Relevant bibliographies by topics / Girardet (Firm)

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Girardet (Firm)'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Girardet (Firm)"

1

Oroz, Elena. "An Interview with Matthias Müller and Christoph Girardet." Revista Laika 4, no. 7 (2021): 43–51. http://dx.doi.org/10.11606/issn.2316-4077.v4i7p43-51.

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Found Footage has never been a genre of itself. It is nothing but a method that can be found in various film genres: it has been applied in underground film as well as mainstream cinema. It has gained a subversive potential within experimental cinema. These days, most images have been in use; they have a long history of being functionalized, of being used and abused for a broad range of purposes.
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Coates, Paul. "Maria, mit i „Inny”: obraz, kult i tabu." Kwartalnik Filmowy, no. 41-42 (June 30, 2003): 46–64. https://doi.org/10.36744/kf.3497.

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Coates analizuje Metropolis, film Fritza Langa i Thei von Harbou, w kontekście antysemickich nastrojów, które miały wpływ na zbiorową świadomość Niemiec przed II wojną światową. Punktem wyjścia dla autora są pojęcia Innego, wroga, kozła ofiarnego i ofiary zastępczej sformułowane przez René Girarda. Kluczową postacią jest Maria w swoim podwójnym wcieleniu, świętym i prawdziwym, potwornym i fałszywym. Antysemityzm w Metropolis jest ukryty i zakodowany. Coates zdaje sobie sprawę, że taka interpretacja wiąże się z ryzykiem nadinterpretacji, ale Metropolis to film szczególny, poddany modyfikacjom i
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SYABANA, Rosidin Ali, and Wening UDASMORO. "Un sujet marginal: les communautés LGBTQ assimilées à de boucs émissaires dans le film 120 battements par minute." FRANCISOLA 4, no. 2 (2020): 1–9. http://dx.doi.org/10.17509/francisola.v4i2.24201.

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RÉSUMÉ. Cet article porte un regard sur le grand nombre de films allosexuels produits par les pays occidentaux qui donnent une visibilité aux communautés homosexuelles, bisexuelle, transgenre, transsexuelle ou queer (LGBTQ). Cependant, elles restent marginalisées. Considérées comme des parasites qui renversent des valeurs ancestrales conventionnelles, les communautés LGBTQ servent de boucs émissaires pour endosser la responsabilité de la propagation du VIH/SIDA et de cette crise de l'épidémie. Le film 120 Battements par Minute réalisé par Robin Campillo est un film qui traite du rôle et du bou
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Le Gras, Gwenaëlle. "Annie Girardot de la Comédie-Française au film policier des années 50: le brouillage des stéréotypes genrés." Studies in French Cinema 10, no. 3 (2010): 235–49. http://dx.doi.org/10.1386/sfc.10.3.235_1.

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BERGSTRÖM, STIG M., MATTHEW M. SALTZMAN та BIRGER SCHMITZ. "First record of the Hirnantian (Upper Ordovician) δ13C excursion in the North American Midcontinent and its regional implications". Geological Magazine 143, № 5 (2006): 657–78. http://dx.doi.org/10.1017/s0016756806002469.

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The most prominent of the two major global δ13C excursions in the Ordovician, the Hirnantian δ13C excursion (HICE), which is previously recorded from the uppermost Ordovician in a few sections in Nevada, Quebec, Arctic Canada, Baltoscandia, Scotland and China, is documented for the first time from the North American Midcontinent. Samples through the Girardeau Limestone and Leemon Formation in Missouri and Illinois show elevated δ13C values of +4‰ to +5‰. Although not determined precisely, the beginning of the HICE is likely to be in the upper part of the Orchard Creek Shale, and it ends in the
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6

Hartney, Christopher. "Why Muslims Kill Themselves on Film: From Girard’s Victimage Mechanism to a Radical Constructivist Explanation." Journal of Religion and Violence 1, no. 3 (2013): 276–302. http://dx.doi.org/10.5840/jrv2013133.

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7

Fretschel-Hojarski, Andrzej. "Mimetic set and match: Around Shaffer’s “Sleuth”." Studia Filmoznawcze 47 (April 29, 2025): 11–24. https://doi.org/10.19195/0860-116x.47.1.

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Anthony Shaffer’s mystery thriller, Sleuth, and subsequent film version, provide a blueprint for the crushing influence of imitation and monstrous doubling as outlined by French-American anthropologist, René Girard. The relationship between crime writer Andrew Wyke and his wife’s lover reveals itself to be one of negative reciprocity built upon envy, leading to a lethal dénouement. Yet Milo’s final renunciation of mediated desire and further games-playing breaks the cycle of symmetry. Throughout both the script and screenplay, Shaffer offers an acute social commentary on the concepts of differ
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Kłys, Tomasz. "Całe miasto o tym mówi. Konteksty kryminału za trzy grosze." Kwartalnik Filmowy, no. 61 (March 31, 2008): 138–54. https://doi.org/10.36744/kf.3281.

