Relevant bibliographies by topics / Gladiators

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Gladiators'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Gladiators"

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Riis, Mette. "En editionsfilologisk undersøgelse af Ingeborg Stuckenbergs Samlede værker (2013) og en vurdering af forlaget Gladiators klassikerserie." Danske Studier, no. 2021 (November 8, 2022): 31–44. http://dx.doi.org/10.7146/danskestudier.vi2021.134541.

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This article aims to examine and evaluate the publishing house Gladiator’s publication of the Danish author Ingeborg Stuckenberg’s literary works in the edition Complete Works (2013) published as part of Gladiators series on classic works of fiction called »Sandalserien«. More specifically, I aim to conduct an in-depth analysis of the principles behind this publication. Based on this analysis I wish to characterise the publication strategy which Gladiator adheres to and consider the following questions: What characterises a classic work of fiction and subsequently does the publications in the series live up to the aforementioned characteristics? Part of this analysis will focus on giving an overall assessment of the »Sandalserie« published by Gladiator.
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Kharlamov, Viktor V. "A generalized model of the Colonel Blotto stochastic game." Discrete Mathematics and Applications 33, no. 6 (December 1, 2023): 355–69. http://dx.doi.org/10.1515/dma-2023-0032.

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Abstract A generalized stochastic modification of the Colonel Blotto game, also known as the game of gladiators, is considered. In the original model, each of two players has a set of gladiators with given strengths. The battle of gladiator teams takes place through individual gladiator battles. In each fight, the probability of gladiator winning is proportional to its strength. Kaminsky et al. in 1984 had obtained a formula for the probability of winning in terms of weighted sums of exponential random variables. Here we provide an interpretation of this result from the Markov chains with continuous time point of view, and a more general statement of the problem is considered, for which a similar expression is obtained.
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Feraru, Remus Mihai. "Gladiatori și spectacole în amfiteatru în cetăţile greceşti de la Pontul Euxin." Cercetări Arheologice 31, no. 1 (July 16, 2024): 123–34. http://dx.doi.org/10.46535/ca.31.1.08.

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Abstract tradus Our study proposes to discuss several aspects related to the gladiators attested in the Greek cities of the Pontus Euxinus (Chersones, Histria, Tomis, Callatis, Dionysopolis, Odessos, Byzantion, Sinope, Amisos), such as the names, social status and mentality of these amphitheatre fighters. Our analysis also focuses on the equipment and weapons of the gladiators, their fighting techniques and the various aspects of the organisation of gladiatorial combat. Our research is based on the study of epigraphic and archaeological documents (bas-reliefs). Inscriptions and reliefs attest several types of gladiators, such as retiarius, secutor, scissor, provocator and bestiarius. The names of the gladiators reflect their winning qualities and their physical or moral qualities. Most gladiators were slaves or free men. Documents from Tomis from the 2nd-3rd centuries AD confirm that gladiatorial fights and beast hunts in the amphitheatre are closely linked to the imperial cult. At Tomis, Odessos, Sinope and Amisos, the organisers of these spectacles were at the same time pontarchs and high priests of the imperial cult. Gladiator fights took place in amphitheatres (at Tomis) and other specially designed venues such as theatres (at Odessos). Nemesis and Ares are the patron deities of gladiators.
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Moog, Ferdinand. "Gladiatorenärzte im antiken Rom." DMW - Deutsche Medizinische Wochenschrift 143, no. 25 (December 2018): 1842–46. http://dx.doi.org/10.1055/a-0601-0440.

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AbstractGladiators in ancient Rome were an integral part of the Roman world and were a unique phenomenon. Their bloody fight presumably originated from the cult of the dead. Later it was a feature of the self-portrayal of many Roman noblemen, especially during the election campaigns. Eventually it became an imperial privilege. Legally, gladiators were slaves. They were trained in specially equipped schools (ludus, plural: ludi). Also, special schools existed that trained fighters to compete in the arena against wild animals. Doctors at the ludi took care of the fighters: They prepared them for the fight or treated injuries. The gladiator cemeteries of Ephesus and York clearly demonstrate typical injury patterns. The most prominent and best-known gladiator physician is – due to his eminent self-portrayal – Galenus. Even though he looked after the gladiators of his hometown Pergamon only for a brief time. From ancient inscriptions we know the names of several other physicians who took care of gladiators. Especially these largely forgotten doctors are referenced in this article.
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Paule, Maxwell. "Blood, Sweat, and Sex: A Note on the Erotic Power of Gladiator Sweat." Preternature: Critical and Historical Studies on the Preternatural 13, no. 2 (September 1, 2024): 227–36. http://dx.doi.org/10.5325/preternature.13.2.0227.

