Relevant bibliographies by topics / Giovanni Boccaccio

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Giovanni Boccaccio'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 March 2023

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Journal articles on the topic "Giovanni Boccaccio"

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DuVal, John. "Giovanni Boccaccio,Decameron." Translation Review 80, no. 1 (September 2010): 76–82. http://dx.doi.org/10.1080/07374836.2010.10524156.

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Duba, William. "Dante, Paris, and the Benefactor of Saint-Jacques." Vivarium 58, no. 1-2 (December 18, 2019): 65–88. http://dx.doi.org/10.1163/15685349-12341370.

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AbstractBased on the comments of Giovanni Boccaccio and Giovanni Villani, a theory holds that Dante Alighieri may have studied philosophy and theology at Paris in 1309-1310. That same academic year, the Dominican bachelor of the Sentences at Paris, Giovanni Regina di Napoli (John of Naples), delivered a speech thanking a ‘Benefactor’. This Benefactor, neither a Dominican nor a theologian, gave the sole benefit of honoring Giovanni, the convent of Saint-Jacques, and the Dominican Order with his presence, attending Giovanni’s lectures on theology. This paper explores the likelihood that the Benefactor was Dante. An edition and an English translation of Giovanni’s speech are included in appendices.
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Sider, Sandra, and Virginia Brown. "Giovanni Boccaccio: "Famous Women"." Classical World 95, no. 2 (2002): 204. http://dx.doi.org/10.2307/4352663.

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Merola, Carmela. "Giovanni Boccaccio, The Decameron." Forum Italicum: A Journal of Italian Studies 50, no. 1 (July 14, 2015): 275–77. http://dx.doi.org/10.1177/0014585815594599.

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Anderson, David. "Eclogues by Giovanni Boccaccio." Studies in the Age of Chaucer 11, no. 1 (1989): 183–85. http://dx.doi.org/10.1353/sac.1989.0009.

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Mazzotta, Giuseppe. "Decameron by Giovanni Boccaccio." Studies in the Age of Chaucer 7, no. 1 (1985): 248–50. http://dx.doi.org/10.1353/sac.1985.0034.

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Heise, Pedro F. "As Etimologias de Giovanni Boccaccio." Revista de Italianística, no. 25 (June 7, 2013): 27. http://dx.doi.org/10.11606/issn.2238-8281.v0i25p27-35.

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Seguindo o preceito amplamente difuso na Idade Média de que “nomina sunt consequentia rerum”, Boccaccio nomeou suas obras de acordo com significados etimológicos, sobretudo de origem grega, às vezes com acepções criadas pelo próprio autor. Além dos títulos, os nomes dos personagens principais de quase toda sua produção literária também foram forjados segundo certas etimologias. Dentre os inúmeros casos apresentados pelo autor do Decameron, um se destaca: trata-se da origem do vocábulo “poeta”, demonstrada por Boccaccio em algumas de suas obras pós-decameronianas, a saber, a Genealogia deorum gentilium, o Trattatello in laude di Dante e as Esposizioni sopra la Comedia di Dante. Como se verá neste artigo, Boccaccio propôs mais de uma etimologia para “poeta”, provavelmente devido à polêmica cristã que julgava a poesia contrária à verdade, de modo que o poeta, que era um “fazedor de fábulas”, era considerado um mentiroso. Boccaccio, ao rebater essa afirmação, defende o lugar do poeta na sociedade de seu tempo, demonstrando a necessidade da poesia para o homem
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Marafioti, Martin. "Semantic Distance as Reaction to Pestilence in Medieval Italy: Evidence from the Story Collections of Boccaccio, Sacchetti, and Sercambi." Forum Italicum: A Journal of Italian Studies 39, no. 2 (September 2005): 326–49. http://dx.doi.org/10.1177/001458580503900202.

