Relevant bibliographies by topics / Giuliani

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  4. Book chapters
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Academic literature on the topic 'Giuliani'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2024

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Journal articles on the topic "Giuliani"

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SUPRIANDO, SUPRIANDO. "120 ARPEGGIO OP. 1 MAURO GIULIANI: PENGARUHNYA TERHADAP KUALITAS PETIKAN GITAR KLASIK." Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni 23, no. 1 (2021): 177. http://dx.doi.org/10.26887/ekspresi.v23i1.1570.

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Abstract120 Arpeggio Op. 1 developed by Mauro Giuliani is a technique exercises specifically targeting the improvement of the ability of the right finger for classical guitarists. Various variations or complete right finger exercise formulas are summarized in 120 Arpeggio Op. 1 Mauro Giuliani. This research was conducted with the aim to find out about any aspect of the right hand that had improved after practicing using the 120 Arpeggio Op. 1 technique exercises method of Mauro Giuliani. The results of this research showed that there were several things that technically the right hand had improved after doing the exercises with the M. Giulian method, including: (1) Speed of the plucking, (2) Finger synchronization when plucking the string, (3) Accuracy of the finger when plucking the guitar strings and (4) Articulation. The method used in this study is a qualitative method by prioritizing explanations which are then forwarded analytically to the research object.
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Criswick, Mary, Giuliani, and B. Jeffery. "Giuliani." Musical Times 127, no. 1718 (1986): 283. http://dx.doi.org/10.2307/965473.

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Tsoumou, Jean Mathieu. "“What is Wrong With You People That You are Happy Someone has Covid” Impoliteness in the Coronavirus Pandemic Era." SAGE Open 13, no. 1 (2023): 215824402311610. http://dx.doi.org/10.1177/21582440231161040.

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Whilst the coronavirus pandemic keeps threatening the world at large, little is yet known about the impoliteness implications of user-generated- Covid-related contents on social media such as Facebook. The aim of this study is to examine the comments made in response to Giuliani’s Covid- 19 diagnosis, from an impoliteness perspective. A merely qualitative analysis of a dataset of 3,000 comments evenly collected from three different news outlets (i.e., BBC, CNN, Fox News), the findings reveal that the reactions to Giuliani’s diagnosis are more focused on him being a politician, than him being a human being affected by the virus. The reactions attack his actions and the actions of others within his political party, which suggests that impoliteness has a strong dependence on previous actions and political engagement. Giuliani is seen by some users to be undeserving of compassion or empathy not just on the grounds of his active involvement in attempting to overturn the presidential election results, but also for his disregard toward mask wearing in public spheres. Not all the users, however, appreciate the attacks against Giuliani. Through metadiscursive comments, some users not just feel the need to treat Giuliani as a human being, but more importantly remind fellow users that Covid-19 should be a concern for all. What is particularly critical about these metacomments is that while the users advocate for civil interactions, they mostly do not condone Giuliani’s actions. This so because these users understand what should be obligatory, permissible, or forbidden on the human level under the circumstances.
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Hackl, Stefan. "Mauro Giuliani and Austrian Folk Music." Soundboard Scholar 5, no. 1 (2019): 17–26. http://dx.doi.org/10.56902/sbs.2019.5.5.

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Mauro Giuliani, one of the most important figures in the growth and development of the guitar in the earlier nineteenth century, spent his most productive years in Vienna from 1806 to 1819. He was well connected with the cultural and social life of the imperial city, at the time a melting pot which welcomed talented artists with diverse backgrounds from throughout the provinces and neighboring states. Here, Hackl discusses Giuliani's folk songs.
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Pijnappels, Kees. "Giuliani geschrapt?" Advocatenblad 101, no. 1 (2021): 51. http://dx.doi.org/10.5553/ab/0165-13312021101001018.

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Marshall, E. "Rudolph Giuliani." Science 319, no. 5859 (2008): 24–25. http://dx.doi.org/10.1126/science.319.5859.24b.

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Lanslots, Inge. "Gli ingranaggi della memoria del G8 2001 in Carlo Giuliani. Il ribelle di Genova." Forum Italicum: A Journal of Italian Studies 51, no. 1 (2017): 112–32. http://dx.doi.org/10.1177/0014585816682489.

