Journal articles: 'GLAM'

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Coad, Samuel. "Digitisation, Copyright and the Glam Sector: Constructing a Fit-For-Purpose Safe Harbour Regime." Victoria University of Wellington Law Review 50, no. 1 (June 3, 2019): 1. http://dx.doi.org/10.26686/vuwlr.v50i1.5551.

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Copyright law does not currently align with the legitimate activities of galleries, libraries, archives and museums (GLAMs). The GLAM sector plays a central role in collecting and promoting access to cultural works. Increasingly, GLAM institutions are employing innovative digital technologies to expand access to culture and foster greater levels of cultural participation. Despite the utility underlying digitisation, copyright limits the use of digital technologies within the GLAM sphere. This article examines current copyright limitations and demonstrates copyright's significant limiting effect. It argues that reform is necessary to strengthen the right to participate in cultural life and to remedy harms inflicted by the current copyright regime. Creating a fit-for-purpose safe harbour would empower institutions to employ digitisation within a framework of reasonable copyright constraints. Accordingly, this article constructs a potential safe harbor that permits non-commercial GLAM digitisation, while also protecting copyright holders and tikanga Māori. The Copyright Act 1994 is currently under review. New Zealand ought to seize the present reform opportunity to invigorate participation in cultural life and enrich the cultural fabric of society.

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Alexi, Katharina. "Glam “Heroines”. Gaps in Glam Historicisation from Black Self-Feminised Musicians to the Herstory of Glam Rock." Annales Universitatis Paedagogicae Cracoviensis | Studia de Cultura 13, no. 2 (December 29, 2021): 7–20. http://dx.doi.org/10.24917/20837275.13.2.1.

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The narration of glam music, especially glam rock, as queer is countered by a canonisation of male white icons in pop musicology, which is illuminated and expanded in this article. Early glam performances by self-feminised Black musicians (Ward 1998) as well as the music making of female agents of glam rock are at the center of this exploration. Firstly, an outline of the current gender and race specific remembrance of glam rock is given. Secondly, the “glamorous” origins of glam music are questioned with Ward; musical canon of glam is also re-arranged regarding the category of gender by adding the basic biographies of two further female heroines, Bobbie McGee and Cherrie Vangelder-Smith. They are present in digital (DIY) media within practices of affective archiving (Baker 2015), which enable lyrics interpretation in this paper.

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Gupta, Dinesh K., and Veerbala Sharma. "Analytical study of crowdsourced GLAM digital repositories." Library Hi Tech News 35, no. 1 (March 5, 2018): 11–17. http://dx.doi.org/10.1108/lhtn-07-2017-0055.

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Purpose The purpose of this paper is to find out the status/levels of using crowdsourcing in galleries, libraries, archives and museums (GLAM) around the globe and to give suggestions on how Indian GLAM can take the benefit of this global trend. Design/methodology/approach The study is based on the analytical study of the literature available on the embracing crowdsourcing for diverse tasks with special emphasis on the efforts of GLAM domain regarding the development of digital repositories. Findings Meticulous analysis of literature and case studies give an overview of the diverse practices of public participation/crowd collaboration in the development of digital repositories around the globe. However, Indian GLAM are far behind in adopting such practices. Practical implications With the rapid growth in digital information and Web-based technology, GLAM around the world encourage and engage public participation in various digitization projects to enrich and enhance their digital collections and place them on the Web. However, Indian GLAM still refrain to accept and adopt such practices. Thus, this paper will encourage and motivate the Indian GLAM to enrich and enhance their collection with crowd contribution and uploading them on Web. Originality/value This is an original paper and has great implementation value. During the study, enormous literature was available on crowd participation in various areas around the globe, as well as in India. International examples of crowd participation in GLAM creation are found in the literature; however, not sufficient evidences are found regarding crowd contribution in Indian GLAM. Hence, the paper, by presenting the evidences of crowd participation in GLAM domain, proposes the Indian GLAM to exploit the benefits of this practice for Indian digital repositories to expedite the creation and development of various national digital repositories.

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Yuni Pratiwi, Kurniasih, Suprihatin ., and Bambang Setiawan. "Analisis Penerapan Konsep GLAM (Gallery, Library, Archives, Museum) di Perpustakaan Bung Karno Blitar." JPUA: Jurnal Perpustakaan Universitas Airlangga: Media Informasi dan Komunikasi Kepustakawanan 9, no. 2 (July 14, 2020): 53. http://dx.doi.org/10.20473/jpua.v9i2.2019.53-62.

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GLAM (Gallery, Library, Archive, and Museum) merupakan konsep yang saling berkesinambungan dan memiliki kesempatan untuk bekerjasama menciptakan Four Cultural Heritage Domains. Di Indonesia konsep GLAM sudah ada, akan tetapi belum ada yangmenerapkannya, Perpustakaan Proklamator Bung Karno diharapkan dapat mengakomodir dan menjadi acuan terciptanya konsep GLAM karena hal ini sangat penting dilakukan sebagai tantangan kepustakawanan di era disruptif dan juga untuk meningkatkan kompetensi pustakawan (berbasis SKKNI) dalam ekosistem digital. Konsep GLAM atau dikenal dengan Four Cultural Heritage Domains sangat bagus dikembangkan dan diterapkan di Indonesia agar kegiatan dan pelayanan kepada masyarakat lebih bagus lagi. Penelitian ini merupakan study literatur di Perpustakaan Bung Karno Blitar karena Perpustakaan Proklamator Bung Karno sudah memenuhi kriteria Four Cultural Heritage Domains dan sudah memenuhi konsep GLAM sehingga harusnya tidak hanya perpustakaannya saja yang diunggulkan tetapi juga gallery, archive dan museum juga harus dimaksimalkan keberadaannya. Dengan adanya penerapan konsep GLAM di Perpustakaan Bung Karno diharapkan dapat menjadi pelopor munculnya konsep GLAM oleh perpustakaan lain di Indonesia. Konsep GLAM diharapkan dapat menarik minat kunjungan masyarakat ke kota Blitar tidak hanya dari dalam kota maupun luar kota, tetapi diharapkan dari mancanegara juga berkunjung ke Perpustakaan Bung Karno karena di sana banyak sekali menyimpan fakta sejarah dan perjuangan bangsa Indonesia. Keberadaan sosok seorang Soekarno sebagai Presiden Pertama di Indonesia akan menjadi daya tarik yang luar biasa apabila dijadikan konsep yang menarik untuk mengemas informasi yang ada di Perpustakaan Proklamator Bung Karno.

