Relevant bibliographies by topics / Giuseppe Castiglione

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Conference papers

Academic literature on the topic 'Giuseppe Castiglione'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Giuseppe Castiglione.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Giuseppe Castiglione"

1

VAMPELJ SUHADOLNIK, Nataša. "Ferdinand Augustin Hallerstein on Giuseppe Castiglione`s Art." Asian Studies 3, no. 2 (December 30, 2015): 33–56. http://dx.doi.org/10.4312/as.2015.3.2.33-56.

Full text
Abstract:
Ferdinand Augustin Hallerstein (1703–1774) (Chinese name Liu Songling) was a Slovenian Jesuit, astronomer and mathematician who made an important contribution to the development of science and astronomy in 18th century China. He arrived in Beijing in 1739, and in 1746 was appointed to succeed Ignatius Kogler as Head of the Imperial Board of Astronomy, a position he would hold until his own death nearly 30 years later. Throughout his four decades in China, Hallerstein maintained a rich correspondence with family members, other Jesuits in Europe, and even with the Queen of Portugal, Maria Anna. He was also a corresponding member of the Royal Societies of London, Paris and St. Petersburg. His letters have only recently been collected and edited.The present paper will focus on Hallerstein’s letters and what they tell us about the life and art of the celebrated Jesuit painter, Giuseppe Castiglione (1688–766), especially during the reign of the Emperor Qianlong (1711–799). After a brief introduction on Hallerstein’s life and work, by means of comparative analyses and using an interdisciplinary approach, the paper will explore a) Hallerstein’s views on Castiglione and his art, and b) Chinese court painting and Castiglione’s position at the court. It will conclude with new evidence concerning Castiglione’s artistic achievements.
APA, Harvard, Vancouver, ISO, and other styles
2

Naquin, Susan. "Giuseppe Castiglione/Lang Shining A Review Essay." T'oung Pao 95, no. 4 (2009): 393–412. http://dx.doi.org/10.1163/008254309x507089.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Castilla, Manuel V. "Giuseppe Castiglione (Lang Shining), precursor de la primera mundialización pictórico-arquitectónica." Estudios de Asia y África 51, no. 3 (September 1, 2016): 623. http://dx.doi.org/10.24201/eaa.v51i3.2245.

Full text
Abstract:
La obra del hermano lego jesuita Giuseppe Castiglione (nombre chino, Lang Shining, 1688-1766), desarrollada en la China Qing, no fue suficientemente conocida sino hasta el siglo xx, y se ha investigado muy poco sobre su papel precursor de la primera mundialización artística. Su aproximación a China fue primordialmente de carácter apostólico, como consecuencia de la acción misional. Esta misión estuvo basada en un proceso inculturador fundamentado, a su vez, en el intercambio de las ciencias y las artes.Este artículo pone de manifiesto el riguroso conocimiento que sobre perspectiva matemática lineal había adquirido Castiglione en Europa, y la trascendencia que tuvo en la hibridación cultural y artística en la China del siglo xviii. Su posible repercusión en manifestaciones artísticas posteriores en otros territorios constituye el tema central del trabajo.Desde el punto de vista artístico, dada su privilegiada posición en la corte imperial, el artista jesuita jugó un papel decisivo en los nuevos métodos pictórico-arquitectónicos que se desarrollaron en la dinastía Qing. Sus murales, retratos, caballos, flores y pájaros, fueron elogiados y admirados por el emperador Qianlong, y mucho tiempo después por diseñadores y pintores europeos. Al simbolismo y la sensibilidad de la pintura asiática, Castiglione añadió el misterio del ilusionismo mágico que encierra la perspectiva matemática lineal europea, que contenía la llave y el secreto del conocimiento geométrico de Lang Shining. Sin embargo, sus efectos no fueron exclusivamente artísticos, sino que en muchos casos tuvieron una vigorosa dimensión apostólica. La dimensión religiosa que presuponemos en las pinturas de los artistas jesuitas fue una herramienta esencial en el proceso de inculturación; en este sentido, G. Castiglione usó la perspectiva no sólo como una técnica que gustaba a los emperadores, y fundamentalmente al emperador Qianlong, sino también como un poderoso instrumento de difusión evangélica.Por otro lado, como arquitecto, G. Castiglione fue un pionero en el diseño, la implementación y la ejecución de un proyecto monumental que se materializó en la construcción de los palacios de estilo europeo en los Jardines de la Perfecta Brillantez (Yuanming Yuan), en Beijing.En este original contexto, demostrar que los conceptos teóricos, las ideas, los métodos y los conocimientos del artista jesuita han influido en realidades artísticas posteriores es una difícil tarea. Pero es innegable que en su producción artística se encuentran anticipos de algunos de los significados que se le atribuyen en la actualidad al concepto de mundialización. G. Castiglione, misionero, pintor y arquitecto, proyectó en China el trinomio ciencia-arte-religión desde su propia transformación intelectual. Su doble condición, cortesana y misionera, lo llevó a organizar una inteligente hibridación artística chino-europea con dos objetivos fundamentales. El primero de ellos fue satisfacer los deseos del emperador reinante; el segundo, lograr un clima adecuado para el ejercicio de la acción misional. Ambos convergen en lo que entendemos por primera mundialización o primera globalización pictórico-arquitectónica.
APA, Harvard, Vancouver, ISO, and other styles
4

