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1

Jaydipsinh, Dodiya, ed. The plays of Girish Karnad: Critical perspectives. Prestige, 1999.

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2

Potsangbam, Amita. Myth and psychology in the plays of Girish Karnad. Sunmarg Publishers & Distributors, 2017.

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3

Peyma, Nasser Dasht. Postcolonial drama: A comparative study of Wole Soyinka, Derek Walcott, and Girish Karnad. Rawat Publications, 2009.

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Peyma, Nasser Dasht. Postcolonial drama: A comparative study of Wole Soyinka, Derek Walcott, and Girish Karnad. Rawat Publications, 2009.

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5

Sudhakar, Pandey, and Barua Freya, eds. New directions in Indian drama: With special reference to the plays of Vijay Tendulkar, Badal Sircar, and Girish Karnad. Prestige, 1994.

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6

Girish Karnad: History and folklore. B.R. Pub. Corp., 2011.

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7

Girish Karnad: Poetics and aesthetics. B.R. Pub. Corp., 2011.

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8

Girish Karnad and Mahesh Dattani: Methods and motives. Yking Books, 2012.

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9

The Indian imagination of Girish Karnad: Essays on Hayavadana. Prestige Books, 2000.

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10

Joshi, Vivek Vishnupant. History, Myth & Folktales in the Plays of Girish Karnad. Lulu Press, Inc., 2018.

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11

The plays of Girish Karnad: De-colonisation of language and techniques. Authorspress, 2013.

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12

Plays of Girish Karnad: His poetics of gender, identity and culture. B.R. Publishing Corporation, 2015.

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13

Postcolonial drama: A comparative study of Wole Soyinka, Derek Walcott and Girish Karnad. Rawat Publications, 2009.

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14

R, Deekshitha. Naga-Mandala - Drama (Girish Karnad) and Film (T. S Nagabharana). a Comparative Study. GRIN Verlag GmbH, 2015.

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15

Three plays of Girish Karnad: A study in poetics and culture : Hayavadana, Tale-danda, the Fire and the rain. Prestige Books, 2004.

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16

Dhanavet, P. The Indian Imagination of Girish Karmad: Essays on Hayavadana. Prestige Books, 2000.

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17

Booth, Marilyn. Women and the Emergence of the Arabic Novel. Edited by Waïl S. Hassan. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199349791.013.7.

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Women’s engagement in producing the early Arabic novel goes beyond authorship: it involves readership, girls’ education, venues, sensitivities, and gender difference as a topic in public discourse. Fiction became one of several genres for articulating female views of self and society amidst the stresses of late colonial modernity. This chapter first considers the venues where women’s fiction was produced and marketed, along with debates over the projected effects of fiction reading and the approach adopted by the first generation of Arab women novelists. It then discusses how women gained expe
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