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Journal articles on the topic 'Giovanni Filippo'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Cappello, Francesco, Aldo Gerbino, and Giovanni Zummo. "Giovanni Filippo Ingrassia: A five-hundred year-long lesson." Clinical Anatomy 23, no. 7 (2010): 743–49. http://dx.doi.org/10.1002/ca.21038.

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Newcomb, Anthony. "Giovanni Maria Nanino’s Early Patrons in Rome." Journal of Musicology 30, no. 1 (2013): 103–27. http://dx.doi.org/10.1525/jm.2013.30.1.103.

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The first edition of the First Book for five voices of Giovanni Maria Nanino has been lost, and with it its dedication. A close reading of several of the texts in the book offers clues to the date of that first edition and the circle or circles of patronage that may have nourished the book’s origin. This study is concerned principally with the final group of four “occasional” texts in the book—texts apparently referring to particular persons or occasions—and the much-set amorous lyric in the center of the book. I propose that these five madrigals are connected to a circle of patronage in the l

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3

Lezza, Antonia. "Viviani and the others: Scarpetta, Pirandello, and Eduardo and Peppino De Filippo." Forum Italicum: A Journal of Italian Studies 48, no. 3 (2014): 562–82. http://dx.doi.org/10.1177/0014585814542778.

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This article reconstructs Raffaele Viviani’s ties with some of the greatest representatives of 19th and 20th century Italian theater, dwelling in particular on his relationships with Scarpetta, Pirandello, and Eduardo and Peppino De Filippo. The tools for such an investigation are letters and theatrical reviews. In order to highlight Viviani’s relationship with the theatrical scene of his time and with the preceding dramaturgical tradition, the article illustrates Viviani’s close relationship with Luigi Pirandello. In the space of a 20-year period, Viviani performed and transposed into the Nea

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4

Lukežić, Irvin. "O talijanskom futurizmu u Rijeci 1919. godine." Poznańskie Studia Slawistyczne, no. 18 (April 28, 2020): 225–33. http://dx.doi.org/10.14746/pss.2020.18.13.

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The article discusses the short-lived emergence of Italian futurism in Rijeka, just after the end of World War I, in the context of the political adventure of Gabrielle DʼAnnunzio, who, with the help of his supporters, an ardite, tried to annex the city to the Kingdom of Italy. At that moment, the avant-garde spirit of Italian futurism could manifest itself here in all its main features: activism, antagonism, nizilism and agonism. In addition to the founder of Italian futurism, Filippo Tommas Marinetti, Mario Carli, Guido Keller and Giovanni Comisso stayed and worked in Rijeka during 1919. The

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Trapp, J. B. "Homage to Petrarch as Humanist Saint: Peregrinatio litterarum ergo." Moreana 35 (Number 135-, no. 3-4 (1998): 233–43. http://dx.doi.org/10.3366/more.1998.35.3-4.15.

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Francesco Petrarca retired in 1370 to the small country house at Arquà, near Padua, in which he died. The house, its contents, and the great marble sarcophagus erected for his remains outside the parish church brought fame to the village, as Giovanni Boccaccio had prophesied they would. By the fifteenth century literary pilgrims were attracted to the village; in the sixteenth, house and tomb were adomed by Pietro Paolo Valdezocco, and Anton Francesco Doni proposed an elaborate memorial. In the seventeenth, Giacomo Filippo Tomasini described the village and tomb, and by the eighteenth and ninet

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Galsterer, Hartmut. "Filippo Càssola, Scritti di Storia Antica. Istituzioni e politica, con una pagina introduttiva di Giovanni Pugliese Carratelli." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte. Romanistische Abteilung 116, no. 1 (1999): 525–26. http://dx.doi.org/10.7767/zrgra.1999.116.1.525.

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Losurdo, Domenico. "Os primórdios de Gramsci: entre o Risorgimento e a I Guerra Mundial." Cadernos CEDES 26, no. 70 (2006): 291–310. http://dx.doi.org/10.1590/s0101-32622006000300002.