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Il presente contributo propone l’analisi di Carlo Giuliani. Il ribelle di Genova di Francesco Barilli e Manuel De Carli (2011), che a dieci anni di distanza rielabora la memoria degli eventi del G8 2001 tramite quella della figura di Carlo Giuliani. Carlo Giuliani. Il ribelle di Genova, edito da BeccoGiallo, vuole essere una contronarrazione alla versione ufficiale dei fatti inscrivendosi nel sottogenere del docunovel, nel senso che si presenta come una narrazione grafica che si serve delle modalità di rappresentazione tipiche del documentario e della finzione. L’analisi del docunovel partirà dalla rappresentazione della figura di Carlo Giuliani la cui morte viene descritta come un evento tragico e traumatico tipico dell’ingiustizia che caratterizza la storia italiana contemporanea, ma che poi viene collegata ad altri eventi storici altrettanto traumatici. Si metteranno in rilievo le specificità contenutistiche e le strategie narratologiche del docunovel, ma anche l’importanza del fitto apparato paratestuale che iscrive la morte di Giuliani in un contesto storico prettamente italiano. La contestualizzazione porterà anche al confronto di Carlo Giuliani. Il ribelle di Genova con altre narrazioni fumettistiche nella misura in cui tutte sembrano rifarsi alla stessa iconografia. L’analisi del docunovel farà emergere le peculiarità del discorso commemorativo evocato dalla scomparsa di Carlo Giuliani e gli eventuali effetti performativi sul lettore.
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Putra, Ditya Cahya. "Tinjauan Variasi Melodi dan Struktur Lagu "6 Variations on folies d'Espagne Op.45" Karya Mauro Giuliani." Virtuoso: Jurnal Pengkajian dan Penciptaan Musik 1, no. 2 (2020): 42. http://dx.doi.org/10.26740/vt.v1n2.p42-49.

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Abstrak : Lagu “6 Variations On Folies d’Espagne Op.45” merupakan lagu yang ditulis oleh Mauro Giuseppe Sergio Pantaleo yang akrab dikenal dengan panggilan Mauro Giuliani. Penelitian ini bertujuan untuk mendeskripsikan Variasi Melodi dan Struktur lagu 6 Variations On Folies d’Espagne Op.45 karya Mauro Giuliani. Rumusan masalah dalam penelitian ini adalah: 1) Bagaimana struktur lagu “6 Variations On Folies d’Espagne Op.45” karya Mauro Giuliani 2) Bagaimana variasi pada lagu “6 Variations On Folies d’Espagne Op.45” karya Mauro Giuliani. Jenis Penelitian ini merupakan penelitian deskriptif kualitatif. Penulis tertarik meneliti tentang teknik variasi melodi ini dikarenakan keistimewaan lagu 6 Variations On Folies d’Espagne Op.45 yang diciptakan Mauro Giuliani untuk temanya lebih banyak menggunakan variasi ritme yang berbeda-beda. Dalam metode tersebut subjek penelitiannya adalah full score “6 Variations On Folies d’Espagne Op.45” oleh Mauro Giuliani. Hasil analisis yang didapat adalah struktur lagu “6 Variations On Folies d’Espagne Op.45” terdiri dari 3 bagian dengan tempo Andantino, Adagio, Vivace dengan 3 tema. Variasi melodi yang terjadi pada melodi utama adalah melodic variation and fake dan kemudian variasi yang digunakan diluar melodi utama antara lain counter melody, variation rhytmyc and fake rhytmyc
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Spivey, Nigel. "Art and Archaeology." Greece and Rome 61, no. 2 (2014): 287–90. http://dx.doi.org/10.1017/s0017383514000138.