Pirazzoli-t'Serstevens, Michèle. "Giuseppe Castiglione et le renouveau du portrait impérial au XVIIIe s." Arts asiatiques 60, no. 1 (2005): 22–30. http://dx.doi.org/10.3406/arasi.2005.1529.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Geng, Ran. "Study on Giuseppe Castiglione, a Court Painter in the Qing Dynasty." Open Journal of Social Sciences 09, no. 09 (2021): 193–203. http://dx.doi.org/10.4236/jss.2021.99014.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Dubrovskaya, Dinara V. "EXCEPTION TO THE RULE: HOW ADAPTATION GENIUS MATTEO RICCI FAILED TO UNDERSTAND CHINESE PAINTING." Journal of the Institute of Oriental Studies RAS, no. 4 (14) (2020): 126–35. http://dx.doi.org/10.31696/2618-7302-2020-4-126-135.

Full text
Abstract:
The article looks into an interesting case of artistic accommodation, which for a number of reasons did not happen during the time of the leader and one of the founders of the Jesuit mission in China, Matteo Ricci (1552–1610), a successful preacher and author of the so called ‘Matteo Ricci Rules’, justifying the need to adapt missionary activities and preaching to the beliefs, traditions and culture of the host country. The author proposes for her analysis two opposite figures — the Chinese Jesuit of the second generation, provincial landscape painter Wu Li (1632–1718) and Italian painter who worked at the court of the emperors of the Manchu Qing dynasty Giuseppe Castiglione (Lan Shining; 1688–1766), trying to show the long way of the adaptation of artistic techniques from the time of the mission’s founder Matteo Ricci, who did not accept and did not understand Chinese painting, and Wu Li, who did not see the value of European painting, to Lan Shining and his patrons, the Qing emperors, who created a sophisticated ‘Occidentalist’ style, combining features of Western and Chinese painting. The author concludes that Matteo Ricci, even though he used visual materials in his sermons as an aid to verbal preaching, missed the great opportunity of preaching through the brush, while Giuseppe Castiglione and his colleagues, European masters working at court, essentially continued to use ‘Ricci’s Rules’ and the accommodative method of preaching through the adaptation of European painting techniques to the Chinese ones, using the appropriate direct wishes and orders of the crowned representatives of the non-Chinese dynasty.
APA, Harvard, Vancouver, ISO, and other styles
7

Dubrovskaya, Dinara V. "Giuseppe Castiglione (Lang Shining; 1688–1766) and Chinese Painting Tradition: European Approach to the Perspective." Actual Problems of Theory and History of Art 9 (2019): 759–67. http://dx.doi.org/10.18688/aa199-6-67.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Marco Musillo. "Reconciling Two Careers: The Jesuit Memoir of Giuseppe Castiglione Lay Brother and Qing Imperial Painter." Eighteenth-Century Studies 42, no. 1 (2008): 45–59. http://dx.doi.org/10.1353/ecs.0.0035.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Berinstein, Dorothy. "Hunts, Processions, and Telescopes: A Painting of an Imperial Hunt by Lang Shining (Giuseppe Castiglione)." Res: Anthropology and aesthetics 35 (March 1999): 170–84. http://dx.doi.org/10.1086/resv35n1ms20167023.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kruglova, Maria S. "Review of Dubrovskaya D. V. Lang Shining, or Giuseppe Castiglione at the Court of the Son of Heaven." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 6 (2020): 242. http://dx.doi.org/10.31857/s086919080012669-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Giuseppe Castiglione"