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In his Decameron, Giovanni Boccaccio prescribes storytelling as a means of distraction from the anxieties and suffering associated with the mortifera pestilenza of 1348. Boccaccio pays careful attention to semantics in his work; he confines the discussion of pestilence to the frame tale and avoids evoking the plague thematically, symbolically, and linguistically in the one hundred novelle. This essay examines the power attributed to language in times of epidemic outbreak, in particular, the fear of pronouncing the name of an illness, as if somehow, words possessed the power to make one more susceptible to the malady or to infect. This linguistic aversion to pestilence is analyzed in the story collections of Giovanni Boccaccio, Franco Sacchetti, and Giovanni Sercambi.
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Juliani, Talita Janine. "A “mordida da inveja”: defesa da obra e imagens de autoria ovidiana no De Mulieribus Claris de Giovanni Boccaccio." Nuntius Antiquus 13, no. 1 (August 31, 2017): 85–105. http://dx.doi.org/10.17851/1983-3636.13.1.85-105.

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Neste artigo, propõe-se uma discussão sobre a construção da imagem autoral de Giovanni Boccaccio (1313-1375), dando particular enfoque à relação de tal construção com elementos da representação autoral do poeta romano Ovídio (43 a.C.-17 d.C.). Especificamente, consideraremos especialmente traços da imagem de um autor que defende sua obra da inveja de possíveis críticos. Dentre o corpus boccacciano selecionado, passagens do Decameron (1348-1351) e da obra De Mulieribus Claris (1361-1362) serão cotejadas, com amparo de metodologia intertextual aplicada às letras clássicas, com excertos dos textos ovidianos de Remedia amoris (1 a.C.- 1 d.C.) e Tristia (9-12 d.C.). Como se verá, o confronto entre passagens de textos boccaccianos e ovidianos suscita novas possíveis leituras da obra do autor renascentista, propiciando renovadas reflexões acerca da representação autoral de Boccaccio.
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Juliani, Talita Janine. "Dido, rainha de Cartago: uma releitura de Giovanni Boccaccio na obra De mulieribus claris." Rónai – Revista de Estudos Clássicos e Tradutórios 9, no. 2 (December 27, 2021): 133–53. http://dx.doi.org/10.34019/2318-3446.2021.v9.36098.

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Neste material trazemos uma tradução, para o português do Brasil, da biografia de Dido, rainha de Cartago, presente na obra De mulieribus claris, de Giovanni Boccaccio. Importante personagem feminina da Antiguidade, a Dido que Boccaccio nos apresenta em seu catálogo de vidas de mulheres foi traçada não a partir da popular versão que encontramos nos cantos iniciais da Eneida, de Virgílio, ou nas Heroides, de Ovídio, mas segundo historiadores antigos, como Justino, e os padres da Igreja, como Jerônimo. Nessa variante do mito de Dido, a rainha nunca encontrou Eneias, e o que lemos está centrado nos eventos de sua infância, casamento com Siqueu, fuga para longe do irmão e na fundação de Cartago. Além disso, lê-se no texto boccacciano uma longa exortação à castidade após a viuvez. Nossa tradução vem acompanhada de notas cujo objetivo é destacar aspectos textuais e contextuais que julgamos importantes para apreciação do texto.
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Dissertations / Theses on the topic "Giovanni Boccaccio"

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Gupta, Pritika. "Lo scontro delle tre realtà nel Decameron, la peste, la brigata e le novelle la corruzione morale rappresentata dalla peste e trovata nelle novelle contro l'ambiente morale della brigata /." Diss., Connect to the thesis, 2009. http://hdl.handle.net/10066/3705.

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Genswein, Eberle Claudia. "La funzione narrativa del cibo nel "Decameron" /." Zürich : [s.n.], 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?sys=000278465.

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Lummus, David Geoffrey. "Boccaccio's human mythology : history and the mythic immagination in the Genealogia deorum gentilium of Giovanni Boccaccio /." May be available electronically:, 2008. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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Morosini, Roberta. "Per "difetto rintegrare";. : una lettura del Filocolo di Giovanni Boccaccio." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0021/NQ44523.pdf.

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Di, Franza Concetta. "Procedimenti scolastici e linee di pensiero nell’opera di Giovanni Boccaccio." Doctoral thesis, Universita degli studi di Salerno, 2011. http://hdl.handle.net/10556/1534.