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Whatever Luca Giuliani writes is usually worth reading. Image and Myth, a translation and revision of his Bild und Mythos (Munich, 2003), is no exception. This monograph engages with a topic germane to the origins and development of classical archaeology – the relation of art to text. Giuliani begins, rather ponderously, with an exposition of G. E. Lessing's 1766 essay Laokoon, ‘on the limits of painting and poetry’. Lessing, a dramatist, predictably considered poetry the more effective medium for conveying a story. A picture, in his eyes, encapsulates the vision of a moment – likewise a statue. The Laocoon group, then, is a past perfect moment. A poet can provide the beginning, middle, and end of a story; the artist, only the representation of a fleeting appearance. Giuliani shows that this distinction does not necessarily hold – works of art can be synoptic, disobedient of Aristotelian laws about unity of place and time (and scale). Yet he extracts from Lessing's essay a basic dichotomy between the narrative and the descriptive. This dichotomy dictates the course of a study that is most illuminating when its author is being neither narrative nor descriptive but analytical – explaining, with commendable care for detail, what we see in an ancient work of art. But is the distinction between narrative and descriptive as useful as Giuliani wants it to be? One intellectual predecessor, Carl Robert, is scarcely acknowledged, and a former mentor, Karl Schefold, is openly repudiated; both of these leave-takings are consequent from the effort on Giuliani's part to avoid seeking (and finding) ‘Homeric’ imagery in early Greek art. The iconography of Geometric vases, he maintains, ‘is devoid of narrative intention: it refers to what can be expected to take place in the world’ (37). In this period, we should not be asking whether an image is ‘compatible’ with a story, but rather whether it is incomprehensible without a story. If the answer is ‘no’, then the image is descriptive, not narrative. Thus the well-known oinochoe in Munich, clearly showing a shipwreck, and arguably intending to represent a single figure astride an overturned keel, need not be read as a visual allusion to Odyssey 12.403–25, or some version of the tale of Odysseus surviving a shipwreck. It is just one of those things that happens in the world. Well, we may be thinking – let us be glad that it happens less frequently these days, but double our travel insurance nevertheless. As Giuliani commits himself to this approach, he is forced to concede that certain Geometric scenes evoke the ‘heroic lifestyle’ – but, since we cannot admit Homer's heroes, we must accept the existence of the ‘everyman aristocrat’ (or aristocratic everyman: either way, risking oxymoron). Readers may wonder if Lessing's insistence on separating the descriptive from the narrative works at all well for Homer as an author: for does not Homer's particular gift lie in adding graphic, descriptive detail to his narrative? And have we not learned (from Barthes and others) that ‘descriptions’, semiotically analysed, carry narrative implications – implications for what precedes and follows the ‘moment’ described? So the early part of Giuliani's argument is not persuasive. His conviction, and convincing quality, grows as artists become literate, and play a ‘new game’ ‘in the context of aristocratic conviviality’ (87) – that of adding names to figures (as on the François Vase). Some might say this was simply a literate version of the old game: in any case, it also includes the possibility of ‘artistic licence’. So when Giuliani notes, ‘again we find an element here that is difficult to reconcile with the epic narrative’ (149), this does not, thankfully, oblige him to dismiss the link between art and text, or art and myth (canonical or not). Evidently a painter such as Kleitias could heed the Muses, or aspire to be inspired; a painter might also enjoy teasing his patrons with ‘tweaks’ and corrigenda to a poet's work. (The latter must have been the motive of Euphronios, when representing the salvage of the body of Sarpedon as overseen by Hermes, rather than by Apollo, divergent from the Homeric text.) Eventually there will be ‘pictures for readers’, and a ‘pull of text’ that is overt in Hellenistic relief-moulded bowls, allowing Giuliani to talk of ‘illustrations’ – images that ‘have surrendered their autonomy’ (252).
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Pontón, Gonzalo. "Luigi Giuliani y Victoria Pineda, eds., «El punto y la voz. La puntuación del texto teatral (siglos XVI-XVIII) / «La edición del diálogo teatral (siglos XVI-XVII)»." Anuario Lope de Vega Texto literatura cultura 28 (January 26, 2022): 563–69. http://dx.doi.org/10.5565/rev/anuariolopedevega.462.

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Reseña de Luigi Giuliani y Victoria Pineda, eds., El punto y la voz. La puntuación del texto teatral (siglos XVI-XVIII), Pisa University Press, Pisa, 2020, 242 pp. ISBN: 9788833394343. / Luigi Giuliani y Victoria Pineda, eds., La edición del diálogo teatral (siglos XVI-XVII), Firenze University Press, Florencia, 2021, 174 pp. ISBN: 9788855182232.
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Dissertations / Theses on the topic "Giuliani"

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Jedlička, Roman. "Mauro Giuliani." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2007. http://www.nusl.cz/ntk/nusl-78740.

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Teopini, Terzetti Casagrande Francesco. "Transtextuality in transcription : Le Rossiniane by Mauro Giuliani." HKBU Institutional Repository, 2019. https://repository.hkbu.edu.hk/etd_oa/649.

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At the beginning of the nineteenth century, the making of potpourris on popular themes was the easiest way to compose 'new' music, and music which could eventually determine the popularity of a performer. The guitarist Mauro Giuliani (1781-1829) was at the center of the exploitation of such a musical practice: he was indeed a master in arranging for his instrument, and left a substantial number of high-quality transcriptions. Among these are Le Rossiniane per Chitarra, Opp. 119-124, which are considered his masterpieces. Le Rossiniane are a series of six arrangements in potpourri genre written to honor Rossini's operatic music, as well as to exploit the composer's fame in Europe at the time. According to the famous guitar scholar Ruggero Chiesa, Le Rossiniane are "a marvelous fresco of great immediacy and inventiveness, as well as a masterful display of guitar writing." There are numerous traits in both Le Rossiniane's structural features - e.g. their title, their genre, their musical quotations, and their literal notes - as well as their historical context that makes them a transtextual set of musical works. Using the words of famous French literary theorist Gérard Genette (1930-2018), they seem to possess "all that sets the text in a relationship, whether obvious or concealed, with other texts." This research makes a complete analysis of Le Rossiniane by using Genette's theory of transtextuality (and all of its subtypes). Genette's theory is the basis on which music and literary quotation theory is intermixed in this research, in order to make an interdisciplinary study of Le Rossiniane that concentrates particularly on categorizing all the different types of quotations employed by Giuliani in his Rossinian potpourris.
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Zangari, Giuseppe. "Mauro Giuliani (1781 - 1829): Instrumental and Vocal Style in Le Sei Rossiniane." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10232.

