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Journal articles on the topic 'Giovanni Gabrieli'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Saunders, Steven. "Giovanni Priuli'sMissa sine nomineand the legacy of Giovanni Gabrieli." Journal of Musicological Research 14, no. 2 (1995): 169–91. http://dx.doi.org/10.1080/01411899508574704.

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2

Saunders, Steven. "Giovanni Priuli'sMissa sine nomineand the Legacy of Giovanni Gabrieli." Journal of Musicological Research 14, no. 3-4 (1995): 169–91. http://dx.doi.org/10.1080/01411899509407983.

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3

Charteris, Richard. "Another keyboard canzona by Giovanni Gabrieli?" Early Music XV, no. 4 (1987): 480–86. http://dx.doi.org/10.1093/earlyj/xv.4.480.

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4

CHARTERIS, RICHARD. "NEWLY DISCOVERED WORKS BY GIOVANNI GABRIELI." Music and Letters 68, no. 4 (1987): 343–63. http://dx.doi.org/10.1093/ml/68.4.343.

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5

MORELL, MARTIN. "‘PERFORMANCE OF GIOVANNI GABRIELI S VOCAL WORKS’." Music and Letters 72, no. 3 (1991): 516–17. http://dx.doi.org/10.1093/ml/72.3.516.

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6

Küster, Konrad. "Schütz und die Orgel : Überlegungen zum Organistenstand in Deutschland und Italien um 1600." Schütz-Jahrbuch 22 (August 24, 2017): 7–16. http://dx.doi.org/10.13141/sjb.v2000885.

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Die Ausbildung, die Heinrich Schütz bei Giovanni Gabrieli erhielt, Organist an San Marco in Venezia, war nicht allein auf die vokale Kompositionstechnik ausgerichtet. Dies ergibt sich nicht nur aus den Hinweisen darauf, dass Schütz in der Folgezeit als Organist wirkte, sondern auch aus einem Vergleich mit dem Berufsbild des Organisten. Anhaltspunkte bieten die Werküberlieferung und biographische Dokumente zu Musikern wie Andrea Gabrieli, Luzzasco Luzzaschi, Girolamo Frescobaldi, Jan Pieterszoon Sweelinck, Samuel Scheidt, Hieronymus Praetorius sowie zu den Gabrieli-Schülern Gregor Aichinger, Jo

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7

Küster, Konrad. "Gabrieli und Schütz : Die Frage des Instrumentalen in Schütz ́frühen Werken." Schütz-Jahrbuch 19 (August 23, 2017): 7–20. http://dx.doi.org/10.13141/sjb.v1997843.

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Anhand von "Ist nicht Ephraim" aus den "Psalmen Davids" und einigen Werken, die Schütz nicht in den mit Opusnummern gezählten Drucken veröffentlicht hat, läßt sich seine Arbeit mit selbstständigen Instrumentalstimmen neu definieren; er beherrschte sie demnach schon um 1620 auf verschiedenartige Weise, nicht erst nach der Venedig-Reise 1629/30. Seine Techniken unterscheiden sich von denen seines Lehrers Giovanni Gabrieli. Die <Psalmen Davids> spiegeln Schütz' kompositorische Techniken der Zeit um 1620 also nicht völlig; dies läßt sich auch durch Vergleich mit Johann Crügers Bearbeitungen

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8

Bishop, Sherri. "Il terzo libro de madrigali a cinque voci con alcuni di Giovanni Gabrieli: Venezia, Angelo Gardano 1589 by Andrea Gabrieli." Notes 70, no. 4 (2014): 732–35. http://dx.doi.org/10.1353/not.2014.0058.

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9

Küster, Konrad. "Schütz' Madrigale in der zeitgenössischen italienischen Musikkultur." Schütz-Jahrbuch 26 (August 24, 2017): 71–88. http://dx.doi.org/10.13141/sjb.v2004944.

