Academic literature on the topic 'Giovanni Castiglione'

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Journal articles on the topic "Giovanni Castiglione"

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Sganzerla, Anita Viola. "Rome Scholarships: Giovanni Benedetto Castiglione and the erudite print (1630–60)." Papers of the British School at Rome 80 (September 24, 2012): 347–48. http://dx.doi.org/10.1017/s0068246212000359.

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Aydın, Abdulsemet. "BİR BOYARESİM-BASKIRESİM KOMBİNASYONU OLARAK MONOTYPE-BOYARESİM İLİŞKİSİ VE BİR ÖRNEK OLARAK GIOVANNI BENEDETTO CASTIGLIONE." IEDSR Association 5, no. 5 (2020): 154–64. http://dx.doi.org/10.46872/pj.50.

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Cecchetti, Dario. "Jean Balsamo - Vito Castiglione Minischetti - Giovanni Dotoli, Les traductions de l’italien en français au xvie siècle." Studi Francesi, no. 165 (LV | III) (December 1, 2011): 628. http://dx.doi.org/10.4000/studifrancesi.4951.

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Schmitz-Esser, Romedio. "Alexander Patschovsky, Ein kurialer Ketzerprozeß in Avignon (1354). Die Verurteilung der Franziskanerspiritualen Giovanni di Castiglione und Francesco d’Arquata. Monumenta Germaniae Historica. Studien und Texte, 64. Wiesbaden: Harrassowitz, 2018, XVIII und 136 S.,." Mediaevistik 31, no. 1 (2018): 472. http://dx.doi.org/10.3726/med012018_472.

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Dieses schmale Bändchen enthält die Edition der bemerkenswerten Akten zu einem Prozess gegen zwei Franziskanerspiritualen, der sich im wesentlichen im Mai 1354 in Avignon abspielte. Nachdem die beiden toskanischen Franziskaner Johannes Gudulchi Vitalis aus Castiglione und Franciscus de Archata auf dem Pilgerweg von Italien nach Santiago de Compostella bei Carcassone der Inquisition aufgefallen waren, hatte man ihren Fall in das Umfeld der Kurie überstellt, wo sie schließlich zum Tode verurteilt wurden. Papst Innozenz IV. hatte dem Inquisitor vor Ort damit die Angelegenheit aus der Hand genomme
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Castilla, Manuel V. "The Cultural Heritage of Architectural Linear Perspective: The Mural Paintings in Nantang Church." Heritage 4, no. 3 (2021): 1773–85. http://dx.doi.org/10.3390/heritage4030099.

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This paper presents a contextual use of the innovative drawing techniques that involved architecture and painting in the Qing court during the first half of the eighteenth century. At this point architectural linear perspective in painting (quadratura) and stage design had become common fields of experimentation for the Chinese and Jesuit artists missionaries. In this conceptual context, Western quadratura was developed in China by Giovanni Gherardini. (1655–1729), and especially by Giuseppe Castiglione (1688–1766), who is remembered as an extraordinarily versatile architect–painter. The focus
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Marino, Giuseppe. "La conversación civil en España." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 54, no. 2 (2018): 335–60. http://dx.doi.org/10.1075/rro.17022.mar.

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Abstract The present study exposes the keys and characteristics of a forgotten and recently digitalised manuscript by the National Library of Madrid. It is the first and only translation into Castilian of the work of Stefano Guazzo (1530–1593). The civil conversation (Brescia, 1574) is known as one of the Renaissance dialogues on moral education and was one of the most successful in Europe in the 16th and 17th centuries of its kind. The work was translated into Spanish by Joseph Gerardo de Hervás at the beginning of the 18th century and until this present time, its handwritten version has neve
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Utz Tremp, Kathrin. "Alexander Patschovsky, Ein kurialer Ketzerprozeß in Avignon (1354). Die Verurteilung der Franziskanerspiritualen Giovanni di Castiglione und Francesco d’Arquata. (Monumenta Germaniae Historica, Studien und Texte, Bd. 64.) Wiesbaden, Harrassowitz 2018." Historische Zeitschrift 309, no. 3 (2019): 739–40. http://dx.doi.org/10.1515/hzhz-2019-1479.

