Relevant bibliographies by topics / Giovannoni

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Giovannoni'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 March 2023

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Journal articles on the topic "Giovannoni"

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Giovannoni, Stephen, Ben Temperton, and Yanlin Zhao. "Giovannoni et al. reply." Nature 499, no. 7459 (July 2013): E4—E5. http://dx.doi.org/10.1038/nature12388.

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Šverko, Ana. "Gustavo Giovannoni: Spomenici i ambijenti." Peristil 61 (2018): 229–31. http://dx.doi.org/10.17685/peristil.61.14.

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Melli, Isa, and Daniele Giovannoni. "Furore: Conversando con Daniele Giovannoni." La Ricerca Folklorica, no. 48 (October 2003): 147. http://dx.doi.org/10.2307/1480081.

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Blanchet, Marc. "Fraternité de Jean-Louis Giovannoni." Revue des Sciences Humaines, no. 339 (October 7, 2020): 137–42. http://dx.doi.org/10.4000/rsh.327.

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Trémolières, François. "Jean-Louis Giovannoni et la photographie." Revue des Sciences Humaines, no. 339 (October 7, 2020): 61–76. http://dx.doi.org/10.4000/rsh.309.

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Heusbourg, François. "Jean-Louis Giovannoni : les faux mouvements." Revue des Sciences Humaines, no. 339 (October 7, 2020): 183–88. http://dx.doi.org/10.4000/rsh.342.

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Caillon, Christine. "Les chambres de Jean-Louis Giovannoni." Revue des Sciences Humaines, no. 339 (October 7, 2020): 143–50. http://dx.doi.org/10.4000/rsh.329.

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Pittolo, Véronique. "Jean-Louis Giovannoni, un minimal moderne." Revue des Sciences Humaines, no. 339 (October 7, 2020): 169–72. http://dx.doi.org/10.4000/rsh.337.

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Thomas, Sue, and Gavin Giovannoni. "Update on NHS Reset and Reform achievements in 2021." British Journal of Neuroscience Nursing 18, Sup1 (January 1, 2022): S20—S24. http://dx.doi.org/10.12968/bjnn.2022.18.sup1.s20.

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Vilar, Pierre. "Jean-Louis Giovannoni, entre l'arbre et l'écorce." Littérature 110, no. 2 (1998): 115–20. http://dx.doi.org/10.3406/litt.1998.2482.

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Dissertations / Theses on the topic "Giovannoni"

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TANDILLE, CHARRANSOL CLAIRE. "Villes anciennes et edilite nouvelle, 1931, de gustavo giovannoni. Traduction. Analyse terminologique et conceptuelle." Paris 8, 1994. http://www.theses.fr/1994PA080939.

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Cette these s'inscrit dans une lignee de travaux diriges par francoise choay, qui ont permis de rendre accessibles au public francais des textes fondamentaux pour l'urbanisme. En l'occurence, il s'agit de l'ingenieur, architecte et restaurateur gustavo giovannoni et de son ouvrage vecchie citta ed edilizia nuova publie en 1931 et non reedite. La traduction de cet ouvrage de 300 pages a ete la premiere etape et la premiere justification de cette these. Parallement, et dans la continuite d'une recherche d'ethno-lexicologie comparee dans le champ de l'urbanisme europeen menee par francoise choay, j'ai entrepris l'etude fine de la terminologie urbanistique de gustavo giovannoni avec le double objectif d'une part d'apprehender les differences d'approche de la discipline en italie et en france et d'autre part de definir l'originalite de la terminologie de gustavo giovannoni par rapport a celle des ses contemporains et de la siter par rapport a la terminologie actuelle. Cette these se situe au croisement de ces deux orientations et comporte trois parties : - l'etude lexicographique et semantique approfondie de trois notions cles qui soustendent vecchie citta ed edilizia nuova; la traduction integrale de cet ouvrage ; un apparat de notes, en majeure partie lexicographiques, mais comportant aussi les precisions historiques necessaires
This thesis countains the traduction of an important book, vecchie citta ed edilizia nuova, 300 pages, published in 1931, written by gustavo giovannoni, an italian engineer, architect and art historian. A tho rough analysis of the urbanistic terminology of gustavo giovannoni points out the differencies between french and italian town-planning approach and stresses the originality and the complexityof gustavo giovannoni concepts
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Cabral, Renata Campello. "A noção de \"ambiente\" em Gustavo Giovannoni e as leis de tutela do patrimônio cultural na Itália." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/102/102132/tde-25062014-093621/.