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Heinrich Schütz gilt in seiner Madrigalkonzeption als konservativ, weil er bei Giovanni Gabrieli nicht das moderne konzertierende Madrigal kennen gelernt habe. Madrigale in kleinen Besetzungen waren jedoch um 1610 in Italien noch nicht üblich; und die Texte, die Schütz wählte, legten auch noch länger eine mehrstimmige Vertonung nahe. Eine Durchsicht der Parallelvertonungen zeigt zudem, dass keine Sammlung erhalten ist, die ihm mehrfach als satztechnisches Vorbild gedient hätte; auch die Madrigale von Ascanio Mayone zeigen ein anderes (und dabei konventionelleres) Bild. Das durch Schütz repräse

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10

Charteris, Richard. "A New Keyboard Work by Giovanni Gabrieli and the Relevance of Its Compositional Technique." Music and Letters 85, no. 1 (2004): 1–21. http://dx.doi.org/10.1093/ml/85.1.1.

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11

Charteris, Richard. "Two Little-Known Music Manuscripts in Augsburg with Works by Giovanni Gabrieli and his Contemporaries." Royal Musical Association Research Chronicle 23 (1990): 125–36. http://dx.doi.org/10.1080/14723808.1990.10540938.

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This article is concerned with two manuscripts in the Staats- und Stadtbibliothek in Augsburg (Tonkunst Schletterer 200a and 219) which until now have been virtually overlooked by other scholars. Clytus Gottwald's catalogue Die Musikhandschriften der Staats- und Stadtbibliothek Augsburg (Wiesbaden, 1974) does not mention them, even though they have been in the library for many decades. They were known to Hans Michael Schletterer, who briefly referred to them in his Katalog der in der Kreis- und Stadtbibliothek, dem staedtischen Archive und der Bibliothek des Historischen Vereins zu Augsburg be

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12

Carter, Tim. "Giovanni Gabrieli: Transmission and Reception of a Venetian Musical Tradition. Ed. by Rodolfo Baroncini, David Bryant, and Luigi Collarile." Music and Letters 100, no. 3 (2019): 543–46. http://dx.doi.org/10.1093/ml/gcy063.

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13

Saunders, Steven, and Richard Charteris. "Giovanni Gabrieli (ca. 1555-1612): A Thematic Catalogue of His Music with a Guide to the Source Materials and Translations of His Vocal Texts." Notes 54, no. 1 (1997): 43. http://dx.doi.org/10.2307/899934.

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14

Shephard, Tim. "Giovanni Gabrieli: Transmission and Reception of a Venetian Musical Tradition. Rodolfo Baroncini, David Bryant, and Luigi Collarile, eds. Venetian Music Studies 1. Turnhout: Brepols, 2016. viii + 262 pp. €100." Renaissance Quarterly 71, no. 2 (2018): 776–77. http://dx.doi.org/10.1086/699109.

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15

Kunze, Stefan. "Rhythmus, Sprache, musikalische Raumvorstellung. Zur Mehrchörigkeit Giovanni Gabrielis." Schütz-Jahrbuch 3 (August 18, 2017): 12–23. http://dx.doi.org/10.13141/sjb.v1981648.

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16

CHARTERIS, R. "GIOVANNI GABRIELI'S THREE SETTINGS OF 'O JESU MI DULCISSIME', ETC." Music and Letters 69, no. 2 (1988): 317–18. http://dx.doi.org/10.1093/ml/69.2.317.

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Küster, Konrad. "Wer war Giovanni Gabrielis „letzter Schüler“? Zu Christoph Klemsee und Gallus Guggumos." Schütz-Jahrbuch 13 (August 21, 2017): 124–30. http://dx.doi.org/10.13141/sjb.v1991765.

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18

Pastukhov, Oleksandr. "Bassoon in the 16–17 centuries: the issues of the bassoon practice development." Aspects of Historical Musicology 19, no. 19 (2020): 139–50. http://dx.doi.org/10.34064/khnum2-19.08.