1

Musillo, Marco. "Bridging Europe and China : the professional life of Giuseppe Castiglione (1688-1766)." Thesis, University of East Anglia, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432448.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Chen, Weiyi. "L'hétérogénéisation et l'altérité : Guo Xi, Giuseppe Castiglione et Xu Baihong. Ou la modification dans la peinture chinoise." Thesis, Université de Paris (2019-....), 2019. http://www.theses.fr/2019UNIP7007.

Full text
Abstract:
Les images, les peintures montrent davantage ce qu’il y a d’inattendu, de surprenant dans la pensée de l’autre, elles nous aident à voir et à comprendre l’altérité. Cette recherche se présente comme une rétrospective de la transformation de la pensée chinoise à travers les œuvres de trois peintres qui sembleraient marquer des jalons dans l’histoire d’une rencontre avec l’autre : Guo Xi, Giuseppe Castiglione et Xu Beihong. Les œuvres nous serviront d’appui pour discuter sur la culture et sa transformation. Dans ce sens Guo Xi nous permettra de discuter sur l’altérité de la peinture et la pensée chinoises, Giuseppe Castiglione et Xu Beihong nous aideront à montrer comment la peinture européenne, qui est un autre pour la Chine, a transformé le champ visuel en Chine. Pourtant, une rétrospective est inévitablement anachronique : en essayant de situer les peintres dans leur époque, nous les voyons toujours à partir de la situation actuelle. Mais cet anachronisme fait en même temps tout l’intérêt d’une recherche qui a pour objectif de décrire la rencontre, l’hétérogénéisation et la globalisation comme un processus dans la durée. L’hétérogénéisation est comprise comme un enrichissement incessant au sein de la culture et la globalisation est comprise comme un processus où les cultures, chinoise et européenne, se trouvent en confrontation l’une avec l’autre. Ces deux termes sont les facettes de la rencontre entre la Chine et l’Occident, qui a marqué profondément l’histoire moderne et qui est toujours en train de se réaliser. L’objectif de ce travail est de montrer par où la Chine entre dans ce processus de la globalisation et de montrer l’issue intermédiaire de la confrontation de la peinture chinoise avec la peinture européenne
The images, paintings show what is unexpected, surprising in the thought of the other, they help us to see and understand otherness. This research presents itself as a retrospective of the transformation of the Chinese thought through the works of three painters who seem to mark milestones in the history of encountering with the other: Guo Xi, Giuseppe Castiglione and Xu Beihong. The artworks serve as support for the discussion of culture and its transformation. In this sense Guo Xi will allow us to discuss the otherness of the Chinese painting and thought, Giuseppe Castiglione and Xu Beihong will help us to show how the European painting, which is the other for China, has transformed the visual field in China. However, a retrospective is inevitably anachronistic: by trying to locate painters in their own context, we always see them from the current situation. But this anachronism is at the same time the very point of interest of the research that aims to describe the encounter, heterogenization and globalisation as a long-term process. Heterogenization is understood as an enrichment of culture and globalisation is understood as a process in which cultures, Chinese and European, are in confrontation with one another. These two terms are the facets of the encounter between China and the West, which has profoundly affected modern history and is still ongoing. The objective of this work is to show where China is entering this process of globalisation and show the intermediate outcome of the confrontation of the Chinese painting with the European painting
APA, Harvard, Vancouver, ISO, and other styles
3

Yen-chun, Chen, and 陳彥錞. "The Horse Painting Style of Giuseppe Castiglione." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/68989660749020141821.