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A conservação do patrimônio urbano encontra, nesta tese, aspectos de sua gênese legal na Itália. Abordam-se, em diálogo com a historiografia dedicada à obra de Gustavo Giovanonni, as importantes contribuições desse influente engenheiro para a introdução do conceito de \"ambiente\" nas leis de proteção do patrimônio cultural desse país no período entreguerras, inclusive aquelas voltadas para as chamadas \"belezas naturais e panorâmicas\". Com a interpretação de ideias e expressões utilizadas por Giovannoni, como \"ambiente do monumento\", \"ambiente tradicional dos lugares\" e \"complexo de coisas imóveis que compõem um característico aspecto com valor estético e tradicional\", evidencia-se ter sido ele um agente central à ampliação da tutela no seu país, para além daquela voltada ao \"monumento\" isolado, assim como para a introdução, na legislação, de instrumentos importantes para o campo da conservação urbana, como a figura do \"plano\". Nesse processo, identifica-se grande coerência entre a atuação do Giovannoni consultor ministerial e a do Giovannoni idealizador de leis, assim como entre o Giovannoni prático e o teórico, em campos imbricados como aqueles que hoje seriam definidos como do desenho urbano, do planejamento urbano e da conservação urbana. Intenta-se empreender uma abordagem historiográfica que contemple esse personagem, respeitando a complexidade de sua atuação.
The conservation of urban heritage finds, in this thesis, aspects of its legal genesis in Italy. Through dialogue with the historiography dedicated to the work of Gustavo Giovanonni, the thesis touches on the important contributions this influential engineer had on the introduction of the idea of \"ambiente\" in laws protecting cultural heritage in the country in the period between the first and second world wars, including those concerning so-called \"natural and panoramic beauties\". Through the interpretation of ideas and expressions used by Giovannoni, such as \"ambiente of monuments\", \"traditional ambiente of sites\" and \"the complex of immovable objects which form an appearance of aesthetic and traditional value\", we can see clearly that he was a key figure in widening the scope of protection laws in his country, taking it beyond that concerning isolated monuments as well as introducing legislation concerning important measures to be used in the area of urban conservation such as a master plan. During this process we can identify a great coherence between the work of Giovannoni as ministerial consultant and that of Giovannoni creator of laws, as well as the practical and theoretic Giovannoni in overlapping areas, such as those today defined as urban design, urban planning and urban conservation. The intention of this work is to use a historiographical approach which contemplates this man whilst respecting the complexity of his work.
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Camassa, Simona. "San Francesco e la zona dantesca: costruzioni, distruzioni e conservazione di un patrimonio nazionale." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020.

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A partire dalla morte di Dante Alighieri nel 1321, il Poeta e la basilica di S. Francesco divennero un binomio inscindibile. Nonostante lo scorrere dei secoli, la potenza simbolica di Dante accrebbe influenzando i restauri, i ripristini e le riorganizzazioni urbanistiche della zona dantesca. Dall’osservazione dell’assetto e della consistenza fisica, stupisce tuttavia, che un sito di così grande importanza simbolica, non solo per Ravenna, ma per l’intera tradizione italiana, possa raccontare la propria storia così timidamente. I grandi “vuoti” presenti all’interno della basilica e il piccolo mausoleo dedicato a Dante testimoniano che la loro storia non può essere quella che immaginiamo. In tale prospettiva, l’area dantesca di Ravenna costituisce un campo di ricerca eccezionale, del quale si vogliono comprendere i meccanismi che ne hanno determinato la formazione, l’evoluzione, i “ripristini” e i restauri, meccanismi strettamente relazionati ai valori che le teorie del restauro affermano. Si studieranno quindi la consistenza fisico-progettuale degli interventi e le personalità che hanno svolto il proprio operato, contemplando il proprio contesto storico e culturale. Si studierà inoltre, il collegamento tra le teorie del restauro di quegli anni, gli eventi caratterizzanti e quale sia stato il risultato ottenuto dall’incontro della teoria e della tecnica.
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Manzione, Luigi. "Déclinaisons de l'"urbanisme comme science" : discours et projets : Italie et France (1920-1940)." Paris 8, 2006. http://www.theses.fr/2006PA083196.

