Relevant bibliographies by topics / Giovanni Filippo

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Giovanni Filippo'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "Giovanni Filippo"

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Cappello, Francesco, Aldo Gerbino, and Giovanni Zummo. "Giovanni Filippo Ingrassia: A five-hundred year-long lesson." Clinical Anatomy 23, no. 7 (2010): 743–49. http://dx.doi.org/10.1002/ca.21038.

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Newcomb, Anthony. "Giovanni Maria Nanino’s Early Patrons in Rome." Journal of Musicology 30, no. 1 (2013): 103–27. http://dx.doi.org/10.1525/jm.2013.30.1.103.

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The first edition of the First Book for five voices of Giovanni Maria Nanino has been lost, and with it its dedication. A close reading of several of the texts in the book offers clues to the date of that first edition and the circle or circles of patronage that may have nourished the book’s origin. This study is concerned principally with the final group of four “occasional” texts in the book—texts apparently referring to particular persons or occasions—and the much-set amorous lyric in the center of the book. I propose that these five madrigals are connected to a circle of patronage in the l
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Lezza, Antonia. "Viviani and the others: Scarpetta, Pirandello, and Eduardo and Peppino De Filippo." Forum Italicum: A Journal of Italian Studies 48, no. 3 (2014): 562–82. http://dx.doi.org/10.1177/0014585814542778.

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This article reconstructs Raffaele Viviani’s ties with some of the greatest representatives of 19th and 20th century Italian theater, dwelling in particular on his relationships with Scarpetta, Pirandello, and Eduardo and Peppino De Filippo. The tools for such an investigation are letters and theatrical reviews. In order to highlight Viviani’s relationship with the theatrical scene of his time and with the preceding dramaturgical tradition, the article illustrates Viviani’s close relationship with Luigi Pirandello. In the space of a 20-year period, Viviani performed and transposed into the Nea
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Lukežić, Irvin. "O talijanskom futurizmu u Rijeci 1919. godine." Poznańskie Studia Slawistyczne, no. 18 (April 28, 2020): 225–33. http://dx.doi.org/10.14746/pss.2020.18.13.

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The article discusses the short-lived emergence of Italian futurism in Rijeka, just after the end of World War I, in the context of the political adventure of Gabrielle DʼAnnunzio, who, with the help of his supporters, an ardite, tried to annex the city to the Kingdom of Italy. At that moment, the avant-garde spirit of Italian futurism could manifest itself here in all its main features: activism, antagonism, nizilism and agonism. In addition to the founder of Italian futurism, Filippo Tommas Marinetti, Mario Carli, Guido Keller and Giovanni Comisso stayed and worked in Rijeka during 1919. The
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Trapp, J. B. "Homage to Petrarch as Humanist Saint: Peregrinatio litterarum ergo." Moreana 35 (Number 135-, no. 3-4 (1998): 233–43. http://dx.doi.org/10.3366/more.1998.35.3-4.15.

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Francesco Petrarca retired in 1370 to the small country house at Arquà, near Padua, in which he died. The house, its contents, and the great marble sarcophagus erected for his remains outside the parish church brought fame to the village, as Giovanni Boccaccio had prophesied they would. By the fifteenth century literary pilgrims were attracted to the village; in the sixteenth, house and tomb were adomed by Pietro Paolo Valdezocco, and Anton Francesco Doni proposed an elaborate memorial. In the seventeenth, Giacomo Filippo Tomasini described the village and tomb, and by the eighteenth and ninet
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Galsterer, Hartmut. "Filippo Càssola, Scritti di Storia Antica. Istituzioni e politica, con una pagina introduttiva di Giovanni Pugliese Carratelli." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte. Romanistische Abteilung 116, no. 1 (1999): 525–26. http://dx.doi.org/10.7767/zrgra.1999.116.1.525.

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Losurdo, Domenico. "Os primórdios de Gramsci: entre o Risorgimento e a I Guerra Mundial." Cadernos CEDES 26, no. 70 (2006): 291–310. http://dx.doi.org/10.1590/s0101-32622006000300002.