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Background. The article deals with the interaction of the constructive evolution of the instrument and the development of bassoon performing of the 16–17 centuries. The aesthetics of that time was associated with the search for new expressive means, realization of which could be ensured by new instruments with rich and expressive sound. One of such instruments is bassoon; it was during the Baroque era when the bassoon took its shape and the sound image we know today. Thanks to technical evolution, the instrument acquired new artistic capabilities and new sound quality. A new repertoire was for

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19

Suzigan, Wilson. "Editorial." Revista Brasileira de Inovação 11, no. 2 (2012): 247. http://dx.doi.org/10.20396/rbi.v11i2.8649044.

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Completando seu 11o volume, a Revista Brasileira de Inovação apresenta neste número uma reedição do artigo clássico de Gerald Silverberg, Giovanni Dosi e Luigi Orsenigo: Innovation, Diversity and Diffusion: A Self-Organisation Model, originalmente publicado em 1988 no periódico The Economic Journal. Ao apresentar o artigo, Gabriel Porcile destaca que o modelo teórico construído pelos autores fundamenta-se na abordagem pioneira de Richard Nelson e Sidney Winter sobre a dinâmica coevolutiva da inovação e da difusão tecnológica. Aponta ainda os principais pontos que dão sustentação ao modelo, faz

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20

Kościukiewicz, Jakub. "Cello in the Baroque, part 2: Cello literature in the 17th century." Notes Muzyczny 2, no. 10 (2018): 9–23. http://dx.doi.org/10.5604/01.3001.0012.9810.

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The present text is the second instalment of the cycle of articles based on its author’s doctoral dissertation entitled The birth of cello as a solo instrument – instruments, prac-tice, and selected literature examples (Academy of Music in Łódź, 2017). It is an at-tempt to systematise the knowledge about the first cello literature creators and their compositions. The text includes descriptions (characterisations) of the first pieces writ-ten for the cello as early as in the 17th century along with short biographical sketches of their composers. The article characterises the main centres of dev

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21

CHARTERIS, RICHARD. "THE PERFORMANCE OF GIOVANNI GABRIELI'S VOCAL WORKS: INDICATIONS IN THE EARLY SOURCES." Music and Letters 71, no. 3 (1990): 336–51. http://dx.doi.org/10.1093/ml/71.3.336.

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22

Robertson, Edmund. "Giovanni Domenico Cassini: A Modern Astronomer in the 17th Century, by Gabriella Bernardi." BSHM Bulletin: Journal of the British Society for the History of Mathematics 33, no. 3 (2018): 191–92. http://dx.doi.org/10.1080/17498430.2018.1450034.

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23

Lukežić, Irvin. "O talijanskom futurizmu u Rijeci 1919. godine." Poznańskie Studia Slawistyczne, no. 18 (April 28, 2020): 225–33. http://dx.doi.org/10.14746/pss.2020.18.13.

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The article discusses the short-lived emergence of Italian futurism in Rijeka, just after the end of World War I, in the context of the political adventure of Gabrielle DʼAnnunzio, who, with the help of his supporters, an ardite, tried to annex the city to the Kingdom of Italy. At that moment, the avant-garde spirit of Italian futurism could manifest itself here in all its main features: activism, antagonism, nizilism and agonism. In addition to the founder of Italian futurism, Filippo Tommas Marinetti, Mario Carli, Guido Keller and Giovanni Comisso stayed and worked in Rijeka during 1919. The

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24

Charteris, Richard. "Newly discovered manuscript parts and annotations in a copy of Giovanni Gabrieli's Symphoniae sacrae (1615)." Early Music XXIII, no. 3 (1995): 487–98. http://dx.doi.org/10.1093/earlyj/xxiii.3.487.

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25

Duque Mesa, Fernando. "Dramaturgia carnavalesca o festiva." Estudios Artísticos 2, no. 2 (2016): 90. http://dx.doi.org/10.14483/25009311.11529.