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"Cette thèse traite, selon une approche comparative, des déclinaisons de l'"urbanisme comme science" en Italie et en France entre les années 20 et 40 du XXe siècle, et des dispositifs et de la mise en place de l'"urbanisme scientifique". Ces déclinaisons sont considérées dans l'entrelacement entre discours et projets, à travers du prisme de quatre figures majeures : Marcel Poëte, Gaston Bardet, Gustavo Giovannoni et Luigi Piccinato. Poëte et Giovannoni représentent les initiateurs ; Bardet et Piccinato les codificateurs d'une manière de penser l'urbanisme qui se veut "autonome". Une double problématique guide cette recherche : épistémologique et historique. D'une part, l'étude de l'"urbanisme comme science" et de sa construction avec le concours d'autres disciplines ; d'autre part, l'exploration du cadre – culturel et politique – à l'intérieur duquel les doctrines de l'urbanisme se formulent. Un double corpus est exploré : de textes théoriques, dont la lecture procède sur la base d'un découpage strict au sens chronologique et thématique ; de plans et de projets urbains, auxquels les textes font souvent référence. "
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BALDONI, CLAUDIO. "L'architettura di Luciano Giovannini (1924-1993)." Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2010. http://hdl.handle.net/2108/1399.

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Luciano Giovannini (Frascati 1924 – Roma 1993) si laureò in Architettura all’Università degli Studi di Roma “La Sapienza” nel 1951. Del suo periodo di studi universitari ci restano alcune tavole dedicate alle Ville Tuscolane nelle quali è dimostrata la sua elevata capacità nella comprensione di organismi architettonici complessi nonché le felici doti grafiche nel rendere efficacemente tali letture attraverso le forme di espressione grafica proprie dell’architetto. Subito dopo la laurea, grazie alla conoscenza con Ludovico Quaroni, Giovannini si trasferì a Ivrea dove collaborò con il GTCUC (Gruppo Tecnico per il Coordinamento Urbanistico del Canavese) per la predisposizione del Piano Regolatore Comunale di Ivrea e del Piano Regolatore Intercomunale del Canavese. Durante questo periodo i membri del gruppo compirono un viaggio per studiare la pianificazione e l’architettura dei Paesi scandinavi e della Gran Bretagna. Benché i piani prodotti non siano stati attuati, questa esperienza costituì un modello per l’urbanistica italiana anche a causa del numero e della qualità delle ricerche preliminari che furono condotte. In seguito Giovannini lavorò per la Olivetti SpA realizzando diverse costruzioni a Ivrea (alcune delle quali fanno oggi parte del MAAM, Museo dell’Architettura Moderna di Ivrea) e altrove (ad esempio il Centro di Comunità di Terracina, oggi sede della Biblioteca Comunale della città). Al contempo iniziò a collaborare con Quaroni per alcuni incarichi (tra i quali il Quartiere S. Giusto di Prato) e progetti di concorso (tra i quali quello famoso del 1959 per il Quartiere CEP alle Barene di S. Giuliano presso Venezia). Da solo o in collaborazione con altri architetti legati a Quaroni, Giovannini realizzò inoltre, tra gli anni cinquanta e sessanta dello scorso secolo, una serie di importanti edifici alcuni dei quali furono apprezzati da critici come Bruno Zevi e pubblicati su varie riviste (Facoltà di Chimica Farmaceutica nella Città Universitaria di Roma, Fondazione Giuseppina Saragat ad Anzio, Sede Centrale dell’Università di Macerata). In seguito, la sua attività si spostò in Turchia dove, come consulente del Governo, egli progettò vari piani paesistici e di sviluppo turistico, coordinando anche, come General Editor, la realizzazione di un volume sull’arte della Cappadocia con la partecipazione di importanti esperti di varie nazionalità. In Turchia Giovannini realizzò anche il Villaggio Turistico di Kemer e la Nunziatura Apostolica di Ankara. Nel periodo successivo egli continuò a lavorare sia in Italia (realizzando strutture turistiche ma collaborando anche a importanti progetti di edilizia residenziale pubblica) sia in diversi Paesi arabi come l’Iran, l’Arabia Saudita, il Bahrein. Lo studio dell’attività di Giovannini, basato da un lato su una ricerca bibliografica e dall’altro sui documenti d’archivio inediti cortesemente messi a disposizione dalla famiglia, consente di ripercorrere, pur da un’angolazione parziale e specifica, quattro decenni dell’architettura italiana del XX secolo.
Luciano Giovannini (b. Frascati 1924 – d. Rome 1993) took his degree in Architecture at Rome University “La Sapienza” in 1951. We have some plates left from the period he studied at the University, which represent some Villas of the Tusculum district, where an early aptitude to understand an architectural organism and to express this comprehension in the graphical ways which are peculiar of an architect is made evident. Soon after his degree Giovannini, due to his relationship with Ludovico Quaroni, established in Ivrea where he worked with the GTCUC (Technical Group for the Planning Coordination of the Canavese) at the production of the Masterplans for the Municipality of Ivrea and for the whole area of the Canavese. In this period the members of the Group travelled to Scandinavian countries and to Great Britain to study the planning methods and the architecture. Although the plans which were produced by the GTCUC were never applied, this experience was a model for Urban Planning in Italy also because of the number and of the high quality of the preliminary researches which had been produced. Giovannini later worked for the Olivetti Society projecting several buildings in Ivrea (some of these buildings are today a part of the MAAM, Museum of the Modern Architecture of Ivrea) and in other places (such as the Center of the “Comunità” Movement in Terracina, that is today the seat of the Library of the Municipality of this town). At the same time, Giovannini began to collaborate with Quaroni in various assignments (among which the S. Giusto district near Prato) and in the projects for several competitions (as the famous one made in the 1959 for the CEP District at the Barene of S. Giuliano near Venice). Giovannini, in the Fifties and the Sixties of the last Century, projected as well, individually or collaborating with some other architects which were related to Quaroni, various important buildings; some of these have been appreciated by influential critics such as Bruno Zevi and have been published on various periodicals (the Faculty of Pharmacological Chemistry of the University of Rome “La Sapienza”, the Giuseppina Saragat Foundation at Anzio, the Central Seat of the University of Macerata). In the next period, Giovannini’s activity took mainly place in Turkey, where, as a Consultant to the Turkish Government, he projected several environmental and touristic development plans, coordinating also, as a General Editor, a book concerning the Art of Cappadocia with the collaboration of several experts of various nationalities. In Turkey Giovannini also built the Tourist Village of Kemer and the Apostolic Nunciature in Ankara. In the following period, he continued his work in Italy (building some touristic structures and collaborating also to important projects for public housing) as well as in various Arabian Countries, such as Iran, Saudi Arabia, Bahrein. The study of Giovannini’s work, based on one side on a bibliographical research, and on the other side on unpublished files which his family kindly put at our disposal, allows us to go, although from a very particular point of view, along four decades of the Italian architecture in the XX century.
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Tolley, Rebecca. "Nikki Giovanni." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etsu-works/5699.