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O presente texto analisa as influências do pensamento liberal sobre os primórdios da formação intelectual e política de Gramsci. Mostra que, inicialmente, Gramsci encontra em Benedetto Croce e Giovanni Gentile, representantes do neo-idealismo italiano, um referencial de análise mais progressista e moderno sobre a Itália do que o de Guglielmo Ferrero e Filippo Turati, expoentes do Partido Socialista Italiano. Sua posição em favor do liberalismo manifesta-se na defesa da modernidade e da capacidade de autodeterminação do sujeito. Contudo, a influência liberal não o impediu de saudar a revolução
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Beschi, Luigi. "Giovanni Vili Paleologo del Pisanello: note tecniche ed esegetiche." Μουσείο Μπενάκη 4 (August 10, 2018): 117. http://dx.doi.org/10.12681/benaki.18258.

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Το χάλκινο μετάλλιο με τον Ιωάννη Η' Παλαιολόγο, που φιλοτεχνήθηκε με την ευκαιρία της Συνόδου της Φεράρας-Φλωρεντίας (1438-1439), θεωρείται το πρώτο μετάλλιο της ιταλικής Αναγέννησης. Έργο του Pisanello, που πιθανότατα κατασκευάστηκε στη Φεράρα (1438) -τα προσχέδια σώζονται-, αποτελεί την απαρχή ενός είδους που ξεχωρίζει για την καλλιτεχνική του ποιότητα και το ιδεολογικό του περιεχόμενο. Το μετάλλιο επηρέασε σημαντικά την ιταλική τέχνη του β' μισοΰ του 15ου αιώνα, και ιδιαίτερα ζωγράφους όπως ο Piero della Francesca και γλύπτες όπως ο Filarete, καθώς και πολλούς εικονογράφους χειρογράφων. Το
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9

de Lucca, Valeria. "L'Alcasta and the Emergence of Collective Patronage in Mid-Seventeenth-Century Rome." Journal of Musicology 28, no. 2 (2011): 195–230. http://dx.doi.org/10.1525/jm.2011.28.2.195.

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This article sheds new light onto the process of transformation of the figure of the opera patron in Rome during the mid-seventeenth century. Following the travels of Giovanni Filippo Apolloni's libretto Amor per vendetta, ovvero L'Alcasta, I trace the dissolution of the ubiquitous individual court patron of the earlier part of the century into a network of agents behind opera production in commercial contexts. In every phase of the story of L'Alcasta—its commission, plans for production, staging, dedication, and subsequent revivals—we can detect diverse agencies shaping the libretto and score
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Lettieri, Gaetano. "Maquiavelo en Venecia. Un agente secreto del papa, la alianza antiimperial y la conspiración “Morone”." De Medio Aevo 10, no. 2 (2021): 443–75. http://dx.doi.org/10.5209/dmae.75187.

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En este artículo se aportan pruebas documentales que permiten reconocer a un Maquiavelo que, en calidad de embajador secreto del papa, fue enviado a Venecia para llevar a cabo solo formalmente, siguiendo las órdenes de los Consoli dell´Arte della Lana, una misión, que no sería, por tanto, más que una mera fachada: recuperar una siempre indeterminada cantidad de ducados de oro que tres comerciantes florentinos se habían visto obligados a pagar al ser víctimas de una extorsión. La verdadera misión de Maquiavelo, en realidad, consistía en ponerse en contacto directo y personal con el dogo Gritti,
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Dissertations / Theses on the topic "Giovanni Filippo"

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Ingrassia, Giovanni Filippo Ellert Christin. ""Quod veterinaria medicina formaliter una eademq" (Venedig 1568) Johannes Philippo Ingrassias' Renaissance-Konzept der Tierheilkunde ; deutsche Übersetzung und fachhistorische Erschliessung." Göttingen Sierke, 2009. http://d-nb.info/998310778/04.

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Cosi, Filippo Giovanni [Verfasser], Ulrich [Akademischer Betreuer] Parlitz, Ulrich [Gutachter] Parlitz, and Stefan [Gutachter] Klumpp. "Impact of Structure Modification on Cardiomyocyte Functionality / Filippo Giovanni Cosi ; Gutachter: Ulrich Parlitz, Stefan Klumpp ; Betreuer: Ulrich Parlitz." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2020. http://d-nb.info/1211173968/34.

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Desmas, Anne-Lise. "Être sculpteur dans la Rome de Benoît XIII, Clément XII et Benoît XIV (1724-1758)." Paris 4, 2009. http://www.theses.fr/2009PA040066.

