Relevant bibliographies by topics / Glass blowing and working – History

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Glass blowing and working – History'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Glass blowing and working – History"

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Lightfoot, C. S. "A Roman Glass Flask in Gaziantep Museum." Anatolian Studies 35 (December 1985): 123–29. http://dx.doi.org/10.2307/3642878.

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Early Roman mould-blown glass vessels are widespread and well-known in the museums, private collections and sale rooms of Europe and America. However, one encounters such items less frequently in the regions where a great many of them were made. Although much work has been done on the origins and early practitioners of the craft of mould-blowing, few actual vessels have been recorded in the eastern Mediterranean and Middle East. So it is pleasing that I am able to add to the list a fine example in the Gaziantep Museum.Hexagonal flask. 1st century A.D. Translucent cobalt blue glass. Blown in a three-part mould. Flat bottom. Cylindrical neck with everted rim, lip folded inward. (Fig. 1 and Pl. XIX/a–c).Exact find-spot not recorded; acquired by purchase in the Gaziantep region. No registration number by October 1984.Height 7·8 cm. Diameter of bottom 2·4 cm.
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Boulware, Jenny, Andrew Mach, Ashley Rose Creegan, Gabriella Hornbeck, Eliza Newland, Rebekah Oakes, Brandi Oswald, and Malori Stevenson. "Glass Blowing and Community Building: A History of Morgantown, West Virginia’s Sunnyside Neighborhood, 1890–2013." West Virginia History: A Journal of Regional Studies 9, no. 1 (2015): 65–88. http://dx.doi.org/10.1353/wvh.2015.0003.

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Tian, Gui Zhong, Wei Long Cao, and Hong Gen Zhou. "Design of the Vitreous Bio-Micro-Channel Fabricating Device in Microfluidic System." Applied Mechanics and Materials 635-637 (September 2014): 1308–14. http://dx.doi.org/10.4028/www.scientific.net/amm.635-637.1308.

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In order to improve the structure, section shape and inner flow performance of micro-channel in Micro-fluidic system, a novel fabricating process of bio-micro-channel (BMC) is proposed based on the softening and forming property of glass material. By the manipulation of heating, pulling and blowing, a bio-micro-channel is made from glass capillary with specific functional units. A vitreous bio-micro-channel fabricating device (VBMCFD) is presented with working models of uniaxial and biaxial tension. Using common borosilicate glass capillary as experimental material, the affecting parameters of micro channel inner diameter, outer diameter, thickness and functional unit key parameter are tested, such as heating voltage, heating time, pulling velocity, pulling displacement and inner pressure. The bio-micro-channel is fabricated with micron scale inner diameter, about 5μm, and spherical functional unit. The experimental results show that the prototype of VBMCFD is characterized by reliable process, simple structure, low cost, etc. The vitreous bio-micro-channel is fabricated with circular-cross-section straight channels and uniform functional units, which are the key characters of biologic micro-channel.
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Rehren, Thilo, and Edgar B. Pusch. "New Kingdom Glass-Melting Crucibles from Qantir-Piramesses." Journal of Egyptian Archaeology 83, no. 1 (December 1997): 127–41. http://dx.doi.org/10.1177/030751339708300107.

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Recent work at Qantir-Piramesses revealed a group of crucibles related to glass-working. At least 40 individual crucibles were identified, dating to the reign of Ramesses II or slightly earlier. They are almost cylindrical in shape. The fabric was a local Nile clay (Vienna Nile E) without much visible temper. Most fragments are coated on the inside with a white layer. The crucibles resemble finds from Tell el-Amarna, also attributed to New Kingdom glass-working. They also relate to a solid glass ingot fitting precisely into the reconstructed crucibles. The crucible fragments from Qantir allow us to deduce their original mode of operation, and give new insight into the organisation of Egyptian glass-making and high temperature industries.
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Beatty, Edward. "Bottles for Beer: The Business of Technological Innovation in Mexico, 1890–1920." Business History Review 83, no. 2 (2009): 317–48. http://dx.doi.org/10.1017/s0007680500000544.

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Successful technological change in countries outside the northern Atlantic during the nineteenth and early twentieth centuries depended on entrepreneurial skills, not inventive expertise. In this examination of the Owens automatic glass-bottle-blowing machine in Mexico between 1905 and 1912, innovation is seen to have occurred within a broad context of incipient social and economic modernization. Although the obstacles encountered by technology importers and innovators were both substantial and stubbornly persistent, in this case, they turned out to be malleable.
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Boschetti, Cristina, Cristina Leonelli, Anna Corradi, Paola Iacumin, Marco Martini, Emanuela Sibilia, Sara Santoro, and Barbara Sassi. "Glass-working evidences at Dürres, Albania: An archaeological and archaeometric study." Journal of Cultural Heritage 9 (December 2008): e33-e36. http://dx.doi.org/10.1016/j.culher.2008.06.004.