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2009 - 2010
The aim of the research is to investigate the consistency and meaning of the logical-dialectical processes emerging in the wider context of rhetorical means in the works of Giovanni Boccaccio. In these works, dialectical schemes sometimes take the more complex structure of quaestio disputata, that is used by the author for narrative, but also for his literary statement. The thesis is divided into three parts. The first part examines the intellectual background of the author. In the cultural context of the late Middle Ages, the quaestio disputata has an important role; by using the disputatio form, a good number of medieval authors show how the disputatio leaves the narrow university milieu, and reaches the literary context. A possible reason for the reception of the quaestio disputata within the literary context can be identified in the rediscovery of the similarities of late medieval dialectic and rhetoric, since both are “sciences of the probable”, and therefore aim at persuading rather than at demonstrating. A second reason can be found in the dramatic nature of philosophical disputatio, a veritable tournament fought with the weapons of the mind. The second part of the paper studies Boccaccio's works, where scholastic language and mental processes are widely diffused, a phenomenon that can be explained by the intermingling of philosophical and literary models. Nevertheless, it should also be noticed that the disputatio adopted by Boccaccio is reinforced by his return to its scholastic sources. Those texts were not unknown to a writer who was in touch with the scholars of the court of King Roberto in Naples, studied canon law, read and loved Dante’s works and was acquainted with Aristotle, Boethius, the Platonic Tradition and Thomas Aquinas. The presence of scholastic language and techniques lead us to evaluate their narrative role in Boccaccio’s literary production, their nature of prospective tools allowing the game of viewpoints. Secondly, the work examines the meaning the dialectic quaestio has in Boccaccio’s writings, where sometimes a quaestio opposing two possible positions has the task of seeking the “truth”. Boccaccian use of disputatio hides a subtle literary strategy that both seems to give the reader the option of choice, and/or the author to take his position and direct the reading. The third part of the thesis focuses on the late works of Boccaccio, such as the Genealogie deorum gentilium. Now the interest of the writer moves to the philosophy and erudition, but in these books we still find the model of quaestio disputata, in a simplified form of the responsio ad obiectiones. Seen as a whole, Boccaccio’s production uses with continuity the scholastic method; the author considers the disputatio a powerful instrument of the search after truth, but adapts it, both in theory and in practice, to the needs of the literature.
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Colussi, Francesco. "Indagini codicologiche e testuali sui manoscritti trecenteschi del Filostrato di Giovanni Boccaccio." Doctoral thesis, Università Ca' Foscari Venezia, 2003. http://hdl.handle.net/10579/239.