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Book Summary:Offering a comprehensive view of the South's literary landscape, past and present, this volume of The New Encyclopedia of Southern Culture celebrates the region's ever-flourishing literary culture and recognizes the ongoing evolution of the southern literary canon. As new writers draw upon and reshape previous traditions, southern literature has broadened and deepened its connections not just to the American literary mainstream but also to world literatures--a development thoughtfully explored in the essays here. Greatly expanding the content of the literature section in the original Encyclopedia, this volume includes 31 thematic essays addressing major genres of literature; theoretical categories, such as regionalism, the southern gothic, and agrarianism; and themes in southern writing, such as food, religion, and sexuality. Most striking is the fivefold increase in the number of biographical entries, which introduce southern novelists, playwrights, poets, and critics. Special attention is given to contemporary writers and other individuals who have not been widely covered in previous scholarship.
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Dal, Pozzolo Enrico Maria. "Giovanni Bonconsiglio." Doctoral thesis, Università Ca' Foscari Venezia, 1996. http://hdl.handle.net/10579/376.

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Colella, Gianluca. ""Salutz" di Giovanni Giudici : note sulla lingua e lo stile /." Roma : Aracne, 2007. http://www.loc.gov/catdir/toc/casalini07/07944496.pdf.

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Cotensin, Ismène. "L'héritage littéraire de Giorgio Vasari au XVIIe siècle à Rome : Giovanni Baglione, Giovanni Battista Passeri et Giovanni Pietro Bellori." Lyon 3, 2006. https://scd-resnum.univ-lyon3.fr/out/theses/2006_out_cotensin_i.pdf.