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O presente texto analisa as influências do pensamento liberal sobre os primórdios da formação intelectual e política de Gramsci. Mostra que, inicialmente, Gramsci encontra em Benedetto Croce e Giovanni Gentile, representantes do neo-idealismo italiano, um referencial de análise mais progressista e moderno sobre a Itália do que o de Guglielmo Ferrero e Filippo Turati, expoentes do Partido Socialista Italiano. Sua posição em favor do liberalismo manifesta-se na defesa da modernidade e da capacidade de autodeterminação do sujeito. Contudo, a influência liberal não o impediu de saudar a revolução

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8

Beschi, Luigi. "Giovanni Vili Paleologo del Pisanello: note tecniche ed esegetiche." Μουσείο Μπενάκη 4 (August 10, 2018): 117. http://dx.doi.org/10.12681/benaki.18258.

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Το χάλκινο μετάλλιο με τον Ιωάννη Η' Παλαιολόγο, που φιλοτεχνήθηκε με την ευκαιρία της Συνόδου της Φεράρας-Φλωρεντίας (1438-1439), θεωρείται το πρώτο μετάλλιο της ιταλικής Αναγέννησης. Έργο του Pisanello, που πιθανότατα κατασκευάστηκε στη Φεράρα (1438) -τα προσχέδια σώζονται-, αποτελεί την απαρχή ενός είδους που ξεχωρίζει για την καλλιτεχνική του ποιότητα και το ιδεολογικό του περιεχόμενο. Το μετάλλιο επηρέασε σημαντικά την ιταλική τέχνη του β' μισοΰ του 15ου αιώνα, και ιδιαίτερα ζωγράφους όπως ο Piero della Francesca και γλύπτες όπως ο Filarete, καθώς και πολλούς εικονογράφους χειρογράφων. Το

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de Lucca, Valeria. "L'Alcasta and the Emergence of Collective Patronage in Mid-Seventeenth-Century Rome." Journal of Musicology 28, no. 2 (2011): 195–230. http://dx.doi.org/10.1525/jm.2011.28.2.195.

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This article sheds new light onto the process of transformation of the figure of the opera patron in Rome during the mid-seventeenth century. Following the travels of Giovanni Filippo Apolloni's libretto Amor per vendetta, ovvero L'Alcasta, I trace the dissolution of the ubiquitous individual court patron of the earlier part of the century into a network of agents behind opera production in commercial contexts. In every phase of the story of L'Alcasta—its commission, plans for production, staging, dedication, and subsequent revivals—we can detect diverse agencies shaping the libretto and score

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Lettieri, Gaetano. "Maquiavelo en Venecia. Un agente secreto del papa, la alianza antiimperial y la conspiración “Morone”." De Medio Aevo 10, no. 2 (2021): 443–75. http://dx.doi.org/10.5209/dmae.75187.

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En este artículo se aportan pruebas documentales que permiten reconocer a un Maquiavelo que, en calidad de embajador secreto del papa, fue enviado a Venecia para llevar a cabo solo formalmente, siguiendo las órdenes de los Consoli dell´Arte della Lana, una misión, que no sería, por tanto, más que una mera fachada: recuperar una siempre indeterminada cantidad de ducados de oro que tres comerciantes florentinos se habían visto obligados a pagar al ser víctimas de una extorsión. La verdadera misión de Maquiavelo, en realidad, consistía en ponerse en contacto directo y personal con el dogo Gritti,

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Hollick, Bernard. "Poesia e teologia in Giovanni Scoto l'Eriugena. By Filippo Colnago. (Biblioteca di Cultural Romanobarbarica, 11.) Pp. viii+405 incl. colour frontispiece. Rome: Herder Editrice e Libreria, 2009. €48 (paper). 978 88 89670 48 4." Journal of Ecclesiastical History 63, no. 2 (2012): 373. http://dx.doi.org/10.1017/s0022046911002843.

