Relevant bibliographies by topics / Giuditta

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Giuditta'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Giuditta"

1

Dick, Alexander. "MELANCHOLIE DES SEINS." Opernwelt 66, no. 7 (2025): 49–50. https://doi.org/10.5771/0030-3690-2025-7-049-1.

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Lücker, Arno. "Wanst auf dem Vulkan." Opernwelt 63, no. 2 (2022): 8–9. http://dx.doi.org/10.5771/0030-3690-2022-2-008.

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Yakovenko, Yulia Yu. "“La Giuditta” Oratorio by Benedetto Marcello." Университетский научный журнал, no. 70 (2022): 92–96. http://dx.doi.org/10.25807/22225064_2022_70_92.

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Ryszka-Komarnicka, Anna. "Italian 17th- and 18th-Century Dramatic Works with Music, Written for the Clothing and Profession Ceremonies, with Special Reference to Compositions Based on the Book of Judith*." Musicology Today 17, no. 1 (2020): 45–59. http://dx.doi.org/10.2478/muso-2020-0004.

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Abstract Late 16th- and early 17th-century Italian theatrical works (with or without music) based on the Book of Judith are perceived as associated with women, who acted as their performers (in female monasteries), dedicatees, or patrons. This paper considers the reasons for the loosening of such ties in the Baroque genres of dialogue and oratorio, which evolved in the circles of religious and lay congregations, in which women were either marginalised or altogether excluded. The link between women and the oratorio genre was thus maintained only in the case of the so-called palace oratorios. Or
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Stallknecht, Michael. "ZEITENGEWITTER." Opernwelt 65, no. 2 (2024): 12–15. http://dx.doi.org/10.5771/0030-3690-2024-2-012.

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Die Wiener Volksoper setzt sich mit der eigenen Vergangenheit im Nationalsozialismus auseinander, das Theater Ulm entdeckt die Harmlosigkeit von Franz Lehárs «Giuditta» – und Regensburg mit «Der Prinz von Schiras» das Operettenwunderkind Joseph Beer VON MICHAEL STALLKNECHT
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Valoroso, Antonella. "Adelaide Ristori e la spada di Giuditta." Italianist 39, no. 3 (2019): 315–31. http://dx.doi.org/10.1080/02614340.2019.1679452.

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Refini, Eugenio. "Giuditta, Armida e il velo della seduzione." Italian Studies 68, no. 1 (2013): 78–98. http://dx.doi.org/10.1179/0075163412z.00000000034.

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Frantzen, Torstein. "Giuditta Cordero-Moss: Internasjonal privatrett på formuerettens område." Lov og Rett 53, no. 08 (2014): 502–5. http://dx.doi.org/10.18261/issn1504-3061-2014-08-06.

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Nielsen, Peter Arnt. "Giuditta Cordero-Moss: Internasjonal privatrett på formuerettens område." Tidsskrift for Rettsvitenskap 127, no. 03-04 (2014): 442–45. http://dx.doi.org/10.18261/issn1504-3096-2014-03-04-06.

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Cornaz, Marie. "L'oratorio "La Giuditta" de Benedetto Marcello: decouverte d'une source inconnue." Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 50 (1996): 129. http://dx.doi.org/10.2307/3687040.

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Dissertations / Theses on the topic "Giuditta"

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Campalto, Alessandra <1993&gt. "Evoluzione dell'immagine biblica di Giuditta tra il XVIII e il XX secolo." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14710.

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In questo lavoro si è voluto analizzare l’evoluzione che ha subito il personaggio biblico di Giuditta tra i secoli XVIII e XX. Personalità ambigua che da sempre ha ispirato la creatività degli artisti europei ma le cui caratteristiche, nei secoli, hanno subito notevoli cambiamenti. La sua storia viene narrata nel Libro di Giuditta contenuto all’interno della Bibbia cristiana cattolica. Osservando le opere pittoriche eseguite in questo lasso di tempo e il contesto culturale in cui sono state prodotte è emerso che, nonostante tre secoli siano un breve arco temporale, il soggetto esaminato ha sub
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Authier, Catherine. "De Tancrède à Norma, la construction d'une diva internationale : Giuditta Pasta (1797-1865)." Versailles-St Quentin-en-Yvelines, 2009. http://www.theses.fr/2009VERS037S.

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Qui est Giuditta Pasta ? Pourquoi faire le choix d'étudier la destinée d'une artiste lyrique de la première moitié du XIXe siècle ? Giuditta Pasta est une immense chanteuse lyrique du XIXe siècle, particulièrement intéressante dans la mesure où elle rencontra un succès extraordinaire mais suscita aussi de violentes critiques, en tant qu'artiste très controversée. La cantatrice possédait en effet un timbre rauque, sourd et voilé, un organe apparemment rebelle aux exigences de l'art lyrique. En revanche, le talent théâtral de la Pasta fut une révélation pour ses contemporains, sa capacité unique
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Radeff, Giuditta [Verfasser], and Domenico [Akademischer Betreuer] Cosentino. "Geohistory of the Central Anatolian Plateau southern margin (southern Turkey) / Giuditta Radeff. Betreuer: Domenico Cosentino." Potsdam : Universitätsbibliothek der Universität Potsdam, 2014. http://d-nb.info/1058741004/34.

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Mirizio, Giuditta <1989&gt. "Amministrare e comunicare in Egitto tra III e II secolo a.C.: antigrapha e archetipi nella documentazione papiracea." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amsdottorato.unibo.it/8629/1/Mirizio-Giuditta-Tesi.pdf.

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La necessità di comunicazione e di trasporto all'interno dell'Egitto, una terra in cui la differenziazione regionale era particolarmente significativa, era di estrema urgenza per il buon funzionamento della vita economica e sociale della sua popolazione. La documentazione papirologica rappresenta un vasto e ricco repertorio da sfruttare per ottenere una panoramica focalizzata sul sistema di trasferimento dei messaggi. La comunicazione tra gli uffici che regolavano e strutturavano il transito delle informazioni era essenziale per mantenere operativo il sistema. Lo scopo della mia indagine è que
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Zorzetto, Riccardo <1986&gt. "Valutazione di conformità e applicabilità del DSS “DESYRE” per l’analisi di rischio sanitario per i siti contaminati attraverso il confronto con il software GIUDITTA." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2590.

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Books on the topic "Giuditta"

1

Dell'Anno, Alessandro. Giuditta. Amadeus, 1989.

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P, Biscottini, and Museo diocesano (Milan Italy), eds. Sandro Botticelli: La Giuditta. Silvana, 2008.

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P, Biscottini, and Museo diocesano (Milan Italy), eds. Sandro Botticelli: La Giuditta. Silvana, 2008.

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4

Vecchia, Flavio Dalla. Giuditta: Introduzione, traduzione e commento. San Paolo, 2019.

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Lavagna, Raffaello. Davide re ; Giuditta e Oloferne. Massimo, 1986.

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Venturoli, Marcello. La stella di Giuditta: Romanzo. Newton Compton, 1994.

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Fagioli, Marco. La Giuditta di Bruno Innocenti. Aión, 2005.

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Adele, Simonetti, ed. Commentario al libro di Giuditta. SISMEL edizioni del Galluzzo, 2008.

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9

Ronco, Simonetta. Giuditta Bellerio Sidoli: Vita e amori. Liberodiscrivere, 2010.

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10

Centro culturale Candiani (Mestre, Italy), ed. Attorno a Klimt: Giuditta, eroismo e seduzione. Lineadacqua, 2016.

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Book chapters on the topic "Giuditta"

1

Morabito, Sergio. "Die Inszenierungen der Giuditta Pasta: Erzähl- und Bedeutungsstrukturen romantischer Primadonnenopern von Bellini und Romani." In Opernarbeit. J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04909-4_28.

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Lhâa, Alexandre. "Marcello and Peri's Giuditta (1860)." In The Sword of Judith: Judith Studies Across the Disciplines. Open Book Publishers, 2010. http://dx.doi.org/10.11647/obp.0009.23.

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Lhâa, Alexandre. "Marcello and Peri’s Giuditta (1860)." In The Sword of Judith. Open Book Publishers, 2010. http://dx.doi.org/10.2307/j.ctt5vjt5x.25.

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4

Cordero-Moss, Giuditta, and Diego P. Fernández Arroyo. "Private International Law and International Commercial Arbitration – A Dialogue about the Usefulness and Awareness of the Former for the Latter." In Diversity and Integration in Private International Law. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474447850.003.0019.

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This chapter reproduces a keynote debate that took place at one of the conferences in Edinburgh in the context of the PILIM project. Diego Fernandez Arroyo and Giuditta Cordero-Moss discussed the role of private international law in international commercial arbitration. They discuss the usefulness of conflict rules in arbitration proceedings, among other things where the parties have made a choice of law, examining also the limitations of choice of law clauses.
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5

Lockhart, Ellen. "Giuditta Pasta and the History of Musical Electrification." In Animation, Plasticity, and Music in Italy, 1770-1830. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520284432.003.0006.

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Chapter 5 traces the theme of human plasticity into Italian aesthetic discourse and opera of the 1820s and 1830s. The echoes of the musical statues of the late Enlightenment can be heard in the reception of performers of Ottocento opera, especially the women. Figures like Maria Malibran and particularly Giuditta Pasta were construed as living statues or artificially animated interlopers from an ancient past. This quality of animatedness was described with a very new kind of imagery within music criticism, one that drew on well-known developments in the nascent scientific field later known as e
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"5. Giuditta Pasta and the History of Musical Electrification." In Animation, Plasticity, and Music in Italy, 1770-1830. University of California Press, 2019. http://dx.doi.org/10.1515/9780520960060-007.

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Kennerley, David. "Criticising Women’s Voices in the Musical Press." In Sounding Feminine. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190097561.003.0004.

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This chapter examines how professional female singers’ voices were described, and critically evaluated, in the music press. It focuses on comparing and contrasting critics’ responses to the voices of Catherine Stephens, Giuditta Pasta, and Eliza Vestris, three very different female singers. It demonstrates how concerns about class, religion, and nationality were instrumental in shaping critical commentary on these women’s voices. It argues that the sound of women’s voices was central to debates between partisans of opera and oratorio, and between advocates of “English” and “Italian” styles of
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"The Evolving European Video Game Software Ecosystem: Giuditta De Prato, Sven Lindmark and Jean-Paul Simon." In The Video Game Industry. Routledge, 2012. http://dx.doi.org/10.4324/9780203106495-22.

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Solinas, Francesco. "Artemisia Gentileschi a Napoli. Giuditta e la fantesca nella tenda d’Oloferne del Musée de la Castre a Cannes." In Close Reading. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110752762-037.

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"10. Il giuditio della ragione tra la beltà e l’affetto." In The Baroque Libretto. University of Toronto Press, 2011. http://dx.doi.org/10.3138/9781442687219-017.

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