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Les "Vite de' più eccellenti architetti, pittori, et scultori italiani. . . ", publiées à Florence en 1550 par Giorgio Vasari, sont considérées comme la première véritable histoire de l'art, et Vasari comme le père de l'historiographie de l'art. Au XVIIe siècle, à Rome, deux artistes – Giovanni Baglione et Giovanni Battista Passeri – et un homme de lettres – Giovanni Pietro Bellori – rédigent à leur tour des recueils de Vies d'artistes. Ces ouvrages ont couramment été étudiés dans le cadre de la littérature artistique et de l'histoire de l'art. Ils ont été considérés comme des documents informatifs et non comme des oeuvres littéraires. Notre travail repose sur une approche différente, de type narratologique : nous envisageons ces écrits d'un point de vue essentiellement littéraire. D'autre part, nous confrontons également la conception de l'histoire de l'art des auteurs avec le modèle des Vite, afin de poser la question de l'héritage vasarien
"Vite de' più eccellenti architetti, pittori, et scultori italiani. . . ", published in Florence by Giorgio Vasari in 1550, is regarded as the first history of arts, and Vasari as the father of art historiography. In the 17th century, in Rome, two artists - Giovanni Blaglione and Giovanni Battista Passeri - and a writer - Giovanni Pietro Bellori - also wrote a collection focused on the lives of artists. These anthologies have been widely studied within the context of artistic literature and art history. They are regarded as informative documents and not as works of art. Our work is based on a different approach, a narrative one. We mainly take these works into consideration in a literary point of view. On the other hand, we will also compare the authors' conception of art history with the model of "Vite", in order to wonder if there is such a thing as a Vasarian heritage
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Cotensin, Ismène Feuillet Michel. "L'héritage littéraire de Giorgio Vasari au XVIIe siècle à Rome Giovanni Baglione, Giovanni Battista Passeri et Giovanni Pietro Bellori /." Lyon : Université Lyon 3, 2006. http://thesesbrain.univ-lyon3.fr/sdx/theses/lyon3/2006/cotensin_i.

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Books on the topic "Giovannoni"

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Centro di studi per la storia dell'architettura (Italy), ed. Gustavo Giovannoni, tra storia e progetto. Roma (Italia): Edizioni Quasar, 2018.

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Giovannoni, Patrizia. Visione al fuoco di un'architettura: Patrizia Giovannoni. Faloppio (Co) [i.e. Como, Italy]: LietoColle, 2014.

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Gustavo Giovannoni: L'opera architettonica nella prima metà del Novecento. Roma: Campisano editore, 2018.

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Gustavo Giovannoni e l'architetto integrale: Convegno internazionale, Roma, Palazzo Carpegna, 25-27 novembre 2015. Roma: Accademia nazionale di San Luca, 2019.

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Piera, Sette Maria, and Miarelli Mariani Gaetano, eds. Gustavo Giovannoni: Riflessioni agli albori del XXI secolo : giornata di studio dedicata a Gaetano Miarelli Mariani (1928-2002). Roma: Bonsignori, 2005.

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Italy) Seminario internazionale "L'Associazione artistica tra i cultori di architettura e Gustavo Giovannoni" (1987 Rome. Atti del Seminario internazionale "L'Associazione artistica tra i cultori di architettura e Gustavo Giovannoni": Roma, 19-20 novembre 1987. Roma: Centro di studi per la storia dell'architettura, 1990.

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Barsanti, Danilo. P. Giovanni Giovannozzi: Uno scolopio tra fede e libertà, religione e patria, 1860-1928. Firenze: Osservatorio ximeniano, 1990.

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Giovanni. Giovanni da San Giovanni: Disegni. Bologna: Alpha libri, 1994.

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Issakainen, Sakari. Giovannin poika. Jyväskylä: Gummerus, 1996.

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Carlotta, Guareschi, ed. Giovannino nostro babbo. Milano: Rizzoli, 2009.

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Book chapters on the topic "Giovannoni"

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Semes, Steven W. "Gustavo Giovannoni: The Complete Architect." In Putting Tradition into Practice: Heritage, Place and Design, 234–45. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57937-5_25.

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Hedlund, Brian P., Jang-Cheon Cho, Muriel Derrien, and Kyle C. Costa. "Phylum XXII. Lentisphaerae Cho, Vergin, Morris and Giovannoni 2004a, 1005VP (Effective publication: Cho, Vergin, Morris and Giovannoni 2004b, 617.)." In Bergey’s Manual® of Systematic Bacteriology, 785–93. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-0-387-68572-4_11.

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Wild, Gerhard. "Guareschi, Giovannino." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3900-1.

