Academic literature on the topic 'Giovanni bonifacio'

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Journal articles on the topic "Giovanni bonifacio"

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Arcangeli, Alessandro. "Review of Gazzola (2018): L’Arte de’ cenni di Giovanni Bonifacio." Gesture 18, no. 1 (2019): 110–13. http://dx.doi.org/10.1075/gest.00035.arc.

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Dimova, Temenuzhka. "« Dextrarum junctio » ou le sceau des âmes unies : usages d’un geste dans la France des XVIIe et XVIIIe siècles." Source(s) – Arts, Civilisation et Histoire de l’Europe, no. 5 (October 20, 2022): 75–92. http://dx.doi.org/10.57086/sources.376.

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“Dextrarum junctio” ou le sceau des âmes unies : usages d’un geste dans la France des XVIIe et XVIIIe siècles — La jonction des esprits lors des serments de fidélité, de paix et d’alliance se traduit dans le langage iconographique par la réunion des mains droites. Les valeurs juridiques, rituelles mais aussi affectives de la dextrarum junctio, analysées par des théoriciens du langage corporel comme Giovanni Bonifacio, Juan Caramuel, John Bulwer et Alphonse Costadau, se déploient au sein de la peinture française des XVIIe et XVIIIe siècles selon des formules innovantes, et interagissent avec d’
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Sordyl, Krzysztof. "Powstanie i rozwój Kościoła nowacjańskiego." Vox Patrum 55 (July 15, 2010): 553–67. http://dx.doi.org/10.31743/vp.4356.

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Nel periodo iniziale dello sviluppo dello scisma romano di Novaziano niente lasciava prevedere che potesse minacciare l’intera Chiesa. In quel periodo Novaziano aveva mandato in Africa, Alessandria e Antiochia i suoi emissari. Grazie alla loro attività la comunità dei novaziani cresceva in potenza, e sviluppando in modo progressivo la propria dottrina è diventato un rivale significativo della Chiesa cattolica. La Chiesa di Novaziano si è diffusa in Gallia, nei terreni dell’Italia settentrionale (Milano), a Roma, in Africa, Egitto e Siria. In Oriente si è lottato a lungo contro le sue regole e
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Saunders, Steven. "Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, Bonifazio Graziani, and: Masses by Domenico Scorpione, Lorenzo Penna, Giovanni Paolo Colonna, and: Masses by Pietro Degli Antoni and Giovanni Battista Bassani (review)." Notes 60, no. 1 (2003): 277–78. http://dx.doi.org/10.1353/not.2003.0129.

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Bergstein, Mary. "Marian Politics in Quattrocento Florence: The Renewed Dedication of Santa Maria del Fiore in 1412." Renaissance Quarterly 44, no. 4 (1991): 673–719. http://dx.doi.org/10.2307/2862484.

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On the Feastday of the Nativity of the Virgin, September 8, 1296, the papal legate of Boniface VIII, Pietro Valeriano di Piperno, blessed the rebuilding of the church of S. Reparata in Florence. In the ceremonial presence of the podestà, the Standard-Bearer of Justice, and the priors of the Signoria, he named the new cathedral “Santa Maria del Fiore.” Arnolfo di Cambio was made chief architect in charge of the renewal; and it was he who began a program of monumental sculpture devoted to the life of the Virgin (fig. 1). Giovanni Villani, who recorded the benediction ceremony in his chronicle, a
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Pavlin, Vojko. "Goričan Mihael Rabatta, avtor potopisa <i>Iter sancti sepulcri</i>." Clotho 6, no. 1 (2024): 11–25. https://doi.org/10.4312/clotho.6.1.11-25.

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Michele Rabatta went to the Holy Sepulchre with his friend Morando Porcia in 1396 and left a chronicle of their journey, which is preserved in the State Archives in Gorizia (Archivio di Stato di Gorizia). The transcription of his travelogue Iter sancti sepulcri was published in 2007 in Pordenone by the Accademia San Marco. The travel diary describes a journey that lasted three months, from 27 August to 28 November 1396. Drawings and sketches of some of the places have been preserved. The text draws particular attention to the indulgences that were awarded to pilgrims visiting Jerusalem and oth
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Gasparri, Maria Luisa, Jana De Boniface, Oreste Davide Gentilini, Orit Kaidar-Person, Philip Poortmans, and Thorsten Kuehn. "Abstract P1-01-16: Perspectives on axillary management after primary systemic treatment: An international EUBREAST survey." Cancer Research 82, no. 4_Supplement (2022): P1–01–16—P1–01–16. http://dx.doi.org/10.1158/1538-7445.sabcs21-p1-01-16.

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Abstract Background: Consensus on the axillary management in cN+ breast cancer patients whoconvert to ycN0 after primary systemic treatment (PST) is still lacking. A surveywas conducted to investigate the clinical practice in this setting. Materials and Methods: A web-based survey was developed by a multidisciplinary group on behalfof the European Breast Cancer Research Association of Surgical Trialists (EUBREAST),and distributed to breast surgeons and radiation oncologists via breast cancersocieties. Results: We received 345 replies from 43 countries. A majority of responderssuggest FNA/CNB b
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Bucci, Alessandro. "Lo scioglimento super rato tra fonti normative ed esperienza canonistica medievale." Stato, Chiese e pluralismo confessionale, March 1, 2010. http://dx.doi.org/10.54103/1971-8543/23603.

