 1560 for the press of the Guerra brothers; finally, a further evolutionary stage is represented by two postillated prints. To these witnesses a rich miscellaneous tradition is added, which, for a large number of rhymes, restores the elaborative complexity through multiple genetic forms. Poems ousted from the ancient print, but part of the canzoniere in other phases of composition, are included in this critical edition.
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Fatica, Luigi. I commentari a Giovanni di Teodoro di Mopsuestia e di Cirillo di Alessandria: Confronto fra metodi esegetici e teologici. Institutum Patristicum Augustinianum, 1988.

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Ferraro, Giuseppe. Lo Spirito Santo nel quarto Vangelo: I commenti di Origene, Giovanni Crisostomo, Teodoro di Mopsuestia e Cirillo di Alessandria. Pontificio Istituto orientale, 1995.

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Dolfi, Anna, ed. L’ermetismo e Firenze. Firenze University Press, 2016. http://dx.doi.org/10.36253/978-88-6655-979-5.

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Il secondo di due volumi dedicati all'ermetismo e Firenze editi da Firenze University Press (il primo dal titolo Critici, traduttori, maestri, modelli è acquistabile separatamente). Tra il 1930 e il 1945 un gruppo di giovani dette vita a Firenze a una delle più felici stagioni letterarie del nostro Novecento. Molti di loro si riconobbero in una dizione comune, marcata da un immaginario condiviso, e nel silenzioso dissenso dalla retorica del regime, alla quale venivano contrapposti la radicalità dell’istanza etica e il legame profondo con le radici giudaicocristiane, romanze, romantico-simboliste della civiltà europea. A cento anni dalla nascita dei suoi protagonisti (Mario Luzi, Piero Bigongiari, Alessandro Parronchi, Vittorio Bodini) ancora ci si chiede cosa sia stato l’ermetismo, come sia nato, cosa l’abbia contraddistinto. Cercare come si sia modificato, perché sia stato circondato da pregiudizi e avversione (come fanno i due imprescindibili volumi che raccolgono gli atti di un memorabile convegno nel quale Anna Dolfi ha coinvolto studiosi provenienti da ogni parte del mondo), porta a tracciare un quadro/ritratto degli autori dell’ermetismo, dei suoi critici (Bo, Macrí), amici (il compagno di generazione Vittorio Sereni), estimatori e/o detrattori, e a delimitare i confini di un complesso capitolo della storia italiana iniziata con il Fascismo e conclusa, di recente, con la caduta delle ideologie. Assieme ai suoi ‘attori’, in posizione di rilievo è Firenze, la città che fu risvegliata per qualche decennio alla grandezza del passato da una nuova passione, fatta di cultura, creatività ed intelligenza.
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Masses by Alessandro Grandi, Giovanni Battista Chinelli, Giovanni Rigatti, Tarquinio Merula (Seventeenth-Century Italian Sacred Music). Routledge, 1996.

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Book chapters on the topic "Giovanni Alessandro"

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"1 Alcuni casi di legittimazione linguistica del volgare in testi settoriali." In Galileo in Europa La scelta del volgare e la traduzione latina del Dialogo sopra i due massimi sistemi. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-450-9/001.

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"Donizetti and Bellini – Family settled at Viareggio – Vestale – Isabella ed Enrico – Alessandro nelle Indie." In Giovanni Pacini. 3rd Party UK, 2018. http://dx.doi.org/10.2307/j.ctv1zcm3h1.9.

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"3 Die ersten 20 Jahre mit und nach Giovanni Alessandro Brambilla." In Die Josephs-Akademie im Wiener Josephinum. Böhlau Verlag, 2019. http://dx.doi.org/10.7767/9783205232773.47.

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Zanou, Konstantina. "The Greco- and Dalmato-Venetian Intellectuals after the End of the Serenissima." In Transnational Patriotism in the Mediterranean, 1800-1850. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198788706.003.0014.