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Villa Prieto, Josué. "Crónicas urbanas e historiografía en la Toscana bajomedieval. Urban chronicles and Historiography in medieval Tuscany." Territorio, Sociedad y Poder 13, no. 13 (2018): 101. http://dx.doi.org/10.17811/tsp.13.2018.101-126.

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Este trabajo propone una aproximación a la historiografía urbana en Toscana durante la Baja Edad Media. Su cronística se interpreta como resultado de dos fenómenos: la consolidación de Florencia como autoridad política hegemónica en la región y como principal foco cultural del humanismo italiano. Cada epígrafe está dedicado a las historias realizadas sobre una ciudad concreta, interpretándose el contexto de su elaboración, la relación existente entre el autor y los hechos narrados, las características literarias de la obra, su contenido, y las posibilidades y límites que ofrecen para el conoci

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Praino, E., F. Scioscia, C. Scioscia, et al. "THU0628-HPR SSCENTRY: A PERSONAL DISEASE DIARY APP FOR SYSTEMIC SCLEROSIS PATIENTS." Annals of the Rheumatic Diseases 79, Suppl 1 (2020): 558–59. http://dx.doi.org/10.1136/annrheumdis-2020-eular.6067.

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Background:Systemic Sclerosis (SSc) is a connective tissue disease characterized by severe alterations in the microvasculature and progressive fibrosis of the skin and internal organs [1]. Management of SSc is not easy, for both patients and physicians [2]. Symptoms are manifold and have a significant impact on patient’s daily autonomy and psychological well-being.Objectives:SScEntry (SSc data Entry tool; Figure 1) is a solution conceived to assist SSc patients in monitoring their disease, as a kind of “sentry”. The core idea is to provide patients with a personal diary to annotate and track t

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14

Cinà, Roberta. "L’unità delle Arti in una rivista palermitana dell’Ottocento." De Arte. Revista de Historia del Arte, no. 10 (August 5, 2014): 197. http://dx.doi.org/10.18002/da.v0i10.1344.

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<p>El artículo analiza una revista publicada en Palermo desde 1888 hasta 1889: <em>L'Arte Decorativa Illustrata</em>, ahora rara y poco conocida. Es representativa del concepto de la unidad y la igual dignidad de las artes de finales del siglo XIX: artículos publicados sobre el la historia del arte italiano (que estaba empezando a escribirse), las exposiciones de 1889 y las tendencias artísticas del momento, sobre las obras de arte decorativo.</p><p>Encontramos algunos nombres famosos entre los editores, como Gioacchino di Marzo, fundador de la crítica de arte de

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15

Maranini, Anna. "Utopie in viaggio: da Rutilio Namaziano a Thomas More passando per Giovan Battista Pio (e Filippo Beroaldo il Vecchio)." Giornale Italiano di Filologia 1, no. 1-2 (2010): 187–201. http://dx.doi.org/10.1484/j.gif.5.101902.

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16

TRABUCCO, ORESTE. "LUIGI INGALISO (ed.), Giovan Filippo Ingrassia: Informatione del pestifero et contagioso morbo. Milano: Angeli, 2005. 650 pp., ISBN 884647290X." Nuncius 21, no. 2 (2006): 390–92. http://dx.doi.org/10.1163/221058706x00801.

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17

Maschek, Dominik. "Giovanna Battaglini / Filippo Coarelli / Francesca Diosono (Eds.), Fregellae. Il tempio del Foro e il tempio suburbano sulla via Latina. (Monumenti antichi. Serie miscellanea, Vol. 23.) Rom, Bretschneider 2019." Historische Zeitschrift 312, no. 1 (2021): 135–36. http://dx.doi.org/10.1515/hzhz-2021-1003.

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18

D'Angelo, Egidio, Giovanna De Filippi, Paola Rossi, and Vanni Taglietti. "Ionic Mechanism of Electroresponsiveness in Cerebellar Granule Cells Implicates the Action of a Persistent Sodium Current." Journal of Neurophysiology 80, no. 2 (1998): 493–503. http://dx.doi.org/10.1152/jn.1998.80.2.493.

