Academic literature on the topic 'Giovanni Morelli'

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Journal articles on the topic "Giovanni Morelli"

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Kultzen, Rolf. "Giovanni Morelli als Briefpartner von Otto Mundler." Zeitschrift für Kunstgeschichte 52, no. 3 (1989): 373. http://dx.doi.org/10.2307/1482492.

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Bubenik, Andrea. "The Life of Giovanni Morelli in Risorgimento Italy." Australian and New Zealand Journal of Art 21, no. 1 (2021): 165–68. http://dx.doi.org/10.1080/14434318.2021.1934786.

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Pellegrino, Deborah. "“I buoni ammaestramenti che a ogni ora e sopra a ogni caso e’ riceverà da lui.” Un nuovo archetipo di padre mercante nei Ricordi di Giovanni di Pagolo Morelli." Quaderni d'italianistica 35, no. 1 (2015): 27–40. http://dx.doi.org/10.33137/q.i..v35i1.22350.

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Questo saggio propone una nuova lettura dei Ricordi di Giovanni Morelli, un’opera composita e funzionale in cui l’autore intesse un ritratto estremamente potente di sé, che diventa tanto più deciso quanto più contrasta con quello del padre Pagolo, e che si concretizza chiaramente negli ammaestramenti rivolti ai figli. Per riuscire dove il proprio genitore ha fallito, nella parte centrale del testo, Giovanni si consacra alla loro educazione e alla salvaguardia del patrimonio familiare, offrendo consigli pratici che sono saldamente legati alla propria conoscenza, esperienza ed eredità mercantile
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Anderson, Jaynie. "Giovanni Morelli et sa définition de la «scienza dell'arte»." Revue de l'Art 75, no. 1 (1987): 49–55. http://dx.doi.org/10.3406/rvart.1987.347613.

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Anderson, Jaynie. "“Die geniale Bettina”: Giovanni Morelli in Conversation with Bettina von Arnim." Oxford German Studies 18, no. 1 (1989): 45–59. http://dx.doi.org/10.1179/ogs.1989.18.1.45.

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Martignoni, Andrea. "Maladie et mort d’un fils : le témoignage de Giovanni di Pagolo Morelli." Questes, no. 5 (May 15, 2003): 10–11. http://dx.doi.org/10.4000/questes.1778.

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McLean, Paul D. "Patronage, Citizenship, and the Stalled Emergence of the Modern State in Renaissance Florence." Comparative Studies in Society and History 47, no. 3 (2005): 638–64. http://dx.doi.org/10.1017/s0010417505000289.

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In this letter, Donato Acciaiuoli, a politically prominent but not particularly wealthy member of an esteemed Florentine family, writes to Riccardo del Bene, a richer but younger co-resident of the neighborhood of Vipera, looking for an insider's assistance in keeping his tax burden down. Donato paints his economic position bleakly, unwittingly conforming in detail with prescriptions provided in the now-famous contemporaneous memoir of Giovanni di Pagolo Morelli, written to urge his own heirs to hide their wealth and dramatize the fiscal injustices done to them:
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Arantes, Otília Beatriz Fiori. "Notas sobre o método crítico de Gilda de Mello e Souza." Discurso, no. 35 (October 3, 2005): 11–28. http://dx.doi.org/10.11606/issn.2318-8863.discurso.2005.62567.

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Aliando a própria experiência perceptiva à arqueologia visual dos mestres da escola de Warburg, à prática indiciária dos connaisseurs e, principalmente, do mais conhecido deles, o médico italiano do século XIX, Giovanni Morelli - junto com um pouco de psicanálise e a técnica dos romances policiais -, Gilda de Mello e Souxa desenvolveu um "método" crítico inteiramente livre e original, que rendeu enormes frutos. Entre outras tantas coisas, foi ela a primeira a compreender o "caipirismo imanente" ou, mais exatamente, "a verdade dos gestos da nossa gente".
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Terreaux-Scotto, Cécile. "Les enfants dans les Ricordi de Giovanni Morelli,de la réalité à l’idéal." Italies, no. 22 (October 20, 2018): 13–34. http://dx.doi.org/10.4000/italies.6033.

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Sala, Emilio. "Verdi and the Parisian boulevard theatre, 1847–9." Cambridge Opera Journal 7, no. 3 (1995): 185–205. http://dx.doi.org/10.1017/s0954586700004560.

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A number of scholars have drawn attention to the importance of Parisian popular theatre for an understanding of Verdian dramaturgy, especially in the operas leading up to Rigoletto, Il trovatore and La traviata. According to Giovanni Morelli, in Paris, Verdi frequented the popular theatre not for the sake of participating in the active milieu of Romantic cultural thought (Milanese circles had adequately fulfilled that need), but in order to mingle with a typical metropolitan theatre audience in the venues dedicated to the dissemination of a watered-down, middlebrow form of Romanticism.
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Dissertations / Theses on the topic "Giovanni Morelli"

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Chiles, Lucylee. "Connoisseurship made accessible : an analysis of procedures for looking at art for the purpose of authentication /." Access Digital Full Text version, 1991. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11039462.

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Thesis (Ed.D)--Teachers College, Columbia University, 1991.<br>Typescript; issued also on microfilm. Sponsor: Judith M. Burton. Dissertation Committee: Justin Schorr. Includes bibliographical references (leaves 199-206).
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Probst, Jörg. "Ikonologie des Konkreten." Doctoral thesis, Humboldt-Universität zu Berlin, Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2015. http://dx.doi.org/10.18452/17347.