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Cunningham, Aimee. "Carbon Goes Glam." Science News 169, no. 24 (June 17, 2006): 372. http://dx.doi.org/10.2307/4019260.

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Cartron-Eldin, Émile. "Glam de France." Audimat N° 16, no. 1 (February 9, 2022): 159–76. http://dx.doi.org/10.3917/audi.016.0159.

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Riley-Huff, Debra A., Kevin Herrera, Susan Ivey, and Tina Harry. "Crowdfunding in libraries, archives and museums." Bottom Line 29, no. 2 (August 8, 2016): 67–85. http://dx.doi.org/10.1108/bl-03-2016-0014.

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Purpose This paper aims to examine the fundraising strategy known as crowdfunding because it applies to galleries, libraries, archives and museums (GLAM) and to share a crowdfunding case study experience. Design/methodology/approach A rich literature review provides the basis for understanding the central issues related to crowdfunding. Survey data provides information about the perception and experiences of other GLAM organizations with crowdfunding, and a case study shares an experience with the fundraising method. Findings Some GLAM organizations are attempting crowdfunding projects with varied levels of success, whereas others remain unsure but curious. The case study shares one academic library’s direct experience with crowdfunding. Research limitations/implications There is little research currently available related to library use of crowdfunding. Practical implications This paper provides a resource and research starting point for GLAM organizations interested in the crowdfunding model. Originality/value In a comprehensive manner, this article provides much needed research on the current state of crowdfunding as it pertains to GLAM organizations.

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Branch, Andrew. "All the young dudes: educational capital, masculinity and the uses of popular music." Popular Music 31, no. 1 (January 2012): 25–44. http://dx.doi.org/10.1017/s0261143011000444.

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AbstractSince its emergence in the early 1970s, glam rock has been theoretically categorised as a moment in British popular culture in which essentialist ideas about male gendered identity were rendered problematic for a popular music audience. Drawing on a Bourdieusian theoretical framework, the article argues that while this reading of glam is valid, insufficient attention has been given to an examination of the relevance of educational capitalvis-à-visthe construction of self-identity in relation to glam. It is therefore concerned with raising questions about social class in addition to interrogating questions of gender. The article draws on the ethno-biographies of a sample of glam's original working class male fans: original interviews with musicians and writers associated with glam, as well as published biographical accounts. In doing so it contends that glam's political significance is better understood as a moment in popular culture in which an educationally aspirant section of the male working-class sought to express its difference by identifying with the self-conscious performance of a more feminised masculinity it located in glam.

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Reynolds, Simon, Hervé Loncan, and Jean-François Caro. "Le choc du glam." Audimat N° 13, no. 1 (December 23, 2020): 149–59. http://dx.doi.org/10.3917/audi.013.0149.

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Maha, Rahmadani Ningsih, and Sri Wulan. "Konsep pengembangan gallery, library, archive, dan museum (GLAM) Keanekaragaman Hayati di kawasan Cibinong Science Center." Daluang: Journal of Library and Information Science 2, no. 1 (April 30, 2022): 31–42. http://dx.doi.org/10.21580/daluang.v2i1.2022.10180.

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Background. Gallery, Library, Archive, and Museum (GLAM) for biodiversity is a documentation center for research institutions on biodiversity as a means of transferring information and knowledge to the public. The functions of education, research, preservation, information, and recreation can be obtained from GLAM. The goal of this study is to inform the potential and form of GLAM innovation in the Cibinong area so that it can become a National Documentation Center for Biodiversity.Methods. The research method uses the observation method by looking at facts in the field and literature studies to support this research.Results and discussion. This study describes the Cibinong Science Center area has five libraries of various disciplines. Regarding biodiversity, the Cibinong area has a biology library with a collection of more than 10,000 books. In the zoology building, there is an animal biodiversity gallery located under the library building. In addition, the Research Center for Biology has a collection of animal specimens in the zoology building, a collection of herbarium specimens at the Botanical Building and the InaCC Building (Indonesian Culture Collection) to store microorganisms.Conclusions. The concept of developing GLAM for Biodiversity in Cibinong Science Center can be applied. Collaboration with other documentary unit manager such archivist and specimen curators must be carried out in order to create GLAM for Biodiversity. The concept of innovation in the development of GLAM is to integrate it in one building and management.

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Ruan, Cheng-Zong, César Hernández-Aguayo, Baojiu Li, Christian Arnold, Carlton M. Baugh, Anatoly Klypin, and Francisco Prada. "Fast full N-body simulations of generic modified gravity: conformal coupling models." Journal of Cosmology and Astroparticle Physics 2022, no. 05 (May 1, 2022): 018. http://dx.doi.org/10.1088/1475-7516/2022/05/018.

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Abstract We present mg-glam, a code developed for the very fast production of full N-body cosmological simulations in modified gravity (MG) models. We describe the implementation, numerical tests and first results of a large suite of cosmological simulations for three classes of MG models with conformal coupling terms: the f(R) gravity, symmetron and coupled quintessence models. Derived from the parallel particle-mesh code glam, mg-glam incorporates an efficient multigrid relaxation technique to solve the characteristic nonlinear partial differential equations of these models. For f(R) gravity, we have included new variants to diversify the model behaviour, and we have tailored the relaxation algorithms to these to maintain high computational efficiency. In a companion paper, we describe versions of this code developed for derivative coupling MG models, including the Vainshtein- and K-mouflage-type models. mg-glam can model the prototypes for most MG models of interest, and is broad and versatile. The code is highly optimised, with a tremendous speedup of a factor of more than a hundred compared with earlier N-body codes, while still giving accurate predictions of the matter power spectrum and dark matter halo abundance. mg-glam is ideal for the generation of large numbers of MG simulations that can be used in the construction of mock galaxy catalogues and the production of accurate emulators for ongoing and future galaxy surveys.