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Abstract There is no ancient evidence that corroborates the frustratingly popular claim that Romans collected and sold gladiator sweat as an aphrodisiac, and the claim itself only exists as an amalgam of the following facts: (1) athletes’ gloios was collected and sold for medicinal purposes, (2) gladiators were objects of erotic desire, and (3) gladiator-themed Roman vessels were fairly popular. Any attempt to construe those observations into support for aphrodisiac gladiator sweat is countered by the fact that (1) the collection and use of gloios was viewed by Pliny as a disgusting Greek (not Roman) practice, (2) no source records the collection of gloios from gladiators, (3) gloios has no recorded aphrodisiac usages, and (4) the only evidence for magico-medical uses of gladiatorial fluids are not erotic and call for their blood, not sweat. Moreover, the claim that Romans collected and sold gladiator sweat does not predate the early 2000s and may have its origins in an article from Sports Illustrated.
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Bartus, Dávid. "Roman bronze gladiators: A new figurine of a murmillo from Brigetio." Dissertationes Archaeologicae 3, no. 7 (October 16, 2020): 177–85. http://dx.doi.org/10.17204/dissarch.2019.177.

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In summer 2019 a bronze figurine of a gladiator came to light during the excavations in the praetentura of the legionary fortress of Brigetio. This paper will briefly review all known bronze gladiator figurines from Brigetio, as well as the representations of gladiators in Roman art.
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O'Toole, Marie T., Sheila O'Shea Melli, Mary N. Moore, and Jill B. Derstine. "Global Gladiators." Nurse Educator 21, no. 1 (January 1996): 38–41. http://dx.doi.org/10.1097/00006223-199601000-00018.

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Woloch, G. Michael, and Thomas Wiedemann. "Emperors and Gladiators." American Historical Review 99, no. 3 (June 1994): 877. http://dx.doi.org/10.2307/2167793.

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BENNETT, Julian. "Gladiators at Ancyra." Anatolica 35 (May 31, 2009): 1–13. http://dx.doi.org/10.2143/ana.35.0.2038070.

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Mehrhof, Joella H., Kathy Ermler, and Susan Kovar. "Modern Day Gladiators." Strategies 6, no. 3 (November 1992): 17–20. http://dx.doi.org/10.1080/08924562.1992.10591896.

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Dissertations / Theses on the topic "Gladiators"

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Ducros, Méryl. "Les gladiateurs dans l'Orient grec : particularismes locaux, environnement social et représentations." Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30064/document.

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Les combats de gladiateurs sont les spectacles les mieux documentés du monde romain. Depuis l'ouvrage de Louis Robert (Les gladiateurs dans l'Orient Grec, Paris, 1940), qui rassemble un corpus épigraphique et iconographique très intéressant, aucune nouvelle synthèse n'a été proposée sur les gladiateurs en Orient, alors que les découvertes ont été très nombreuses, notamment en ce qui concerne les stèles funéraires. Le but de cette thèse sera de mettre en avent cette nouvelle pratique sociale apparue en Orient avec la conquête romaine à travers un catalogue de sources exhaustifs partant des travaux déjà effectués par Louis Robert, étoffés des découvertes postérieures afin d’établir une étude complète du phénomène
This paper will aim to put forward new social practices emerged in the Oriental province especially in Greece and Asia Minor with the Roman conquest through a phenomenon common to all of the Empire: The gladiatorial combat. After a quick introduction about the gladiator fight’s origin and its importance in the Roman West, this reasoning will highlight the presence of gladiators through epigraphic corpus and varied iconographic and study the importance of gladiatorial evidence in this geographical area, and finally analyse the consequences of gladiator fights’ introduction for the people of these regions of the empire. Those modifications are the result of a deliberate regional policy introduced by the Roman authorities in connection with the imperial cult
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Carter, Michael J. D. "The presentation of gladiatorial spectacles in the Greek East : Roman culture and Greek identity /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0032/NQ66197.pdf.

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Gerner, Desiree E. 1978. "A Matter of Life and Death: Gladiatorial Games, Sacrificial Ritual and Literary Allusion." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10637.