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Okwuobi, Samuel, Felix Ishola, Oluseyi Ajayi, Enesi Salawu, Abraham Aworinde, Obafemi Olatunji, and Stephen Akinlabi. "A Reliability-Centered Maintenance Study for an Individual Section-Forming Machine." Machines 6, no. 4 (October 26, 2018): 50. http://dx.doi.org/10.3390/machines6040050.

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This study investigated the breakdown trend in an automated production with an aim to recommend the application of reliability-centered maintenance (RCM) for improved productivity via a new preventive maintenance (PM) program. An individual section-forming machine (ISM)—a glass blowing machine for making glass bottles—was used as the case study for an automated production system. The machine parts and the working mechanisms were analysed with a special focus on methods of processes and procedures. This will enable the ISM maintenance department to run more effectively and achieve its essential goal of ensuring effective machine operation and reduction in machine downtime. In this work, information is provided on the steps and procedures to identify critical components of the ISM using failure modes and effect analysis (FMEA) as a tool to come up with an optimal and efficient maintenance program using the reliability data of the equipment’s functional components. A relationship between the failure rate of the machine components and the maintenance costs was established such that using the recommended PM program demonstrates evidence of an improvement in the machine’s availability, safety, and cost-effectiveness and will result in an increase in the company’s profit margin.
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Mohammad, Mahizan Hijaz, and Aznan Omar. "Colonial Architecture on Local History Through Glass Sculpture." Idealogy Journal of Arts and Social Science 6, no. 1 (April 28, 2021): 17–26. http://dx.doi.org/10.24191/idealogy.v6i1.250.

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The aim of this paper is to study the aspect of colonial building that relates to local history. The history of tin mining is to be acknowledged and understand as important to the local. Local history has been part of important aspect in a developing community. It signifies engagement of the link between the present and the past. It helps the community to learn about the events that has happened and in the Malaysian context, the history of the British colonial is the most relevant for it is visibility due to the architectural ruin that is on location. The method applied is Critical Self reflections and studio experimentation. Samples and images of location on site retrieved to study the visual aspect of the buildings and applied as part f the artwork. Artwork explorations are conducted to relate the material and techniques to the context of the study. The British occupation existed in Malaysia for more than two hundred years from 1795 until 1957. In Malaysia generally there are four typical colonial styles of architecture which are Moorish, Tudor, Neo Classic and Neo Gothic (A Ghafar Ahmad, 1997). The tin mining industry has brought merchant and workers to Central Perak such as Gopeng and Batu Gajah. According to (Syed Zainol Abidin Ibid,1995), during 1900 till 1940s, there are three architectural style that influenced the construction of commercial building and shop houses which are adaptation style, eclectic and Art Deco. However, after time the Colonial buildings have decayed and turn into ruins. The beauty and style of the Colonial architecture has inspired the researcher to study the building since it is visible in the surrounding central Perak and keeps an interesting story of the past. Working with glass, the researcher will fabricate the idea of colonial building and glass as a work of art.
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Wei, Huidong, Shiyong Yan, and Gary Menary. "Modelling Stretch Blow Moulding of Poly (l-lactic acid) for the Manufacture of Bioresorbable Vascular Scaffold." Polymers 13, no. 6 (March 22, 2021): 967. http://dx.doi.org/10.3390/polym13060967.

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Stretch blow moulding (SBM) has been employed to manufacture bioresorbable vascular scaffold (BVS) from poly (l-lactic acid) (PLLA), whilst an experience-based method is used to develop the suitable processing conditions by trial-and-error. FEA modelling can be used to predict the forming process by the scientific understanding on the mechanical behaviour of PLLA materials above the glass transition temperature (Tg). The applicability of a constitutive model, the ‘glass-rubber’ (GR) model with material parameters from biaxial stretch was examined on PLLA sheets replicating the biaxial strain history of PLLA tubes during stretch blow moulding. The different stress–strain relationship of tubes and sheets under equivalent deformation suggested the need of re-calibration of the GR model for tubes. A FEA model was developed for PLLA tubes under different operation conditions, incorporating a virtual cap and rod to capture the suppression of axial stretch. The reliability of the FEA modelling on tube blowing was validated by comparing the shape evolution, strain history and stress–strain relationship from modelling to the results from the free stretch blow test.
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MÜLLER, FALK. "Johann Wilhelm Hittorf and the material culture of nineteenth-century gas discharge research." British Journal for the History of Science 44, no. 2 (November 24, 2010): 211–44. http://dx.doi.org/10.1017/s0007087410001329.