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Saucier, Renee, Stefanie Martin, Moska Rokay, and Tomoko Shida. "Dismantling White Supremacy in GLAMs and GLAM Education [Galleries, Libraries, Archives, Museums]." IJournal: Graduate Student Journal of the Faculty of Information 4, no. 3 (September 25, 2019): 11–20. http://dx.doi.org/10.33137/ijournal.v4i3.33075.

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For the 2019 Information and Museum Studies Conference, a group of five Master’s students offered a workshop titled Dismantling White Supremacy in GLAMs and GLAM Education [Galleries, Libraries, Archives, Museums]. This workshop was based on activities developed by the Archivists Against collective. This workshop was not a one-off event, but rather the first action of the Diversity Working Group, a student-led entity at the Faculty of Information. Keywords: Archives, Libraries, Museums, Archival Education, White Supremacy, Professional Education, Equity, Race, Diversity

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Hernández-Aguayo, César, Cheng-Zong Ruan, Baojiu Li, Christian Arnold, Carlton M. Baugh, Anatoly Klypin, and Francisco Prada. "Fast full N-body simulations of generic modified gravity: derivative coupling models." Journal of Cosmology and Astroparticle Physics 2022, no. 01 (January 1, 2022): 048. http://dx.doi.org/10.1088/1475-7516/2022/01/048.

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Abstract We present mg-glam, a code developed for the very fast production of full N-body cosmological simulations in modified gravity (MG) models. We describe the implementation, numerical tests and first results of a large suite of cosmological simulations for two broad classes of MG models with derivative coupling terms — the Vainshtein- and Kmouflage-type models — which respectively features the Vainshtein and Kmouflage screening mechanism. Derived from the parallel particle-mesh code glam, mg-glam incorporates an efficient multigrid relaxation technique to solve the characteristic nonlinear partial differential equations of these models. For Kmouflage, we have proposed a new algorithm for the relaxation solver, and run the first simulations of the model to understand its cosmological behaviour. In a companion paper, we describe versions of this code developed for conformally-coupled MG models, including several variants of f(R) gravity, the symmetron model and coupled quintessence. Altogether, mg-glam has so far implemented the prototypes for most MG models of interest, and is broad and versatile. The code is highly optimised, with a tremendous (over two orders of magnitude) speedup when comparing its running time with earlier N-body codes, while still giving accurate predictions of the matter power spectrum and dark matter halo abundance. mg-glam is ideal for the generation of large numbers of MG simulations that can be used in the construction of mock galaxy catalogues and accurate emulators for ongoing and future galaxy surveys.

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Mitjans, Francesc. "GLAM, Laser Multiplexed Biosensor, HORIZON2020." Impact 2017, no. 8 (October 20, 2017): 15–17. http://dx.doi.org/10.21820/23987073.2017.8.15.

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McCarthy, Elizabeth. "Developing digital audience frameworks for Oxford’s GLAM." Performance Measurement and Metrics 20, no. 3 (November 11, 2019): 179–85. http://dx.doi.org/10.1108/pmm-09-2019-0042.

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Purpose In order to develop a common framework for strategic planning and evaluation, the Gardens, Libraries and Museums (GLAM) of Oxford undertook a process for defining digital audiences, undertaking user research to inform a new audience framework, which, in turn, is feeding a new approach and the application of the research across the Libraries’ web redevelopment. The paper aims to discuss this issue. Design/methodology/approach GLAM used qualitative and quantitative techniques to understand how visitors engaged with GLAM digitally: visitor shadowing, exit interviews, diary studies, remote interviews, social media and data evaluation. From these, GLAM focussed on motivational archetypes that apply to visitors across the institutions as well as pen portraits to support those archetypes, and a template for creating new portraits. Findings The framework helped GLAM develop digital priorities and outline how digital output met the needs of all audiences from a bottom-up user perspective, rather than only through top-down institutional decision making. Most relevant here, learning from the user research hugely informed the Bodleian Libraries’ website redevelopment. The Bodleian Libraries’ work within that framework shows that such a body of research is not solely high level; it can be applied on an institutional and project level to great effect. Originality/value Focussing on motivations rather than demographics is a less common way to approach digital audiences. Developing such a cohesive framework for digital audiences before undertaking strategic planning and specific development projects proved a valuable piece of work from which other institutions can learn.

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Ricaud, Philippe, Régina Zbinden, Valéry Catoire, Vanessa Brocchi, François Dulac, Eric Hamonou, Jean-Christophe Canonici, et al. "The GLAM Airborne Campaign across the Mediterranean Basin." Bulletin of the American Meteorological Society 99, no. 2 (February 1, 2018): 361–80. http://dx.doi.org/10.1175/bams-d-16-0226.1.

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Abstract The Gradient in Longitude of Atmospheric Constituents above the Mediterranean Basin (GLAM) airborne campaign was set up to investigate the summertime variability of gaseous pollutants, greenhouse gases, and aerosols between the western (∼3°E) and eastern (∼35°E) sections of the Mediterranean basin as well as how this connects with the impact of the Asian monsoon anticyclone on the eastern Mediterranean in the mid- to upper troposphere (∼5–10 km). GLAM falls within the framework of the Chemistry–Aerosol Mediterranean Experiment (ChArMEx) program. GLAM used the French Falcon-20 research aircraft to measure aerosols, humidity, and chemical compounds: ozone, carbon monoxide, methane, and carbon dioxide. GLAM took place between 6 and 10 August 2014, following a route from Toulouse (France) to Larnaca (Cyprus) and back again via Minorca (Spain), Lampedusa (Italy), and Heraklion (Crete, Greece). The aircraft flew at an altitude of 5 km on its outbound journey and 10 km on the return leg. GLAM also collected vertical profiles around the landing sites listed above. A combination of model outputs, chemical mapping analyses, and spaceborne and surface station measurements gathered prior to and during the campaign were used to interpret the in situ airborne measurements. The main outcome of this study is the impact of intercontinental transport on the longitudinal variability of pollutants, greenhouse gases, and aerosols at an altitude of 10 km. The eastern Mediterranean is affected by air masses from the Arabian Sea surface, and the western Mediterranean is impacted by air masses from North America (biomass burning) and West Africa (desert dust).