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Resumen El presente ensayo, Dramaturgia Carnavalesca o Festiva, de un tal Fernando Duque Mesa, es una reflexión sobre una de las búsquedas colectivas e individuales, más interesantes que se han venido dando por parte de muy diversos grupos teatrales colombianos experimentales o no, como latinoamericanos, en especial desde la década de los setenta hasta el momento presente, basadas en las fuentes carnavalescas o festivas de los más grandes creadores de la literatura universal popular como: Aristófanes, Menandro, Plauto, Terencio, Teatro Popular Medieval, La Comedia del Arte, Miguel de Cervantes

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26

Duque Mesa, Fernando. "Dramaturgia carnavalesca o festiva (2a parte)." Estudios Artísticos 3, no. 3 (2017): 64. http://dx.doi.org/10.14483/25009311.12528.

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El presente ensayo continúa la reflexión acerca de la Dramaturgia carnavalesca o festiva, enfocada en las búsquedas colectivas e individuales, más interesantes que se han venido dando en la práctica por parte de diversos grupos teatrales colombianos experimentales y latinoamericanos.Desde la década de los setenta hasta el momento presente, teniendo como referente las fuentes carnavalescas o festivas por parte de los grandes creadores de la literatura universal popular como: Aristófanes, Menandro, Plauto, Terencio, Teatro Popular Medieval, la Comedia del Arte, con Ángelo Beolco (Ruzzante), Carl

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27

Kot, T. F., S. K. Rudik, S. V. Guralska, S. S. Zaika, and Z. V. Khomenko. "Study of adrenal morphology fromantiquity to the present day." Scientific Messenger of LNU of Veterinary Medicine and Biotechnologies 23, no. 101 (2021): 75–81. http://dx.doi.org/10.32718/nvlvet10113.

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The analysis of scientific literature shows that the study of adrenal morphology in humans and animals is an urgent problem of biology and medicine from ancient times to the present day. In the historical aspect, we can distinguish three stages of studying the adrenal gland that differ in the directions of research. The first stage corresponds to the research of scientists of the XVI–XVIII centuries (Bartolomeo Eustachio, Andreas Vesalius, Gabriele Folloppio, Girolamo Fabrici, Andriaan Spieghel, Johann Vesling, Giulia Casseria, Caspar Bauhin, Johann Grafenberg, Caspar Bartholin, Thomas Barthol

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28

Dialeti, Androniki. "The Publisher Gabriel Giolito de' Ferrari, Female Readers, and the Debate about Women in Sixteenth-Century Italy." Renaissance and Reformation 40, no. 4 (2004): 5–32. http://dx.doi.org/10.33137/rr.v40i4.9038.

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Cet article examine les stratégies de publication que l'éditeur vénitien du XVIe siècle, Gabriel Giolito de' Ferrari et ses collaborateurs, ont appliquées dans le but d'attirer le lectorat féminin pour des ouvrages impliqués dans la controverse dite «querelle des femmes», des ouvrages de Giovanni Boccaccio et de littérature de dévotion. Notre attention se penche particulièrement sur les dédicaces d'ouvrages qui s'adressent couramment aux femmes en les qualifiant de lectures idéales pour les femmes, et en présentant systématiquement Giolito comme un défenseur dévoué des femmes. Cet article exam

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29

Paolini, Gabriele. "Pepe-Lamartine Una polemica letteraria e un duello per il Risorgimento." Italianistica Debreceniensis 25 (March 29, 2020): 64–79. http://dx.doi.org/10.34102/itde/2019/5555.

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Il saggio ricostruisce le reazioni provocate a Firenze dalla pubblicazione di Le dernier chant du pelerinage d’Harold di Alphonse de Lamartine (1825), ispirato all'opera incompiuta di Lord Byron. Il ritratto dell'assoluta decadenza dell'Italia contemporanea, con la definizione dei suoi abitanti di "polvere d'uomini", indignò gli intellettuali, che avrebbero voluto rispondere nell'Antologia di Vieusseux, il periodico più importante dell'epoca. Pietro Giordani intendeva anche rispondere a Lamartine pubblicando un saggio sulle Operette Morali del giovane (e ancora sconosciuto) Giacomo Leopardi, i

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30

Walsh, Olivia. "Le Dictionnaire de l’Académie française: langue, littérature, société. Sous la direction de Hélène Carrère d’Encausse, Gabriel de Broglie, Giovanni Dotoli et Mario Selvaggio." French Studies 72, no. 2 (2018): 328–29. http://dx.doi.org/10.1093/fs/kny047.