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D'Angelo, Egidio, Giovanna De Filippi, Paola Rossi, and Vanni Taglietti. Ionic mechanism of electroresponsiveness in cerebellar granule cells implicates the action of a persistent sodium current. J. Neurophysiol. 80: 493–503, 1998. Although substantial knowledge has been accumulated on cerebellar granule cell voltage-dependent currents, their role in regulating electroresponsiveness has remained speculative. In this paper, we have used patch-clamp recording techniques in acute slice preparations to investigate the ionic basis of electroresponsiveness of rat cerebellar granule cells at a mature

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19

Carmichael, Ann G. "Giovan Filippo Ingrassia. Informatione del pestifero et contagioso morbo. Filosofia e Scienza nell’Età Moderna. Ed. Luigi Ingaliso. Milan: FrancoAngeli, 2005. 650 pp. index. illus. €45. ISBN: 88-464-7290-X." Renaissance Quarterly 59, no. 4 (2006): 1277–78. http://dx.doi.org/10.1353/ren.2008.0466.

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20

D'Angelo, Egidio, Giovanna De Filippi, Paola Rossi, and Vanni Taglietti. "Synaptic Activation of Ca2+ Action Potentials in Immature Rat Cerebellar Granule Cells In Situ." Journal of Neurophysiology 78, no. 3 (1997): 1631–42. http://dx.doi.org/10.1152/jn.1997.78.3.1631.

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D'Angelo, Egidio, Giovanna De Filippi, Paola Rossi, and Vanni Taglietti. Synaptic activation of Ca2+ action potentials in immature rat cerebellar granule cells in situ. J. Neurophysiol. 78: 1631–1642, 1997. Although numerous Ca2+ channels have been identified in cerebellar granule cells, their role in regulating excitability remained unclear. We therefore investigated the excitable response in granule cells using whole cell patch-clamp recordings in acute rat cerebellar slices throughout the time of development (P4–P21, n = 183), with the aim of identifying the role of Ca2+ channels and their

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Ventra, Stefania. "Tommaso Riario Sforza, Filippo Agricola, Giovanni Regis e una lettera anonima per il restauro del Ratto d’Europa di Paolo Veronese della Pinacoteca Capitolina nel 1844." 8 | 2019 | CELEBRATING RUSKIN! Reconsidering the Venetian Masters of the Renaissance in the 19th Century, no. 1 (July 31, 2019). http://dx.doi.org/10.30687/mdccc/2280-8841/2019/01/003.

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The present paper takes the cue from an anonymous letter sent in 1844 to the camerlengo Tommaso Riario Sforza to denounce the poor conservative conditions in which Veronese’s Rape of Europe, in the Pinacoteca Capitolina in Rome, was placed. Considered one of the gems of the Roman collections, as the contemporary sources attest, especially due to the scarcity of works by Venetian masters in Rome, the large canvas was important above all as a model for young artists to exercise on colouring. Following this complaint, the painting will be taken over by the under-inspector Filippo Agricola, who wi

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Baldini, Anna. "Allies and Enemies: Periodicals as Instruments of Conflict in the Florentine Avant-garde (1903-15)." Journal of European Periodical Studies 3, no. 1 (2018). http://dx.doi.org/10.21825/jeps.v3i1.8103.

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In 1903 Giovanni Papini, a 22 year-old aspiring philosopher who would soon channel his rampant ambition into literary writing, was a founder of the philosophy magazine Leonardo (1903-7). A group of young intellectuals and artists, here defined as the Florentine avant-garde, gathered around this periodical and its successors, La Voce (1908-1916) and Lacerba (1913-15). By drawing on Bourdieu’s sociological theory of cultural fields, this essay explores how the intellectuals writing for these periodicals established a powerful intellectual network and criticized the cultural institutions of the p

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Bausi, Alessandro, and Paolo Chiesa. "The Ystoria Ethyopie in the Cronica Universalis of Galvaneus de la Flamma (d. c.1345)." Aethiopica 22 (March 5, 2020). http://dx.doi.org/10.15460/aethiopica.22.0.1491.