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Barros, Patrícia Marcondes de. "O Glam Rock brasileiro: moda e comportamento andrógino na década de 1970." Domínios da Imagem 13, no. 25 (April 20, 2020): 65. http://dx.doi.org/10.5433/2237-9126.2019v13n25p65.

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A presente pesquisa analisa Moda e comportamento relacionado à androginia do gênero musical Glam rock, surgido na Inglaterra no final dos anos 1960, como uma provocação à estética naturalista hippie. Por meio de pesquisa qualitativa de cunho bibliográfico documental (documentários, impressos alternativos de época e peças publicitárias), analisaremos num primeiro momento a estética andrógina inerente ao Glam Rock que ganhou visibilidade com astros a exemplo de David Bowie, Marc Bolan e Lou Reed. Posteriormente, perscrutaremos a referida estética no Brasil, expressa por artistas como Ney Matogrosso, Edy Star e o grupo teatral Dzi Croquettes que escandalizaram o público brasileiro em tempos de ditadura militar com suas performances viscerais e figurinos extravagantes, transcendendo as fronteiras entre o feminino e o masculino. O Glam rock criou uma identidade rebelde através do corpo e da androginia, subvertendo ideias estabelecidas na vida e na Moda.

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Benoit, Andrea. "“‘From Our Lips:’ Lipstick as Consumer Technology and the MAC VIVA GLAM Advertising Campaigns”." Scientia Canadensis 36, no. 1 (June 26, 2014): 111–32. http://dx.doi.org/10.7202/1025791ar.

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Lipstick has remained a stable technology for over five thousand years, while influenced by social and cultural mores, and ideas about sexuality, gender and class. This is particularly evident in the twentieth century since lipstick has become a consumer technology, as evidenced by the fundraising lipstick VIVA GLAM. Made by the originally Canadian brand MAC Cosmetics, sales of VIVA GLAM generate funds for the brand's own AIDS charity, the MAC AIDS Fund. VIVA GLAM’s advertising was initially controversial because it featured drag performer RuPaul in 1995 and Canadian crooner k. d. lang in 1997. More recently, VIVA GLAM’s advertising has featured singers Cyndi Lauper and Lady Gaga and promoted safe sex behaviours amongst young heterosexual women. Lipstick’s meaning and function continues to adapt to its historical circumstances, particularly around gender norms, and VIVA GLAM is a new chapter in this cultural history of lipstick as a consumer technology.

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Lindsey, Nerissa, Greta Kuriger Suiter, and Kurt Hanselman. "Ethical Considerations of Including Personal Demographic Information in Open Knowledge Platforms." KULA: Knowledge Creation, Dissemination, and Preservation Studies 6, no. 3 (July 27, 2022): 1–15. http://dx.doi.org/10.18357/kula.228.

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In recent years, galleries, libraries, archives, and museums (GLAMs) have sought to leverage open knowledge platforms such as Wikidata to highlight or provide more visibility for traditionally marginalized groups and their work, collections, or contributions. Efforts like Art + Feminism, local edit-a-thons, and, more recently, GLAM institution-led projects have promoted open knowledge initiatives to a broader audience of participants. One such open knowledge project, the Program for Cooperative Cataloging (PCC) Wikidata Pilot, has brought together over seventy GLAM organizations to contribute linked open data for individuals associated with their institutions, collections, or archives. However, these projects have brought up ethical concerns around including potentially sensitive personal demographic information, such as gender identity, sexual orientation, race, and ethnicity, in entries in an open knowledge base about living persons. GLAM institutions are thus in a position of balancing open access with ethical cataloging, which should include adhering to the personal preferences of the individuals whose data is being shared. People working in libraries and archives have been increasingly focusing their energies on issues of diversity, equity, and inclusion in their descriptive practices, including remediating legacy data and addressing biased language. Moving this work into a more public sphere and scaling up in volume creates potential risks to the individuals being described. While adding demographic information on living people to open knowledge bases has the potential to enhance, highlight, and celebrate diversity, it could also potentially be used to the detriment of the subjects through surveillance and targeting activities. In this article we seek to investigate the changing role of metadata and open knowledge in addressing, or not addressing, issues of under- and misrepresentation, especially as they pertain to gender identity as described in the sex or gender property in Wikidata. We report findings from a survey investigating how organizations participating in open knowledge projects are addressing ethical concerns around including personal demographic information as part of their projects, including what, if any, policies they have implemented and what implications these activities may have for the living people being described.

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Givens, John. "From Literary Biography to Glam Culture." Russian Studies in Literature 46, no. 1 (December 2009): 3–7. http://dx.doi.org/10.2753/rsl1061-1975460100.

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L. Hardesty, Juliet. "Exhibiting library collections online: Omeka in context." New Library World 115, no. 3/4 (March 4, 2014): 75–86. http://dx.doi.org/10.1108/nlw-01-2014-0013.

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Purpose – This case study describes Indiana University Libraries' use of Omeka for online exhibits of digital collections. Design/methodology/approach – Omeka is placed in the context of other online exhibit tools being used by galleries, libraries, archives, and museums (GLAM). Findings – Omeka provides many benefits for different types of digital library collection exhibits and different levels of technical expertise but is currently limited in the ability to manage multiple exhibits of separate digital collections. Originality/value – Describing Omeka in the context of other online exhibit tools shows the need for this kind of evaluation to improve these tools for the GLAM community.

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Harris, Kiydra, Deepa Dongarwar, Tasha Roshan, Collins Onyenaka, Collins Enwerem, Omonike Olaleye, and Hamisu M. Salihu. "Global Alliance for Maternal and Child Health (GLAM): A Pioneer Organization for MCH Students." International Journal of Maternal and Child Health and AIDS (IJMA) 10, no. 1 (December 30, 2020): 65–68. http://dx.doi.org/10.21106/ijma.463.