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Dopo la pubblicazione di un'edizione provvisoria del Filostrato di Giovanni Boccaccio (1313-1375) per cura di Vincenzo Pernicone (Bari 1937), che la accompagnò con un articolo in rivista contenente le linee generali della ricostruzione stemmatica («Studi di Filologia Italiana», V, 1938), lo studio della tradizione manoscritta del poema rimase interrotta. Rispetto ai 48 codici esaminati dal Pernicone, le testimonianze manoscritte del Filostrato ad oggi conosciute sono 80: a fronte di una tradizione così ampia, la tesi affronta lo studio codicologico e testuale degli 11 testimoni databili al sec. XIV: Altona, Historische Bibliothek des Christianeums, R. 71 (Al); Firenze, Biblioteca Nazionale Centrale, II. II. 36 (F); II. II. 37 (F1); II. II. 38 (F2); II. II. 90 (F4); Palatino 354 (F7); Panciatichiano 17 (F13); Firenze, Biblioteca Riccardiana, 1111 (FR5); Firenze, Biblioteca Medicea Laurenziana, Pluteo XLI 28 (L1); Roma, Biblioteca Nazionale Centrale «Vittorio Emanuele II», Vittorio Emanuele 63 (RN); Città del Vaticano, Biblioteca Apostolica Vaticana, Capponiano Latino 135 (Vc); e di due codici del sec. XV: Londra, British Library, Additional Mss. 21246 (Lo); Monreale, Biblioteca Comunale, XXV. F. 9 (Mr). Dopo una analisi dello stato della questione (Premessa), che rende conto anche degli interventi critici seguiti agli studi del Pernicone, segue la descrizione delle 13 testimonianze accertate (Capitolo I). Viene quindi proposta un'analisi critica dell'edizione del Pernicone e dei suoi fondamenti filologici, condotta anche alla luce degli elementi offerti dai manoscritti qui esaminati (Capitolo II), alcuni dei quali ignoti al filologo novecentesco (Al, Lo, Mr e RN). Le indicazioni che se ne ricavano evidenziano la debolezza della ricostruzione dell'editore, a motivo di un approccio metodologico per alcuni aspetti non rigoroso e della lacunosità dei dati presentati; il Pernicone si dimostra in diversi casi poco fedele alla ricostruzione genealogica da lui stesso avanzata. Si offre altresì una proposta di classificazione dei 13 testimoni collazionati (Capitolo III): i codici Al, L1 e Vc compongono la famiglia a; F, F1, F2, F7, F13, FR5 e RN, pur con qualche difficoltà, sono inquadrabili in un unico gruppo p; indipendenti tra loro e rispetto alle due famiglie precedentemente indicate rimangono i codici F4, Lo e Mr. Il controllo delle testimonianze ha portato all'individuazione di un gruppo di errori ad esse comuni: di qui l'ipotesi che i 13 codici esaminati abbiano a monte un capostipite comune. Nei limiti della tradizione accertata, vengono infine avanzate alcune considerazioni conclusive sulle varianti attestate nei piani alti dello stemma {Conclusioni). La tesi è accompagnata da due tavole: la prima riproduce lo stemma codicum del Pernicone, l'altra indica i rapporti genealogici ricostruiti entro la tradizione esaminata. After the provisional edition of Giovanni Boccaccio's Filostrato edited by Vincenzo Pernicone (Bari 1937), who wrote also an article with general indications about the tradition of the poem («Studi di Filologia Italiana», V, 1938), the studies on the manuscript tradition of the poem were interrupted. In comparison with the 48 mss. examined by Pernicone, 80 mss. are known today: as the tradition is so large, the thesis carries out a codicological and textual research into 11 mss. datable to XIVth Century: Altona, Historische Bibliothek des Christianeums, R. 71 (Al); Florence, Biblioteca Nazionale Centrale, II. II. 36 (F); II. II. 37 (Fl); II. II. 38 (F2); II. II. 90 (F4); Palatino 354 (F7); Panciatichiano 17 (F13); Florence, Biblioteca Riccardiana, 1111 (FR5); Florence, Biblioteca Medicea Laurenziana, Pluteo XLI 28 (L1); Rome, Biblioteca Nazionale Centrale «Vittorio Emanuele II», Vittorio Emanuele 63 (RN); Citta del Vaticano, Biblioteca Apostolica Vaticana, Capponiano Latino 135 (Vc); and into two mss of the XVth Century: London, British Library, Additional Mss. 21246 (Lo); Monreale, Biblioteca Comunale, XXV. F. 9 (Mr). An introductory survey of the question (Premessa), which points out the critical essays about Pernicone's studies, is followed by the description of the 13 mss. examined (Chapter I). It follows a critical analysis of the edition by Pernicone and its philological basis, carried out also in the light of the elements offered by the mss. examined (Chapter II), some of which unknown by the editor (Al, Lo, Mr e RN): the survey points out the weakness of Pernicone's reconstruction, because of a methodological approach not to be completely accepted and of an incompleteness of the elements offered; Pernicone himself is sometimes not faithful to his genealogical reconstruction. A proposal to classify the 13 mss. examined is given (Chapter III): Al, L1 e Vc are to be included in the group a; F, Fl, F2, F7, F13, FR5 and RN, even though with some problems, are to be included in the group P; F4, Lo e Mr are not related each one with the other two and with the two groups mentioned above. The exam of the mss. points out a group of mistakes which is common to each of them: so that it is to be supposed that there should be a common ancestor. Keeping within the examined tradition, there are some final remarks on the variants that are present in the high levels of the stemma (Conclusioni).
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Simionato, Andrea <1984&gt. "Tra fonti e testo del 'De casibus virorum illustrium' di Giovanni Boccaccio." Doctoral thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3028.