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The section named Ystoria Ethyopie in the Cronica universalis written by Galvaneus de la Flamma (d. c.1345) depends, according to the writer’s statements, on a Tractatus de mappa whose author is easily identifiable as Giovanni da Carignano (d. c.1330), who drew a famous planisphere of the Mediterranean area. The Tractatus de mappa, as quoted by Galvaneus, reports surprising pieces of news about the Ethiopia of the time and in particular on an event which has been known so far only by a later and generally disregarded source, namely the Supplementum cronicarum of Giacomo Filippo Foresti (first

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Coloretti, Irene, Stefano Busani, Emanuela Biagioni, et al. "Effects of cytokine blocking agents on hospital mortality in patients admitted to ICU with acute respiratory distress syndrome by SARS-CoV-2 infection: retrospective cohort study." Multidisciplinary Respiratory Medicine 16 (May 17, 2021). http://dx.doi.org/10.4081/mrm.2021.737.

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Background: The use of cytokine-blocking agents has been proposed to modulate the inflammatory response in patients with COVID-19. Tocilizumab and anakinra were included in the local protocol as an optional treatment in critically ill patients with acute respiratory distress syndrome (ARDS) by SARS-CoV-2 infection. This cohort study evaluated the effects of therapy with cytokine blocking agents on in-hospital mortality in COVID-19 patients requiring mechanical ventilation and admitted to intensive care unit.Methods: The association between therapy with tocilizumab or anakinra and in-hospital m

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Tejedor Estupiñan, Ricardo Alonso. "Alessandro di Mariano di Vanni Filipepi." APUNTES DEL CENES 32, no. 56 (2013). http://dx.doi.org/10.19053/01203053.v32.n56.2013.7615.

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Nacido en Florencia en los albores del Renacimiento, en el seno de una familia de artesanos, fue apodado Sandro Botticelli en honor a la esbelta figura de Giovanni, el mayor de sus tres hermanos, y de cuyo mote se harían acreedores todos los demás miembros de su familia. Creció en un barrio cercano a la iglesia de Todos los Santos (Chiesa di Ognissanti), parroquia de la familia Vespucci, quienes se contarían entre sus primeros mecenas y posteriormente lo recomendarían a la poderosa familia Médici, tras lo cual llegó a convertirse en uno de los pintores más solicitados e importantes de su tiemp

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Occhipinti, Egidia. "Teopompo e la Sicilia." Klio 95, no. 1 (2013). http://dx.doi.org/10.1524/klio.2013.95.1.84.

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RiassuntoL’analisi dei dati in nostro possesso ha permesso di ricostruire le caratteristiche della syngraphe teopompea, sul piano del contenuto, del metodo compositivo adottato dallo storico nei Philippika, con particolare riguardo al debito nei confronti della storiografia erodotea. All’interno di una cornice cronologica di riferimento, che va dall’ascesa di Filippo II al 337 a. C., Teopompo inserisce, infatti, di continuo, excursus dentro altri excursus, attraverso i quali dà spazio alle vicende delle popolazioni greche e non greche, che abitavano anche aree remote del mondo fino ad allora c

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"14. GIORGIO VASARI IL GIOVANE Raccolto fatto dal Cavre. Giorgio Vasari: di varii instrumenti per misurare con la vista a cura di Filippo Camerota 1996, 423 pp., Giunti, Firenze." Nuncius 14, no. 2 (1999): 763. http://dx.doi.org/10.1163/182539199x00599.

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"14. GIORGIO VASARI IL GIOVANE Raccolto fatto dal Cavre. Giorgio Vasari: di varii instrumenti per misurare con la vista a cura di Filippo Camerota 1996, 423 pp., Giunti, Firenze." Nuncius 14, no. 1 (1999): 405. http://dx.doi.org/10.1163/182539199x01444.