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Currently, there is an insufficient representation of racial/ethnic minority groups in the maternal and child health (MCH) workforce. A student-run outreach organization, the Global Alliance for Maternal and Child Health (GLAM), seeks to address this disparity by increasing the representation of racial/ethnic minority groups in MCH workforce. Founded by students at Texas Southern University in Houston, Texas, United States, GLAM, seeks to establish productive alliances and create programs that would help improve the well-being of mothers, infants, and children locally, nationally, and internationally by engaging an active cadre of students passionate about MCH. Through community outreach and global engagement using evidence-based strategies, GLAM is committed to the elimination of health disparities plaguing the MCH population. Key words: • Maternal and Child Health • Pipeline program • Students-driven • Community outreach • Global engagement Copyright © 2021 Harris et al. Published by Global Health and Education Projects, Inc. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY 4.0) which permits unrestricted use, distribution, and reproduction in any medium, provided the original work, first published in this journal, is properly cited.

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Van Hyning, Victoria. "Harnessing crowdsourcing for scholarly and GLAM purposes." Literature Compass 16, no. 3-4 (April 2019): e12507. http://dx.doi.org/10.1111/lic3.12507.

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Kennan, Mary Anne, and Jessie Lymn. "Where is the I(nformation) in GLAM? Education, Knowledge and Skill Requirements of Professionals Working in GLAM Sector Institutions." Journal of the Australian Library and Information Association 68, no. 3 (June 23, 2019): 236–53. http://dx.doi.org/10.1080/24750158.2019.1613708.

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Conway, Rebecca. "Collaboration with the Past, Collaboration for the Future: Joseph Neparrŋa Gumbula’s Makarr-garma Exhibition." Preservation, Digital Technology & Culture 47, no. 3-4 (December 19, 2018): 115–32. http://dx.doi.org/10.1515/pdtc-2018-0015.

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AbstractThe Yolŋu elder and academic Joseph Neparrŋa Gumbula curated the exhibition, Makarr-garma: Aboriginal Collections from a Yolŋu Perspective (Makarr-garma), staged at the University of Sydney’s Macleay Museum from 29 November 2009 to 15 May 2010. This article describes this exhibition’s development and curatorial rationale. A product of his 2007 Australian Research Council (ARC) Indigenous Research Fellowship at the University, Makarr-garma reflected Gumbula’s Yolŋu philosophies as applied to collections in the Gallery, Libraries, Archives and Museums (GLAM) sector. Employing artworks, cultural objects, historic photographs, natural history specimens and his own manikay (songs), he framed this show as a garma (open) ceremonial performance that spanned an archetypal Yolŋu day. The exhibition was immersive and “culturally resonant” (Gilchrist, Indigenising), and provides intellectual and practical insights for the GLAM sector’s representation and management of Indigenous collections.

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Santos, Pedro, Reimar Tausch, Matevz Domajnko, Martin Ritz, Martin Knuth, and Dieter Fellner. "Automated 3D Mass Digitization for the GLAM Sector." Archiving Conference 2020, no. 1 (April 7, 2020): 55–59. http://dx.doi.org/10.2352/issn.2168-3204.2020.1.0.55.

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The lightfastness of prints is an extremely important characteristic for assessing their print stability. The fastness properties of prints can be described in terms of print durability and image stability. Good lightfastness assures the good print stability after long use. This study has focused to describe the lightfastness of printed foil samples due to long time exposure. It may also be used for the authenticity or validity of the product. Moreover, any kind of deterioration in package print quality will affect the sale value of the product adversely. Little work has been done to study the fastness properties of printed films and foils. In this work, blister foils printed in the gravure printing process are taken as the sample as it has extensive usage in food and medicine packaging. The samples are exposed in artificial lightfastness tester BGD 865/A Bench Xenon Test Chamber (B-SUN) for assessing the light fastness of cyan, magenta, yellow and black ink on the foil. The spectral curves and colorimetric values of prints are measured in the ocean optics spectroradiometer (DH2000BAL) before and after exposure. An Artificial Neural Network model (ANN) is proposed to predict the fading rate of the printed foil. The optimal model gives excellent prediction with the minimum mean square error (MSE) for each color and a correlation coefficient of 0.98-0.99.

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Tramullas, Jesús. "Retos y oportunidades para las GLAM de Australia." Anuario ThinkEPI 10 (May 10, 2016): 123. http://dx.doi.org/10.3145/thinkepi.2016.24.

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Kennedy, Mary Lee. "GLAM Collaborations under COVID-19 Conditions and Beyond." GLAM Collaboration Opportunities and Challenges, no. 300 (June 19, 2020): 32–38. http://dx.doi.org/10.29242/rli.300.4.

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Yang, Soohyun, and Younhee Lee. "Characteristics of "Glam" Fashion in David Bowie's Costume." Journal of the Korean Society of Costume 64, no. 4 (June 30, 2014): 37–51. http://dx.doi.org/10.7233/jksc.2014.64.4.037.

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Anderson, Melissa. "Candied Glam: The Cultural Cachet of Candy Darling." Quarterly Review of Film and Video 19, no. 1 (January 2002): 59–69. http://dx.doi.org/10.1080/10509200214826.

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Lim, Shirley, and Chern Li Liew. "Metadata quality and interoperability of GLAM digital images." Aslib Proceedings 63, no. 5 (September 20, 2011): 484–98. http://dx.doi.org/10.1108/00012531111164978.

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Catton, Freyja, and Laura Smith. "Museums Without Walls." Pathfinder: A Canadian Journal for Information Science Students and Early Career Professionals 2, no. 2 (May 4, 2021): 72–85. http://dx.doi.org/10.29173/pathfinder31.