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31

Henke, Robert. "The Italian Mountebank and the Commedia dell'Arte." Theatre Survey 38, no. 2 (1997): 1–29. http://dx.doi.org/10.1017/s0040557400002052.

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The Italian mountebank of the early modern period was a figure of great power and fascination, both to Italians themselves and to English audiences via Thomas Coryate's documentary account and Ben Jonson's fictional portrayal of Scoto of Mantua in Volpone. Italian and Spanish antitheatrical clerics, prompted by San Carlo Borromeo to extend Counter-Reformation cultural critiques to the increasingly successful commedia dell'arte, were quick to identify the mountebank—an itinerant doctor/pharmacist who typically enticed potential patrons with an array of musical and theatrical entertainments—with

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32

Scianna, Bastian Matteo. "Giovanni Bernardini / Maurizio Cau / Gabriele D’Ottavio et al. (Eds.), L’età costituente. Italia 1945–1948. (Annali dell’Istituto storico italo-germanico in Trento, Quaderni, 99.) Bologna, il Mulino 2017." Historische Zeitschrift 309, no. 1 (2019): 246–47. http://dx.doi.org/10.1515/hzhz-2019-1340.

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33

Baldassarri, Stefano U. "Zibaldone. Giovanni di Pagolo Rucellai. Ed. Gabriella Battista. Memoria Scripturarum 7; Testi in volgare 3. Florence: Sismel Edizioni del Galluzzo, 2013. lxxiii + 666 pp. €90." Renaissance Quarterly 68, no. 3 (2015): 975–77. http://dx.doi.org/10.1086/683862.

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34

Machiela, Daniel A. "Enoch and the Mosaic Torah: The Evidence of Jubilees. Edited by Gabriele Boccaccini and Giovanni Ibba. Grand Rapids: Eerdmans, 2009. Paperback. Pp. xix + 474. US$ 55.00. ISBN 9780802864093." Dead Sea Discoveries 18, no. 3 (2011): 367–69. http://dx.doi.org/10.1163/156851711x602458.

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35

MINIATI, MARA. "SANDRA GIOVANNINI - GABRIELLA MANCINI, La Farmacia di Santa Maria Novella. Firenze, Becocci Editore 1987, 32 pp. (Biblioteca de « Lo Studiolo »)." Nuncius 3, no. 1 (1988): 255–56. http://dx.doi.org/10.1163/182539188x00159.

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36

Tosatti, Erio. "Quantum Theory of the Electron Liquid Quantum Theory of the Electron Liquid Gabriele F. Giuliani and Giovanni Vignale , Cambridge U. Press, New York, 2005. $95.00 (777 pp.). ISBN 0-521-82112-6." Physics Today 59, no. 10 (2006): 68–69. http://dx.doi.org/10.1063/1.2387094.

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37

Normandin, Marie-Soleil. "The Rise of the Far Right in Europe: Populist Shifts and ‘Othering’, Gabriella Lazaridis, Giovanna Campani et Annie Benveniste (dir.), 2016, Londres Palgrave Macmillan, 289 p." Études internationales 48, no. 3-4 (2017): 541. http://dx.doi.org/10.7202/1044638ar.

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38

Uster, Charly. "Understanding the Populist Shift. Othering in a Europe in Crisis Edited by Lazaridis, Gabriella Campani, Giovanna (London; New York: Routledge, 2017, ISBN 9781138101654); xvi + 196 pp., £39.99 (ebk), £110 (hbk)." Journal of Community & Applied Social Psychology 28, no. 4 (2018): 284–86. http://dx.doi.org/10.1002/casp.2359.