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Chapter 11 encounters the endeavours of a group of Ionian and Dalmatian intellectuals who were enfolded in the decrepit embrace of the Greek community of Venice during the first half of the nineteenth century—namely, Spiridione Vlandi, Giovanni and Spiridione Veludo, Bartolomeo Cutlumusiano, Antimo Masarachi, Pier-Alessandro Paravia, Niccolò Tommaseo, and Emilio Tipaldo. It examines these men’s bicultural existence and multiple patriotisms, spanning as they did Venice, the Ionian Islands or Dalmatia, Italy, and Greece. Most of these people were actively involved in the 1848 Venetian revolution, a fact that shows just how local and regional, as well as transnational, the various patriotisms engendered by the 1848–9 revolutionary events were. However, the chapter shows that these revolutions also marked the point at which nationalism and transnationalism would start to become incompatible and even to emerge as contrary poles.
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"STORIA DEL SANTO E BEATO MAR GIOVANNI IL MISERICORDIOSO, ARCIVESCOVO DI ALESSANDRIA, IN CUI VI SONO QUARANTOTTO CAPITOLI." In La versione siriaca della Vita di Giovanni il Misericordioso di Leonzio di Neapolis. Peeters Publishers, 2020. http://dx.doi.org/10.2307/j.ctv1q26p2r.5.

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ROSELLI, AMNERIS. "Un passo di Giovanni Alessandrino su Tessalo (In Hip. epid. VI fr. 42, p. 104 Duffy = p. 148 Pritchet)." In Guérison, religion et raison : de la médecine hippocratique aux neurosciences. Editions de Boccard, 2017. http://dx.doi.org/10.2307/j.ctvbqs77p.5.

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Conference papers on the topic "Giovanni Alessandro"

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Araldi, Alessandro, and Giovanni Fusco. "The Nine Forms of the French Riviera: Classifying Urban Fabrics from the Pedestrian Perspective." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5219.

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The Nine Forms of the French Riviera: Classifying Urban Fabrics from the Pedestrian Perspective. Giovanni Fusco, Alessandro Araldi ¹Université Côte-Azur, CNRS, ESPACE - Bd. Eduard Herriot 98. 06200 Nice E-mail: giovanni.fusco@unice.fr, alessandro.araldi@unice.fr Keywords: French Riviera, Urban Fabrics, Urban Form Recognition, Geoprocessing Conference topics and scale: Tools of analysis in urban morphology Recent metropolitan growth produces new kinds of urban fabric, revealing different logics in the organization of urban space, but coexisting with more traditional urban fabrics in central cities and older suburbs. Having an overall view of the spatial patterns of urban fabrics in a vast metropolitan area is paramount for understanding the emerging spatial organization of the contemporary metropolis. The French Riviera is a polycentric metropolitan area of more than 1200 km2 structured around the old coastal cities of Nice, Cannes, Antibes and Monaco. XIX century and early XX century urban growth is now complemented by modern developments and more recent suburban areas. A large-scale analysis of urban fabrics can only be carried out through a new geoprocessing protocol, combining indicators of spatial relations within urban fabrics, geo-statistical analysis and Bayesian data-mining. Applied to the French Riviera, nine families of urban fabrics are identified and correlated to the historical periods of their production. Central cities are thus characterized by the combination of different families of pre-modern, dense, continuous built-up fabrics, as well as by modern discontinuous forms. More interestingly, fringe-belts in Nice and Cannes, as well as the techno-park of Sophia-Antipolis, combine a spinal cord of connective artificial fabrics having sparse specialized buildings, with the already mentioned discontinuous fabrics of modern urbanism. Further forms are identified in the suburban and “rurban” spaces around central cities. The proposed geoprocessing procedure is not intended to supersede traditional expert-base analysis of urban fabric. Rather, it should be considered as a complementary tool for large urban space analysis and as an input for studying urban form relation to socioeconomic phenomena. References Conzen, M.R.G (1960) Alnwick, Northumberland : A Study in Town-Planning Analysis. (London, George Philip). Conzen, M.P. (2009) “How cities internalize their former urban fringe. A cross-cultural comparison”. Urban Morphology, 13, 29-54. Graff, P. (2014) Une ville d’exception. Nice, dans l'effervescence du 20° siècle. (Serre, Nice). Yamada I., Thill J.C. (2010) “Local indicators of network-constrained clusters in spatial patterns represented by a link attribute.” Annals of the Association of American Geographers, 100(2), 269-285. Levy, A. (1999) “Urban morphology and the problem of modern urban fabric : some questions for research”, Urban Morphology, 3(2), 79-85. Okabe, A. Sugihara, K. (2012) Spatial Analysis along Networks: Statistical and Computational Methods. (John Wiley and sons, UK).
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Erin, Irem, Alessandro Araldi, Giovanni Fusco, and Ebru Cubukcu. "Quantitative Methods of Urban Morphology in Urban Design and Environmental Psychology." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5732.