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The purpose of this paper is to explore the possibilities of virtual exhibitions (VEs) for GLAM institutions. While VEs continue to be secondary to physical exhibitions, an effective VE uses technology to engage viewers and present opportunities for interactivity to support further learning and discovery of collection materials. Cultural heritage organizations can use VEs to make the “digital version of a cultural artefact accessible even when the physical access is restricted” and leads GLAM institutions and LIS scholars to reflect on how “users receive and interact with information in a virtual world” (Caggianese et al., 2018, p.625). With the aid of easily accessible additional information, this modern form of presentation may support a deeper level of understanding than a user can experience by viewing a traditional physical exhibition, and may enhance their overall viewing experience. Despite the excitement and opportunities afforded by VR, exhibitions remain accessible for visitors without VR equipment via browsers or web-page based exhibitions. As the “virtual exhibition is a concept that has acquired new meanings along with the evolution of modern information and communication technologies,” we look forward to seeing how GLAM institutions continue to shape the user experience (Ciurea & Filip, 2016, p.28). Cultural organizations will continue to develop and combine their partnerships, financial and staff resources, content, and visitor interests to build more VE structures that fit both their collections and their community.

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Bergamaschi, Homero, Simone Marilene Sievert da Costa, Timothy Robert Wheeler, and Andrew Juan Challinor. "Simulating maize yield in sub‑tropical conditions of southern Brazil using Glam model." Pesquisa Agropecuária Brasileira 48, no. 2 (February 2013): 132–40. http://dx.doi.org/10.1590/s0100-204x2013000200002.

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The objective of this work was to evaluate the feasibility of simulating maize yield in a sub‑tropical region of southern Brazil using the general large area model (Glam). A 16‑year time series of daily weather data were used. The model was adjusted and tested as an alternative for simulating maize yield at small and large spatial scales. Simulated and observed grain yields were highly correlated (r above 0.8; p<0.01) at large scales (greater than 100,000 km²), with variable and mostly lower correlations (r from 0.65 to 0.87; p<0.1) at small spatial scales (lower than 10,000 km²). Large area models can contribute to monitoring or forecasting regional patterns of variability in maize production in the region, providing a basis for agricultural decision making, and Glam‑Maize is one of the alternatives.

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Ley, Dan, Umang Bhatt, and Adrian Weller. "Diverse, Global and Amortised Counterfactual Explanations for Uncertainty Estimates." Proceedings of the AAAI Conference on Artificial Intelligence 36, no. 7 (June 28, 2022): 7390–98. http://dx.doi.org/10.1609/aaai.v36i7.20702.

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To interpret uncertainty estimates from differentiable probabilistic models, recent work has proposed generating a single Counterfactual Latent Uncertainty Explanation (CLUE) for a given data point where the model is uncertain. We broaden the exploration to examine δ-CLUE, the set of potential CLUEs within a δ ball of the original input in latent space. We study the diversity of such sets and find that many CLUEs are redundant; as such, we propose DIVerse CLUE (∇-CLUE), a set of CLUEs which each propose a distinct explanation as to how one can decrease the uncertainty associated with an input. We then further propose GLobal AMortised CLUE (GLAM-CLUE), a distinct, novel method which learns amortised mappings that apply to specific groups of uncertain inputs, taking them and efficiently transforming them in a single function call into inputs for which a model will be certain. Our experiments show that δ-CLUE, ∇-CLUE, and GLAM-CLUE all address shortcomings of CLUE and provide beneficial explanations of uncertainty estimates to practitioners.

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Hernández-Aguayo, César, Francisco Prada, Carlton M. Baugh, and Anatoly Klypin. "Building a digital twin of a luminous red galaxy spectroscopic survey: galaxy properties and clustering covariance." Monthly Notices of the Royal Astronomical Society 503, no. 2 (February 15, 2021): 2318–39. http://dx.doi.org/10.1093/mnras/stab434.

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ABSTRACT Upcoming surveys will use a variety of galaxy selections to map the large-scale structure of the Universe. It is important to make accurate predictions for the properties and clustering of such galaxies, including the errors on these statistics. Here, we describe a novel technique which uses the semi-analytical model of galaxy formation galform, embedded in the high-resolution N-body Planck-Millennium simulation, to populate a thousand halo catalogues generated using the Parallel-PM N-body glam code. Our hybrid scheme allows us to make clustering predictions on scales that cannot be modelled in the original N-body simulation. We focus on luminous red galaxies (LRGs) selected in the redshift range z = 0.6 − 1 from the galform output using similar colour-magnitude cuts in the r, z, and W1 bands to those that will be applied in the Dark Energy Spectroscopic Instrument (DESI) survey, and call this illustrative sample ‘DESI-like’ LRGs. We find that the LRG-halo connection is non-trivial, leading to the prediction of a non-standard halo occupation distribution; in particular, the occupation of central galaxies does not reach unity for the most massive haloes, and drops with increasing mass. The glam catalogues reproduce the abundance and clustering of the LRGs predicted by galform. We use the glam mocks to compute the covariance matrices for the two-point correlation function and power spectrum of the LRGs and their background dark matter density field, revealing important differences. We also make predictions for the linear-growth rate and the baryon acoustic oscillations distances at z = 0.6, 0.74, and 0.93. All ‘DESI-like’ LRG catalogues are made publicly available.

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Hamir, A. N., K. I. Timm, and B. B. Smith. "Thrombosis of the splenic vein in llamas (Lama glam)." Veterinary Record 146, no. 8 (February 19, 2000): 226–28. http://dx.doi.org/10.1136/vr.146.8.226.

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Lang, Colin. "Celluloid Drag, Sonic Disguise: Katharina Sieverding, Kraftwerk, and Glam." Art Bulletin 99, no. 1 (January 2, 2017): 160–78. http://dx.doi.org/10.1080/00043079.2017.1265289.

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Skelton, Shannon Blake. "Performing Glam Rock: Gender and Theatricality in Popular Music." Journal of Popular Culture 39, no. 6 (December 2006): 1109–11. http://dx.doi.org/10.1111/j.1540-5931.2006.00346.x.

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송지현 and Jeongwook Choi. "A Study on Shoe Design Affected by Glam Rock." Research Journal of the Costume Culture 16, no. 6 (December 2008): 1156–68. http://dx.doi.org/10.29049/rjcc.2008.16.6.1156.

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Gupta, Dinesh K., and Veerbala Sharma. "Enriching and enhancing digital cultural heritage through crowd contribution." Journal of Cultural Heritage Management and Sustainable Development 7, no. 1 (February 6, 2017): 14–32. http://dx.doi.org/10.1108/jchmsd-12-2014-0043.

