Relevant bibliographies by topics / Giuseppe Tornatore

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Giuseppe Tornatore'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Giuseppe Tornatore"

1

Demiray, Basak. "Cinema on Cinema: The Kinship between Cinema Paradiso and Zıkkımın Kökü, Karpuz Kabuğundan Gemiler Yapmak, Sinema Bir Mucizedir." CINEJ Cinema Journal 1, no. 1 (2011): 34–42. http://dx.doi.org/10.5195/cinej.2011.10.

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This study consists of a comparative analysis of four films which fall under the category of “cinema on cinema”. These films are Cinema Paradiso (Giuseppe Tornatore, 1988, Italy), Zıkkımın Kökü (Memduh Ün, 1993, Turkey), Karpuz Kabuğundan Gemiler Yapmak/ Boats out of Watermelon Rinds ( Ahmet Uluçay, 2004, Turkey), Sinema Bir Mucizedir/ Cinema is a Miracle (Memduh Ün- Tunç Başaran, 2005, Turkey). It will be argued that these films have four main points of similarity. First, they are the instances of “cinema on cinema”; second, they are biographical films; third, their plots are constructed upon
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2

Fantin, Maria Célia Martirani Bernardi. "O Leite da Pedra: A Idealização da América, a Partir da Câmera de Três Cineastas Italianos: Giuseppe Tornatore, Irmãos Taviani, Emanuele Crialese." Revista de Italianística, no. 18 (December 30, 2009): 179. http://dx.doi.org/10.11606/issn.2238-8281.v0i18p179-193.

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O presente estudo visa propor uma reflexão sobre oconceito de América idealizada, especialmente, a partir do início doséculo XX, em que as levas migratórias italianas, iludidas com a visãoparadisíaca da Nova Terra, partiam com a esperança de reconstruiruma vida digna, em que a fome, o abandono e a miséria da terra natalfossem esquecidos. Nesse intuito, buscaremos analisar as dimensõesque a partida da Itália em direção à América parece assumir, emparticular, sob a ótica de três cineastas italianos contemporâneos:Giuseppe Tornatore, Irmãos Taviani, Emanuele Crialese.
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3

COSTANTINI, MARIA VITTORIA, and PAOLA GOLINELLI. "Aestheticism and Creativity in1900: The Legend of the Pianist on the Oceanby Giuseppe Tornatore (Italy, 1998)." Psychoanalytic Inquiry 27, no. 4 (2007): 467–73. http://dx.doi.org/10.1080/07351690701484543.

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4

Striuli, Giacomo. "Pirandellian Echoes in Giuseppe Tornatore's Cinema Paradiso." Italian Culture 20, no. 1 (2002): 11–24. http://dx.doi.org/10.1179/016146202803656767.

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Wakar, Paulina. "Spychani na margines. Filmowe obrazy przemocy grupy wobec jednostki." Kultura i Społeczeństwo 61, no. 1 (2017): 191–206. http://dx.doi.org/10.35757/kis.2017.61.1.10.

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This article concerns the question of stigma and the exclusion of individuals by a small community. Three films exemplify this process: Sam Peckinpah’s Straw Dogs (1971); Giuseppe Tornatore’s Malena (2000); and Lars von Trier’s Dogville (2003). Each of these is a study in atypical stigmatization and exclusion—the situations are atypical because the victims of social aggression are not stigmatized in the classic sense by having an unambiguously negative attribute (for instance, poverty, an addiction, a physical deformity, etc.) but are persons who differ from the group in a positive way.
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6

Hope, William. "Giuseppe Tornatore's Malèna: An object lesson for a voyeuristic generation." Italianist 23, no. 2 (2003): 258–75. http://dx.doi.org/10.1179/026143403791927363.

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7

Di Salvo, Thomas J., and Lee Hilliker. "Christ Didn't Stop in Sicily: Giuseppe Tornatore's L'UOMO DELLE STELLE and the Southern Question." Forum Italicum: A Journal of Italian Studies 36, no. 1 (2002): 109–29. http://dx.doi.org/10.1177/001458580203600106.

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8

Hilliker, Lee, and Thomas J. Di Salvo. "Keeping your head above water: Truth and fiction in Giuseppe Tornatore's Una pura formalità." Italianist 19, no. 1 (1999): 284–97. http://dx.doi.org/10.1179/026143499791966815.

