Relevant bibliographies by topics / Glass blowing and working in art Technique

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Academic literature on the topic 'Glass blowing and working in art Technique'

Author: Grafiati
Published: 10 December 2022
Last updated: 31 July 2025

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Journal articles on the topic "Glass blowing and working in art Technique"

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Gültekin, ERDAL. "Art in Glass, in Artistic delicacy Blowing Technique and Anatolian Civilization." INTERNATIONAL JOURNAL OF HUMANITIES AND ART RESEARCH 8, E.Ş. Special Issue (2023): 27–38. https://doi.org/10.5281/zenodo.8256919.

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Although Glass has been used for 5000 years, it has never lost value. It seems that Glass will not lose value in the future. Although new modified raw materials are being discovered with today's technology, Glass, As it is today, will have the most trusted, used hygiene and features that can make its buyers happy tomorrow. Glass, used in many technologies such as packaging, insulation, and production, especially in heavy industry, has never lost its value. However, new technological materials that we can call intermediate or modified are produced. Glass is the only unrivaled product that w
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Choi, Kee. "Developing Inlaid Colouring Technique for Hot-Glass Making Process." Arts 7, no. 4 (2018): 89. http://dx.doi.org/10.3390/arts7040089.

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This article discusses both the complexity and technical benefits of developing an inlaid colouring technique for the hot glass-making process. This technique was inspired by the ancient Korean ceramic decorative technique known as Sanggam, and has allowed me to delineate geometric patterns and counterfeit letters onto glass artworks, before encapsulating them between layers of transparent glass. By developing a typography design that deliberately chooses the wrong consonant and vowel letters, and combines Korean characters, the resulting designs do not fit into either South Korean or British
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Maksimova, Olena. "UNCONVENTIONAL TECHNIQUES OF FINE ARTS IN WORKING WITH PRESCHOOL CHILDREN." Scientific Bulletin of Uzhhorod University. Series: «Pedagogy. Social Work», no. 1(50) (May 31, 2022): 182–85. http://dx.doi.org/10.24144/2524-0609.2022.50.182-185.

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Culture is an integral part of a child's socialization. Getting acquainted with various techniques of fine arts enriches the child's experience, worldview, ideas about the properties of the surrounding world, develops imagination, increases interest in productive activities. The article analyzes educational programs for young and preschool children in terms of their recommendations to use unconventional techniques in children's art activities; the peculiarities of the organization of teaching children unconventional techniques of fine arts in preschool education are considered; techniques avai
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Srhoj, Vinko. "Kuzma Kovačić - priroda, kultura i vjera kao korektivi modernističke skulpture." Ars Adriatica, no. 1 (January 1, 2011): 169. http://dx.doi.org/10.15291/ars.436.

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Affirming himself during the postmodern period, it is as if sculptor Kuzma Kovačić never cared about the appearance of the new artistic trend. His oeuvre does not display any inclination, not even a rudimentary interest in postmodern compiling and referencing of historical sources. The age of fragmentary visual models creaed by the idea about the loss of cultural unity which attempted to construct itself on the shards of the broken ‘art-historical vase’ did not seem to touch him at all. On the other hand, Kovačić is not a follower of the preceding modernist period which emphasized the experime
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Baarsen, R. J. "Andries Bongcn (ca. 1732-1792) en de Franse invloed op de Amsterdamse kastenmakerij in de tweede helft van de achttiende eeuw." Oud Holland - Quarterly for Dutch Art History 102, no. 1 (1988): 22–65. http://dx.doi.org/10.1163/187501788x00555.

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AbstractAs was the case with silversmiths (Note 3), many more cabinet-makers were wcrking in Amsterdam during the second half of the 18th century than in any other city in the Dutch Republic, the names of 195 of them being now known as opposed to 57 in The Hague and 32 in Rotterdam (Note 2). Most of those 195 names have been culled from the few surviving documents of the Guild of St. Joseph in Amsterdam, to which the cabinet-makers belonged (Note 4), supplemented by other sources, such as printed registers of craftsmen and shopkeepers (Note 6). Another important source is the newspaper the Ams
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Bobrikhin, Andrey. "Glass Artworks of the Naive Artist Albert Korovkin." KnE Social Sciences, August 25, 2020. http://dx.doi.org/10.18502/kss.v4i11.7545.

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Naïve art is still under-represented in Russian museum and professional art institutions, with the works and heritage by many artists remaining under-exhibited and underresearched. Albert Korovkin (1935) is an artist whose name features in the World Encyclopaedia of Naive Art. His works entered the collection of the Yekaterinburg Museum of Fine Arts as part of the gift from Yevgeny Roizman. Among the donated works, there were about 50 pieces of glass-blowing art. Korovkin worked as a glassblower at the Institute of the Ural Scientific Centre, where he manufactured scientific equipment, but did
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Yeşilay, Selvin, and Emir Özkaya. "INVESTIGATING DECORATIVE EFFECTS OF METAL SALTS IN HOT GLASS FORMING METHODS." Anadolu Üniversitesi Sanat & Tasarım Dergisi, May 7, 2024, 131–46. https://doi.org/10.20488/sanattasarim.1602393.