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Kneupper, Frances C. "Ein kurialer Ketzerprozeß in Avignon (1354): Die Verurteilung der Franziskanerspiritualen Giovanni di Castiglione und Francesco d'Arquata. Alexander Patschovsky. Monumenta Germaniae Historica: Studien und Texte 64. Wiesbaden: Harrassowitz, 2018. xviii + 136 pp. €36." Renaissance Quarterly 73, no. 3 (2020): 1074–75. http://dx.doi.org/10.1017/rqx.2020.176.

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Blanch, Juan M. Lope. "Las Osservationi de Giovanni Miranda." Historiographia Linguistica 24, no. 1-2 (1997): 29–40. http://dx.doi.org/10.1075/hl.24.1-2.04bla.

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Summary Giovanni Miranda’s Osservationi della Lingua Castigliana (Venice, 1566) was the best pedagogical grammar of Spanish of its time; and since it served as a model to French, English, and German grammarians it was important well beyond Italy. Because it was essentially a practical teaching work, one finds in it few theoretical pronouncements. Theory, however, is not totally absent from his book, as becomes obvious in the discussion of the concept of ‘sentence’ or of the ‘parts of speech’, but as a whole the work deals with questions that were thought to be essential to the learner of a lan
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Wright, A. D. "Ein Kardinal im Zeitalter der Renaissance. Die Karriere des Giovanni di Castiglione (ca. 1413–1460). By Jessika Nowak. (Spätmittelalter, Humanismus, Reformation, 59.) Pp. xvii+520. Tübingen: Mohr Siebeck, 2011. €99. 978 3 16 150545 4; 1965 2840." Journal of Ecclesiastical History 63, no. 3 (2012): 613. http://dx.doi.org/10.1017/s0022046912000437.

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Dissertations / Theses on the topic "Giovanni Castiglione"

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Sabitt, Claire. "Wearing the Hat of an Other: Alterity and Self-Fashioning in Giovanni Benedetto Castiglione's Oriental Heads." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20673.

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In the late 1640s, Giovanni Benedetto Castiglione produced two series of etchings, which historians have named his Oriental Heads, depicting a variety of figures in exotic headgear. The persistence of Oriental headdresses throughout the series suggests a pervasive interest in costume on the part of both Castiglione and his society. In the seventeenth-century Western European imagination, the turbaned figure represented the epitome of alterity: the Ottoman Turk. Signed “CASTIGLIONE, GENOVESE,” the etchings reveal the artist’s important Genoese origins as a part of his artistic identity. Castigl
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Rivoallan, Anne. "Gênes et Rome 1590-1650 : pratiques culturelles et échanges artistiques." Paris, EPHE, 2013. http://www.theses.fr/2013EPHE4035.

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Les banquiers liguriens au service de l'Église se sont distingués, dès le XVIe siècle, par un collectionnisme et un mécénat spectaculaire. Ils sont en grande partie à l'origine de la transformation de la Superba. La formation d'un Parnasse ligurien en liaison avec le Tasse et Marino, la présence de maîtres vénitiens dans les collections locales puis, dans les premières décennies du XVIIe siècle, les séjours génois de Rubens et de Van Dyck, témoignent d'une volonté de s'ouvrir aux plus brillants lettrés et artistes étrangers. De même, le soutien précoce, à Rome, que les principaux sujets de la
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Books on the topic "Giovanni Castiglione"

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Castiglione, Giovanni Benedetto. Il Grechetto: Il genio di Giovanni Benedetto Castiglione. Sagep, 1990.

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Castiglione, Giovanni Benedetto. Werke von und um Giovanni Benedetto Castiglione (1609-1664). Staatliche Graphische Sammlung, 2004.

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La inmigración italiana en Santiago del Estero (Argentina): El inmigrante Giovanni Castiglione (1858-1903). Editorial El Liberal, 2006.

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I pittori del dissenso: Giovanni Benedetto Castiglione, Andrea de Leone, Pier Francesco Mola, Pietro Testa, Salvator Rosa. Artemide, 2014.