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Pochwała, jaką wygłosił Joseph Goebbels pod adresem filmu Fritza Langa M – morderca (M, 1931), świadczy o pewnej ambiwalencji, jaką niesie wymowa tego słynnego dzieła. M było zamierzone jako topical film, podejmujący temat z pierwszych stron gazet: sprawę seryjnego mordercy, Petera Kürtena, który terroryzował Düsseldorf między lutym 1929 a majem 1930 roku. Nie jest to jednak, wbrew obiegowym sądom, der Kürten-Film: morderca z filmu, Hans Beckert, w wielu istotnych aspektach różni się od „wampira z Düsseldorfu”, ewokując także innych seryjnych zabójców z okresu weimarskiego: Grossmanna, Denkego
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De Carvalho, Deolinda Maria Soares, João Carlos De Carvalho, and Maria Dolores de O. Soares Pinto. "O GENOCÍDIO COMO MATÉRIA NO CINEMA: O ATO SACRIFICATÓRIO POR MEIO DO MIMETISMO DE APROPRIAÇÃO INTERMEDIADO PELO(A) DIALÓGICO(A) EM UMA DINÂMICA DE ENSINO EM SALA DE AULA." ARACÊ 7, no. 6 (2025): 32873–907. https://doi.org/10.56238/arev7n6-220.

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This paper explores the sensitive topic of genocide through the lens of cinema as a pedagogical tool. In the face of historical amnesia surrounding certain atrocities, this film has emerged as a powerful medium for preserving memory and fostering awareness among broader audiences, especially within educational settings. The study proposes a classroom approach for high school and university students that revisits four major genocides of the 20th century: the Armenian, Ukrainian (Holodomor), Jewish (Holocaust), and Rwandan. These tragedies are examined through four representative films: The Prom
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Padgate, Usa. "Mirror Image: A Study of the Power Politics of Mimetic Desire and Cinematic Confinement in Chloe (2009)." Advances in Language and Literary Studies 10, no. 6 (2019): 63. http://dx.doi.org/10.7575/aiac.alls.v.10n.6p.63.

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This study aims to analyze the power politics in the narrative of the film Chloe as addressed by the mirrored desire perceived in the film and to illustrate how this mimesis is communicated through the imagery of confinement that dominates the presence of the female protagonists. René Girard’s mimetic theory of triangular desire and scapegoat mechanism and Sandra Gilbert and Susan Gubar’s conceptual image of a mad woman in the mirror are employed as the frameworks on which the analyses are based. The results reveal four paradigms of triangular desire, the last of which confirms the male hegemo
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Dissertations / Theses on the topic "Girardet (Firm)"

1

Miranda, Suzana Reck. "Filmando a musica : uma interpretação do cinema de François Girard." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284771.

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Orientador: Lucia Nagib<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-05T13:11:24Z (GMT). No. of bitstreams: 1 Miranda_SuzanaReck_D.pdf: 2131895 bytes, checksum: 29d857e5d36fd63130e9911fe9539507 (MD5) Previous issue date: 2006<br>Resumo: Esta tese propõe uma análise da relação música/cinema fundamentada em discussões que demandam uma interface entre a Musicologia e a Teoria do Cinema. O objeto de estudo é o filme Thirty Two Short Films about Glenn Gould (1993), do canadense François Girard. O universo musical do filme suger
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2

Longval-Laverdière, Gabrièle. "La réécriture filmique du roman d'Alessandro Baricco par François Girard : une réflexion sur l'altérité." Mémoire, 2010. http://www.archipel.uqam.ca/3389/1/M11424.pdf.

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Ce mémoire a pour sujet la démarche artistique de François Girard, plus précisément son plus récent long-métrage, Silk, sorti en 2007. Cette coproduction internationale a été le lieu de multiples et fructueuses rencontres interculturelles et le film traduit une importante réflexion sur l'altérité, l'interculturalité et, ultimement, l'intermédialité. Nous nous intéressons donc à la manière dont le réalisateur intègre dans son art et dans son film l'apport culturel de l'Autre afin de réfléchir sur les rapports entre Orient et Occident. Pour réaliser ce film, il s'est notamment inspiré de la pein
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Books on the topic "Girardet (Firm)"

1

Chaille, François. Girard-Perregaux. Flammarion, 2004.

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2

Maurel, Olivier. Essais sur le mimétisme: Sept oeuvres littéraires et un film revisités à la lumière de la théorie de René Girard. Harmattan, 2002.

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3

Buompastore, Fabrizio. Liberi Tutti: Il Film Che Avrei Voluto Girare. Independently Published, 2018.

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Book chapters on the topic "Girardet (Firm)"

1

Gimeno, Javier Elipe. "Composition musicale et construction du sens cinématographique dans le film Kristall, de Matthias Müller et Christoph Girardet." In Violence et Société. Éditions des maisons des sciences de l’homme associées, 2021. http://dx.doi.org/10.4000/books.emsha.1207.

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2

Lowe, John Wharton. "Criminality, Sexuality, and Violence in Faulkner and Wright." In Faulkner, Welty, Wright. University Press of Mississippi, 2024. https://doi.org/10.14325/mississippi/9781496851086.003.0010.

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This essay suggests Richard Wright, who admired Faulkner’s works, created a novel, The Long Dream, that was likely influenced by his expressed admiration for Faulkner’s achievement in Sanctuary. While utilizing different plot lines, both novels embrace a nexus of transgression, violence, criminality, and misogyny. Corruption is seen by both writers to be rife in all levels of society, including the police, the government, and the judiciary. Both texts locate key scenes in brothels, where the central characters Temple Drake (Faulkner) and Fishbelly Tucker (Wright) become both victimized and cor
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Journal articles
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