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39

RAWSON, ROBERT. "GIOVANNI BONONCINI (1670–1747) SAN NICOLA DI BARI Lavinia Bertotti (soprano), Elena Cecchi Fedi (soprano), Gabriella Martellacci (alto), Furio Zanasi (bass) / Les Muffatti / Peter Van Heyghen Ramée RAM 0806, 2008; one disc, 82 minutes." Eighteenth Century Music 7, no. 1 (2010): 143–45. http://dx.doi.org/10.1017/s1478570609990637.

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40

Residentes, Residentes. "Cardiología." Acta Médica Colombiana 43, no. 2S (2019): 27–54. http://dx.doi.org/10.36104/amc.2018.1393.

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  C-1. DISMINUCIÓN DE LA MORBIMORTALIDAD EN FALLA CARDIACA, MEJORÍA DE LA FRACCIÓN DE EYECCIÓN Y CLASE FUNCIONAL CON EL USO DE SACUBUTRILO / VALSARTAN (PEÑA QUINTERO HAROLD, KOGA CORREA JENNY CAROLINE, TASCON GUEVARA BRIGITTE NATHALIA  C-2. CORAZÓN CARCINOIDE Y TUMOR NEUROENDOCRINO METASTÁSICO (AGUDELO CARLOS, TRUJILLO DANILO, LUNA FREDY, ORTIZ CARLOS, GUERRA JOAQUÍN.) C-3. DEXTROCARDIA ADQUIRIDA (AVILA NATALIA, CELEMIN CARLOS, VARGAS JUAN GUILLERMO) C-4. ENDOCARDITIS INFECCIOSA EN VÁLVULA PROTÉSICA AORTICA POR STREPTOCOCCUS GORDONII (NAVARRETE LINDA, FUENTES CARL

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41

Delzell, Charles F. "Book ReviewIdeological Profile of Twentieth‐Century Italy. By Norberto Bobbio. Translated by, Lydia G. Cochrane. Giovanni Agnelli Foundation Series in Italian History, volume 1. Edited by, Gabriele de Rosa et al. Princeton, N.J.: Princeton University Press, 1995. Pp. xli+239. $29.95." Journal of Modern History 69, no. 4 (1997): 868–69. http://dx.doi.org/10.1086/245632.

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42

Riccardi, A., A. Marcoccia, S. Fasano, et al. "SAT0340 A REDUCED NUMBER OF CAPILLARIES AND AN INCREASED NUMBER OF MEGACAPILLARIES PREDICT THE DEVELOPMENT OF SYSTEMIC SCLEROSIS IN RAYNAUD’S PHENOMENON PATIENTS AT RISK." Annals of the Rheumatic Diseases 79, Suppl 1 (2020): 1115.1–1116. http://dx.doi.org/10.1136/annrheumdis-2020-eular.3152.

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Background:Undifferentiated connective tissue disease at risk for systemic sclerosis (UCTD-risk-SSc) is a condition characterised by Raynaud’s phenomenon and either SSc marker autoantibodies or typical capillaroscopic findings or both, unsatisfying classification criteria for SSc and evolving into definite SSc in about 30-50% of cases (1,2). Recently, we developed a weighted score based on a baseline IF-ANA titer ≥1:320, marker autoantibody positivity and presence of avascular areas at videocapillaroscopy identifying patients who will evolve with a 91.3% sensitivity and a 73.2% specificity (3)

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Bastos, Antonio Adonias Aguiar. "Editorial." Revista ANNEP de Direito Processual 2, no. 1 (2021): 1. http://dx.doi.org/10.34280/annep/2021.v2i1.98.

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Eis que chega a vez do terceiro número da Revista ANNEP de Direito Processual.Com periodicidade semestral, a Associação Norte-Nordeste de Professores de Processo (ANNEP) se esmera em manter a constância da sua publicação especializada, cujos textos são submetidos pelo sistema de dupla revisão às cegas, diretamente pelo sítio eletrônico da revista na internet (https://revistaannep.com.br/index.php/radp) por meio de sistema especificamente desenvolvido para esse fim.Aos poucos, a publicação vai amadurecendo e se estabelecendo entre os estudiosos do Direito Processual.Neste número foram seleciona

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44

Mordey, Delphine. "Gaetano Donizetti, La Favorite - Kate Aldrich mezzo, Yijie Shi ten, Ludovic Tézier bar, Giovani Furlanetto bass, Marie-Bénédicte Souquet sop, Alain Gabriel ten Orchestre national du Capitole de Toulouse, Antonello Allemandi, cond Vincent Boussard, stage director Opus Arte (1 DVD: 184 Minutes)." Nineteenth-Century Music Review 15, no. 2 (2018): 301–3. http://dx.doi.org/10.1017/s1479409817000830.