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vii, 65 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.
Roman gladiatorial games had significance far beyond that of mere spectacle and were more than savage and brutal entertainment for depraved emperors and bloodthirsty crowds. Classifying the games as a form of ritual, and by extension a means of communication, this study approaches Roman gladiatorial games as a type of text and employs literary theories regarding allusion to bring to light the more profound implications of the games. I focus on the ways in which gladiatorial games alluded to funerary and sacrificial ritual as well as to the idealized representations of masculine virtue in Roman literature and the native myths and legends that Romans used to define themselves. The gladiator was both the community's ideal agent and its sacrificial offering, and gladiatorial combat was the embodiment of Roman social values, religious practice, and national identity.
Committee in Charge: Dr. Mary Jaeger, Chair; Dr. Lowell Bowditch; Dr. Cristina Calhoon
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Cullhed, Jakob, and Fredrik Olsson. "The Gladiators of the OMXSPI : What are the key drivers trailing the durable performance?" Thesis, Linköpings universitet, Företagsekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-159177.

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Background and problem: The impact on the stock market of macroeconomic factors have been analyzed in several earlier studies. These are forces constantly changing and thereby they contribute to changing the supply and demand of stocks. The fact that macroeconomic variables have affected the top performing stocks of the OMXSPI during 2004 – 2018, in terms of performance, plays an important part of the study. Different authors have recognized different factors to affect the stock price development and there has not yet been established an explanation of the determinants of stock prices. Purpose: The purpose of the study was to identify the stocks that continuously have had a development superior to the OMXSPI, and therefore have contributed the most to the development of the OMXSPI during 2004 – 2018. Moreover, the study analyzes the drivers that have contributed to the performance of these stocks. Furthermore, the study clarifies which factors that have contributed to the development of the P/E and the EV/EBITDA of the top performers. Methodology: The study followed a quantitative and deductive approach. The Swedish stock market was analyzed with a focus on the OMXSPI were the top performing stocks of this index were identified through a screening process. Moreover, the top performers were put against the OMXSPI in different time periods to compare the performance. Furthermore, multiples of these top performers and the sectors which they trade in were calculated in order to compare the multiples to each other, with the purpose of analyzing them relative to each other in different time periods. Conclusion: From the findings it could be established very similar patterns between the top performers and the OMXSPI. The difference mainly being that the top performers in every sequence experienced a superior development than the OMXSPI, but also greater declines during short sequences. Moreover, the tables displayed remarkable returns of the top performers and the aggregated top performers traded at premium levels in all analyzed time periods.
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Soler, Matthieu. "Les dieux de l'amphithéâtre : étude sur la relation entre religion et spectacle de l'Occident romain du IIe s. av.J.-C. au Ve s. ap. J.-C." Thesis, Toulouse 2, 2012. http://www.theses.fr/2012TOU20119.