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9

Hope, William. "Beyond the Shadows of Simulacra: Cinematic Visions of the Italian Postmodern in Giuseppe Tornatore’s Stanno Tutti Bene / Everybody’s Fine." International Journal of the Humanities: Annual Review 5, no. 2 (2007): 231–38. http://dx.doi.org/10.18848/1447-9508/cgp/v05i02/58173.

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10

Almeida, Rogério De, and Marcos Namba Beccari. "Há algo de inautêntico em cada original: um brevíssimo estudo sobre a ilusão a partir do filme O Melhor Lance, de Giuseppe Tornatore." Visualidades 14, no. 1 (2016). http://dx.doi.org/10.5216/vis.v14i1.39949.

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Com base no filme O Melhor Lance (LA MIGLIORE OFFERTA, 2013), de Giuseppe Tornatore, este artigo propõe uma reflexão acerca da ilusão do duplo expressa pela dicotomia original-cópia. Após uma breve introdução de como essa dicotomia tornou-se paradigmática no pensamento ocidental, recorremos à filosofia de Clément Rosset para problematizar o mote central do filme: “há sempre algo de autêntico em cada cópia”. Defendemos, por fim, que a ilusão consiste não apenas em transformar uma coisa em duas, mas também na indisposição do iludido em aprovar uma realidade impossível de ser duplicada.Palavras-c
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Dissertations / Theses on the topic "Giuseppe Tornatore"

1

Starck, Jessica. "Nuovo cinema paradiso e maléna : la sicilia in due film di Giuseppe Tornatore." Thesis, Högskolan Dalarna, Italienska, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:du-3736.

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2

Vasilevski, Bojan, and 方博杰. "The Epistemological Changes of the Heros Mind in Giuseppe Tornatores The Best Offer." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/2fyfqd.

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碩士<br>國立臺北科技大學<br>應用英文系碩士班<br>105<br>Directed by Giuseppe Tornatore, the movie The Best Offer (2013) depicts the hero’s painful experience of losing his whole life’s collection of masterpiece female portrait paintings to his newly acquainted “love of his life,” who is actually an actress hired by a fraud group consisting of the hero’s long-term business partner and trusted friends. How does this aging art dealer and auctioneer named Virgil Oldman cope with this drastic setback in his career and in love? Does he remain a totally defeated old man and end up in a psychic asylum? Does he manage to
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Books on the topic "Giuseppe Tornatore"

1

1974-, Schirato Stefano, ed. Baarìa: Giuseppe Tornatore. Electa, 2009.

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2

Fratelli Alinari. Museo di storia della fotografia. and Fratelli Alinari, eds. Indiscrezioni: Giuseppe Tornatore, fotografie. Fratelli Alinari, Fondazione per la storia fotografia, 2008.

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3

Graziano, Serragiotto, ed. Nuovo Cinema Paradiso: Giuseppe Tornatore. Guerra, 2002.

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4

1956-, Tornatore Giuseppe, ed. Malèna: Un film di Giuseppe Tornatore. Leonardo international, 2000.

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5

L'uomo dei sogni: Il cinema di Giuseppe Tornatore. Edizioni ETS, 2014.

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6

Strizzi, Sergio. La leggenda del pianista sull'oceano: Un film di Giuseppe Tornatore. Leonardo international, 1999.

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7

1956-, Tornatore Giuseppe, Toffetti Sergio, and Museo nazionale del cinema (Italy), eds. Giuseppe Tornatore. Lindau, 1995.

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8

Giuseppe Tornatore. Electa, 2003.

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9

Giuseppe Tornatore: Emotion, Cognition, Cinema. Cambridge Scholars Publishing, 2006.

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10

The Films of Giuseppe Tornatore. Troubador Publishing, 2001.

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Book chapters on the topic "Giuseppe Tornatore"

1

Rossi, Nicolino. "The virtual dimension in love affairs and therapeutic relationships: love and death in Giuseppe Tornatore’s films." In Psychoanalytic Perspectives on Virtual Intimacy and Communication in Film. Routledge, 2018. http://dx.doi.org/10.4324/9780429448195-7.

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