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45

Teixeira Neto, José, and Jeniffer Lopes Batista. "“Conduzir pela mão” e o ensino-aprendizagem de filosofia." Trilhas Filosóficas 12, no. 1 (2019): 99–123. http://dx.doi.org/10.25244/tf.v12i1.27.

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Resumo: A pesquisa propõe seguir a via simbólica do pensamento de Nicolau de Cusa (1401-1464) e pensá-la como um caminho para o ensino-aprendizagem da filosofia. Para tanto, toma como impulso a sugestão que o Cardeal de Cusa deixa na sua obra De coniecturis (Parte I, n. 4): “É oportuno atrair, em certo sentido guiando-os pela mão, os mais jovens, privados da luz da experiência, à manifestação do que se oculta, de tal maneira que possam elevar-se gradualmente ao que é mais ignorado”. A “condução” cusana será pela via dos símbolos e a pesquisa se concentrará, principalmente, sobre duas obras em

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Gallizzi, R., M. Bustaffa, F. Mazza, et al. "OP0273 ADHERENCE TO COLCHICINE TREATMENT AND COLCHICINE RESISTANCE IN A MULTICENTRIC FMF NATIONAL COHORT." Annals of the Rheumatic Diseases 79, Suppl 1 (2020): 170–71. http://dx.doi.org/10.1136/annrheumdis-2020-eular.1402.

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Background:Colchicine is the standard treatment for Familiar Mediterranean Fever (FMF), however about 5% of patients experience colchicine resistance. There is no standard definition of colchicine resistance. Recently a panel of experts elaborated a new definition based on a Delphi consensus approach.Objectives:We aim to describe main features of the disease and clinical outcome of a cohort of FMF patients with particular interest on the colchicine resistance and tolerability according to the definitions proposed by the recent consensus.Methods:Since November 2009, 425 Italian pediatric and ad

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Newcomb, Anthony. "Il secondo libro delle canzoni a sei voci (1575) . Giovanni Ferretti , Ruth I. DeFord . Il primo libro de' madrigali a cinque voci (1608) . Girolamo Frescobaldi , Charles Jacobs . Complete Madrigals . Andrea Gabrieli , A. Tillman Merritt . I madrigali di Marco da Gagliano . David S. Butchart , Isabella Pellicano . Madrigali a tre e a cinque voci (1605 e 1619) . Antonio Il Verso , Lorenzo Bianconi . Ottavo libro dei madrigali a cinque voci (1624) . Sigismondo d'India , Glenn Watkins . Opera omnia, IV-VI [Madrigals for Six Voices, Books I-VI, 1581-95] . Luca Marenzio , Bernhard Meier . The Secular Works, VI, VII, and XIV [Madrigals for 6 Voices, Book VI, 1595; Madrigals for 4-6 Voices, Book I, 1588; Madrigals for 5 Voices, Book VII, 1595] . Luca Marenzio , Steven Ledbetter , Patricia Myers . Secondo libro dei madrigali a quattro voci (1614) . Pietro Maria Marsolo , Lorenzo Bianconi . Opera, Series D, Madrigals, I-III [Madrigals for Five Voices, Books I-III, 1554-70] . Philippi de Monte , Othmar Wessely , Erika Kanduth . I madrigali a quattro voci di Pomponio Nenna (1613) . Angelo Pompilio . Opera omnia, I-III [Madrigals for Five Voices, Books I-VI, 1581-1600] . Benedetto Pallavicino , Peter Flanders , Kathyrn Bosi Monteath ." Journal of the American Musicological Society 39, no. 2 (1986): 395–408. http://dx.doi.org/10.1525/jams.1986.39.2.03a00080.