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Le monde de l’amphithéâtre, entre l’apparition, au IIIe s. av. J.-C., des ludi qu’il abrite à partir de la fin du IIe s. av. J.-C., et l’abandon de ce type d’édifice en tant que monument de spectacle dans lecourant du Ve s. ap. J.-C., a longtemps été perçu par l’historiographie soit comme l’excroissance monstrueuse d’une civilisation brillante, soit comme l’exemple même de la cruauté d’une société autocratique et esclavagiste. Cette image de l’arène s’appuyait en particulier sur les rites se déroulant dans les édifices dédiés aux munera décrits par les écrivains chrétiens à partir de Tertullien au IIe s. ap. J.-C. Plus tard, pour livrer une étude dépassionnée de la gladiature, Georges Ville a postulé une "laïcisation" précoce de l’institution et rejeté ainsi les textes des polémistes chrétiens dans le domaine du pur discours. La reprise attentive de l’ensemble de la documentation, tant littéraire qu’épigraphique ou iconographique permet de nuancer ces constats. Si la religion est au cœur des jeux, c’est avant tout parce que ceux-ci, non seulement, sont parfaitement intégrés à la société romaine et provinciale, mais aussi et surtout car ils sont un des lieux par excellence où est montrée l’image idéalisée de Rome, sa structure sociale, culturelle et donc religieuse. Les dieux de l’amphithéâtre sont donc avant tout les dieux de la cité, garants de sa pérennité et de son équilibre. Ils sont adorés dans les amphithéâtres par des actes publics et privés, par l’ensemble de la communauté, des groupes sociaux, ou encore des individus de toute origine. La société se soude dans ce contexte où les spectateurs forment une communauté émotionnelle, prélude à la communauté cultuelle et sociale. Les acteurs des jeux eux-mêmes ont des préférences pour des dieux censés les protéger : Diane, Hercule, Némésis, Fortune, Mars, Minerve, Vénus, Mercure, et sont acteurs des rites de la cité. Cela ne fait pas d’elles les seules divinités des arènes et tout citoyen peut également se tourner vers elles dans les sacella des amphithéâtres, généralement ouverts à tous
The amphitheater was used as a spectacle edifice between the end of the IInd century BC, hosting the ludi that appeared during the IIIrd century BC, and the Vth century AC. It was long perceived by historiographers either as the monstrous appendix of an enlightened civilization or as an example of an autocratic and slavering society. This image of the arena was derived from the rituals taking place in the edifices dedicated to munera and described by Christian writers starting with Tertullien in the IInd century AC. Georges Ville later conducting a dispassionate study of the Gladiatura, postulated an early non-religious nature of the institution and rejected the texts written by the Christian polemists as pure discourse. The careful study of the whole literary, epigraphic and iconographic documentation allows to nuance those statements. Religion is seen as the central core of the games not only because they are perfectly integrated to the Roman and provincial society but also because they are the best place to show an idealized image of Rome with its social, cultural and de facto religious structure. The gods worshiped in the amphitheater are first and foremost those of the city that guarantee its perenniality and stability. Inside the amphitheater they receive public and private adoration from the part of the whole community, of social groups and of individuals. The audience thus becomes united creating an emotional community that will later turn into a cultural and social community. The actors of the games give preference to certain gods expected to protected them -Diana, Hercules, Nemesis, Fortuna, Mars, Minerva, Venus and Mercury- and thus become actors in the city’s rites. Other gods and goddesses can also be worshiped in the sacella of the amphitheater that are generally open to all citizens
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Pollard, Alison. "Carmen heroum : Greek epic in Roman friezes." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:1bd394a8-200e-48c7-b7b4-e1e7cabd39e0.

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Roman wallpainting has been the subject of innumerable studies from the eighteenth century to the present day, but the epic-themed friezes of Late Republican and Early Imperial Italy have been comparatively neglected throughout this history of scholarship. This thesis therefore seeks to examine the three painted and stucco Iliad friezes from Pompeii, all found on the Via dell'Abbondanza, and the Odyssey frescoes from a house on the Esquiline in Rome, as four examples of a type which had a long history in the Graeco-Roman world, even if their survival in the archaeological record is scant. The primary aim of the study is to understand each frieze in the knowledge of how they might have been regarded in antiquity, as elucidated in Pausanias' commentaries on Polygnotus' Iliupersis and Nekyia frescoes in Delphi, and to understand their extra-textual insertions and spelling discrepancies not as artistic errors but as reflections of the geographical and chronological contexts in which the friezes were displayed. Through detailed study of their iconography and epigraphy, alongside contemporary writers' discussion of the epic genre and its specific concerns for a Roman audience, this study aims to show that the most fruitful course of enquiry pertaining to the friezes lies not in an argument about whether they are entirely faithful to the Homeric epics or depart from them in puzzling ways, but in the observation that reliance on the text and free play on it go hand in hand as part of the epic reception-culture within which these paintings belong.
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Seger, Joacim. "Kvinnliga gladiatorer : Status och attityder i det romerska imperiet." Thesis, Uppsala universitet, Antikens kultur och samhällsliv, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-323817.

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To fight as a gladiator held such appeal to some Romans during the early empire that they actually were ready to incur the legal stigma of infamia (infamy) just in order to participate as gladiators. But there were not only men who were drawn to the lure of the arena, even women fought as venatores (beast-hunters) and gladiators in the Roman games. The roman historian Cassius Dio informs us that in the early empire during the reign of Nero even men and women from the equestrian and senatorial rank participated in the arena in increasing numbers. This often overseen fact that women would appear as participants in the gladiatorial games in the Greco-Roman world is just another signifier that we have to re-evaluate our knowledge of the women of antiquity and their social outlooks. The fact that women participated is in a sense nothing new for the modern scholars, who have tended to view the evidence in the light of the lacking material and appearance in the ancient sources and have been content to explain the phenomena as something of a novelty, which does not tell us much about the romans or their society at all. But what does the appearance of women in the gladiatorial games tell us about the Romans view on gender roles in the arena? How did a female gladiator differ from a male gladiator in the Roman empire? With an intersectional perspective and a close-reading of the texts referring to female and male contestants and gladiators this study has showed that the roman elite observed the female gladiators with overwhelmingly negative attitudes if they where of higher social status. In this case they differ little from male gladiators. But attitudes concerning female gladiators were not all bad, especially if they were of no prominent class, some were even praised for their bravery and likened with Amazons or even Heraclese
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Miglioranza, Valentina <1988&gt. "Munera gladiatoria nei mosaici dell'Africa Proconsularis e della Gallia." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6108.

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Lo scopo di questa tesi consiste nella stesura e nella conseguente messa a confronto di due cataloghi musivi di contesto provinciale (Africa Proconsolare e Gallia) aventi come tema figurativo scene anfiteatrali legate al munus ed alla venatio. Uno dei principali fini di tale comparazione è quello di scoprire come la scelta da parte dei committenti di specifiche scene possa portare ad eventuali differenze sull'assimilazione dei giochi gladiatorii, considerati uno dei simboli più caratteristici e cruenti dell'antica Roma, fuori dall'Urbe. Un secondo fine si ritrova nella stessa compilazione del catalogo, considerato ad ogni modo solamente come input di uno più completo: ad oggi, invero, non ne esiste uno provinciale che raccolga unicamente questo argomento.
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Kroppen, Thomas. "Mortis dolorisque contemptio : Athleten und Gladiatoren in Senecas philosophischem Konzept /." Hildesheim : Weidmann, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3087791&prov=M&dok_var=1&dok_ext=htm.

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Kroppen, Thomas. "Mortis dolorisque contemptio Athleten und Gladiatoren in Senecas philosophischem Konzept." Hildesheim Weidmann, 2007. http://d-nb.info/988193647/04.

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Books on the topic "Gladiators"

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Sedlenieks, Andis. Gladiators. Rīga: LA izdevniecība, 2000.

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Matthews, Rupert. Gladiators. London: Franklin Watts, 2016.

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Mattern, Joanne. Gladiators. Vero Beach, FL: Rourke Pub., 2010.

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Roemhildt, Mark. Gladiators. Minneapolis, MN: Bellwether Media, 2012.

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Matthews, Rupert. Gladiators. New York, NY: Gareth Stevens Publishing, 2016.

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Riggs, Kate. Gladiators. Mankato, MN: Creative Paperbacks, 2011.

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Hanel, Rachael. Gladiators. Mankato, Minn: Creative Education, 2008.

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Heatley, Michael. Gladiators. London: Grandreams, 1995.

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Payson, Eric. Gladiators. New York: PowerHouse Books, 2004.

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Mattern, Joanne. Gladiators. Vero Beach, Fla: Rourke Pub., 2010.

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Book chapters on the topic "Gladiators"

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Peck, Stewart B., Carol C. Mapes, Netta Dorchin, John B. Heppner, Eileen A. Buss, Gustavo Moya-Raygoza, Marjorie A. Hoy, et al. "Gladiators (Mantophasmatodea)." In Encyclopedia of Entomology, 1622–23. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6359-6_1104.

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Aylward, J. D. "The Gladiators, I." In The English Master of Arms, 115–29. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003379317-11.

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Aylward, J. D. "The Gladiators, II." In The English Master of Arms, 130–44. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003379317-12.

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Robertson, Ben P. "Pantheon—Coliseum—Gladiators." In The Travel Writings of John Moore Vol 2, 127–33. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003553113-40.

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Shaw, Brent D. "Gladiators, Slaves, and Resistance." In Spartacus and the Slave Wars, 41–50. New York: Palgrave Macmillan US, 2001. http://dx.doi.org/10.1007/978-1-137-12161-5_6.

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Bearce, Stephanie, and Eliza Bolli. "Gladiator Disaster." In Twisted True Tales from Science Disaster Discoveries, 64–68. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003239260-17.

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Cooper, Simon. "Gladiators in the Century of Progress: The World’s Fairs, Pulp Modernism and Popular Contests of the 1930s." In Modernism and the Practice of Proletarian Literature, 215–41. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-35195-3_6.

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Taube, Karl, and Marc Zender. "AMERICAN GLADIATORS:." In Blood and Beauty, 161–220. Cotsen Institute of Archaeology Press, 2009. http://dx.doi.org/10.2307/j.ctvdjrrp2.10.

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Fleming, John G. "The Gladiators." In The American Tort Process, 140–86. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198256809.003.0005.

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Abstract The chief ‘players’ in the handling and disposition of tort claims are lawyers and insurers. This chapter will speak about their organization, their motivations, and their influence on the decision-making process in court and legislature.
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Baldwin, Barry. "Michael Grant, Gladiators." In Roman and Byzantine Papers, 409–10. BRILL, 1989. http://dx.doi.org/10.1163/9789004673137_079.

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Conference papers on the topic "Gladiators"

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Neubauer, Wolfgang, Sirri Seren, Alois Hinterleitner, Michael Doneus, Klaus Löcker, Immo Trinks, Erich Nau, et al. "Integrated geophysical archaeological prospection resulting in the discovery of the school of gladiators in the Roman town of Carnuntum in Austria." In SEG Technical Program Expanded Abstracts 2012. Society of Exploration Geophysicists, 2012. http://dx.doi.org/10.1190/segam2012-1088.1.

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Harmon, Glenn, and Ben Porter. "Pajama gladiator." In ACM SIGGRAPH ASIA 2010 Computer Animation Festival. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1900264.1900342.

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Coffia, Adam. "UPS Gladiator." In ACM SIGGRAPH 2010 Computer Animation Fesitval. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1836623.1836695.

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Hoffmann, Markus. "SP0104 THE JANUS-FACED GLADIATOR: NEUTROPHILS IN STERILE INFLAMMATION AND AUTOIMMUNITY." In Annual European Congress of Rheumatology, EULAR 2019, Madrid, 12–15 June 2019. BMJ Publishing Group Ltd and European League Against Rheumatism, 2019. http://dx.doi.org/10.1136/annrheumdis-2019-eular.8501.

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5

Kruszewski, Artur, Marek Kruszewski, Elena Cherkashina, Ilia Cherkashin, and Liu Siliang. "Interpretation of Chinese hand-to-hand fighting systems and therapeutic exercises from the perspective of the INNOAGON methodology." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005292.

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Abstract:
The traditional Chinese aerobic fitness exercise tai chi, is a form of low to moderate intensity physical activity. Tai chi is a good example of both therapeutic exercise and a form of preparation for gentle hand-to-hand combat (especially as safe self-defence, also from the perspective of a potential aggressor) . In Chinese society, these forms of exercise are the primary means of preventive health, active lifestyle and, in a sense, conventional physiotherapy or even rehabilitation. Many schools of tai chi based on the same theoretical principles of exercise are still emerging in China. There are currently six main schools of tai chi and the mainstream is based on the styles; Chen, Yang, Sun, Hao, Wu and He. As a result of evolutionary, practice-based changes linked to traditional oriental medicine, the ai chi method has been popularised. Its core element is part of rehabilitation in water as a 'physical-mental' treatment. Combining the advantages of tai chi and hydropathy, ai tai chi has complementary advantages in terms of sensory stimulation (such as the ability to maintain balance, sense of movement, development of strength, proprioception etc.) and mental development resulting from the valuable practice of eastern hand-to-hand combat, which is generally recognised as kung fu (alternatively wu shu).Similar modifications of these systems of hand-to-hand combat and healing exercises are part of the methodological concept of INNOAGON (an acronym for innovative agonology). Its basic method is a complementary approach, with the main aim of strengthening all dimensions of health and survival from the micro to the macro scale. For many decades tai chi has been gaining popularity around the world, but has moved significantly away from its roots. Today, tai chi exercises seem to have lost the sense of martial training and are rather seen as three strands parallel to each other: sport, health and spiritual (i.e. related to mental health). It is precisely the philosophy of health characteristic of Chinese culture combined with the various styles of traditional kung-fu hand-to-hand combat that is a very important alternative to the pathologies of neo-gladiatorism. It comes close to fulfilling the social mission of INNOAGON, as does Japanese budo. These systems, in a sense, refer to the Greek philosophy of kalos kagatos. The methodological potential of INNOAGON makes intercultural dialogue over time (from the past, through the present towards the future), supported by a repeatedly verified practice with great health and personal security values, an important way of balancing the negative effects of the increasingly strong human coupling with the attractions of modern digital technology.
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