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AbstractIn the second half of the nineteenth century, gas discharge research was transformed from a playful and fragmented field into a new branch of physical science and technology. From the 1850s onwards, several technical innovations – powerful high-voltage supplies, the enhancement of glass-blowing skills, or the introduction of mercury air-pumps – allowed for a major extension of experimental practices and expansion of the phenomenological field. Gas discharge tubes served as containers in which resources from various disciplinary contexts could be brought together; along with the experimental apparatus built around them the tubes developed into increasingly complex interfaces mediating between the human senses and the micro-world. The focus of the following paper will be on the physicist and chemist Johann Wilhelm Hittorf (1824–1914), his educational background and his attempts to understand gaseous conduction as a process of interaction between electrical energy and matter. Hittorf started a long-term project in gas discharge research in the early 1860s. In his research he tried to combine a morphological exploration of gas discharge phenomena – aiming at the experimental production of a coherent phenomenological manifold – with the definition and precise measurements of physical properties.
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Dissertations / Theses on the topic "Glass blowing and working – History"

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Berg, Jason. "An interaction in glass /." Online version of thesis, 1995. http://hdl.handle.net/1850/12140.

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Kurti, Erdelina. "Working with tacit knowledge : An empirical investigation in glass blowing tradition in Sweden." Thesis, Linnéuniversitetet, Institutionen för datavetenskap, fysik och matematik, DFM, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-15124.

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Tacit knowledge is argued to be a crucial resource to organizations’ competitive advantage. The majority of research on tacit knowledge is oriented towards the conversion of tacit knowledge into explicit knowledge, thus assuming that all knowledge can be made explicit and captured in formal ways. These approaches overlook the intangible nature of tacit knowledge by overestimating that explicit knowledge.  This study takes a human centered approach with the aim to examine the factors that are necessary for an environment that works with tacit knowledge. A theoretical framework derived from the literature review and served as guidance for the data collection and analysis. Hermeneutics is the underlying philosophy that guides this study. The study is qualitative study conducted in the glass blowing in Sweden, respectively in two sites Pukeberg and Transjö Hytta. Participants of the study were masters and apprentices from these two settings. Data collection methods included literature studies, documents, participant observation, informal interviews and semi-structured interviews. Results from the analysis show the significance of several social factors that need to be present in an environment that involves tacit knowledge. These factors appeared to be related to each other. Data analysis indicated that not all factors are equally important, thus they have been classified into primary and secondary factors.
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Corcoran, Cristine C. "Dudelsacks : sculptural extensions in blown glass." PDXScholar, 1989. https://pdxscholar.library.pdx.edu/open_access_etds/3863.

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This thesis project consists of 19 sculptures. The medium is hot blown glass. The work interprets and extends the visual and metaphorical qualities of bagpipes. The utilization of the German dudelsack references the playful improvisational nature of these international and culturally diverse forms.
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Hemp, Doreen. "Process in glass art : a study of some technical and conceptual issues." Diss., 1995. http://hdl.handle.net/10500/16933.

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Glass has been made and used for centuries but South African artists, isolated for the last three decades, are only now becoming aware of the potential of hot or warm glass as an art medium. In antiquity glass objects were created using various processes but the 'factory' tradition began with the discovery of the blowing iron in the first century AD. The invention of the tank furnace in the late 1950s revolutionised modem production, enabling individual artists to make glass in private studios without blowing teams. The research describes ancient.. glassmaking processes and indicates how they have been explored, adapted and used by contemporary artists world wide, challenging craft orientated paradigms, and proving that glass is a viable and important sculpture medium. The practical research demonstrates the application of many processes and relates technical issues to sculptural concepts which are realized through the physical and material properties of glass.
Art History, Visual Arts & Musicology
M.A. (Fine Art)
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Cowie, Barbara Jane. "A study through text and artifacts of the major factors that have influenced the development of studio glassmaking in South Australia from a glassmaker's perspective : history and practice of studio glass blowing in South Australia." 2004. http://arrow.unisa.edu.au/vital/access/manager/Repository/unisa:36829.