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Questa ricerca mira a ridimensionare il ruolo assunto dallo zibaldone magliabechiano quale fonte privilegiata del 'De casibus virorum illustrium'.
This research aims at reducing the role assumed by the zibaldone magliabechiano as privileged source of the 'De casibus virorum illustrium'.
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Muto, Lisa M. "The parabola of pleasure : a study of the cornice of the Decameron." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74631.

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In this dissertation I examine the narrative parts of the so-called cornice of the Decameron. The core of my interpretation is to be found in Chapter I where I show that the frame story--the novella portante, as it has been called--with its "parabolic" rather than "rectilinear" progression is intended to illustrate the brigade's pursuit of pleasure, without any ulterior motive such as, for instance, the restructuring of the decaying Florentine society. A careful study of the members of the brigade (Chapter II) and of their songs (Chapter III) obviously forms an integral part of any analysis of the frame story. The Appendix deals with the illustrations of the cornice: the rich iconographic tradition of the Decameron, at least before this century, appears to have accorded more significance to the frame story than has literary criticism.
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Medeiros, Constantino Luz de. "Friedrich Schlegel: \"Relato sobre as obras poéticas de Giovanni Boccaccio\". Tradução e estudo preliminar." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-26032012-105715/.

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A presente dissertação tem como objetivo principal a tradução e o estudo da Charakteristik, caracterização, escrita por Friedrich Schlegel sobre Giovanni Boccaccio, chamada Nachricht von den poetischen Werken des Johannes Boccaccio, Relato sobre as obras poéticas de Giovanni Boccaccio, de 1801, bem como o estabelecimento de sua importância para a teoria da forma narrativa breve denominada Novelle. O estudo preliminar que antecede o trabalho é dividido em duas partes, nas quais buscamos entender a importância da teoria crítica de Friedrich Schlegel, iluminar as peculiaridades da caracterização traduzida, e descrever os principais procedimentos do crítico e filósofo alemão. No estudo também procuramos analisar as teorias sobre a novela do período conhecido como primeiro romantismo alemão, tentando definir a contribuição de Friedrich Schlegel para estas teorias, e esclarecer certos aspectos de sua recepção por parte da crítica literária ocidental. A principal hipótese que formulamos é a de que a caracterização de Schlegel é um exemplo de hermenêutica literária capaz de mesclar a análise filosófica, filológica e poética em uma abordagem histórica. Desta forma, os elementos extrínsecos e intrínsecos da obra literária seriam vistos como um todo orgânico. Esta obra de arte crítica, como Schlegel costumava definir sua Charakteristik, representaria tanto o sensus spiritualis, como o sensus literalis, contemplando, em sua letra e em seu espírito, a tendência [Tendenz] da obra, que seria o resultado da análise crítica progressiva, divinatória e universal do fenômeno literário.
The main purpose of this dissertation is the translation and study of the Charakteristik characterization, written by Friedrich Schlegel about Giovanni Boccaccio, called Nachricht von den poetischen Werken des Johannes Boccaccio, Note on the poetic works of Giovanni Boccaccio, from 1801, as well as to establish its importance for the theory of the short prose narrative called Novelle. The preliminary study prior to the translation has been separated in two parts, in which we aim at understanding the importance of Friedrich Schlegels critical theory, highlight the peculiarities of the translated characterization, and describe the main procedures of the German critic. At the study we also seek to analyze the theories about the novelle from the period known as the early German romanticism, trying to define the contribution of Friedrich Schlegel for these theories, and clarify certain aspects of his reception by the Western literary criticism. The main hypothesis we formulate is that Schlegels characterization is an example of literary hermeneutics, capable of mixing a philosophical, philological and poetic analyze within a historical approach. This way, the intrinsic and extrinsic factors of the literary artwork would be seen as an organic whole. This critical artwork, as Schlegel used to define his Charakteristik, would stand for the sensus spiritualis as well as for the sensus literalis, contemplating, in its letter and spirit, the tendency [Tendenz] of the work, which would be the result of a progressive, divinatory and universal critical analyze of literary phenomenon.
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Bonetto, Mirian Salvestrin [UNESP]. "O amor sensual e o celibato clerical no Decameron, de Boccaccio." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/149729.