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Jeutter, Ewald. Zur Problematik der Rembrandt-Rezeption im Werk des Genuesen Giovanni Benedetto Castiglione (Genua 1609-1664 Mantua): Eine Untersuchung zu seinem Stil und seinen Nachwirkungen im 17. und 18. Jahrhundert. VDG, Verlag und Datenbank für Geisteswissenschaften, 2004.

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Laura, Martini, ed. Castiglione d'Orcia: Sala d'arte San Giovanni, Rocca di Tentennano. Silvana, 2007.

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1609-1664, Castiglione Giovanni Benedetto, Dillon Gianvittorio, and Accademia ligustica di belle arti., eds. Il genio di Giovanni Benedetto Castiglione, il grechetto: [mostra, Genova, Accademia ligustica di belle arti, 27 gennaio-1 aprile 1990]. Sagep, 1990.

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Hadfield, Andrew. Courtesy, Lying, and Politics. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198789468.003.0006.

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Chapter 5 is a discussion of courtesy books and political conduct manuals and whether the behaviour they recommend could or should be divorced from moral conduct, and, if so, what implications this had for truthfulness and whether courtiers were ever permitted to tell lies in the name of a greater good. Political speech has always been calculated, and it is rare to encounter ‘naïve communication—where a speaker states literally all that he thinks, and/or an audience accepts his representation at face value’. The chapter explores the question of whether small lies led to big lies or whether the
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Giovanni Benedetto Castigliones Biblico Viaggio Patriarcale - Genere Minore Oder Istoria?: Pastorale Motivik Als Mittel Zur Darstellung der Gattungsproblematik. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2010.

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Book chapters on the topic "Giovanni Castiglione"

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Palma, Flavia. "Il Boccaccio di Baldassar Castiglione: la duplice immagine del Certaldese nelle pagine del Cortegiano." In Intorno a Boccaccio / Boccaccio e dintorni 2019. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-236-2.14.

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Giovanni Boccaccio is quoted several times in Castiglione’s Cortegiano, but all these mentions are inserted in two specific contexts: on the one hand, the debate on literary language, developed in the letter of dedication to don Michel De Silva and in the first book; on the other hand, the definition of the joke in book II. Starting from these premises, this essay analyses the meanings of Boccaccio’s presence in the Cortegiano. It shows that Castiglione’s treatise provides two different and concurrent representations of the author of the Decameron: a positive one, connected to the ‘questione della lingua’, that offers Boccaccio as a promoter of the usage (‘uso’); a critical one, deriving from the theory of the ‘facezia’, that makes Boccaccio a challenging and challenged model.
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Preimesberger, Rudolf. "Giovanni Benedetto Castigliones Anbetung der Hirten in Genua. Gattungsfragen." In Welt - Bild - Museum. Böhlau Verlag, 2011. http://dx.doi.org/10.7788/boehlau.9783412214548.137.

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"Not. Giovanni Castiglione, Cont." In The Jews in Sicily, Volume 15 Notaries of Trapani. BRILL, 2009. http://dx.doi.org/10.1163/ej.9789004173835.i-10432.7.

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Castillo Peña, Carmen. "Unión y separación de palabras en las Osservationi della lingua castigliana de Giovanni Miranda." In Lexicalización, léxico y lexicografía en la historia del español. Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-381-6/005.

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The amalgamation and separation of Spanish words is an orthographic feature that should be taken into account to characterize an old grammatical text because it contributes to a better understanding of some grammatical and linguistic questions. Regardless of the level of modernization edition of an old grammatical text, the phenomena of amalgamation and separation should be explained, since we believe that it is possible to discover a set of frequent habits in the separation of words and that these can contribute to the immanent grammatical characterization of the text. This article will discuss summarily some problems of phraseologization and de-phraseologization from the fraseological and grammaticographic point of view (section 2), it will approach the subject seen as a mere orthographic problem (section 3), and conclude with some considerations from the perspective of the edition of texts (section 4). The main purpose of this study (section 5) is to explain the preparatory work on which the criteria for the critical edition of a Spanish grammar for Italians of the 16th century can be based.
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