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Frenz, Dietmar. "Giovanni Boccaccio." In Kindler Kompakt: Märchen, 44–50. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04359-7_3.

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Frenz, Dietmar. "Boccaccio, Giovanni." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2790-1.

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Schmalzriedt, Siegfried. "Gabrieli, Giovanni." In Metzler Komponisten Lexikon, 264–65. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_107.

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Oschmann, Susanne. "Paisiello, Giovanni." In Metzler Komponisten Lexikon, 565–66. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_218.

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Teng, William, Hualan Rui, Bruce Vollmer, Richard de Jeu, Fan Fang, Guang-Dih Lei, and Robert Parinussa. "NASA Giovanni." In Remote Sensing of the Terrestrial Water Cycle, 331–46. Hoboken, NJ: John Wiley & Sons, Inc, 2014. http://dx.doi.org/10.1002/9781118872086.ch20.

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Janowski, Franca. "Gentile, Giovanni." In Metzler Philosophen Lexikon, 315–18. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_110.

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Schmalzriedt, Siegfried. "Gabrieli, Giovanni." In Komponisten Lexikon, 202–3. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_105.

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Conference papers on the topic "Giovannoni"

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Grisoni, Michela Marisa. "Il piano regolatore di Tripoli (1930-1936). La consapevolezza del passato." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11534.

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Tripoli town plan (1930-1936). The consciousness of the pastThe paper recalls the well known urban facts of Tripoli during the Italian colonialism to eventually deepen the theme of the preservation of the past and not only of the Roman one, as well of the city walls. The town plan has been analyzed not only as it has been approved but also as it has been argued, not only through the drawings but also by the debate. A few letters between the professionals involved (especially Alberto Alpago Novello) and some authoritative exponents of the contemporary architecture culture and criticism (like, Gustavo Giovannoni) have assured an original source to underlines the critical background and to reveal a purpose of touristic and commercial development.
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Giovannoni, Valerio, Rajnish N. Sharma, and Robert R. Raine. "Numerical Study of Premixed Combustion of Methane Stabilized on Porous Medium." In ASME 2016 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/imece2016-65205.

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The present study focuses on the numerical analysis of the combustion process occurring in a small scale cylindrical combustion chamber using a commercial computational code. The chosen diameter is 18 mm, being the same as the flat flame regenerative combustor currently under experimental investigation by the author (Giovannoni), and it includes a 10 mm thick porous flame holder and a 1 mm thick stainless steel outer wall. A 17 species and 73 reactions skeletal mechanism related to methane oxidation is employed for the simulations. A parametric study is performed and results in terms of temperature profiles, major species’ concentrations and flow velocities are presented. Results show that the flame holder can considerably affect combustion and heat losses from the combustor. In particular at low flow rates, when the laminar burning velocity is much higher than the flow velocity, heat is lost mainly through the flame holder to the walls and to the surroundings. At high flow rates the flame appears to be slightly lifted from the porous medium and heat is mainly dispersed to the walls. This causes preheating of the mixture upstream of the combustion through axial conduction in the wall, achieving superadiabatic temperature. It is also clear from the simulations that employing a flame holder with low thermal conductivity and high porosity yields benefits in limiting heat losses and in widening flammability limits.
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Milovanovic-Bertram, Smilja. "Lina Bo Bardi: Evolution of Cultural Displacement." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.61.