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Crawford, Michael H. "GIOVANNA BATTAGLINI, FILIPPO COARELLI and FRANCESCA DIOSONO (EDS), FREGELLAE. IL TEMPIO DEL FORO E IL TEMPIO SUBURBANO SULLA VIA LATINA (Monumenti antichi. Serie miscellanea 23). Rome: Giorgio Bretschneider, 2019. Pp. lvii + 362, illus. isbn 9788876893148. €80." Journal of Roman Studies, July 9, 2021, 1. http://dx.doi.org/10.1017/s007543582100054x.

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Toftgaard, Anders. "“Måske vil vi engang glædes ved at mindes dette”. Om Giacomo Castelvetros håndskrifter i Det Kongelige Bibliotek." Fund og Forskning i Det Kongelige Biblioteks Samlinger 50 (April 29, 2015). http://dx.doi.org/10.7146/fof.v50i0.41247.

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Anders Toftgaard: “Perhaps even this distress it will some day be a joy to recall”. On Giacomo Castelvetro’s manuscripts in The Royal Library, Copenhagen. In exile from his beloved Modena, Giacomo Castelvetro (1546–1616) travelled in a Europe marked by Reformation, counter-Reformation and wars of religion. He transmitted the best of Italian Renaissance culture to the court of James VI and Queen Anna of Denmark in Edinburgh, to the court of Christian IV in Copenhagen and to Shakespeare’s London, while he incessantly collected manuscripts on Italian literature and European contemporary history.

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"14. GIORGIO VASARI IL GIOVANE Raccolto fatto dal Cavre. Giorgio Vasari: di varii instrumenti per misurare con la vista a cura di Filippo Camerota 1996, 423 pp., Giunti, Firenze." Nuncius 14, no. 2 (1999): 763. http://dx.doi.org/10.1163/221058799x00593.

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"14. GIORGIO VASARI IL GIOVANE Raccolto fatto dal Cavre. Giorgio Vasari: di varii instrumenti per misurare con la vista a cura di Filippo Camerota 1996, 423 pp., Giunti, Firenze." Nuncius 14, no. 1 (1999): 405. http://dx.doi.org/10.1163/221058799x01448.

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UNICASTELO, Universidade Camilo Castelo Branco. "Anais da VIII Jornada Odontológica da Unicastelo." ARCHIVES OF HEALTH INVESTIGATION 5 (December 14, 2016). http://dx.doi.org/10.21270/archi.v5i0.1795.

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CATEGORIA PAINELP 01. NÓDULOS PULPARES - CALCIFICAÇÕES. TAVARES, THAÍS RUAS; SEKI, NATHALIA MARIKO ASSAKAWA; SOUZA, EDMARA REGINA DIAS; SIVA, AMANDA SOUZA; SIMONATO, LUCIANA ESTEVAM; MORETI, LUCIENI CRISTINA TROVATI. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 02. ACIDENTES E COMPLICAÇÕES NA ABERTURA CORONÁRIA. SOUZA, EDMARA REGINA DIAS; SEKI, NATHALIA MARIKO ASSAKAWA; TAVARES, THAÍS RUAS; SIVA, AMANDA SOUZA; SIMONATO, LUCIANA ESTEVAM; MORETI, LUCIENI CRISTINA TROVATI. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 03. DOENÇAS INFECTO CONT

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Burrough, Xtine, and Sabrina Starnaman. "Epic Hand Washing." M/C Journal 24, no. 3 (2021). http://dx.doi.org/10.5204/mcj.2773.

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In March 2020, co-authors burrough and Starnaman with Technical Director Dale MacDonald had just finished collaborating on a work of computational art, A Kitchen of One’s Own, for The Photographers’ Gallery in London. In this essay we discuss the genealogy of our Zoom performance, Epic Handwashing for Synchronous Participation, which was an extension of two earlier projects—one that was derailed due to COVID-19, and the other that resulted from our pivot towards reflecting on the pandemic experience. Our performance was a response to, and offered a collaborative moment of reflection on, the un

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