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Mauro Giuliani (1781–1829): Instrumental and Vocal Style in Le Sei Rossiniane Abstract Instrumental music that derives from operas of the nineteenth century belongs to a rich tradition based on vocal and instrumental techniques and performing styles that also include a large element of unwritten performance practices and conventions. These include tempo rubato, phrasing, articulation and imitating orchestral instruments. The instrumental performance tradition based on vocal models has been filtered through modern performance practice, however, as modernist aesthetics have prevailed. Mauro Giuliani (1781–1829), in his Sei Rossiniane (opp. 119–124), takes his thematic material from Giaochino Rossini’s most popular and early operas. In the quest to perform these works in a historically informed way one must examine the historical practices that pertain to this repertoire. Understanding the emotional context of the arias from which composers borrow is an important link to conveying the original intention of the music. Whilst there is evidence to suggest that Rossini did not pay close attention to the literal meaning of the libretti in setting them to music, it is significant to be able to grasp the emotional context. This research sets out to investigate Mauro Giuliani’s musical upbringing, influences, performance style and ability to compose in a tasteful way so as to appeal to the mass market of amateurs that desired to have opera music dispersed in their homes. Ideas of instrumentation, voice type, vocal quality and tone colour, keys, tempi and expressive indications can be immediately identified upon perusal of the original aria scores, and provide important clues for guitarists about how to approach the Rossiniane. This research also looks at the specific vocal and guitar techniques that were widely employed at the time and suggests ways in which a modern guitarist performing on a modern classical guitar can try to emulate these techniques for audiences of today. Also included are score excerpts, audio examples and a case study of Giuliani’s arrangement of a Rossini aria in his Rossiniane, “Assisa a piè d’un salice”, from Otello. Keywords: Giuliani, Rossini, Rossiniane, nineteenth century guitar, García
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Petrini, Valentina. "Giambattista Giuliani: Dante e le parlate popolari toscane nelle ricerche di un piemontese spiemontizzato." Doctoral thesis, Università del Piemonte Orientale, 2020. http://hdl.handle.net/11579/115030.

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Con questa tesi mi propongo di offrire uno strumento biografico, bibliografico e documentario che possa contribuire alla conoscenza e allo studio delle opere di Giambattista Giuliani, notevole letterato della seconda metà dell’Ottocento, al suo tempo celebre commentatore di Dante e sensibile interprete della questione della lingua italiana nell’Ottocento. Considerata la mancanza di una bibliografia critica su Giuliani, nonostante gli apporti alla ricerca venuti dagli studi di Carlo Dionisotti, Claudio Marazzini, Luca Serianni, è risultata necessaria un’indagine complessiva della figura e delle opere dello studioso, che non solo definisse la sua posizione nel quadro della storiografia letteraria, ma che evidenziasse anche i suoi rapporti con il contesto politico - culturale del secolo XIX. Un ruolo fondamentale in questo lavoro è stato rivestito dall’accurata analisi delle opere edite da Giuliani e dalla ricerca documentaria con la riscoperta, a cui mi sono dedicata con successo, di importanti documenti inediti che hanno permesso la ricostruzione della vita di Giuliani, attraverso la fitta rete di rapporti intessuta con illustri esponenti del mondo intellettuale e politico dell’epoca; l’analisi dello sviluppo diacronico della posizione assunta dal padre somasco nei dibatti intorno alla lingua italiana che caratterizzarono l’Ottocento; la messa in evidenza delle implicazioni tra gli studi danteschi e quelli linguistici portati avanti da Giuliani, con particolare attenzione al metodo da lui adottato in questi campi d’indagine.
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Hantoft, Timmy. "Sonata Brilliante Mauro Giuliani : Ett konstrnärligt examensarbete om en livlig gitarrsonat med fokus på improvisation inom första satsen." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3666.

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Denna konstnärliga examensuppsats handlar om första satsen till Mauro Giulianis (17811829) Sonata Brilliante Op.15. Syftet med studien var att utforska olika sätt att väcka liv i musik. Tillvägagångssättet var improvisation inom musiken i fråga. Läsaren kan också ta del av information om ex. Mauro Giuliani, ornamentik och improvisationspraxis under klassicismen. I studien förekommer också en analys utav satsens storform och utav delarna. Här redovisas också några av mina improvisationer, konstnärliga val och lösningar.<br><p>Examensrepetoar: </p><p>Mauro Giuliani - Sonata brilliante Allegro spiritoso </p><p>Enrique Granados - La maja de goya</p><p>Johann Kaspar Mertz - Schubert'sche Lieder <em>Ständschen </em></p><p>J.K. Mertz - Bardenklänge <em>Lied ohne Worte</em></p><p>Benjamin Britten - Nocturnal after John Dowland for guitar</p>
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Schroeder, Lisa Marie. "The flute and guitar duo: the development of an equal partnership." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/2010.

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THE FLUTE AND GUITAR DUO: THE DEVELOPMENT OF AN EQUAL PARTNERSHIP By Lisa Marie Schroeder December 2015 The 21st century flute and guitar duo literature contains equal parts of intricate melodic and harmonic content, challenging both players with standard and contemporary techniques. In the past, beginning with the late seventeen hundreds, the repertoire for this combination consisted of simple flute melodies and sparse, accompanimental guitar parts. When did an equal partnership begin developing between the instruments and how are professional duos guiding this change? For the research of this document, a survey was drafted and sent to 104 professional flute and guitar duos around the globe, resulting in 51 duos completing and returning the questionnaire. Of the 51 duos that returned the survey, 48 duos qualified as professional and three duos were disqualified. The general consensus reached is that the flute and guitar duo has developed into an equal partnership in the last 30 years, accomplished through music with more substantial parts for both instruments, beginning with the legendary Histoire du Tango by Ástor Piazzolla. My hope is that those who read this document will understand the need for more flute and guitar music containing equal parts, thus inspiring commissions. I hope, too, that the lists of pieces revealed by seasoned flute and guitar duos (located in Appendix B and C), will be a useful tool for all flute and guitar duos, especially those starting out in the genre. This document is essential to the university flute and guitar studios and beginning duos in selecting pieces in which both performers will learn and grow as instrumentalists and chamber musicians.
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Giuliani, Samuel Andrea [Verfasser], Pinedo Gabriel [Akademischer Betreuer] Martínez, and Robert [Akademischer Betreuer] Roth. "Fission and r-process nucleosynthesis in neutron star mergers / Samuel Andrea Giuliani ; Gabriel Martínez Pinedo, Robert Roth." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2018. http://d-nb.info/1150852240/34.

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Giuliani, Manuel [Verfasser], Alois [Akademischer Betreuer] Knoll, and Jan de [Akademischer Betreuer] Ruiter. "Comparing Classical and Embodied Multimodal Fusion for Human-Robot Interaction / Manuel Giuliani. Gutachter: Jan de Ruiter. Betreuer: Alois Knoll." München : Universitätsbibliothek der TU München, 2011. http://d-nb.info/1020273623/34.

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Weinberg, Cybelle. "Sob o olhar da Santa Madre: articulações entre a vida de Santa Veronica Giuliani e a clínica da anorexia." Pontifícia Universidade Católica de São Paulo, 2015. https://tede2.pucsp.br/handle/handle/15412.