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Um dos temas de destaque na obra-prima de Giovanni Boccaccio, o Decameron, escrita por volta de 1353, é o amor sensual, vivenciado por seus personagens de forma realista e naturalista. Dentre esses personagens, encontramos membros do clero católico, celibatários, e é para eles que voltamos o nosso olhar. Pretendemos traçar as características da abordagem de Boccaccio ao tema do amor sensual no celibato clerical em dez novelle da obra e, com isso, levantar quais concepções de amor, indivíduo e natureza humana são encontradas nas entrelinhas dessas histórias. Para analisarmos o corpus, tomaremos como base a fundamentação do celibato na Igreja Católica, exposta por Brown (1990); a doutrina do amor em Boccaccio, que trata o amor sensual com realismo e naturalismo, abordada por Scaglione (1963) e Givens (1968); a retórica de Aristóteles (2006), já que os personagens usam a retórica para obter êxito na conquista amorosa; as considerações de Ó Cuilleanáin (1984) e Smarr (2014) sobre a representação decameroniana do clero; além de estudos sobre o autor e obra, como os de Auerbach (2007; 2013). Com base em Berger (1972) e Nodelman (1988), analisaremos ilustrações que representam o amor sensual praticado por personagens celibatários, feitas por Alex Cerveny. No Decameron, os clérigos são dessacralizados, retratados como homens comuns, nos quais a natureza e o instinto se fazem presentes. A nosso ver, esses homens e mulheres são levados pela instituição católica a abandonarem obrigatoriamente a sexualidade, mas eles não desejam renunciar efetivamente a esse aspecto que é inerente à vida humana.
One of the main themes in the masterpiece of Giovanni Boccaccio, the Decameron, written around 1353, is the sensual love, experienced by its characters in a realistic and naturalistic way. Among those characters, we find members of the Catholic clergy who are celibates, and who are the holders of our attention. We intend to describe the characteristics of Boccaccio’s treatment of the sensual love theme in clerical celibacy in ten novelle from the book and present which conceptions of love, individual and human nature are found in those stories. To analyse the corpus, we will consider the foundation of celibacy in the Catholic Church, exposed by Brown (1990); the doctrine of love in Boccaccio, that treats sensual love with realism and naturalism, approached by Scaglione (1963) and Givens (1968); the Aristotle’s rhetorics (2006), since the characters use rhetorics to succeed in loving conquest; the considerations of Ó Cuilleanáin (1984) and Smarr (2014) on the decameronian representation of the clergy; besides studies about the author and book, such as the ones by Auerbach (2007; 2013). Based on Berger (1972) and Nodelman (1988), we will analyse some illustrations which depict the sensual love experienced by celibate characters, drawn by Alex Cerveny. In the Decameron, clerics are unholy, portrayed as ordinary men, in whom nature and instinct are latent. In our view, these men and women must give up sexuality because of the Catholic Church doctrines, but they do not actually want to abdicate this aspect which is inherent to human life.
CAPES: 3300415-3
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Books on the topic "Giovanni Boccaccio"

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Giovanni Boccaccio. 3rd ed. Bari: Laterza, 1989.

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Giovanni, Boccaccio. Giovanni Boccaccio. Roma: Istituto poligrafico e Zecca dello Stato, 1995.

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Giovanni, Boccaccio. Giovanni Boccaccio. Roma: Istituto poligrafico e Zecca dello Stato, 1995.

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Giovanni, Boccaccio. Giovanni Boccaccio. Firenze: Le Monnier Università, 2013.

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Giovanni Boccaccio, Decameron. Cambridge: Cambridge University Press, 1991.

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Branca, Vittore. Giovanni Boccaccio: Profilo biografico. [Firenze]: Sansoni, 1997.

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Gagliardi, Antonio. Giovanni Boccaccio: Poeta, filosofo, averroista. Soveria Mannelli (Catanzaro): Rubbettino, 1999.