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Irem Erin¹, Alessandro Araldi², Giovanni Fusco2, Ebru Cubukcu1, ¹City and Regional Planning Department. Dokuz Eylul University. Dokuz Eylül Üniversitesi-Mimarlık Fakültesi Tınaztepe Kampüsü, Doğuş Caddesi No:209, 35160 Buca- IZMIR, Turkey ²Université Côte d’Azur, CNRS, UMR ESPACE. 98 Bd Edouard Herriot, BP 3209 06204 NICE cedex 3, France E-mail: irem.erin@deu.edu.tr, alessandro.araldi@unice.fr, giovanni.fusco@unice.fr, ebru.cubukcu@deu.edu.trTelephone number: +905363341475 Keywords (3-5): Morphological analysis, quantitative methods, urban design, environmental psychology Urban morphology investigates “how cities are built and why, how cities should be built, what should be built and what has actually been built?” (Moudon 1997). Together with the qualitative analysis, the founding fathers of urban morphology also proposed quantitative measures of urban fabrics. Allain's methodological work (2004) presents an overview of these quantitative analyses of topological, dimensional and geometrical relations among form elements in urban fabrics. However, urban morphologists have traditionally resisted computer-based geoprocessing of urban form and their calculations were mainly carried out manually. Thanks to technological developments, the number of quantitative studies in urban morphology has increased and fully integrated geoprocessing. More sophisticated computer-aided analyses have increased the potential applications in urban design and in environmental psychology research. Space Syntax (Hillier 1998) and Multiple Centrality Assessment (Porta et al. 2006) are configurational, multi-scale approaches to the analysis of the urban street network, but miss the interplay between streets, building and parcels composing urban fabric. Space Matrix (Berghauser Pont and Haupt 2010) and, more recently, Multiple Fabric Assessment (Araldi and Fusco 2017) are geoprocessing quantitative approaches to the analysis of urban fabric morphology. This study has two aims; (1) classify quantitative urban morphology methods and (2) discuss how these methods could be applied in urban design and environmental psychology. First, the evolution of these methods along with the theories in urban morphology from qualitative to quantitative approaches will be discussed. Methods will be classified by combining their goals, as well as the morphological objects and the scales on which the analyses will focus. Finally, we will discuss how these methods could be combined and used in two different research perspectives: urban design and environmental psychology. References Allain, R (2004) Morphologie urbaine: géographie, aménagement et architecture de la ville, Paris, Armand Collin Araldi A., Fusco G. (2017) Decomposing and Recomposing Urban Fabric: the City from the Pedestrian Point of View, ICCSA 2017 Proceedings (in press) Berghauser Pont, M., Haupt, P. (2010). SPACEMATRIX, Space, Density and Urban Form. Rotterdam, NAi Publishers. Hillier, B. (1998) Space is the machine: A configurational Theory of Architecture, Cambridge University Press. Moudon, A. V. (1997). Urban morphology as an emerging. Urban morphology,1, 3-10. Porta S., Crucitti P., and Latora V. (2006) The network analysis of urban streets: a primal approach. Environment and Planning B: Planning and Design 33(5):705-725.
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