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In recent years much has been written and exhibited regarding Lina Bo Bardi, the Italian/Brazilian architect (1914-1992). This paper aims to look at the phenomenon of cultural displacement and the dissemination of her design thinking as a major female figure in a male dominated profession. This investigation is distinguished from others in that it addresses the importance of regional and cultural influences that formed Lina’s design philosophy in her early years in Italy. Cultural displacement has long played a significant role in the creative process for artists. Often major innovators in literature are immigrants as elements of strangeness, distance, and alienation all contribute to their creativity. The premise is that critical distance is paramount for reflection as a change of context unfolds unforeseen possibilities. Displacement was a consistent element throughout the trajectory of Lina’s architectural career as she moved from Rome to Milan, from Milan to Sao Paolo from Sao Paolo to Bahia and back to Sao Paolo. Viewing this form of detachment and dislocation permits insight into her career and body of work as displacement mediates the paradoxical relationship between time and space. The paper will examine three distinct periods in her career. The first period is set in Rome, where she assimilated the city, showed artistic aptitude and spent her university years studying under Piacentiniand Giovannoni. The second period is set in Milan, where she developed impressive editorial and layout skills in publications work with Gio Ponti and BrunoZevi. and was influenced by Antonio Gramsci’s writings. The third is set in Brazil, where she builds and evolves as an architect via what she absorbed in Rome, wrote in Milan, and finally realized in Brazil. After Italy’s collapse in WWII Lina writes, draws, edits, critiques the plight of the Italians in need of better housing and circumstances. She leaves Milan with her new husband, PM Bardi (a prominent journalist, art critic) for Brazil. In Sao Paolo she absorbs the optimism and positive direction of Brazil. Her early design work in Brazil echoes European modernism, but when she travels to Bahia and becomes aware of the social conditions, she draws from her Italian experiences of and ideas of transforming lives through craft. Her architectural projects become directly responsive to the culture of Bahia and the politics of poverty. Lina’s design thinking evolves and parallels George Kubler’s study, The Shape of Time, and the history of man-made objects by bridging the divide between art and material culture.
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Korovina, E. V. "Giovanni Battista Piranesi. Paper architecture." In ТЕНДЕНЦИИ РАЗВИТИЯ НАУКИ И ОБРАЗОВАНИЯ. НИЦ «Л-Журнал», 2018. http://dx.doi.org/10.18411/lj-10-2018-121.

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Chaperon, Danielle. "Une mort lente (Don Giovanni, Claus Guth, Salzbourg, 2008)." In Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019). Fabula, 2022. http://dx.doi.org/10.58282/colloques.7972.

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Zanini Barzaghi, C. "The Swiss Giovanni Lombardi in the History of Civil Engineering of XXI Century." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0212.

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<p>The history of Civil Engineering in XXI century as well as the history of dams is still to be written. We could certainly begin with the eminent Swiss engineer Giovanni Lombardi (1926-2017), a genius in the field of structural engineering and tunnel construction. He built many “cathedrals of energy” around the world: dams or hydroelectric power stations, introducing innovative solutions in design and calculation. This progress was linked to economic and social pressures of the same period, including the energy (oil) crisis and the need to increase the dam’s reservoirs. His main structures are Muttsee dam (CH), Zeuzier dam (CH), Contra dam (CH), Zimapan dam (MX) and also railway and road tunnels (Gotthard, Gibraltar). This paper aims to outline the history of Giovanni Lombardi through his pioneering mind, his scientific contribution, and technical innovation in a Swiss and global context, highlighting how his engineering can be considered an art.</p>
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Asbagh, Narmin Babazadeh. "Theories of Conservation and Scientific Restoration from Gustavo Giovannoni’s Point of View." In 5th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 11-13 May 2022. Alanya Hamdullah Emin Paşa University, 2022. http://dx.doi.org/10.38027/iccaua2022en0161.

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Reichler, Mathilde. "La musique comme interprète : Mozart et la fin de Don Giovanni." In Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019). Fabula, 2022. http://dx.doi.org/10.58282/colloques.8200.

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Vincent, Delphine. "Fidèle et actuel : le Don Giovanni de Deborah Warner (Glyndebourne, 1995)." In Crime et châtiment : la mort de Don Juan (Molière et Mozart, 1965-2019). Fabula, 2022. http://dx.doi.org/10.58282/colloques.7970.

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Prudenzi, A., A. Fioravanti, and V. Caracciolo. "Resilient power in hospitals: The S. Giovanni addolorata general hospital case study." In 2017 AEIT International Annual Conference. IEEE, 2017. http://dx.doi.org/10.23919/aeit.2017.8240572.

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Reports on the topic "Giovannoni"

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von Balthasar, Hans Urs. La Comunità San Giovanni. Saint John Publications, 2022. http://dx.doi.org/10.56154/um.

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von Balthasar, Hans Urs. La Comunità San Giovanni: presentazione. Saint John Publications, 2022. http://dx.doi.org/10.56154/ut.

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von Balthasar, Hans Urs. Prefazione al commento a Giovanni di Adrienne von Speyr. Saint John Publications, 2022. http://dx.doi.org/10.56154/ua.

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Villanueva-Benito, I., and I. Lacasa-Mas. El uso del lenguaje audiovisual en la expansión de las artes escénicas fuera del teatro: el caso de Don Giovanni, de Mozart. Revista Latina de Comunicación Social, October 2017. http://dx.doi.org/10.4185/rlcs-2017-1217.

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