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Giovanni Boccaccio: An annotated bibliography. New York: Garland Pub., 1992.

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Zamponi, Stefano, ed. Intorno a Boccaccio / Boccaccio e dintorni 2016. Florence: Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-619-4.

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Il volume Intorno a Boccaccio/Boccaccio e dintorni 2016 nasce dal seminario internazionale, tenutosi a Certaldo il 9 settembre 2016, promosso dall’Ente Nazionale Giovanni Boccaccio e giunto alla sua terza edizione. Il seminario, che ha acquisito una cadenza annuale, ha lo scopo precipuo di dare spazio a studiosi giovani, che possono presentare nuove ricerche ancora in corso. Il volume, accanto a contributi filologici e critici relativi al Decameron e al suo Fortleben , si caratterizza per l’attenzione ad altre opere di Boccaccio (Filostrato, Rime , De mulieribus claris , Epistole, Trattatello), di volta in volta esaminate sotto l’aspetto della tradizione testuale, delle figure retoriche e del lessico.
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Zamponi, Stefano, ed. Intorno a Boccaccio / Boccaccio e dintorni 2015. Florence: Firenze University Press, 2016. http://dx.doi.org/10.36253/978-88-6453-338-4.

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Il volume Intorno a Boccaccio /Boccaccio e dintorni 2015 nasce dal seminario internazionale che si è tenuto a Certaldo il 9 settembre 2015, seconda realizzazione di un’iniziativa alla quale l’Ente Nazionale Giovanni Boccaccio ha deciso di conferire una periodicità annuale. Lo scopo di questi seminari, rivolti in primo luogo a giovani studiosi, è di raccogliere e sviluppare le prospettive di lavoro emerse con il centenario del 2013 e di offrire un luogo di discussione a nuove ricerche in corso. I temi trattati nel corso del seminario, attenti al Boccaccio latino e volgare, affrontano (con più ampia attenzione per il Decameron) aspetti di tradizione e critica testuale, storia della lingua, critica letteraria e storia della miniatura.
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Book chapters on the topic "Giovanni Boccaccio"

1

Frenz, Dietmar. "Giovanni Boccaccio." In Kindler Kompakt: Märchen, 44–50. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04359-7_3.

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Frenz, Dietmar. "Boccaccio, Giovanni." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2790-1.

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Candido, Igor. "Boccaccio, Giovanni." In Encyclopedia of Renaissance Philosophy, 407–16. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_83.

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Candido, Igor. "Boccaccio, Giovanni." In Encyclopedia of Renaissance Philosophy, 1–10. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-02848-4_83-1.

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Strauß, Manfred. "Boccaccio, Giovanni: Teseida." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2792-1.

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Kremers, Dieter. "Boccaccio, Giovanni: Ameto." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2793-1.

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Frenz, Dietmar. "Boccaccio, Giovanni: Decameron." In Kindlers Literatur Lexikon (KLL), 1–5. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2797-1.

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Fritz, Eleonora. "Il lessico del magistero nelle prose erudite di Giovanni Boccaccio." In Intorno a Boccaccio / Boccaccio e dintorni 2019, 9–21. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-236-2.01.

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The contribution aims to illustrate the results of the research conducted on the lexicon of the Petrarch-Boccaccio magisterium relationship. The research also made use of the comparison between Boccaccio's various masters: Petrarch on the one hand, Andalò del Negro and Leonzio Pilato on the other. The results of the research have shown the substantial difference of the Petrarchian magisterium compared to that of Leonzio or Andalò. Petrarch is a supreme teacher unlike the other two, considered by Boccaccio to be technical masters. Boccaccio in fact systematically attributes to Petrarch the noun preceptor, a very generic name: he is considered not only a teacher of literature but also of life. Boccaccio also expects from him a teaching that will lead him to an ethical conversion, as evidenced by the insistent presence of the lexicon pertaining to the moral sphere attributed to him.
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KLL. "Boccaccio, Giovanni: Il Filostrato." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2791-1.

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Kremers, Dieter. "Boccaccio, Giovanni: L'amorosa visione." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2794-1.

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