Full text
Abstract:
碩士
中國文化大學
藝術研究所
93
Lang Shih-ning was the Chinese name used by Giuseppe Castiglione, a native of Milan, Italy. At the age of 19, he entered the Jesuit order as a novitiate, and his early training also included painting and architectural planning. During the eighteenth century, the Ch'ing dynasty sponsored a major revival of courtly arts, which attained a new monumental scale, technical finish, and descriptive intricacy. A key figure in establishing this new court aesthetic was the Italian Jesuit Giuseppe Castiglione. A master of vividly naturalistic draftsmanship and large-scale compositions, in Europe he worked as a muralist. Castiglione helped to create a new, hybrid style that combined Western realism with traditional Chinese conventions of composition and brushwork. Horse was a very popular subject in the brush paintings of the Imperial court of China. The Chinese brush paint artists painted these horses with very well defined features and elegant forms. With few exceptions, most of these painted horses were primarily produced by line drawings to define their features. Paints were later used to fill the blank spaces enclosed within those lines as well as highlighted by others. The lines outlining the features of these horses were clearly visible, which is the only drawback in an otherwise superior painting of horses. In contrast, the horses painting of Giuseppe Castiglione had no visible lines in defining there forms and features. The various colors used in a great variety of combinations, gave the distinctive markings of each horse. Castiglione’s treatment of the exuberant mane and the horsetail was superb and unique, tremendously enhancing the appeal of these horses.
APA, Harvard, Vancouver, ISO, and other styles
4

Wang, Yi-Han, and 王亦涵. "Rethinking the Artworks of Giuseppe Castiglione(1688－1766)." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/88897228708382893295.

Full text
Abstract:
碩士
大葉大學
造形藝術學系碩士在職專班
96
To truly understand the ways of the Qing dynasty, we can not limit ourselves to the traditional historical research and archaeology. We should also look to the art history behind Qing Court Art, which is a unique blend of European style painting with Chinese subjects and themes. We owe many of the most famous pieces of Qing Court Art to a missionary by the name of Giuseppe Castiglione (1688–1766). This Italian Jesuit Brother played an impoortant role in Qing Court Art, an artistic style which had significant influence on the development of Chinese painting. 　　Castiglione’s Qing Court art prospered between the late rule of Emperor Kangxi and Emperor Qianlong. During Qing Court Art’s height in popularity, Castiglione’s painting style showed itself to be totally different from both western paintings and traditional Chinese ephemeral landscape paintings. Through his strong foundation in depicting realism, his familiarity with Chinese painting skills and his knowledge of the Chinese painting tools and materials, this open-minded missionary not only understood the aesthetic preferences of the Qing Emperor, but also forged a new painting style which combined Western and Chinese cultures. 　　There are seven chapters in this article: 　　1. Introduction 　　2. The History and Background of Western Missionaries Entering China 　　3. Giuseppe Castiglione’s Major Life Events 　　4. Characteristics of Castiglione’s Drawing Style 　　5. Analysis of Castiglione’s Various Styles 　　6. Influence of Giuseppe Castiglione’s Painting 　　7. Conclusion 　　Step by Step Discussion of the outside Style and Inner Spiritual of Giuseppe Castiglione’s Art.
APA, Harvard, Vancouver, ISO, and other styles
5

Lin, ShuFeng, and 林淑芬. "Research on the Painting by the Realistic Painter Giuseppe Castiglione at the Ch´ing Court：The Transition Form Painting Style of Giuseppe Castiglione." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/j964wt.

Full text
Abstract:
碩士
國立臺灣藝術大學
造形藝術研究所
99
If we examine Guiseppe Castiglione—an European painter who travelled and lived in China—from oriental perspective, we may found a strong Chinese tradition in his works; and if we analyze his paintings in view of his Chinese identity (he dedicated his life for Ch’ing Dynasty for 51 years), he would be the first “formally trained Chinese painter” with best understanding of Perspective Theory, Anatomy, and painting skills. This essay is attempting to answer two questions: how did the missionary painter transfer his techniques and experience so well to silk paper painting? And, in what strategy did he learn Chinese painting feature and even surpassed other court painters? This essay is divided into five chapters. The first chapter introduces the motivation and purpose of the research. The second chapter refers to the art education and painting skills he received of his time in Europe before he took his trip to China. In Chapter Three, the discussion pays attention to his experiment, learning, and practice of Chinese painting skills; meanwhile, some of his works are provided as examples to identify the transformation of his style. In Chapter Four, the topic continues from the preceding paragraph to further analyze the compositions in his paintings. Experiment is presented to see whether the base materials he had used resulted in the difference of colors on his paintings. The fifth chapter is the conclusion which hopes to redefine Giuseppe Castiglione’s position in Chinese painting in the light of aesthetics and to represent the monumental significance when west met the east. On the other hand, by examining Giuseppe Castiglione’s art works, this paper will reinterpret the essence of Chinese painting.
APA, Harvard, Vancouver, ISO, and other styles
6

CHEN, LI-HUEI, and 陳立輝. "The Painting Style of Giuseppe Castiglione Applied in Metalwork." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/3y2mxq.