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Made available in DSpace on 2016-04-28T20:39:03Z (GMT). No. of bitstreams: 1 Cybelle Weinberg.pdf: 378630 bytes, checksum: 71bad8bc0c2858283bbd5b3981682c10 (MD5) Previous issue date: 2015-04-10<br>Under the eye of the Holy Mother: articulations between the life of Saint Veronica Giuliana and the anorexia clinic aims at relating facts from the life of Saint Veronica, who lived in Italy in the late 17th century and the early 18th century, with today s anorexia clinic. The analysis of her diaries and the registers in her canonization process show how much her perseverant life style, marked by periods of intensive fasting, the violence against her own body, and her search for holiness under the benevolent eye of the Church associates her with modern anorexic symptoms. This paper aims at setting up a parallel between two kinds of relationship: that of Christianity s women saints and martyrs with the Church (the Holy Mother), and that of anorexic girls with their mothers. Accomplices of a lethal project, these pairs comply with the appealing of a perfection ideal. Although separated by several centuries, they present the same symptoms and manifestations of a timeless superego that is passed down from generation to generation. The analysis of such lives marked by excess reveals how an Ideal that was born and built up at the beginning of the western medieval era transcends time and is revealed by people s singularity<br>A tese intitulada Sob o olhar da Santa Madre: articulações entre a vida de Santa Veronica Giuliani e a clínica da anorexia tem por objetivo relacionar fatos da vida de Santa Veronica Giuliani, que viveu na Itália na passagem do século XVII para o XVIII, com a clínica atual da anorexia. A análise de seus diários e os registros do processo de canonização mostram quanto seu modo de vida perseverante, marcado por períodos de jejum intenso, pela violência contra o próprio corpo e busca da santidade - sob os olhos complacentes da Igreja -, aproxima-a das pacientes com sintomas anoréxicos de hoje. A tese estabelece, também, um paralelo entre dois tipos de relação: o das santas e mártires do Cristianismo com a Igreja (a Santa Madre), e a das meninas anoréxicas com suas mães. Cúmplices em um projeto mortífero, essas duplas atendem ao apelo de um ideal de perfeição. Distantes umas das outras por vários séculos, apresentam os mesmos sintomas, manifestações de um superego atemporal transmitido através das gerações. A análise dessas vidas - marcadas pelo excesso mostra como um Ideal, nascido e construído nos inícios da era medieval ocidental, transcende os tempos e se revela na singularidade de cada um
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Giuliani, Stefan [Verfasser], Justin [Gutachter] Geistefeldt, and Robert [Gutachter] Hoyer. "Kalibrierung von Wartezeitmodellen für verkehrsabhängig gesteuerte und koordinierte Lichtsignalanlagen / Stefan Giuliani ; Gutachter: Justin Geistefeldt, Robert Hoyer ; Fakultät für Bau- und Umweltingenieurwissenschaften." Bochum : Ruhr-Universität Bochum, 2018. http://d-nb.info/1169397514/34.

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Books on the topic "Giuliani"

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Bankston, John. Rudy Giuliani. Mitchell Lane Publishers, 2004.

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Rudolph Giuliani. Children's Press, 2003.

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Giuliani, Giovanni. Giovanni Giuliani: Acqueforti. Corbo e Fiore, 2011.

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Alessandro, Giuliani, ed. Per Alessandro Giuliani. Università degli studi di Perugia, Facoltà di giurisprudenza, 1999.

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Koch, Ed. Giuliani: Nasty man. Barricade Books, 1999.

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Orlando, Simona. Anche se voi vi credete assolti: Conversazioni con Haidi Giuliani, Giuliano Giuliani, Don Gallo, i ragazzi dei carruggi. Aliberti, 2006.

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Sharp, Anna Layton. Political profiles: Rudy Giuliani. Morgan Reynolds Pub., 2007.

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Benevento, Aurelio. Scrittori giuliani: Michelstaedter, Slataper, Stuparich. Otto/Novecento, 1992.

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Lupinacci, Ernesto. Salvatore Giuliani, architetto: Opera completa. Periferia, 1993.

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Fernando. Diario di S. Veronica Giuliani. Edizioni Porziuncola, 1989.

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Book chapters on the topic "Giuliani"

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Graziani, Michela. "La prima traduzione portoghese della «Commedia». Note paratestuali." In L'illustre volgare. Società Editrice Fiorentina, 2022. http://dx.doi.org/10.35948/dilef/978-88-6032-685-0.05.

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Il lavoro intende presentare la prima traduzione portoghese della Commedia, di epoca moderna e contemporanea, focalizzando l’attenzione sulle informazioni paratestuali in essa contenute per comprendere il lavoro traduttologico intrapreso dall’autore e il forte legame da ciò derivato con il cattedratico fiorentino Giambattista Giuliani. La presentazione della traduzione portoghese è preceduta da una breve panoramica sulla ricezione di Dante nel Portogallo di epoca moderna, utile per la comprensione della traduzione stessa, avvenuta nel 1886.
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McDonnell, Duncan. "The Genoa G8 and the Death of Carlo Giuliani." In Assassinations and Murder in Modern Italy. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230606913_7.

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Moreno, Jessica M. "Prata, Giuliana." In Encyclopedia of Couple and Family Therapy. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-49425-8_1038.

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Moreno, Jessica M. "Prata, Giuliana." In Encyclopedia of Couple and Family Therapy. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-15877-8_1038-1.

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Dezza, Ettore, Sergio Seminara, and Thomas Vormbaum. "Giuliano Vassalli (1915–2009)." In Moderne italienische Strafrechtsdenker. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-24839-9_19.

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Lorenzini, Claudio. "Friuli Venezia Giulia." In Environmental History. Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-5354-9_11.

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Micalella, Dina. "Le polemiche di Giuliano contro i Cinici." In Recherches sur les Rhétoriques Religieuses. Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.rrr-eb.4.2017004.