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[. . . ]commandes auxquelles ils pouvaient aspirer explique autant l’organisation des grands chantiers que les conséquences, sur l’activité des artistes, de la passion pour l’antique des particuliers. Les parcours de carrière montrent quels étaient les principaux acteurs de la scène artistique et quelle place pouvaient tenir des artistes non formés à Rome tandis que l’étude de leurs œuvres fait apparaître leur identité stylistique. Basée sur de vastes dépouillements d’archives, cette étude envisage sous tous ses aspects la vie et le métier des sculpteurs. Elle met en lumière des conditions de
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Books on the topic "Giovanni Filippo"

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1947-, Testoni Elio, ed. Eduardo De Filippo: Atti del Convegno di studi sulla drammaturgia civile e sull'impegno sociale di Eduardo De Filippo, senatore a vita : 9 novembre 2004, Roma, sala conferenze della Biblioteca "Giovanni Spadolini". Rubbettino, 2005.

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2

Fabbri, Giuseppe. Sesto, alla sinistra del potere: Giornali, politici, edilizia e cultura nella Sesto San Giovanni tra Filippo Penati e Giorgio Oldrini. Edizioni del Faro, 2012.

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3

Ignazio Filippo Carrocio un uomo di Dio: Rettore dell'Ospedale maggiore di San Giovanni Battista in Torino e costruttore della sua sede seicentesca. Effatà, 2014.

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1678-1736, Juvara Filippo, ed. Filippo Juvarra: Gli anni giovanili. Argos, 2010.

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5

Paolo, Portoghesi, ed. Giovan Battista Filippo Basile: 1825-1891. Franco Cosimo Panini, 1995.

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6

Masini, Giancarlo. America was conceived in Florence: Vespucci, Verrazzano, and Mazzei and their contribution to the conception of the New World. Marsilio Publishers, 1998.

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7

I Florio e il regno dell'Olivuzza: Rinvenimento del pavimento maiolicato, detto a petali di rose, ideato da Filippo Palizzi e disposto nella Casina Butera-Winding-Florio all'Olivuzza : rinvenimento del pavimento maiolicato, detto Barocco, rielaborato da Giovanni Tesorone sull'originale settecentesco di Florio d'Ischia e posto nella villa Pajno. Edizioni del Mirto, 2003.

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8

Nicosetta, Roio, ed. L' eredità del Guercino: L'inventario legale di Giovan Francesco e Filippo Antonio Gennari. Artioli, 2008.

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Vivo, Mario De. Donne da Formula uno: La storia di Maria Teresa De Filippis e Giovanna Amati. Libreria Automotoclub storico italiano, 2013.

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Rossella, Marcucci, ed. Filippo de Pisis botanico flâneur: Un giovane tra erbe, ville, poesia : ricostruita la collezione giovanile di erbe secche. L.S. Olschki, 2012.

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Book chapters on the topic "Giovanni Filippo"

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Rutkin, H. Darrel. "The Use and Abuse of Ptolemy’s Tetrabiblos in Renaissance and Early Modern Europe: Two Case Studies (Giovanni Pico della Mirandola and Filippo Fantoni)." In Archimedes. Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-90-481-2788-7_6.

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Alfie, Fabian. "Chapter 10. Yes . . . but was it funny? Cecco Angiolieri, Rustico Filippi, and Giovanni Boccaccio." In Laughter in the Middle Ages and Early Modern Times. DE GRUYTER, 2010. http://dx.doi.org/10.1515/9783110245486.365.

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Conference papers on the topic "Giovanni Filippo"

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Taddei, Domenico, Caterina Calvani, Roberto Pistolesi, Antonio Taddei, and Andrea Martini. "Recupero architettonico e strutturale del “mastio” e del suo cortile della fortezza nuova di Volterra." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11361.

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Architectural and structural recovery of “mastio” and its courtyard of the new fortress of VolterraThe recovery of the “mastio” and the surrounding courtyard of the new fortress of Volterra (1472-1474) has as its objective the opening to the public of this fortified work, after 542 years from its construction, with the possibility of being enjoyed without interposing with the prison function of the complex, it also represents the possibility of knowledge and study of a constructive typology in the context of the Renaissance fortified architecture of the Italian school called “transition” with
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