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Although many texts discuss studio glass blowing in Australia, few focus on the South Australian situation and even fewer are written by studio glass blowers themselves. As a studio glass blower, I bring to this research experiential knowledge of practice to offer new insights into studio glass blowing. The study accesses knowledge that is implicit, embodied and tacit; knowledge derived from living and working within a particular community. In using this knowledge, I highlight the importance of both financial survival and the development of practice in creating a practitioner's perspective of studio glass blowing in South Australia. The study is designed as an ethnography. This incorporated a review of the literature and images found in published texts; interview and questionnaire data; anecdotal narratives and familiarity with the South Australian glass blowing community; and tacit knowledge of glass blowing practice, glass blowing skills and techniques. This tacit knowledge was accessed through an auto-ethnographic investigation of re-making the selected artefacts. The selection of these artefacts was based on my personal knowledge of glass blowing processes, first hand relationships with individual glassblowers, observation of artefacts and prior experience of working as a studio glass blower.
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Basu, Nirban. "The Working Glass movement in Eastern India,1937-47." Thesis, 1988. http://hdl.handle.net/2009/6270.

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Books on the topic "Glass blowing and working – History"

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Cintelli, Francesca. Il cristallo: Storia e tradizione artigiana = Crystal : history and craft tradition. Firenze: Edifir, 2006.

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Dorigato, Attilia. Murano, island of glass. San Giovanni Lupatoto (Vr) [Italy]: Arsenale, 2003.

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Mentasti, Rosa Barovier. L' arte del vetro. [Venezia: Centro internazionale della grafica di Venezia, 1987.

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Studien zur Glasproduktion seit dem 12. Jahrhundert im östlichen Westfalen. Münster: Landschaftsverband Westfalen-Lippe, 2008.

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Glass cutters, with a brief history of flat glass. College Station, TX: Virtualbookworm.com Pub., 2012.

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Nakatsuka, Michiko. Nihon ni okeru fuki-garasu no kigen. Kōbe-shi: Bīdoro Shiryōko, 1985.

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Polster, Bernd, Peter Pelzel, Askan Quittenbaum, Claudia Lanfranconi, and Jürg Waldmeier. Murano: Die Klassiker des italienischen Glasdesigns. Köln: DuMont, 2012.

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Mittelalterliche Glastechnologie: Archäologie, Schriftquellen, Archäochemie, Experimente. Frankfurt am Main: Lang, 2004.

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Roberto Niederer: Ein Leben für das Glas. Luzern: Pro Libro, 2009.

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Hudler, Fritz. Eleonorenhain: Der aus wilder Wurzel entstandene Glasmacherort im Böhmerwald. Grafenau: Morsak-Verlag, 1989.

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Book chapters on the topic "Glass blowing and working – History"

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Onion, Rebecca. "Conclusion Looking Closer at “Kids Are Little Scientists”." In Innocent Experiments. University of North Carolina Press, 2016. http://dx.doi.org/10.5149/northcarolina/9781469629476.003.0007.

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Scholars working in childhood studies are quite often confronted by what I think of as the “cuteness problem.” American beliefs about childhood—“boys like trucks”; “kids are so innocent”; “children love candy”—seem ingrained enough to feel biological, exempt from cultural analysis; they are deeply appealing. The idea that “kids are little scientists” is one of these indelible tropes, a bit of twenty-first-century folk knowledge that pleases many people. Much of my own initial interest in this topic came from the inherent cuteness of the historical archive—the covers of chemistry sets, the space cadets in their helmets, the earnest “research reports” from science clubs. So I cannot much blame people who come up to me after I give a talk about chemistry sets and want to tell me anecdotes about their uncles blowing up their basements; it can be hard, indeed, to regard this history with an analytic eye....
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Parfitt, Steven. "Conclusion." In Knights Across the Atlantic. Liverpool University Press, 2017. http://dx.doi.org/10.5949/liverpool/9781781383186.003.0009.

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In only ten years the Knights of Labor helped to reshape the British labour movement and won several major successes at a local level as well. The conclusion addresses their achievements, and the wider significance of the Knights of Labor within global labour history. The Knights represented an alternative, and a powerful one at that, to the subsequent development of international working-class movements such as the Second International and the International Trade Secretariats. Yet the Knights themselves, especially through bodies such as the Universal Federation of Window-Glass Workers, contributed as well to the development of those movements. The conclusion ends by locating the Knights as part of a long transatlantic radical tradition that still has its representatives today.
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Beerling, David. "Oxygen and the lost world of giants." In The Emerald Planet. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780192806024.003.0010.