Full text
Abstract:
碩士
輔仁大學
應用美術學系碩士班
106
Giuseppe Castiglione (1688–1766) was a painter of court paintings during China’s Qing dynasty who is known for fusing Chinese and Western painting styles. His introduction of Western painting concepts added a new dimension to the court paintings of the Qing dynasty. This study explored Castiglione’s painting style and applied it to metalwork. According to published books about Castiglione, this article summarizes (1) the historical characteristics at his times (e.g., contemporaneous Italy was in the Baroque period), the painting education he received, and the influence of his painting education on the works he created after arriving in China; (2) the shift in Castiglione’s painting style after he learned about Chinese art and how he introduced Western painting concepts into Chinese court paintings in a manner that appealed to the Chinese aristocracy; and (3) the values and contributions of Castiglione, including perspective and shading, which he introduced to Chinese painting. On the basis of discussion, debate, and questions presented in books about Castiglione, in this study, in-depth interviews were conducted with experts on Castiglione to identify conclusions. The research findings were also applied to metalwork. The metalwork produced in this study was based on Castiglione’s painting style; the work was created under the themes of “the Top Ten Flowers in China” and “Native Formosan Flowers,” by using techniques such as wax craving, lost-wax casting, metal spinning, soldering, and riveting, and colored through a combination of oil color and lacquer art. This research may be of referential value to researchers studying related topics.
APA, Harvard, Vancouver, ISO, and other styles
7

"Ethnicity and Identity in the Art of Giuseppe Castiglione." Master's thesis, 2019. http://hdl.handle.net/2286/R.I.53618.

Full text
Abstract:
abstract: My thesis argues that an unrecognized genre existed in classical Chinese painting, one which I call “ethnic" or "minority painting.” The genre of ethnic painting consistently displays certain styles and cultural values and is meant to represent unique ethnic identities. These ideas have not been substantially covered by previous research on Qing dynasty painting. My research raises three main questions: was there a distinct genre in traditional Chinese painting that could be called “ethnic art” (or "minority art")? How did ethnic art distinguish itself within Chinese painting? What were the ethnic identities presented by minority artists from ethnic groups within and outside of China? The materials used for this research include a close visual study of six paintings by Lang Shining (Giuseppe Castiglione) from the Cleveland Museum of Art, the Munich Residenz in Germany and the Musée Guimet in France.
Dissertation/Thesis
Masters Thesis Art History 2019
APA, Harvard, Vancouver, ISO, and other styles
8

Yu-ZhungLin and 林昱中. "A Study of Western Realistic Techniques Displayed by Giuseppe Castiglione as a Qing-Dynasty Court Artist in the 18th Century." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/40212516540108155662.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Giuseppe Castiglione"

1

Castiglione, Giuseppe. Giuseppe Castiglione, dit Lang Shining, 1688-1766. Lausanne: Favre, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Castiglione, Giuseppe. Giuseppe Castiglione, dit Lang Shining, 1688-1766. Lausanne: Favre, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Rō Seinei zenshū: Complete works of Giuseppe Castiglione. Tōkyō-to Bunkyō-ku: Kagaku Shuppansha Tōkyō, 2015.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Zoratto, Bruno. Giuseppe Castiglione: Pittore italiano alla corte imperiale cinese. Fasano di Puglia, Italia: Schena, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Zoratto, Bruno. Giuseppe Castiglione: Pittore italiano alla corte imperiale cinese. Fasano di Puglia, Italia: Schena, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Marco, Musillo, ed. Giuseppe Castiglione, 1688-1766: Peintre et architecte à la cour de Chine. Paris: Thalia, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

1943-, Wang Yaoting, and Castiglione Giuseppe 1688-1766, eds. Xin shi jie: Lang Shining yu Qing gong xi yang feng = New visions at the Ch'ing court : Giuseppe Castiglione and Western-style trends / zhu bian Wang Yaoting. Taibei Shi: Guo li gu gong bo wu yuan, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Giuseppe Castiglione"

1

Ding, Mei. "Appreciation of Giuseppe Castiglione ‘s Baizi painting." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.522.

Full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography