Relevant bibliographies by topics / GLAM

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'GLAM'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2023

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Journal articles on the topic "GLAM"

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Coad, Samuel. "Digitisation, Copyright and the Glam Sector: Constructing a Fit-For-Purpose Safe Harbour Regime." Victoria University of Wellington Law Review 50, no. 1 (June 3, 2019): 1. http://dx.doi.org/10.26686/vuwlr.v50i1.5551.

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Copyright law does not currently align with the legitimate activities of galleries, libraries, archives and museums (GLAMs). The GLAM sector plays a central role in collecting and promoting access to cultural works. Increasingly, GLAM institutions are employing innovative digital technologies to expand access to culture and foster greater levels of cultural participation. Despite the utility underlying digitisation, copyright limits the use of digital technologies within the GLAM sphere. This article examines current copyright limitations and demonstrates copyright's significant limiting effect. It argues that reform is necessary to strengthen the right to participate in cultural life and to remedy harms inflicted by the current copyright regime. Creating a fit-for-purpose safe harbour would empower institutions to employ digitisation within a framework of reasonable copyright constraints. Accordingly, this article constructs a potential safe harbor that permits non-commercial GLAM digitisation, while also protecting copyright holders and tikanga Māori. The Copyright Act 1994 is currently under review. New Zealand ought to seize the present reform opportunity to invigorate participation in cultural life and enrich the cultural fabric of society.
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Alexi, Katharina. "Glam “Heroines”. Gaps in Glam Historicisation from Black Self-Feminised Musicians to the Herstory of Glam Rock." Annales Universitatis Paedagogicae Cracoviensis | Studia de Cultura 13, no. 2 (December 29, 2021): 7–20. http://dx.doi.org/10.24917/20837275.13.2.1.

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The narration of glam music, especially glam rock, as queer is countered by a canonisation of male white icons in pop musicology, which is illuminated and expanded in this article. Early glam performances by self-feminised Black musicians (Ward 1998) as well as the music making of female agents of glam rock are at the center of this exploration. Firstly, an outline of the current gender and race specific remembrance of glam rock is given. Secondly, the “glamorous” origins of glam music are questioned with Ward; musical canon of glam is also re-arranged regarding the category of gender by adding the basic biographies of two further female heroines, Bobbie McGee and Cherrie Vangelder-Smith. They are present in digital (DIY) media within practices of affective archiving (Baker 2015), which enable lyrics interpretation in this paper.
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Gupta, Dinesh K., and Veerbala Sharma. "Analytical study of crowdsourced GLAM digital repositories." Library Hi Tech News 35, no. 1 (March 5, 2018): 11–17. http://dx.doi.org/10.1108/lhtn-07-2017-0055.

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Purpose The purpose of this paper is to find out the status/levels of using crowdsourcing in galleries, libraries, archives and museums (GLAM) around the globe and to give suggestions on how Indian GLAM can take the benefit of this global trend. Design/methodology/approach The study is based on the analytical study of the literature available on the embracing crowdsourcing for diverse tasks with special emphasis on the efforts of GLAM domain regarding the development of digital repositories. Findings Meticulous analysis of literature and case studies give an overview of the diverse practices of public participation/crowd collaboration in the development of digital repositories around the globe. However, Indian GLAM are far behind in adopting such practices. Practical implications With the rapid growth in digital information and Web-based technology, GLAM around the world encourage and engage public participation in various digitization projects to enrich and enhance their digital collections and place them on the Web. However, Indian GLAM still refrain to accept and adopt such practices. Thus, this paper will encourage and motivate the Indian GLAM to enrich and enhance their collection with crowd contribution and uploading them on Web. Originality/value This is an original paper and has great implementation value. During the study, enormous literature was available on crowd participation in various areas around the globe, as well as in India. International examples of crowd participation in GLAM creation are found in the literature; however, not sufficient evidences are found regarding crowd contribution in Indian GLAM. Hence, the paper, by presenting the evidences of crowd participation in GLAM domain, proposes the Indian GLAM to exploit the benefits of this practice for Indian digital repositories to expedite the creation and development of various national digital repositories.
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Yuni Pratiwi, Kurniasih, Suprihatin ., and Bambang Setiawan. "Analisis Penerapan Konsep GLAM (Gallery, Library, Archives, Museum) di Perpustakaan Bung Karno Blitar." JPUA: Jurnal Perpustakaan Universitas Airlangga: Media Informasi dan Komunikasi Kepustakawanan 9, no. 2 (July 14, 2020): 53. http://dx.doi.org/10.20473/jpua.v9i2.2019.53-62.

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GLAM (Gallery, Library, Archive, and Museum) merupakan konsep yang saling berkesinambungan dan memiliki kesempatan untuk bekerjasama menciptakan Four Cultural Heritage Domains. Di Indonesia konsep GLAM sudah ada, akan tetapi belum ada yangmenerapkannya, Perpustakaan Proklamator Bung Karno diharapkan dapat mengakomodir dan menjadi acuan terciptanya konsep GLAM karena hal ini sangat penting dilakukan sebagai tantangan kepustakawanan di era disruptif dan juga untuk meningkatkan kompetensi pustakawan (berbasis SKKNI) dalam ekosistem digital. Konsep GLAM atau dikenal dengan Four Cultural Heritage Domains sangat bagus dikembangkan dan diterapkan di Indonesia agar kegiatan dan pelayanan kepada masyarakat lebih bagus lagi. Penelitian ini merupakan study literatur di Perpustakaan Bung Karno Blitar karena Perpustakaan Proklamator Bung Karno sudah memenuhi kriteria Four Cultural Heritage Domains dan sudah memenuhi konsep GLAM sehingga harusnya tidak hanya perpustakaannya saja yang diunggulkan tetapi juga gallery, archive dan museum juga harus dimaksimalkan keberadaannya. Dengan adanya penerapan konsep GLAM di Perpustakaan Bung Karno diharapkan dapat menjadi pelopor munculnya konsep GLAM oleh perpustakaan lain di Indonesia. Konsep GLAM diharapkan dapat menarik minat kunjungan masyarakat ke kota Blitar tidak hanya dari dalam kota maupun luar kota, tetapi diharapkan dari mancanegara juga berkunjung ke Perpustakaan Bung Karno karena di sana banyak sekali menyimpan fakta sejarah dan perjuangan bangsa Indonesia. Keberadaan sosok seorang Soekarno sebagai Presiden Pertama di Indonesia akan menjadi daya tarik yang luar biasa apabila dijadikan konsep yang menarik untuk mengemas informasi yang ada di Perpustakaan Proklamator Bung Karno.
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Cunningham, Aimee. "Carbon Goes Glam." Science News 169, no. 24 (June 17, 2006): 372. http://dx.doi.org/10.2307/4019260.

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Cartron-Eldin, Émile. "Glam de France." Audimat N° 16, no. 1 (February 9, 2022): 159–76. http://dx.doi.org/10.3917/audi.016.0159.

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Riley-Huff, Debra A., Kevin Herrera, Susan Ivey, and Tina Harry. "Crowdfunding in libraries, archives and museums." Bottom Line 29, no. 2 (August 8, 2016): 67–85. http://dx.doi.org/10.1108/bl-03-2016-0014.

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Purpose This paper aims to examine the fundraising strategy known as crowdfunding because it applies to galleries, libraries, archives and museums (GLAM) and to share a crowdfunding case study experience. Design/methodology/approach A rich literature review provides the basis for understanding the central issues related to crowdfunding. Survey data provides information about the perception and experiences of other GLAM organizations with crowdfunding, and a case study shares an experience with the fundraising method. Findings Some GLAM organizations are attempting crowdfunding projects with varied levels of success, whereas others remain unsure but curious. The case study shares one academic library’s direct experience with crowdfunding. Research limitations/implications There is little research currently available related to library use of crowdfunding. Practical implications This paper provides a resource and research starting point for GLAM organizations interested in the crowdfunding model. Originality/value In a comprehensive manner, this article provides much needed research on the current state of crowdfunding as it pertains to GLAM organizations.
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Branch, Andrew. "All the young dudes: educational capital, masculinity and the uses of popular music." Popular Music 31, no. 1 (January 2012): 25–44. http://dx.doi.org/10.1017/s0261143011000444.

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AbstractSince its emergence in the early 1970s, glam rock has been theoretically categorised as a moment in British popular culture in which essentialist ideas about male gendered identity were rendered problematic for a popular music audience. Drawing on a Bourdieusian theoretical framework, the article argues that while this reading of glam is valid, insufficient attention has been given to an examination of the relevance of educational capitalvis-à-visthe construction of self-identity in relation to glam. It is therefore concerned with raising questions about social class in addition to interrogating questions of gender. The article draws on the ethno-biographies of a sample of glam's original working class male fans: original interviews with musicians and writers associated with glam, as well as published biographical accounts. In doing so it contends that glam's political significance is better understood as a moment in popular culture in which an educationally aspirant section of the male working-class sought to express its difference by identifying with the self-conscious performance of a more feminised masculinity it located in glam.
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Reynolds, Simon, Hervé Loncan, and Jean-François Caro. "Le choc du glam." Audimat N° 13, no. 1 (December 23, 2020): 149–59. http://dx.doi.org/10.3917/audi.013.0149.

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Maha, Rahmadani Ningsih, and Sri Wulan. "Konsep pengembangan gallery, library, archive, dan museum (GLAM) Keanekaragaman Hayati di kawasan Cibinong Science Center." Daluang: Journal of Library and Information Science 2, no. 1 (April 30, 2022): 31–42. http://dx.doi.org/10.21580/daluang.v2i1.2022.10180.

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Background. Gallery, Library, Archive, and Museum (GLAM) for biodiversity is a documentation center for research institutions on biodiversity as a means of transferring information and knowledge to the public. The functions of education, research, preservation, information, and recreation can be obtained from GLAM. The goal of this study is to inform the potential and form of GLAM innovation in the Cibinong area so that it can become a National Documentation Center for Biodiversity.Methods. The research method uses the observation method by looking at facts in the field and literature studies to support this research.Results and discussion. This study describes the Cibinong Science Center area has five libraries of various disciplines. Regarding biodiversity, the Cibinong area has a biology library with a collection of more than 10,000 books. In the zoology building, there is an animal biodiversity gallery located under the library building. In addition, the Research Center for Biology has a collection of animal specimens in the zoology building, a collection of herbarium specimens at the Botanical Building and the InaCC Building (Indonesian Culture Collection) to store microorganisms.Conclusions. The concept of developing GLAM for Biodiversity in Cibinong Science Center can be applied. Collaboration with other documentary unit manager such archivist and specimen curators must be carried out in order to create GLAM for Biodiversity. The concept of innovation in the development of GLAM is to integrate it in one building and management.
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Dissertations / Theses on the topic "GLAM"

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Cifuentes, Saravia Gonzalo. "Art-Glam Post-Orf." Tesis, Universidad de Chile, 2007. http://repositorio.uchile.cl/handle/2250/101671.

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Art-Glam Post-Orf es un título que se aplica a las obras que en esta tesis forman parte como trabajo práctico. Art viene de arte, Glam tiene que ver con un subconjunto del kitsch, es un kitsch mejorado, un kitsch de buen gusto. Post alude a las características postmodernas de las obras y Orf se refiere a orfebrería, mi mención, a partir de la cual se desarrollan las obras. Art-Glam Post-Orf es un título similar al de una revista, la idea es ironizar de un modo postmoderno con las revistas de arte y asimilar una revista de arte con una revista más pop. Las obras se caracterizan por ser técnicas mixtas que nacen a partir de la orfebrería y se van alejando de ella paulatinamente.
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Akamine, Mateo Yuri, Romano Viviana Amalia Boggiano, Domínguez Angela Malena Cotrina, and Urday Judith Amparo Cajo. "Aplicativo de Belleza: Glam & Beauty." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2018. http://hdl.handle.net/10757/625676.

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Glam & Beauty es un proyecto que responde al creciente interés de las mujeres peruanas por atender sus necesidades de imagen personal, y se encuentra influenciado por las nuevas tendencias que se viralizan a través de la publicidad y redes sociales. Mediante un análisis del mercado de belleza se presenta la idea del uso de un aplicativo, que conecta a las mujeres entre 18 a 40 años que desean obtener un excelente servicio estético y los profesionales que lo ofrecen. Atendiendo las necesidades de nuestro público objetivo, se ofrecen cinco paquetes, que incluyen los servicios de más alta demanda como peinados, maquillajes, manicure y pedicure. La propuesta de valor es la atención de belleza a domicilio u oficina, así como el ahorro de tiempo en el momento de programar las citas, pues éstas se pueden realizar con aplicativo en cualquier momento del día, hasta 24 horas antes de la reserva. Como servicio de valor agregado consideramos la atención inmediata en la fecha indicada, evitando así el tiempo de espera en salones de belleza tradicionales. Para impulsar las ventas, tendremos una campaña de intriga agresiva, así como presencia en las redes sociales con estrategias de marketing digital. Asimismo, el análisis financiero realizado, estima una inversión de S/.301,983 compuesto por un financiamiento externo de 33.11% y un 66.89% de aporte de los cuatro miembros de la Junta Directiva. Con un horizonte proyectado a cinco años, se reporta un VAN de S/.177,763, y TIR de 38.51% resultados que respaldan la viabilidad del proyecto.
Glam & Beauty is a project that responds to the growing interest of Peruvian women in meeting their needs for personal image, is influenced by new trends that are viralized through advertising and social networks. Through an analysis of the beauty market, we present the idea of using an application, which connects women between 18 and 40 years old who want an excellent esthetic service and the professionals who offer it. In response to the needs of our target audience, five packages are offered, which include the highest demand services such as hairstyles, makeup, manicure and pedicure. The value proposition is the beauty care at home or office, as well as the time saving at the time of scheduling appointments, since these can be done with the application at any time of the day, up to 24 hours before the reservation. As an added value service we consider immediate attention on the indicated date, thus avoiding the waiting time in traditional beauty salons. To boost sales, we will have a campaign of aggressive intrigue, as well as presence in social networks with digital marketing strategies. Likewise, the financial analysis carried out estimates an investment of S / .301,983 composed of external financing of 33.11% and a 66.89% contribution from the four members of the Board of Directors. With a forecast horizon of five years, a NPV of S / .177,763 is reported, and TIR of 38.51% results that support the viability of the project.
Trabajo de investigación
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Woods, Rachel. "The 'Glam' Gangster : realism and glamor in modern British gangster films /." Title page, contents and chapter summaries only, 1999. http://web4.library.adelaide.edu.au/theses/09AR/09arw8962.pdf.

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Lou, Ellen. "Conserving the ethnic enclave : the case of Kampong Glam in Singapore." Thesis, Massachusetts Institute of Technology, 1985. http://hdl.handle.net/1721.1/42099.

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Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning; and, (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1985.
MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.
Bibliography: leaves 210-213.
by Ellen Lou.
M.S.
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Branch, Andrew. "Social mobility, masculinity and popular music : the case of glam rock." Thesis, University of East London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533002.

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Since its emergence in the early seventies, glam rock has been theoretically categorized as a moment in British popular culture in which essentialist ideas about male gendered identity in particular were rendered problematic for a popular music audience. In providing both a discursive reading of glam during the period 1971-1974 and new research on glam's influence on its male working-class fans, I argue that whilst this reading of glam is valid, insufficient attention has been given to an examination of the relevance of social mobility vis-ä-vis the construction of self-identity in relation to glam. My thesis is therefore concerned with raising questions about social class in addition to interrogating questions of gender. In undertaking a study of the ethno-biographies of a sample of glam's original working-class male fans, the thesis contends that glam's political significance is better understood as a moment in popular culture in which an educationally aspirant section of the male working class sought to express its difference by identifying with the self-conscious performance of a more feminized masculinity it located in glam. This rearticulation of masculinity, performed by an increasingly self reflexive subject, alive to the social and cultural upheavals of the period, was discursively represented as a modern development in contrast to the dominant representations of working-class masculinity - bound by tradition and community and thus essentialized as resolutely masculine - that had until that historical moment enjoyed hegemonic status. The thesis argues that the modem/unmodern dialectic at play here was replicated in glam's divergent artistic factions, which aligned themselves to competing aesthetic positions. In critiquing this process, the thesis engages with the work of Bourdieu (1993a, 2003,2007a) to raise questions about how this transition from unmodern to modern was affectively experienced by glam's male fans. The thesis concludes with an examination of glam rock's legacies in respect of more recent performances of masculinity by working-class young men seeking mobility. Finally, it draws on Skeggs' (2004) work to argue that class-based identities are always fixed by the more powerful other in order to be morally judged.
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Helmner, Fredrik. "Too Fast for Love : En maskulinitetsstudie av Glam metal under 1980-talet." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper, KV, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-12308.

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Liu, Jia. "The reception of the works of contemporary Chinese glam-writers in mainland China." Thesis, University of York, 2010. http://etheses.whiterose.ac.uk/947/.

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This thesis examines the reception of five contemporary Chinese glam-writers and their works in mainland China. It explores three different types of reception by three reading constituencies: literary critics, actual women readers, and participants on the glam-writers’ personal blogs. Drawing in part on western reception theory and reader-response criticism, this thesis focuses on the role of the reader in reading and interpreting the glam-writers’ works and makes an original empirical contribution to audience research in mainland China where such research is as yet not developed. By adopting a range of qualitative research methods, I investigate the ways in which contemporary Chinese readers understand and respond to a particular type of women’s literature at the turn of the twenty-first century. I demonstrate that Chinese readers are not merely passive recipients of the literary works, or ‘cultural dupes’ (Hall 1981), but both savage – in the sense of severe – and savant readers of popular culture. This also means that the negative influences of these works, as predicted by Chinese mainstream literary critics, are not evident in actual readers’ responses to these texts.
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Tsilemanis, Amy. "Creative activation of the past: Mechanics' Institutes, GLAM, heritage, and creativity in the twenty-first century." Thesis, Federation University Australia, 2020. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/175258.

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This is an interdisciplinary, mixed-method thesis that explores contemporary curation as a means to creatively activate heritage collections and places. The central case study is Ballaarat Mechanics’ Institute (BMI), in Ballarat, Australia, where practice and action-led research was undertaken by the curator over the three-year period 2016–2019. Creative connections between five interlinked areas are critically examined: heritage; curatorial practice, by which heritage sites, collections and experiences are managed; historic cultural organisations; their city contexts; and the ways in which such cultural work is valued. The framework for analysis encompasses museology, critical heritage, and approaches to cultural value. Contemporary urban Mechanics’ Institutes (MIs) are placed in the museum context both through historic parallels and their contemporary positioning in the GLAM (galleries, libraries, archives and museums) industry sector. This is in order to ask how heritage collections, and the organisations that house and present them, can creatively connect with the publics they serve with greater connectivity and relevance. Exhibitions and events held at BMI within Ballarat city are treated as case studies. Together with qualitative interviews with staff in the Ballarat GLAM sector and urban MIs, insights derived illuminate the role and challenges of such cultural organisations in the twenty-first century. It is argued that, when employing the practice and energy of the curator, creative activations have the potential to open new points of entry to, and provide alternative perspectives upon, heritage places and collections. This is achieved through arts practice, organisational thinking, and bringing to life the links between past, present and future. In this process, new and dynamic measures of value can be explored and create dialogic encounters between people, heritage and ideas.
Doctor of Philosophy
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Wittgren, Bengt. "Katalogen – nyckeln till museernas kunskap? : Om dokumentation och kunskapskultur i museer." Doctoral thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-80093.

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In the 1990s, the MLA sector – archives, libraries, museums – was defined as a comprehensive sector. One of the reasons for this was the belief that the digitizing of institutional collections and catalogues would provide a seamless access to the cultural heritage for the general public. No one would any longer need to know in which institution a certain object was kept; everything would be available on the Internet. The questions in this dissertation depart from the expectations in the late 1900s aimed at the available systems in the MLA sector for the management and storage of information and at knowledge maintained in such systems. My point of departure is the idea that access to collections in the MLA sector – real or digital – is made possible through the catalogues. It is in the catalogues that the sector orders data and preserves knowledge collected about the objects. My most important conclusions deal with the management and production of knowledge in the sector. The data systems generally used in the MLA sector lack the indulgence needed to accommodate inherent variability of information. Systems must be based on exact sorting, uniform terminology and classification without deviations in spelling or interpretation. Furthermore, international projects and systems presuppose distinct translations between national terminologies and international classification systems to work for information retrievals. This is not the case with the museum systems here investigated, in opposition to, primarily, the libraries. The museum systems are characterised as distinctive instead of following uniformity principles and national or international taxonomies. An important conclusion about knowledge processing and knowledge production in the MLA sector is that the value of compiling digitalised data from many museums is limited. It is not possible to realize the political goal other than at a superficial level. The conclusions in a comparison between the three professional groups are that in the beginning of the 21th century an extensive part of the antiquarians confirm a thought style, according to Ludwik Fleck, which has another direction than that of archivists and librarians. Throughout the 20th century or in the last decades of the 20th century the two latter groups professionalised their roles both through changes in education and through new professional requirements which led to positions and attitudes in their work other than what happened in the museum sector. Museums are mainly research institutions with members of staff who in many respects lack a focus on increased accessibility of collections. Challenges formulated for museums of cultural history by the cultural politics of the 1970s have not been answered with great flexibility. The investigation in this dissertation demonstrates that archives, libraries and museums in many respects continue to pursue activities according to a thought style which was formed during the first half of the 20th century. Their positions in society, their administrational practice and expectations from the general public constitute stabilising and preserving factors. The MLA sector is not as comprehensive as the policy makers want to believe.
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Persello, Mara [Verfasser], and Eva [Akademischer Betreuer] Kimminich. "Subcultures creating culture : semiotica e studi culturali a confronto nell'interpretazione della sottocultura glam / Mara Persello ; Betreuer: Eva Kimminich ; Scuola Normale Superiore." Potsdam : Universität Potsdam, 2017. http://d-nb.info/1218402008/34.

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Books on the topic "GLAM"

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5, Wu Ming. Havana glam: Romanzo. Roma: Fanucci, 2001.

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Man-Kong, Mary. Barbie glam & glitz. New York: Golden Books, 2007.

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Dennis, Di Laura, ed. Barbie glam & glitz. New York: Golden Books, 2007.

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Havana glam: Romanzo. Roma: Fanucci, 2001.

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The glam guide. London: Headline, 2015.

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(Singapore), Urban Redevelopment Authority. Kampong Glam: Historic district. Singapore: Urban Redevelopment Authority, 1995.

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Lady Gaga: Pop's glam queen. Minneapolis: Twenty-First Century Books, 2012.

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Chapman, Ian. Global Glam and Popular Music. New York; London: Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315743127.

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Liverpool, Tate Gallery, ed. Glam: The performance of style. Albert Dock, Liverpool: Tate Liverpool, 2013.

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ill, Brantley-Newton Vanessa, ed. Mary Had a Little Glam. New York: Sterling Publishing Co., Inc., 2016.

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Book chapters on the topic "GLAM"

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Beregow, Elena. "Glam." In Handbuch Popkultur, 62–67. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05601-6_10.

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Jürgens, Anna-Sophie, and Le Pustra. "Glam clowning." In Circus and the Avant-Gardes, 173–95. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003163749-14.

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Ismail, Rahil. "Kampong Glam: Appreciating the History Beyond the “Glam”." In Studies in Singapore Education: Research, Innovation & Practice, 73–92. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-8233-2_4.

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Lim, Shirley, and Chern Li Liew. "GLAM Metadata Interoperability." In The Role of Digital Libraries in a Time of Global Change, 140–43. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-13654-2_17.

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Cornell, Julian. "Rocky Horror Glam Rock." In Reading Rocky Horror, 35–49. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230616820_3.

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Wallace, Andrea. "Accessibility and Open GLAM." In International Perspectives on Disability Exceptions in Copyright Law and the Visual Arts, 24–43. Abingdon, Oxon ; New York, NY : Routledge, [2020]: Routledge, 2020. http://dx.doi.org/10.4324/9780429342677-4.

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Stratton, Jon. "Glam Rock: Sexuality, Performance and Spectacle." In Spectacle, Fashion and the Dancing Experience in Britain, 1960-1990, 115–45. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-09012-7_5.

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Stratton, Jon. "Glam Rock and the Society of the Spectacle." In Spectacle, Fashion and the Dancing Experience in Britain, 1960-1990, 81–113. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-09012-7_4.

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Mariño-Ramírez, Leonardo, Kannan Tharakaraman, John L. Spouge, and David Landsman. "Promoter Analysis: Gene Regulatory Motif Identification with A-GLAM." In Methods in Molecular Biology, 263–76. Totowa, NJ: Humana Press, 2009. http://dx.doi.org/10.1007/978-1-59745-251-9_13.

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Goulding, Anne. "Storytelling for the evaluation of GLAM programmes and services." In Assessment as Information Practice, 29–52. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003083993-3.

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Conference papers on the topic "GLAM"

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Kamaludin, Kamaludin. "HUMAN RESOURCES AVAILABILITY IN GLAM DEVELOPMENT AT INDONESIA INSTITUTE OF SCIENCES (LIPI)." In International Conference on Documentation and Information. Pusat Data dan Dokumentasi Ilmiah, 2021. http://dx.doi.org/10.14203/icdi.v4i.79.

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The collections of galleries, libraries, archives and museums (GLAM) are still scattered in the work units at LIPI. To manage these collections, adequate human resources, both quantitative and qualitative, are needed. When this research was conducted, there was a socialization activity to collaborate the GLAM management among work units at LIPI. This study aims to determine human resources available in developing GLAM at LIPI. The research method used was qualitative research. Analysis of data in qualitative research was carried out narratively. The research results show that human resources for gallery/museum exhibition at LIPI have been managed by the Center for the Utilization and Innovation of Science and Technology (PPII)-LIPI in collaboration with third parties since 2020. There were 49 librarians (37 expert librarians and 12 skilled librarians), while the number of archivists was 141 (one hundred and forty-one) people (83 Expert Archivists and 58 Skilled Archivists). The collaboration of PPII-LIPI with third parties has carried out human resources for museum management at LIPI since 2020. To improve the quality, human resources managing GLAM at LIPI need to be continuously improved, both through formal and non-formal education. The number of librarians and archivists are sufficient, but they must improve their abilities, considering that the GLAM institution at LIPI will just be developed. Of course, this GLAM is still perceived as a new institution by librarians and archivists at LIPI. It is recommended that during the development of the GLAM, gallery and museum management can be carried out by LIPI employees who have competence in galleries and museums.
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"Galleries, Libraries, Archives and Museums (GLAM)." In 2021 7th International Conference of the Immersive Learning Research Network (iLRN). IEEE, 2021. http://dx.doi.org/10.23919/ilrn52045.2021.9459241.

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"Galleries, Libraries, Archives, & Museums (GLAM)." In 2022 8th International Conference of the Immersive Learning Research Network (iLRN). IEEE, 2022. http://dx.doi.org/10.23919/ilrn55037.2022.9815978.

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Bhowmik, Deepayan, Ambarish Natu, Takaaki Ishikawa, Tian Feng, and Charith Abhayaratne. "The Jpeg-Blockchain Framework For Glam Services." In 2018 IEEE International Conference on Multimedia & Expo Workshops (ICMEW). IEEE, 2018. http://dx.doi.org/10.1109/icmew.2018.8551519.

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Sáez, María Dolores, Pilar Escobar, Gustavo Candela, and Manuel Marco-Such. "EXPERIENCES IN EDUCATION: A GLAM LABS APPROACH." In 15th International Technology, Education and Development Conference. IATED, 2021. http://dx.doi.org/10.21125/inted.2021.1802.

