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1

Krippner, Roland. Facade apertures. Basel: Birkhauser, 2008.

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2

Krippner, Roland. Facade apertures. Basel: Birkhauser, 2008.

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3

Structural glass facades and enclosures. Hoboken, N.J: Wiley, 2011.

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4

Hausladen, Gerhard. Climateskin: Concepts for building skins that can do more with less energy. Basel: Birkhäuser, 2008.

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5

Compagno, Andrea. Intelligente Glasfassaden: Material, Anwendung, Gestaltung = Intelligent glass façades : material, practice, design. 4th ed. Basel: Birkhäuser-Verlag, 1999.

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6

Glass ceilings and Asian Americans: The new face of workplace barriers. Walnut Creek, Calif: AltaMira Press, 2000.

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7

Frost, Lucy. A face in the glass: The journal and life of Annie Baxter Dawbin. Port Melbourne, Vic: W. Heinemann Australia, 1992.

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8

Basics Facade Apertures (Basics). Birkhäuser Basel, 2007.

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9

Compagno, Andrea. Intelligent Glass Facades. 4th ed. Birkhauser, 1999.

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10

Patterson, Mic. Structural Glass Facades and Enclosures. Wiley & Sons, Incorporated, John, 2011.

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11

Patterson, Mic. Structural Glass Facades and Enclosures. Wiley & Sons, Incorporated, John, 2011.

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12

Patterson, Mic. Structural Glass Facades and Enclosures. Wiley & Sons, Incorporated, John, 2011.

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13

Climate Skin: Concepts for Building Skins that Can Do More with Less Energy. Birkhäuser Basel, 2008.

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14

Weller, Bernhard, and Jens Schneider. Engineered Transparency 2018: Glass in Architecture and Structural Engineering. Ernst & Sohn, 2019.

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15

Intelligent Glass Facades: Material, Practice, Design. Ellipsis London Pr Ltd, 1995.

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16

Hardinge, Frances. Face Like Glass. MacMillan Hardback Omes, 2012.

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17

Intelligente Glasfassaden / Intelligent Glass Facades: Material, Anwendung, Gestaltung / Material, Practice, Design. Birkhauser, 1995.

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18

A Face Like Glass. Pan Macmillan, 2013.

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19

A Face Like Glass. New York, USA: Amulet Books, 2017.

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20

Hardinge, Frances. A Face Like Glass. Pan MacMillan, 2012.

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21

A Face Like Glass. imusti, 2016.

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22

Hardinge, Frances. A Face Like Glass. Macmillan Children's Books, 2018.

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23

A Face Like Glass. Harry N. Abrams, 2018.

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24

Latynin, Leonid. Glas 21: The Face-Maker and the Muse (Glas). Ivan R. Dee, Publisher, 1999.

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25

E, Braddon M. The Face in the Glass and Other Gothic Tales. British Library, 2014.

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26

Internal World of the Juvenile Sex Offender: Through a Glass Darkly Then Face to Face. Taylor & Francis Group, 2013.

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27

E, Braddon M. The Face in the Glass: The Gothic Tales of Mary Elizabeth Braddon. British Library Publishing, 2019.

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28

Lavater, Johann. Lavater's Looking-Glass: Or, Essays on the Face of Animated Nature, from Man to Plants. HardPress, 2020.

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29

Woo, Deborah. Glass Ceilings and Asian Americans: The New Face of Workplace Barriers (Critical Perspective on Asian Pacific Americans). Altamira Press, 2000.

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30

Glass Ceilings and Asian Americans: The New Face of Workplace Barriers: The New Face of Workplace Barriers (Critical Perspective on Asian Pacific Americans). AltaMira Press, 2000.

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31

Gloss Floss and Wash: Diy crafts and recipes for a fresh face and teeth. Capstone Press, 2017.

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32

Fo, Alessandro. Limiting Our Losses. Translated by Jelena Todorovic and Susanna Braund. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810810.003.0029.

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In this chapter (translated and reprinted here with kind permission), the arduous path of challenges faced by one of Virgil’s translators is mapped out with painstaking detail. Alessandro Fo, author of a recent translation of the Aeneid into Italian, offers an account of the main principles and criteria he adopted in approaching his task. From a metrical point of view, the translator opted for the ‘barbaric’ hexameter, striving to render the rhythmic flexibility of Latin verse. At a stylistic level, he decided to stick as close as possible to the epic and elevated (at times even alienating) diction of Virgil’s poem, without attempting to ‘gloss’ solemn coinages, metaphors, or enallagē for the Italian reader. After acknowledging his inescapable debt to previous Italian translators of the Aeneid, the author highlights his effort to situate his translation among those ‘oriented towards the source text’ without undermining its readability.
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33

Lovers, Note. Ask Me Abaut My Lip Gloss - Makeup Artist Face Charts Workbook: Blank Makeup Face Charts for Professional Makeup Artists - Makeup Artist Gifts for Women. Independently Published, 2019.

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34

Fox, Georgia L., ed. An Archaeology and History of a Caribbean Sugar Plantation on Antigua. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401285.001.0001.

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An Archaeology and History of a Caribbean Sugar Plantation on Antigua uses archaeological and documentary evidence to reconstruct daily life at Betty’s Hope plantation on the island of Antigua, one of the largest sugar plantations in the Caribbean. It demonstrates the rich information that the multidisciplinary approach of contemporary historical archaeology can offer when assessing the long-term impacts of sugarcane agriculture on the region and its people. Drawing on ten years of research at the 300-year-old site, the researchers uncover the plantation’s inner workings and its connections to broader historical developments in the Atlantic World. Excavations at the Great House reveal similarities to other British colonial sites, and historical records reveal the owners’ involvement in the Atlantic slave trade and in the trade of rum and other commodities. Artifacts uncovered from the slave quarters—ceramic tokens, repurposed bottle glass, and hundreds of Afro-Antiguan pottery sherds—speak to the agency of enslaved peoples in the face of harsh living conditions. Contributors also use ethnographic field data collected from interviews with contemporary farmers, as well as soil analysis to demonstrate how three centuries of sugarcane monocropping created a complicated legacy of soil depletion. Today tourism has long surpassed sugar as Antigua’s primary economic driver. Looking at visitor exhibits and new technologies for exploring and interpreting the site, the volume discusses best practices in cultural heritage management at Betty’s Hope and other locations that are home to contested historical narratives of a colonial past.
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