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"ALFREDO GIULIANI." In Twentieth-Century Italian Poetry, edited by John Picchione. University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442682801-027.

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"ALFREDO GIULIANI." In Those Who from Afar Look Like Flies, edited by Luigi Ballerini and Giuseppe Cavatorta. University of Toronto Press, 2017. http://dx.doi.org/10.3138/9781442625143-012.

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"ALFREDO GIULIANI." In Those Who from Afar Look Like Flies, edited by Luigi Ballerini and Giuseppe Cavatorta. University of Toronto Press, 2017. http://dx.doi.org/10.3138/9781442625143-048.

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Conference papers on the topic "Giuliani"

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Divan, Mario. "Applying the Real-Time Monitoring based on Wireless Sensor Networks: The Bajo Giuliani Project." In 2018 7th International Conference on Reliability, Infocom Technologies and Optimization (Trends and Future Directions) (ICRITO). IEEE, 2018. http://dx.doi.org/10.1109/icrito.2018.8748648.

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Giuliani, Fabrice, Thomas Leitgeb, Andreas Lang, and Jakob Woisetschla¨ger. "Mapping the Density Fluctuations in a Pulsed Air-Methane Flame Using Laser-Vibrometry." In ASME Turbo Expo 2009: Power for Land, Sea, and Air. ASMEDC, 2009. http://dx.doi.org/10.1115/gt2009-59682.

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Laser vibrometry (LV) is originally a laser-based, line-of-sight measurement technique dedicated to the analysis of surface vibrations. It was lately adapted at TU Graz for monitoring the stability of an air-methane flame (Giuliani et al., ASME Turbo-Expo 2006, GT 2006-90413). This paper reports on the mapping of density fluctuations measured with LV in a premixed air-methane flame (free-jet; swirl-stabilised) with a forced flow modulation (quarter-wave resonator; amplification with a siren). In order to correlate the density fluctuations with the jet aerodynamics and turbulent flame shape, stereoscopic PIV and high-speed schlieren visualisations were used. The paper addresses issues regarding the estimate of density fluctuations, the transform from line-of-sight to local measurement with tomographic methods, and the potential of the method for detailed description of thermoacoustic couplings. One emphasised application of LV is its ability to perform precise and low-cost benchmark stability tests on a combustor during the design phase (time-resolved measurement; high frequency and phase resolution on the 5 Hz–20kHz range with the present equipment and settings; near-constant spectral sensitivity over a large bandwidth; no seeding required; measurement possible over the whole combustion volume).
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Bevilacqua, Marco Giorgio, Ewa Jolanta Karwaca, Valeria Mininno, Michele Angelo Perrone, and Luisa Santini. "The Fortress of Ripafratta, Tuscany. A research project for its conservation and enhancement." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11494.

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The fortress of San Paolino in Ripafratta (San Giuliano Terme, Tuscany, Italy), represents the main structure of the ancient Pisan Republic defensive system towards Lucca. The fortress is the product of several stratifications dating back to the tenth century. It was built in the years between 1162-1164; later on, starting from 1504, significant interventions of modernization were realized by the Florentine Government, probably following a project by Giuliano da San Gallo. Since the early seventeenth century, the fortress lost its military function and passed to private property. Nowadays, the fortress is in a deep state of degradation, even if since 2008 several initiatives has followed for its recovery, unfortunately without success. The paper aims to show the results of an interdisciplinary project for the enhancement of the fortress and its territory. Based on a careful territorial analysis and in-depth historical study, a mix of compatible functions was identified in order to maximize the use of the fortress in all the seasons. A feasibility study was also developed for verifying the economic sustainability of the whole project and identifying possible intervention phases.
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Cami, R., C. Alessandri, M. Indirli, and A. Tralli. "Damage assessment and retrofitting of Marchesale Castle (San Giuliano di Puglia)." In STREMAH 2007. WIT Press, 2007. http://dx.doi.org/10.2495/str070631.

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Bidese, F., E. Gottardo, and F. Mazzoccoli. "Sviluppo della filiera legno-energia in Friuli Venezia Giulia." In Terzo Congresso Nazionale di Selvicoltura. Accademia Italiana di Scienze Forestali, 2009. http://dx.doi.org/10.4129/cns2008.190.

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Grancini, Giulia. "Emerging materials and technologies (EPV) Chair Opening - Giulia Grancini." In International Conference on Hybrid and Organic Photovoltaics. FUNDACIO DE LA COMUNITAT VALENCIANA SCITO, 2024. http://dx.doi.org/10.29363/nanoge.hopv.2024.247.