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Vallance, Michael. "Reflecting on Research: a Virtual GLAM Proposal." In 2022 8th International Conference of the Immersive Learning Research Network (iLRN). IEEE, 2022. http://dx.doi.org/10.23919/ilrn55037.2022.9815949.

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Takashima, Shinichi, Kei Oyoshi, Toru Fukuda, Toshio Okumura, Nobuhito Tomiyama, and Tugito Nagano. "Asia rice crop monitoring in GEO GLAM." In 2013 Second International Conference on Agro-Geoinformatics. IEEE, 2013. http://dx.doi.org/10.1109/argo-geoinformatics.2013.6621951.

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Bech-Petersen, Sidsel, Lisbeth Mærkedahl, and Marianne Krogbæk. "Participatory design and public galleries, libraries, archives and museums (GLAM) sector." In PDC '16: The 14th Participatory Design Conference. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2948076.2948095.

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Parker, Alcwyn, and Michael James Scott. "Crafting engaging programming experiences for young people in GLAM spaces: the iOi-sphere." In ITiCSE '18: 23rd Annual ACM Conference on Innovation and Technology in Computer Science Education. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3197091.3205827.

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Modeva, Mariela, and Tania Todorova. "ACADEMIC EDUCATION AT LIBRARY AND INFORMATION MANAGEMENT WITH REFLECTION TO THE GLAM-SECTOR COLLABORATION." In 15th International Technology, Education and Development Conference. IATED, 2021. http://dx.doi.org/10.21125/inted.2021.1135.

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Reports on the topic "GLAM"

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Burdett, Samantha. Zipped and Glam. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1020.

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Stimler, Neal. GLAMs' Dynamic Sustainability Platform. Balboa Park Online Collaborative, October 2020. http://dx.doi.org/10.47786/tlou3193.

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Hemming, Silke, Bram van Breugel, Bas Briaire, Vida Mohammadkhani, Khanh Pham, and Marta Streminska. Veilig en effectief AR glas reinigen. Bleiswijk: Stichting Wageningen Research, Wageningen Plant Research, Business unit Glastuinbouw, 2022. http://dx.doi.org/10.18174/579968.

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Bruner, Doris A., William T. Kemp, Robert J. Champetier, and Mark M. Altamirano. Three-Stage Attenuation Using Glan-Thompson Prisms. Fort Belvoir, VA: Defense Technical Information Center, May 1994. http://dx.doi.org/10.21236/ada280481.

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Dubois, Richard. Gleam: the GLAST Large Area Telescope Simulation Framework. Office of Scientific and Technical Information (OSTI), August 2003. http://dx.doi.org/10.2172/815270.

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Karimi, Omid, Fatemeh Hosseini, and Mohsen Mohammadzadeh. Pairwise Likelihood in Spatial GLMM with Skew Normal Latent Variables. Cogeo@oeaw-giscience, September 2011. http://dx.doi.org/10.5242/iamg.2011.0246.

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Chen, Jing. Development of a Control Program for the GLAMS 3D Printer. Office of Scientific and Technical Information (OSTI), July 2020. http://dx.doi.org/10.2172/1647193.

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Kruidhof, Marjolein, Ada Leman, Laura Catalá-Senent, Roland Vijverberg, and Gerben Messelink. Biologische bestrijding van wol- en schildluis in de sierteelt onder glas. Bleiswijk: Wageningen University & Research, BU Glastuinbouw, 2018. http://dx.doi.org/10.18174/454090.

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Peterson, Michael Jay. Overview of Physics-Based GLM Level-3 Products. Office of Scientific and Technical Information (OSTI), December 2019. http://dx.doi.org/10.2172/1578011.

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Messelink, Gerben J., Ada Leman, Renata van Holstein-Saj, Rob van Tol, Roland Vijverberg, Caroline Elfferich, Laura Catalá Senent, Tze-Yi Huang, Kriti Shresta, and Marjolein Kruidhof. Nieuwe mogelijkheden voor de bestrijding van trips in de sierteelt onder glas. Bleiswijk: Wageningen University & Research, BU Glastuinbouw, 2019. http://dx.doi.org/10.18174/503830.

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