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Journal articles on the topic 'Glass blowing and working in art Technique'

Author: Grafiati

Published: 10 December 2022

Last updated: 19 July 2025

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1

Gültekin, ERDAL. "Art in Glass, in Artistic delicacy Blowing Technique and Anatolian Civilization." INTERNATIONAL JOURNAL OF HUMANITIES AND ART RESEARCH 8, E.Ş. Special Issue (2023): 27–38. https://doi.org/10.5281/zenodo.8256919.

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Although Glass has been used for 5000 years, it has never lost value. It seems that Glass will not lose value in the future. Although new modified raw materials are being discovered with today's technology, Glass, As it is today, will have the most trusted, used hygiene and features that can make its buyers happy tomorrow. Glass, used in many technologies such as packaging, insulation, and production, especially in heavy industry, has never lost its value. However, new technological materials that we can call intermediate or modified are produced. Glass is the only unrivaled product that w

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2

Choi, Kee. "Developing Inlaid Colouring Technique for Hot-Glass Making Process." Arts 7, no. 4 (2018): 89. http://dx.doi.org/10.3390/arts7040089.

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This article discusses both the complexity and technical benefits of developing an inlaid colouring technique for the hot glass-making process. This technique was inspired by the ancient Korean ceramic decorative technique known as Sanggam, and has allowed me to delineate geometric patterns and counterfeit letters onto glass artworks, before encapsulating them between layers of transparent glass. By developing a typography design that deliberately chooses the wrong consonant and vowel letters, and combines Korean characters, the resulting designs do not fit into either South Korean or British

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Maksimova, Olena. "UNCONVENTIONAL TECHNIQUES OF FINE ARTS IN WORKING WITH PRESCHOOL CHILDREN." Scientific Bulletin of Uzhhorod University. Series: «Pedagogy. Social Work», no. 1(50) (May 31, 2022): 182–85. http://dx.doi.org/10.24144/2524-0609.2022.50.182-185.

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Culture is an integral part of a child's socialization. Getting acquainted with various techniques of fine arts enriches the child's experience, worldview, ideas about the properties of the surrounding world, develops imagination, increases interest in productive activities. The article analyzes educational programs for young and preschool children in terms of their recommendations to use unconventional techniques in children's art activities; the peculiarities of the organization of teaching children unconventional techniques of fine arts in preschool education are considered; techniques avai

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Srhoj, Vinko. "Kuzma Kovačić - priroda, kultura i vjera kao korektivi modernističke skulpture." Ars Adriatica, no. 1 (January 1, 2011): 169. http://dx.doi.org/10.15291/ars.436.

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Affirming himself during the postmodern period, it is as if sculptor Kuzma Kovačić never cared about the appearance of the new artistic trend. His oeuvre does not display any inclination, not even a rudimentary interest in postmodern compiling and referencing of historical sources. The age of fragmentary visual models creaed by the idea about the loss of cultural unity which attempted to construct itself on the shards of the broken ‘art-historical vase’ did not seem to touch him at all. On the other hand, Kovačić is not a follower of the preceding modernist period which emphasized the experime

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Baarsen, R. J. "Andries Bongcn (ca. 1732-1792) en de Franse invloed op de Amsterdamse kastenmakerij in de tweede helft van de achttiende eeuw." Oud Holland - Quarterly for Dutch Art History 102, no. 1 (1988): 22–65. http://dx.doi.org/10.1163/187501788x00555.

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AbstractAs was the case with silversmiths (Note 3), many more cabinet-makers were wcrking in Amsterdam during the second half of the 18th century than in any other city in the Dutch Republic, the names of 195 of them being now known as opposed to 57 in The Hague and 32 in Rotterdam (Note 2). Most of those 195 names have been culled from the few surviving documents of the Guild of St. Joseph in Amsterdam, to which the cabinet-makers belonged (Note 4), supplemented by other sources, such as printed registers of craftsmen and shopkeepers (Note 6). Another important source is the newspaper the Ams

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Bobrikhin, Andrey. "Glass Artworks of the Naive Artist Albert Korovkin." KnE Social Sciences, August 25, 2020. http://dx.doi.org/10.18502/kss.v4i11.7545.

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Naïve art is still under-represented in Russian museum and professional art institutions, with the works and heritage by many artists remaining under-exhibited and underresearched. Albert Korovkin (1935) is an artist whose name features in the World Encyclopaedia of Naive Art. His works entered the collection of the Yekaterinburg Museum of Fine Arts as part of the gift from Yevgeny Roizman. Among the donated works, there were about 50 pieces of glass-blowing art. Korovkin worked as a glassblower at the Institute of the Ural Scientific Centre, where he manufactured scientific equipment, but did

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7

Yeşilay, Selvin, and Emir Özkaya. "INVESTIGATING DECORATIVE EFFECTS OF METAL SALTS IN HOT GLASS FORMING METHODS." Anadolu Üniversitesi Sanat & Tasarım Dergisi, May 7, 2024, 131–46. https://doi.org/10.20488/sanattasarim.1602393.

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Glass is a material of great significance, especially for artistic expressions, due to its aesthetic and decorative qualities. Glass decoration holds a prominent place in aesthetics and possesses an ever-evolving nature. For centuries, decorative effects have been created on the surface of glass using various methods and techniques, and since the times of Ancient Egypt and Rome, the widespread adoption of this practice has led to the attainment of unique colors and textures. Today, thanks to advancements in technology, glass decoration continues to evolve with new ideas and techniques. These d

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AYDIN TAVUKÇU, Zerrin, and Ayşe AVLİ. "Glass Works from the Neapolis Necropolis." ODÜ Sosyal Bilimler Araştırmaları Dergisi (ODÜSOBİAD), June 25, 2022. http://dx.doi.org/10.48146/odusobiad.1119450.