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Tolic, Ines. "In Quest of Modernity: Le Corbusier’s Project for the New Civic Hospital in Venice." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1033.

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Abstract: The paper deals with Le Corbusier’s unbuilt project for Venice analyzing the meaning of the Civic Hospital within the cultural context between 1954, the year in which the new master plan started to take shape, and 1966, when an extraordinary ‘acqua alta’ put an end to city’s contemporary ambitions. In Venice’s quest for modernity, the master plan (1954-1962), the national competition for the San Giuliano district (1959), the national competition for the Hospital (1963) and the international one for the Tronchetto Island (1964-1965) represent key events in which conservatives and modernists found themselves face to face, and in relation to which Le Corbusier’s project has not yet been studied. Even though Le Corbusier’s Hospital was presented to the public opinion as a courageous and innovative project, this paper seeks to demonstrate that it was actually more in line with the conservative front because it brought back the “problem of Venice” to its insular dimension after more than a decade of attempts to solve it considering a wider regional frame. Resumen: El articulo trata sobre el proyecto, no cumplido, por Le Corbusier para Venecia incluyéndolo en el contexto cultural desarrollado entre el año 1954, en el que el nuevo master plan empezaba a coger forma, y el 1966, cuando una extraordinaria ‘acqua alta’ cortó los anhelos de modernidad del tiempo. Los acontecimientos clave de este periodo fueron: el master plan, el concurso nacional para el barrio de San Giuliano, el concurso nacional para el Hospital y el concurso internacional para la Isla de Tronchetto. Con respecto a estos el proyecto de Le Corbusier no había todavía estado analizado. El Hospital de Le Corbusier había estado presentado, en su tiempo, como un proyecto innovador. Lo que este articulo quiere demostrar es que, en realidad, representó una posición conservadora, pues volvió a llevar el problema de Venecia en sus medidas insulares después de mas diez años de intentos para solucionarlo a escala regional. Keywords: Venice; Civic Hospital; Le Corbusier; modernity; center and periphery. Palabras clave: Venice; Civic Hospital; Le Corbusier; modernidad; centro y periferia. DOI: http://dx.doi.org/10.4995/LC2015.2015.1033
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Frigimelica, G. "Incidenza di Diplodia pinea nelle pinete del Friuli Venezia Giulia." In Terzo Congresso Nazionale di Selvicoltura. Accademia Italiana di Scienze Forestali, 2009. http://dx.doi.org/10.4129/cns2008.089.

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Monacchi, Andrea, Wilfried Elmenreich, Salvatore D'Alessandro, and Andrea M. Tonello. "Strategies for domestic energy conservation in Carinthia and Friuli-Venezia Giulia." In IECON 2013 - 39th Annual Conference of the IEEE Industrial Electronics Society. IEEE, 2013. http://dx.doi.org/10.1109/iecon.2013.6699910.

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D'Orlando, M. C., E. Gottardo, S. Stefanelli, and G. Vanone. "Politiche della Regione Autonoma Friuli Venezia Giulia per il settore forestale." In Terzo Congresso Nazionale di Selvicoltura. Accademia Italiana di Scienze Forestali, 2009. http://dx.doi.org/10.4129/cns2008.145.

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Reports on the topic "Giuliani"

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Scarpini, Celeste. Services financiers numériques et identifications numériques : Quel est leur potentiel pour une meilleure fiscalité en Afrique ? Institute of Development Studies, 2023. http://dx.doi.org/10.19088/ictd.2023.017.

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Les nouvelles technologies numériques, telles que les services financiers numériques (SFN) et les identifications (ID) numériques, prennent de l’ampleur en Afrique et, plus largement, dans les pays à faible revenu (PFR). Ces technologies pourraient avoir un impact sur une administration fiscale de plus en plus informatisée et axée sur les technologies de l’information, car elles sont susceptibles d’améliorer un certain nombre de fonctions essentielles d’une autorité fiscale. Cependant, les données de plus en plus nombreuses sur les technologies existantes dans le domaine de l’administration fiscale présentent un certain nombre d’obstacles susceptibles d’atténuer ces avantages. Résumé du document de travail 137 par Celeste Scarpini, Fabrizio Santoro, Laura Munoz, Wilson Prichard et Giulia Mascagni.
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Enhancing international partnership and co-operation in Friuli Venezia Giulia, Italy. Organisation for Economic Co-Operation and Development (OECD), 2023. http://dx.doi.org/10.1787/61e7fe2a-en.

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Rafforzare il partenariato e la cooperazione internazionale in Friuli Venezia Giulia, Italia. Organisation for Economic Co-Operation and Development (OECD), 2023. http://dx.doi.org/10.1787/4195c067-it.

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