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Glass is a material of great significance, especially for artistic expressions, due to its aesthetic and decorative qualities. Glass decoration holds a prominent place in aesthetics and possesses an ever-evolving nature. For centuries, decorative effects have been created on the surface of glass using various methods and techniques, and since the times of Ancient Egypt and Rome, the widespread adoption of this practice has led to the attainment of unique colors and textures. Today, thanks to advancements in technology, glass decoration continues to evolve with new ideas and techniques. These d
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AYDIN TAVUKÇU, Zerrin, and Ayşe AVLİ. "Glass Works from the Neapolis Necropolis." ODÜ Sosyal Bilimler Araştırmaları Dergisi (ODÜSOBİAD), June 25, 2022. http://dx.doi.org/10.48146/odusobiad.1119450.

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13 glass artifacts, evaluated within the scope of this study, were found from a chamber tomb unearthed in 2010 in the necropolis area of the Neapolis Ancient City, located within the borders of Yazıkent Town, Bozdoğan District, in today's Aydın Province. Among the mentioned works, there are various examples such as bowls, unguentariums and glasses, most of them; Conical body, pear-shaped body, miniature spherical body, tube-shaped and candelabra (bell) body, which is divided into various sub-types, form the vessel called unguentarium. The earliest example among the Neapolis artifacts is the bo
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Chau, Christina, and Laura Glitsos. "Time." M/C Journal 22, no. 6 (2019). http://dx.doi.org/10.5204/mcj.1617.

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Nearly 50 years on from Alvin Toffler’s Future Shock (1971), contemporary society finds itself navigating the Fourth Industrial Revolution. This era has been described as the convergence of digitisation, robotics, artificial intelligence, globalisation—and speed (Johannessen). As such, temporality is taking on a turbulent and elusive edge. In the previous century, Toffler highlighted that technological change accelerated perceptions of time, and he predicted that by the 21st century, people would find it “increasingly painful to keep up with the incessant demand for change that characterises o
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Wark, McKenzie. "Toywars." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2179.

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I first came across etoy in Linz, Austria in 1995. They turned up at Ars Electronica with their shaved heads, in their matching orange bomber jackets. They were not invited. The next year they would not have to crash the party. In 1996 they were awarded Arts Electronica’s prestigious Golden Nica for web art, and were on their way to fame and bitterness – the just rewards for their art of self-regard. As founding member Agent.ZAI says: “All of us were extremely greedy – for excitement, for drugs, for success.” (Wishart & Boschler: 16) The etoy story starts on the fringes of the squatters’ m
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Dissertations / Theses on the topic "Glass blowing and working in art Technique"

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Berg, Jason. "An interaction in glass /." Online version of thesis, 1995. http://hdl.handle.net/1850/12140.

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Corcoran, Cristine C. "Dudelsacks : sculptural extensions in blown glass." PDXScholar, 1989. https://pdxscholar.library.pdx.edu/open_access_etds/3863.

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This thesis project consists of 19 sculptures. The medium is hot blown glass. The work interprets and extends the visual and metaphorical qualities of bagpipes. The utilization of the German dudelsack references the playful improvisational nature of these international and culturally diverse forms.
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Hemp, Doreen. "Process in glass art : a study of some technical and conceptual issues." Diss., 1995. http://hdl.handle.net/10500/16933.

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Glass has been made and used for centuries but South African artists, isolated for the last three decades, are only now becoming aware of the potential of hot or warm glass as an art medium. In antiquity glass objects were created using various processes but the 'factory' tradition began with the discovery of the blowing iron in the first century AD. The invention of the tank furnace in the late 1950s revolutionised modem production, enabling individual artists to make glass in private studios without blowing teams. The research describes ancient.. glassmaking processes and indicates how
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Books on the topic "Glass blowing and working in art Technique"

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Jenkins, Cindy. Beads of glass: The art and the artists. Pyro Press, 2004.

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Jenkins, Cindy. Beads of glass: [the art and the artist]. Pyro Press, 2003.

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3

Culler, Rene. Glass art from the kiln. Schiffer Pub. Ltd., 2010.

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4

verrier, Centre international d'art, and Hochschule der Bildenden Künste--Saar, eds. Decor-um: Relecture contemporaine des techniques traditionnelles de décor du verre = Zeitgenössische Interpretationen traditioneller Glasdekortechniken. Centre international d'art verrier, 2009.

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verrier, Centre international d'art, and Hochschule der Bildenden Künste--Saar, eds. Decor-um: Relecture contemporaine des techniques traditionnelles de décor du verre = Zeitgenössische Interpretationen traditioneller Glasdekortechniken. Centre international d'art verrier, 2009.

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6

Hess, Catherine. Looking at glass: A guide to terms, styles and techniques. V&A Publications, 2005.

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7

Birkhill, Frederick. Art of flameworking. s.n., 1996.

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8

Beaumont, Thierry de. Michi Suzuki: Perle d'art. Revue de la céramique et du verre, 2009.

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Beaumont, Thierry de. Michi Suzuki: Perle d'art. Revue de la céramique et du verre, 2009.

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Dorigato, Attilia. Murano, island of glass. Arsenale, 2003.

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