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13 glass artifacts, evaluated within the scope of this study, were found from a chamber tomb unearthed in 2010 in the necropolis area of the Neapolis Ancient City, located within the borders of Yazıkent Town, Bozdoğan District, in today's Aydın Province. Among the mentioned works, there are various examples such as bowls, unguentariums and glasses, most of them; Conical body, pear-shaped body, miniature spherical body, tube-shaped and candelabra (bell) body, which is divided into various sub-types, form the vessel called unguentarium. The earliest example among the Neapolis artifacts is the bo

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9

Chau, Christina, and Laura Glitsos. "Time." M/C Journal 22, no. 6 (2019). http://dx.doi.org/10.5204/mcj.1617.

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Nearly 50 years on from Alvin Toffler’s Future Shock (1971), contemporary society finds itself navigating the Fourth Industrial Revolution. This era has been described as the convergence of digitisation, robotics, artificial intelligence, globalisation—and speed (Johannessen). As such, temporality is taking on a turbulent and elusive edge. In the previous century, Toffler highlighted that technological change accelerated perceptions of time, and he predicted that by the 21st century, people would find it “increasingly painful to keep up with the incessant demand for change that characterises o

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Wark, McKenzie. "Toywars." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2179.

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I first came across etoy in Linz, Austria in 1995. They turned up at Ars Electronica with their shaved heads, in their matching orange bomber jackets. They were not invited. The next year they would not have to crash the party. In 1996 they were awarded Arts Electronica’s prestigious Golden Nica for web art, and were on their way to fame and bitterness – the just rewards for their art of self-regard. As founding member Agent.ZAI says: “All of us were extremely greedy – for excitement, for drugs, for success.” (Wishart & Boschler: 16) The etoy story starts on the fringes of the squatters’ m

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11

Abrahamsson, Sebastian. "Between Motion and Rest: Encountering Bodies in/on Display." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.109.

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The German anatomist and artist Gunther von Hagens’s exhibition Body Worlds has toured Europe, Asia and the US several times, provoking both interest and dismay, fascination and disgust. This “original exhibition of real human bodies” features whole cadavers as well as specific body parts and it is organized thematically around specific bodily functions such as the respiratory system, blood circulation, skeletal materials and brain and nervous system. In each segment of the exhibition these themes are illustrated using parts of the body, presented in glass cases that are associated with each f

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12

Macken, Marian. "And Then We Moved In." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2687.

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   Working drawings are produced, when a house is designed, to envisage an imagined building. They are a tangible representation of an object that has no tangible existence. These working drawings act as a manual for constructing the house; they represent that which is to be built. The house comes into being, therefore, via this set of drawings. This is known as documentation. However, these drawings record the house at an ideal moment in time; they capture the house in stasis. They do not represent the future life of the house, the changes and traces the inhabitants make upo

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13

Lindop, Samantha Jane. "Carmilla, Camilla: The Influence of the Gothic on David Lynch's Mulholland Drive." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.844.

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It is widely acknowledged among film scholars that Lynch’s 2001 neo-noir Mulholland Drive is richly infused with intertextual references and homages — most notably to Charles Vidor’s Gilda (1946), Billy Wilder’s Sunset Boulevard (1950), Alfred Hitchcock’s Vertigo (1958), and Ingmar Bergman’s Persona (1966). What is less recognised is the extent to which J. Sheridan Le Fanu’s 1872 Gothic novella Carmilla has also influenced Mulholland Drive. This article focuses on the dynamics of the relationship between Carmilla and Mulholland Drive, particularly the formation of femme fatale Camilla Rhodes (

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14

Michael, Rose. "Out of Time: Time-Travel Tropes Write (through) Climate Change." M/C Journal 22, no. 6 (2019). http://dx.doi.org/10.5204/mcj.1603.

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“What is the point of stories in such a moment”, asks author and critic James Bradley, writing about climate extinction: Bradley emphasises that “climatologist James Hansen once said being a climate scientist was like screaming at people from behind a soundproof glass wall; being a writer concerned with these questions often feels frighteningly similar” (“Writing”). If the impact of climate change asks humans to think differently, to imagine differently, then surely writing—and reading—must change too? According to writer and geographer Samuel Miller-McDonald, “if you’re a writer, then you hav

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15

Tan, Kai Qing. "Negative Affects in the Dark Intervals of <em>A Land Imagined</em>." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3132.

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Introduction Yeo Siew Hua’s 2018 film A Land Imagined encompasses the “experiential and immersive” aspects of land reclamation, construction projects, and related issues pertaining to the treatment of migrant labour, as the director sought to capture “what [he] saw and felt during each visit” to the worksites. The mistreatment of migrant labour workers (MLWs) in Singapore has long been documented by both local and international groups (Chin 536-37). Despite the Singaporean government conducting steps to improve the treatment and living conditions of migrant labour workers, its request for Sing

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16

sprotocols. "Cell volume and geometric parameters determination in living cells using confocal microscopy and 3D reconstruction." January 18, 2015. https://doi.org/10.5281/zenodo.14012.

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Authors: David Hevia, Aida Rodriguez-Garcia, Marta Alonso-Gervós, Isabel Quirós-González, Henar M Cimadevilla, Carmen Gómez-Cordovés, Rosa M Sainz & Juan C Mayo ### Abstract The protocol reported here describes a simple, easy, fast and reproducible method aimed to know the geometric parameters of living cells based on confocal laser scanning microscopy combined with 3D reconstruction software. Briefly, the method is based on intrinsic fluorescence properties of acridine orange (AO), a molecule taken up by living adherent cells. Dual binding of AO to either DNA or RNA allows complete staini

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