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Purpose The purpose of this paper is to identify the status of digitization of manuscripts in India and to give suggestions to transcribe these manuscripts easily, effortlessly and expeditiously. Design/methodology/approach The study is based on the analytical study of the literature available on global efforts in respect of documentation, preservation, conservation and digitization of manuscripts with special emphasis on the efforts of “namami” (acronym for National Manuscript Mission) for Indian manuscripts. Findings Meticulous analysis of literature and case studies give an overview of the diverse practices of public participation/crowd collaboration to transcribe and tagging of the rare and old historical documents around the globe. However, Indian libraries are far behind in adopting such practices. Practical implications India has a very rich cultural, educational and research heritage preserved in the form of manuscripts. These thousands of manuscripts are significant source of knowledge base for many researchers, however, despite their heritage value, these remain inaccessible to the researchers because of their being scattered and unpublished form. Moreover, even the digitized manuscripts remain difficult to use by the researchers because of immense linguistic diversity and scripts. Documentation and digitization of these manuscripts will not only preserve the invaluable heritage of India but also will enable their easy and vast access by the researchers globally. With the rapid growth in digital information and web-based technology, galleries, libraries, archives and museums (GLAM) around the world encourage and engage public participation in various digitization projects to enrich and enhance their digital collections and place them on the web. However, Indian GLAM still refrains to accept and adopt such practices. Thus this paper will encourage and motivate the Indian GLAM to expedite their digitization and uploading them on web for tagging and transcribing. Originality/value This is an original paper and has great implementation value. During the study enormous literature was available on digitization of Indian manuscripts. However, not even a single study could be found on tagging and transcription of these manuscripts, specifically crowd contribution in this area. Hence, the paper, by presenting the evidences of crowd participation for the tagging and transcription of manuscripts globally, proposes the Indian GLAM to exploit the benefits of this practice for Indian manuscripts also in order to expedite the tagging process to enhance their usage.

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Novyanti, Dian Qolby, Rizki Amalia Nursyabani, Karyadi Karyadi, and Falaah Abdussalaam. "Perancangan sistem informasi akuntansi penerimaan dan pengeluaran kas di Star Glam Bandung." Fair Value: Jurnal Ilmiah Akuntansi dan Keuangan 4, no. 11 (June 25, 2022): 4893–903. http://dx.doi.org/10.32670/fairvalue.v4i11.1730.

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The objective of this research is designing accounting information system of cash receipts and disbursements cash in Star Glam Bandung. This research used qualitative method to collect the data, all of the data were carried by observation and literature review of theoretical study concerning the topic. Based on the research, there was a problem in recording cash receipts and disbursements cash process. It was still manually and less effective, so that take more time in the process. The problem basically can be solve by develop the information sistem in software by using Waterfall model that has five stages and also Flowmap model and Data Flow that was implemented by Microsoft Visual Studio 2010 and Microsoft Access as database. Based on the results of research conducted by the author, it can be concluded that the existence of an information system for cash receipts and disbursements at Star Glam Bandung makes the process of recording and inputting data easier and minimizes errors. With the information system is also able to generate reports of cash receipts and disbursements more quickly, precisely and accurately.

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Alexiev, Vladimir. "Museum Linked Open Data: Ontologies, Datasets, Projects." Digital Presentation and Preservation of Cultural and Scientific Heritage 8 (September 3, 2018): 19–50. http://dx.doi.org/10.55630/dipp.2018.8.1.

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The Galleries, Libraries, Archives and Museums (GLAM) sector deals with complex and varied data. Integrating that data, especially across institutions, has always been a challenge. Semantic data integration is the best approach to deal with such challenges. Linked Open Data (LOD) enable large-scale Digital Humanities (DH) research, collaboration and aggregation, allowing DH researchers to make connections between (and make sense of) the multitude of digitized Cultural Heritage (CH) available on the web. An upsurge of interest in semtech and LOD has swept the CH and DH communities. An active Linked Open Data for Libraries, Archives and Museums (LODLAM) community exists, CH data is published as LOD, and international collaborations have emerged. The value of LOD is especially high in the GLAM sector, since culture by its very nature is cross-border and interlinked. We present interesting LODLAM projects, datasets, and ontologies, as well as Ontotext's experience in this domain. An extended version of this paper is available. It has 77 pages, 67 figures, detailed info about CH content and XML standards, Wikidata and global authority control.

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Lin, Sicheng, Jeremy L. Tinker, Anatoly Klypin, Francisco Prada, Michael R. Blanton, Johan Comparat, Kyle S. Dawson, et al. "The completed SDSS-IV extended Baryon Oscillation Spectroscopic Survey: GLAM-QPM mock galaxy catalogues for the emission line galaxy sample." Monthly Notices of the Royal Astronomical Society 498, no. 4 (August 24, 2020): 5251–62. http://dx.doi.org/10.1093/mnras/staa2571.

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ABSTRACT We present 2000 mock galaxy catalogues for the analysis of baryon acoustic oscillations (BAOs) in the Emission Line Galaxy (ELG) sample of the extended Baryon Oscillation Spectroscopic Survey Data Release 16 (eBOSS DR16). Each mock catalogue has a number density of $6.7 \times 10^{-4} h^3 \rm Mpc^{-3}$, covering a redshift range from 0.6 to 1.1. The mocks are calibrated to small-scale eBOSS ELG clustering measurements at scales of $\lesssim 30\, h^{-1}$Mpc. The mock catalogues are generated using a combination of GaLAxy Mocks (GLAM) simulations and the quick particle-mesh (QPM) method. GLAM simulations are used to generate the density field, which is then assigned dark matter haloes using the QPM method. Haloes are populated with galaxies using a halo occupation distribution. The resulting mocks match the survey geometry and selection function of the data, and have slightly higher number density that allows room for systematic analysis. The large-scale clustering of mocks at the BAO scale is consistent with data and we present the correlation matrix of the mocks.