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Oxygen, in its molecular form, is the second most abundant gas in our atmosphere but second to none in courting controversy. Its discovery is often credited to the great experimenter Joseph Priestley (1733–1904), who in 1774 showed that heating red calyx of mercury (mercuric oxide) in a glass vessel by focusing sunlight with a hand lens produced a colourless, tasteless, odourless gas. Mice placed in vessels of the new ‘air’ lived longer than normal and candles burned brighter than usual. As Priestley noted in 1775, ‘on the 8th of this month I procured a mouse, and put it into a glass vessel containing two ounce measures of the air from my mercuric calcinations. Had it been common air, a full-grown mouse, as this was, would have lived in it about quarter of an hour. In this air, however, my mouse lived a full half hour.’ Later experiments revealed that mice actually lived about five times longer in the ‘new air’ than normal air, giving Priestley an early indication that air is about 20% oxygen. About the same time, the Swedish chemist Carl Scheele (1742–86), working in Uppsala, showed that air contained a mixture of two gases, one promoting burning (oxygen) and one retarding it (nitrogen). Like Priestley, Scheele had prepared samples of the gas that encouraged burning (‘fire air’) by heating mercuric oxide, and also by reacting nitric acid with potash and distilling the residue with sulfuric acid. However, by the time his findings were published in a book entitled the Chemical treatise on air and fire in 1777, news of Priestley’s discovery had already spread throughout Europe and the great English chemist lay claim to priority. Only later did it become clear from surviving notes and records that Scheele had beaten Priestley to it, producing oxygen at least two years earlier. The harsh lesson from history, which still rings true today, is that capitalizing on a new exciting discovery requires its expedient communication to your peers. The talented Scheele died at 43, his life shortened by working for much of the time with deadly poisons like gaseous hydrogen cyanide in poorly ventilated conditions.
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Yarrow, Thomas. "Where Knowledge Meets." In Architects, 179–88. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501738494.003.0040.

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Mill House is a Cotswold stone structure, with a grade 2 “listing”—an acknowledgment of the building’s historical significance that affords formal protection through the planning system. Originally a working mill, it was bought by its current owners about a year ago. Mark and Cathy are accountants, in the process of moving from London—for her to retire and for him to commute. Tomas and Megan are here for a project meeting. Already, the broad outlines of the design have been agreed: Mark and Cathy were drawn to the character of the building and want to retain as much of the history as possible; but as they see it, the building has too many small rooms, insufficient light, and a poor connection to the garden. A number of schemes were initially considered. The most radical of these was the one they ultimately decided on; the essence of the plan is simple and was arrived at quickly: a small external courtyard—formed on three sides by the existing house and a barn to the rear—will be enclosed by a glass roof, creating an internal space that other rooms will open onto. As the project moves from concept development to detailing, there are many issues still to resolve. On this occasion considerations of cost are less central than those relating to planning approval and the technical feasibility of the proposed design concept....
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Conference papers on the topic "Glass blowing and working – History"

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Tan, Taide, Yitung Chen, and Zhuoqi Chen. "Performance of Solid Particle Receivers With or Without the Protection of an Aerowindow." In ASME 2008 2nd International Conference on Energy Sustainability collocated with the Heat Transfer, Fluids Engineering, and 3rd Energy Nanotechnology Conferences. ASMEDC, 2008. http://dx.doi.org/10.1115/es2008-54129.

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A solid particle solar receiver (SPSR) is a direct absorption central receiver that uses solid particles enclosed in a cavity to absorb concentrated solar radiation. However, the existing open aperture lowers the overall efficiency by convection heat transfer. Aerowindows have the potential of increasing the efficiency of an SPSR by reducing convective losses from an open receiver aperture and eliminate reflection, convection and reradiation losses from a comparable glass window. Aerodynamic windows consist of a transparent gas stream, which is injected from an air jet, across the receiver aperture to isolate its interior from the surrounding atmosphere. Even though, the wind conditions may still have important effect on the performance of SPSRs. In the present paper, the wind effect on the performance of an SPSR is investigated numerically. The mass, momentum and energy exchange between the solid particle and air flow are simulated by the two-way coupling Euler-Lagrange method in the realizable k-ε turbulence 3D model. The independence of the calculating domain is studied in order to select a proper domain for the numerical simulation. Solar ray tracing method is employed in calculating the solar radiation energy. The numerical investigation of the performance of the SPSR is focusing on optimizing the prototype design and finding out the best working condition for the SPSR. In order to investigate the influences of the wind speed and wind blowing direction on the performance of the receiver, different wind conditions of and different air jet injection conditions are simulated numerically. The cavity thermal efficiencies are calculated and the optimal injection conditions are analyzed for different wind conditions.
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