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Das so genannte „Lange 19. Jahrhundert“ ist von ungewöhnlich häufigen, starken Umwertungen von epistemischen und politischen Begriffen gekennzeichnet. Beispielhaft für die Berührung von Wissenschafts- und Ideengeschichte ist der Begriff des „Konkreten“, dessen unterschiedliche Interpretation von Hegel über Marx, Kierkegaard und Cassirer die Gegensätze des 19. Jahrhunderts exemplarisch greifbar werden lässt. Bilder haben an dieser Wissenschafts- und Ideengeschichte des Konkreten einen substantiellen Anteil gehabt. Die vorliegende Studie geht dieser Bild- und Begriffsgeschichte des Konkreten im
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Langran, Johanna. "Drakdräparen och dräktdelaren : En stilkritisk, ikonografisk och kontextuell studie av två medeltida träskulpturer föreställande Göran och Martin." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-451046.

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The goal undertaken in this Bachelor´s thesis was to establish, and possibly audit, the assumed motif, provenance, dating and formal style regarding two Medieval wooden sculptures depicting Saint Martin of Tours and Saint George. Both are preserved in the art collection formerly owned by one of the great Swedish artists and art collectors of the nineteenth century: Anders Zorn (1860-1920). The purpose of the study was to account for the two sculptures using the Iconographic analysis developed by Erwin Panofsky (1892-1968), and the style critical method founded by Giovanni Morelli (1816-1891).
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Caliandro, Stéfania. "Le métavisuel dans l'art." Paris, EHESS, 1999. http://www.theses.fr/1999EHES0096.

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Books on the topic "Giovanni Morelli"

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Morelli, Giovanni. I taccuini manoscritti di Giovanni Morelli. F. Motta, 2001.

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I taccuini manoscritti di Giovanni Morelli. F. Motta, 2001.

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Morelli, Giovanni. La figura e l'opera di Giovanni Morelli. Biblioteca civica A. Mai, 1987.

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Morelli, Giovanni. Giovanni Morelli da collezionista a conoscitore: Catalogo della mostra. Accademia Carrara, 1987.

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di Pagolo Morelli, Giovanni. Ricordi. Nuova edizione e introduzione storica. Edited by Claudia Tripodi. Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-913-3.

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I Ricordi di Giovanni di Pagolo Morelli, da tempo noti agli storici, sono qui pubblicati per la prima volta in versione integrale e linguisticamente fedele al testo originale del manoscritto. A questa nuova edizione critica si accompagna un lungo saggio introduttivo sull’autore, sugli intenti della sua opera e sugli esiti che essa ebbe presso gli eredi cui era destinata. I 74 anni vissuti da Giovanni Morelli dagli anni ’70 del Trecento alla metà degli anni ’40 del secolo successivo attraversano un arco temporale decisivo per la storia fiorentina, segnato da una forte mobilità sociale di cui i
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Metamorfosi romantiche: Le teorie del primo romanticismo tedesco nel pensiero sull'arte di Giovanni Morelli. Campanotto, 2011.

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Titta, Rosa G. Carteggio inedito Giovanni Titta Rosa, Marino Moretti, 1955-1971. Amministrazione provinciale, 1992.

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Anderson, Jaynie. Collecting connoisseurship and the art market in Risorgimento Italy: Giovanni Morelli's letters to Giovanni Melli and Pietro Zavaritt (1866-1872). Istituto veneto di scienze, lettere ed arti, 1999.

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Jaynie, Anderson, and Morelli Giovanni 1816-1891, eds. "Balvi magnus" und "Das Miasma diabolicum": Giovanni Morellis erste pseudonyme Veröffentlichungen : "Balvi magnus" und "Das Miasma diabolicum". Königshausen & Neumann, 1991.

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Life of Giovanni Morelli in Risorgimento Italy. Officina Libraria srl, 2019.

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Book chapters on the topic "Giovanni Morelli"

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Collins, Brian. "The Turn to Art History: Aloïs Riegl, Giovanni Morelli, and the Udine Incident." In Robert Eisler and the Magic of the Combinatory Mind. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61229-0_3.

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Zöllner, Frank. "Dan Browns Sakrileg: Hermeneutik zwischen Aby Werburgs Ikonologie und Giovanni Morellis Stilkritik?" In Geschichte im Krimi. Böhlau Verlag, 2009. http://dx.doi.org/10.7788/boehlau.9783412333836.43.

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"Auf Spurensuche. Giovanni Morelli und die Fotografie." In Zeigen und/oder Beweisen? De Gruyter, 2016. http://dx.doi.org/10.1515/9783110487640-003.

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"The neural structure of political belief: Laura Moretti, Irene Cristofori, Giovanna Zamboni, and Angela Sirigu." In The Neural Basis of Human Belief Systems. Psychology Press, 2012. http://dx.doi.org/10.4324/9780203101407-14.

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"Appendix 5. The papers of the Franciscan, Giovan Battista Morelli, relating to Siam, in the Archivio di Stato di Firenze." In Creolization and Diaspora in the Portuguese Indies. BRILL, 2011. http://dx.doi.org/10.1163/9789004206854_017.

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