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Sayenkova-Melnitskaya, Ludmila P. "Entertaining and glam strategies in film discourse of print media." Media Linguistics 7, no. 3 (2020): 332–42. http://dx.doi.org/10.21638/spbu22.2020.305.

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Sofer, Andrew. "Performing Glam Rock: Gender and Theatricality in Popular Music (review)." Theatre Journal 59, no. 4 (2008): 704–5. http://dx.doi.org/10.1353/tj.2008.0012.

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Reed, Katherine. "Singing the Alien: Velvet Goldmine and David Bowie’s Glam Semiotics." Popular Music and Society 41, no. 5 (November 6, 2017): 556–71. http://dx.doi.org/10.1080/03007766.2017.1390436.

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Straughn-Navarro, Rachel. "Provenance in situ: Documenting Information of Origins Across GLAM Contexts." International Information & Library Review 48, no. 4 (October 2016): 287–93. http://dx.doi.org/10.1080/10572317.2016.1243964.

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Arenillas Meléndez, Sara. "Empoderamiento y masculinidad en la estrategia de género de Alaska = Empowerment and masculinity in the gender strategy of Alaska." FEMERIS: Revista Multidisciplinar de Estudios de Género 3, no. 2 (August 1, 2018): 109. http://dx.doi.org/10.20318/femeris.2018.4322.

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Resumen. La cantante Alaska ha sido uno de los iconos más representativos de la modernidad en España, participando de forma destacada en la Movida. Según Alberto Mira (2004), el rasgo que definió a la Movida fue la adopción del modelo camp de homosexualidad. En este artículo, proponemos un análisis del discurso de género de Alaska, cuyo rasgo más destacado sería la adopción de este modelo camp de homosexualidad. Para ello, hemos comparado la versión que realizó del tema Quiero ser Santa con la original de Parálisis Permanente, y analizado su dúo con Loquillo en El ritmo del garaje y su canción Rey del Glam. Alaska habría articulado, gracias al modelo camp, una masculinidad no hegemónica que le habría servido para empoderarse y legitimarse dentro de las escenas de la música popular española. Para ello, Alaska utilizó el artificio propio del camp mediante estrategias como el travestismo de la voz o el uso de un estilo performativo externo.Palabras clave: Alaska, camp, Movida, artificio, glam.Abstract. The singer Alaska has been one of the most representative icons of modernity in Spain, participating prominently in the Movida. According to Alberto Mira (2004), the feature that defined La Movida was the adoption of the homosexuality camp model. In this article, I propose an analysis of the gender discourse of Alaska, whose most outstanding feature would be the adoption of this camp model of homosexuality. To do this, I have compared the version she made of the song Quiero ser Santa with the one of Parálisis Permanente, as well as her duet with Loquillo in El ritmo del garaje and her song Rey del Glam. Alaska, thanks to the camp model, articulated a non-hegemonic masculinity that helped her to be empowered and legitimized within the scenes of Spanish popular music. To pursue this, Alaska used the artifice of the camp through strategies such as the use of a cross-dressing voice or a style of performance that involved showmanship.Keywords: Alaska, camp, Movida, artifice, glam.

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Sinatria, Ilyas Lanang, Edwin Rizal, and Kusnandar Kusnandar. "Rancangan program alternatif metrik pada Pusat Pengelolaan Pengetahuan Universitas Padjadjaran." Informatio: Journal of Library and Information Science 3, no. 1 (February 6, 2023): 61. http://dx.doi.org/10.24198/inf.v3i1.44320.

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Padjadjaran University Knowledge Management Center has rebuilt its website by adding the GLAM Repository element. The website plans to install alternative metric tools: PlumX which is found in a subscription package repository called Digital Commons. This research aims to create a program design based on the four substances of information system management: technology, databases, procedures, and human resources. This study uses a qualitative approach with method action research. The data collection process is carried out using interviews, observation, literature studies, documentation, and focus group discussions. Data are gathered from librarians and staff through interviews and FGDs. Data analysis techniques conducted by researchers included: data reduction, data presentation, and data conclusion. Results researched shows that in the field of technology and databases, the website was rebuilt through the addition of GLAM and repository elements. Knowledge Management Center unify databases between faculty libraries. Alternative metric procedures has been successfully submitted to Universitas Padjadjaran. The librarians need to learn about alternative metrics. The outputs of alternative metric implementation program designs are proposals, draft terms of reference, and Digital Common and Plumx learning materials. The conclusion of the research is that the design of alternative metric programs requires technological support, databases, updating of computer units, and staff training in managing alternative metrics.

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Carvalho Junior, José Murilo Costa, Dalton Lopes Martins, and Leonardo Barbosa Germani. "GLAM e Instituições de Memória em Rede: uma 'Infosfera' de Floridi?" PragMATIZES, no. 16 (June 3, 2019): 11. http://dx.doi.org/10.22409/pragmatizes.v0i16.27529.

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A Ciência da Informação participa na promoção do termo 'Instituição de Memória' como metáfora para a integração de bibliotecas, arquivos, museus e centros de documentação. Uma das intenções assumidas foi a de encorajar uma visão coerente sobre os recursos informacionais que os acervos de tais instituições provêm. Em paralelo, a partir do movimento em se integrar acervos digitalizados do campo da cultura em rede emerge o acrônimo GLAM da língua inglesa, que integra Galerias, Bibliotecas, Arquivos e Museus, e enfatiza a promoção do acesso como missão principal. É justo afirmar que a demanda pela interoperabilidade dos acervos dos diferentes domínios arquivísticos é pautada pela possibilidade de integração dos conteúdos diversos via web, cenário que propicia inovação no acesso e no processamento das informações de patrimônio cultural pela sociedade. A partir de um foco na reconstrução crítica de Richard Fyffe, sobre o papel do especialista em CI na perspectiva da Infosfera de Floridi, buscamos identificar como novos conceitos para o campo da Ciência da Informação, derivados da FI e da Ética da Informação (EI) de Floridi, podem auxiliar a compreensão de transformações radicais em curso no campo dos acervos digitalizados de instituições de memória, e sua relação com as questões éticas mais amplas no plano da Infosfera.

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Journal articles on the topic 'GLAM'

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