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Newcomb, Anthony. "Review: Il secondo libro delle canzoni a sei voci (1575) by Giovanni Ferretti, Ruth I. DeFord; Il primo libro de' madrigali a cinque voci (1608) by Girolamo Frescobaldi, Charles Jacobs; Complete Madrigals by Andrea Gabrieli, A. Tillman Merritt; I madrigali di Marco da Gagliano by David S. Butchart, Isabella Pellicanò; Madrigali a tre e a cinque voci (1605 e 1619) by Antonio Il Verso, Lorenzo Bianconi; Ottavo libro dei madrigali a cinque voci (1624) by Sigismondo d'India, Glenn Watkins; Opera omnia, IV-VI [Madrigals for Six Voices, Books I-VI, 1581-95] by Luca Marenzio, Bernhard Meier; The Secular Works, VI, VII, and XIV [Madrigals for 6 Voices, Book VI, 1595; Madrigals for 4-6 Voices, Book I, 1588; Madrigals for 5 Voices, Book VII, 1595] by Luca Marenzio, Steven Ledbetter, Patricia Myers; Secondo libro dei madrigali a quattro voci (1614) by Pietro Maria Marsolo, Lorenzo Bianconi; Opera, Series D, Madrigals, I-III [Madrigals for Five Voices, Books I-III, 1554-70] by Philippi de Monte, Othmar Wessely, Erika Kanduth; I madrigali a quattro voci di Pomponio Nenna (1613) by Angelo Pompilio; Opera omnia, I-III [Madrigals for Five Voices, Books I-VI, 1581-1600] by Benedetto Pallavicino, Peter Flanders, Kathyrn Bosi Monteath." Journal of the American Musicological Society 39, no. 2 (1986): 395–408. http://dx.doi.org/10.2307/831537.

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Prof. Dr. Maurício Corrêa da Silva. "Editorial – Revista Ambiente Contábil – Volume 13 – Número 1 – Ano 2021 (Jan./Jun. 2021)." REVISTA AMBIENTE CONTÁBIL - Universidade Federal do Rio Grande do Norte - ISSN 2176-9036 13, no. 1 (2021): i—vii. http://dx.doi.org/10.21680/2176-9036.2021v13n1id23736.

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Editorial – Revista Ambiente Contábil – Volume 13 – Número 1 – Ano 2021 (Jan./Jun. 2021) A Revista Ambiente Contábil (Ambiente) apresenta na sua 25ª edição 20 (vinte) artigos que tratam de assuntos relevantes para a área contábil (idioma português); 01 (uma) resenha de livro; 04 (quatro) bancos de dados brutos de pesquisa e 10 (dez) artigos no idioma inglês. Seção 1: Contabilidade Aplicada ao Setor Empresarial Artigo 1 - Análise envoltória de dados para avaliação da eficiência financeira das cooperativas de eletrificação do sul do Brasil de Mariane Martins Scheffer, Januário

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Pereira, Daniervelin Renata Marques. "Editorial – V. 7. N. 2." Texto Livre: Linguagem e Tecnologia 7, no. 2 (2014): 1. http://dx.doi.org/10.17851/1983-3652.7.2.1.

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A revista Texto Livre: Linguagem e Tecnologia traz à luz seu número da primavera de 2014 – volume 7, número 2 –, buscando manter sua periodicidade e receber contribuições de autores brasileiros e estrangeiros nas linhas Linguística e Tecnologia, Educação e Tecnologia, Comunicação e Tecnologia e Cadernos do STIS. Destacam-se nesta edição questões de inclusão pelos recursos tecnológicos livres, especialmente tendo em vista os multiletramentos, isto é, a multiplicidade de linguagens e mídias nos textos contemporâneos e a multiculturalidade e diversidade cultural.Elidéa Lúcia Almeida Bernardino, G

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