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SOMMARIO: 1. Premessa - 2. I vari casi di scioglimento di matrimonio rato e non consumato nelle decretali pontificie - 2.1. Per ingresso in religione: a) Alessandro III; b) Innocenzo III; c) Gregorio IX - 2.2. Per causa d’assenza - 2.3. Per affinitas superveniens: a) Alessandro III; b) Urbano III; c) Innocenzo III - 2.4. Per lepra superveniens - 2.5. Per cognatio spiritualis superveniens: a) Alessandro III; b) Bonifacio VIII - 2.6. Per successivo matrimonio consumato: a) La dottrina di Gregorio IX; b) Alessandro III; c) Lucio III; d) Urbano III; e) Innocenzo III - 3. I vari casi di sciogliment
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Arcangeli, Alessandro. "La danse et la codification d’un langage des gestes dans l’Arte de’ cenni (1616) de Giovanni Bonifacio." e-Phaïstos IV, no. 1 (2015). http://dx.doi.org/10.4000/ephaistos.662.

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"Preface." IOP Conference Series: Materials Science and Engineering 1318, no. 1 (2024): 011001. http://dx.doi.org/10.1088/1757-899x/1318/1/011001.

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PREFACE The global landscape on industrial activities has changed with the COVID-19 pandemic. The drastic measures and activities (e.g., virtualization of gatherings, increased production of plastics and materials for face masks) that individuals must take leads to the realization of the persistence of the practices at the post-pandemic era. The idea of sustainable development now considers these drastic events in the future, in which chemical engineers can generate innovations that when the need arises, preparations will focus on large-scale development. Different aspects of sustainability, i
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Dissertations / Theses on the topic "Giovanni bonifacio"

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GAZZOLA, Silvia. "L'Arte de' cenni di Giovanni Bonifacio." Doctoral thesis, 2009. http://hdl.handle.net/11562/337462.

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L’Arte de’ cenni di Giovanni Bonifacio.Argomento del presente lavoro è l’Arte de’ cenni di Giovanni Bonifacio (Rovigo1547- Padova 1635), pubblicata a Vicenza presso Francesco Grossi nel 1616,ma redatta verosimilmente negli anni ’90 del XVI secolo. Si tratta di undizionario enciclopedico di 623 pagine, suddiviso in due parti: nella primal’autore analizza il significato di oltre seicento gesti umani, procedendo da capoa piedi; nella seconda, assai più esigua, egli passa a considerare l’incidenza deicenni in varie attività umane (speculative e pratiche). La scelta dell’argomentoha una prima motiv
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Books on the topic "Giovanni bonifacio"

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Edwin, Welti Manfred, ed. Dall'umanesimo alla riforma: Giovanni Bernardino Bonifacio, marchese d'Oria, 1517-1557. Amici Della A. de Leo, 1986.

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Maria, Andaloro, Maddalo Silvia, and Miglio Massimo 1942-, eds. Frammenti di memoria: Giotto, Roma e Bonifacio VIII. Istituto storico italiano per il Medio Evo, 2009.

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Maria, Andaloro, Maddalo Silvia, and Miglio Massimo 1942-, eds. Frammenti di memoria: Giotto, Roma e Bonifacio VIII. Istituto storico italiano per il Medio Evo, 2009.

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Maria, Andaloro, Maddalo Silvia, and Miglio Massimo, eds. Frammenti di memoria: Giotto, Roma e Bonifacio VIII. Istituto storico italiano per il Medio Evo, 2009.

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Szybowska, Urszula. Oprawy ze średniowiecznych rękopisów muzycznych w księgozbiorze Jana Bernarda Bonifacia =: Medieval musical manuscript leaves as bookbindings in the book-collection of Giovanni Bernardino Bonifacio. Wydawn. Jasne, 2011.

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Bonifacio, Giovanni Bernardino, marchese d'Oria, 1517-1597. and Polska Akademia Nauk. Biblioteka Gdańska., eds. Die Bibliothek des Giovanni Bernardino Bonifacio, marchese d'Oria, 1517-1597, der Grundstock der Bibliothek Danzig der Polnischen Akademie der Wissenschaften. P. Lang, 1985.

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Schnoebelen, Anne. Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani. Taylor & Francis Group, 2014.

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Schnoebelen, Anne. Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani. Taylor & Francis Group, 2014.

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Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani. Routledge, 2014.

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Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani (Seventeenth-Century Italian Sacred Music). Routledge, 1998.

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Book chapters on the topic "Giovanni bonifacio"

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Jaśniewicz, Aleksandra. "Two humanists in exile: neo-Stoic notions in the Gdańsk portraits of Giovanni Bernardino Bonifacio, Marquis of Oria (1517–1597), and Martin Opitz (1597–1639)." In Arts, Portraits and Representation in the Reformation Era. Vandenhoeck & Ruprecht, 2019. http://dx.doi.org/10.13109/9783666552496.73.

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Derosas, Renzo. "La villa Querini di Mira Porte e il mistero dei suoi affreschi." In Studi in onore di Mario Infelise. Fondazione Università Ca’ Foscari, 2023. http://dx.doi.org/10.30687/978-88-6969-727-2/012.

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Villa Querini at Mira Porte is known for the valuable frescoes that adorn it. Relying on the claim that the villa belonged to the Querini Stampalia, scholars attributed the frescoes to artists related to the family, such as Palma il Vecchio, Bonifacio de’ Pitati, Schiavone, Tintoretto, Palma il Giovane. Recent restorations revealed the signature of Bonifacio and the date 1540. I show that the villa belonged instead to the Querini San Leonardo, who bought it in 1586. This finding raises two questions: who painted the frescoes? How to explain Bonifacio’s signature and the many references in the
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"Credo." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-10.

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"Kyrie." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-12.

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"Gloria." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-13.

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"Credo." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-14.

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"Sanctus." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-15.

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"Agnus Dei." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-16.

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"Kyrie." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-18.

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"Gloria." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-19.

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