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Journal articles on the topic 'Glass sculpture'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Villegas-Broncano, Maria A., and J. Alberto Durán-Suárez. "Historical and technical insight into the human motifs in the glass sculpture." Arte, Individuo y Sociedad 33, no. 2 (2021): 589–604. http://dx.doi.org/10.5209/aris.69159.

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Although glass proto-sculptures were made with deep artistic value since the most remote times, in the late 19th century the glass sculpture was developed, and during the 20th century the Studio Glass Movement reached the maximum level of technical perfection and aesthetic variety. The scientific and technical glass knowledge contributed to achieve appropriate hot and cold working procedures, and the artists improved their designs and creations. This paper focuses on the binomial glass sculpture and human motifs. The historic evolution of the glass sculpture with human motifs is analyzed, taki

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2

BURGANOVA, M. A. "Glass sculpture." Декоративное искусство и предметно-пространственная среда. Вестник МГХПА, no. 3-1 (2022): 51–61. http://dx.doi.org/10.37485/1997-4663_2022_3_1_51_61.

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3

Sakhno, Irina. "Alexander Burganov’s Alternative Worlds and Visual Ideograms." Scientific and analytical journal Burganov House. The space of culture 16, no. 1 (2020): 38–55. http://dx.doi.org/10.36340/2071-6818-2020-16-1-38-55.

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Summary: The creative work of famous Russian sculptor Alexander Nikolayevich Burganov in the context of a system of copyright signs and conventional symbols, the artist’s relationship with the world and himself from the standpoint of symbolic valency which combines two forms of sculptural expressiveness – figurative and abstract art, are analyzed in the article. Considering hidden comparisons in Burganov’s work, the author analyzes the mythological and metaphorical thinking of the artist who appeals to invariable ancient images and surreal poetics that ultimately form an organic constellation

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Welte, Sandrine. "Reflecting Picasso in Glass." Arts 13, no. 1 (2024): 26. http://dx.doi.org/10.3390/arts13010026.

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Whereas Picasso’s work in ceramics, wood and bronze is rather well known, the body of his sculptures in glass remains an object of little research. In fact, as a thorough analysis reveals, they rarely find mention in publications or catalogues on Picasso and seldom are included in exhibitions or retrospectives on the great Spanish artist. This may on the one hand be attributed to a still prevailing perception of glass as a medium for industrial, functional or everyday purposes—hence discounting the material in terms of artistic output—while on the other, to controversies of authorship, related

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Knotek, V., J. Červinka, and Z. Křenková. "Survey and restoration of outdoor glass reinforced polyester sculptures." Koroze a ochrana materialu 63, no. 3 (2019): 130–37. http://dx.doi.org/10.2478/kom-2019-0017.

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Abstract The beginning of the use of polyester resins for artistic work date back to the late 1950s. Initially, resins were supposed to temporarily replace and imitate traditional but more expensive sculptural materials (stone, bronze). Later, original, especially fiberglass works were created, where the laminate formed a shell connected to the internal supporting steel structure. Until now, only part of the exterior works of art made of polyester resins have been survived. Although polyester resins are considered to have good weather resistance, most exterior sculptures exhibit more or less s

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Koniuk, Andrii, Nadia Polshchikova, Alexander Vasylenko, and Mikhail Stashenko. "GLASS IN ARCHITECTURE AND SCULPTURE." Problems of theory and history of architecture of Ukraine, no. 22 (July 2022): 6–13. http://dx.doi.org/10.31650/2519-4208-2022-22-6-13.

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Atieno, Onyiso Sachbear, Matthews Muoki, and Kamau Wango. "Creation of Indoor Sculptures Using Metal and Glass Inspired by Selected Swahili Kanga Inscriptions." East African Journal of Arts and Social Sciences 7, no. 1 (2024): 74–95. http://dx.doi.org/10.37284/eajass.7.1.1782.

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The ‘Kanga’, a colourful printed cloth wrapper, is one of Kenya’s coastal region’s most well-known cultural items and has deep cultural, historic and economic significance. In their creation, the Kangas contain inscriptions on them that propagate sayings, proverbs, and pithy phrases in Kiswahili. The inscriptions are located on the lower border and are frequently surrounded and highlighted by various patterns or background colours. The Swahili inscriptions not only impart specific messages to the viewer but are also used to convey feelings, thoughts, and inspire. Despite sculptures being tradi

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KRIVOLAPOVA, G. A., and A. N. KRIVOLAPOV. "Plastic properties of miniature glass sculpture." Декоративное искусство и предметно-пространственная среда. Вестник МГХПА, no. 1-1 (2022): 288–96. http://dx.doi.org/10.37485/1997-4663_2022_1_1_288_296.

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9

Ferriman, Annabel. "Medical research charity unveils glass sculpture." BMJ 330, no. 7493 (2005): 691.5. http://dx.doi.org/10.1136/bmj.330.7493.691-d.

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10

Guo, Jianyong. "Contemporary inside painting glass sculptures." Matériaux & Techniques 107, no. 3 (2019): 306. http://dx.doi.org/10.1051/mattech/2018062.

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This author applied personal practice in order to develop and subsequently demonstrate the feasibility of applying the techniques of inside painting of traditional Chinese snuff bottles, so as to create a body of works demonstrating totally different effects and styles. The techniques focus on free-hand blowing in this section. This new form of inside painting shown could be applied to contemporary glass sculpture making and therefore reduce, or even solve, the monopoly of traditional style.

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Duda, Vasile. "Armonia spațialității pozitive și negative în sculptura artistului Ingo Glass." Studia Universitatis Babeș-Bolyai Historia Artium 65, no. 1 (2020): 185–220. http://dx.doi.org/10.24193/subbhistart.2020.10.

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"Harmony of Positive and Negative Spaciousness in Ingo Glass sculpture. The aim of this article is to discuss issues regarding the ways spaciousness and harmony of positive and negative surfaces in Inglo Glass sculpture are valorized. The artist was born in 1941 in Timișoara, he studied at the Traditional School of Arts from Lugoj and then he attended the university in Cluj. Between 1967-71 he worked as curator at the Museum of Contemporary Arts from Galați and he established connections with visual artists from all over the country. Later on, between 1972-73 he worked as teaching assistant at

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Mohammad, Mahizan Hijaz, and Aznan Omar. "Colonial Architecture on Local History Through Glass Sculpture." Idealogy Journal of Arts and Social Science 6, no. 1 (2021): 17–26. http://dx.doi.org/10.24191/idealogy.v6i1.250.

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The aim of this paper is to study the aspect of colonial building that relates to local history. The history of tin mining is to be acknowledged and understand as important to the local. Local history has been part of important aspect in a developing community. It signifies engagement of the link between the present and the past. It helps the community to learn about the events that has happened and in the Malaysian context, the history of the British colonial is the most relevant for it is visibility due to the architectural ruin that is on location. The method applied is Critical Self reflec

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Thompson, David, Brian Van Bussel, Han Yao, and Michael Engelmann. "Glass Sculpture at Dr. George Robert Grasett Park." ce/papers 2, no. 5-6 (2018): 465–73. http://dx.doi.org/10.1002/cepa.946.

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Krivolapova, G. A., and A. N. Krivolapov. "Sugar or glass? Traditions of creating sweet sculpture." Декоративное искусство и предметно-пространственная среда. Вестник МГХПА, no. 4-1 (2022): 400–405. http://dx.doi.org/10.37485/1997-4663_2022_4_1_400_405.

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15

Brachlow, Heike. "An Empirical Approach to Colour in Glass." Arts 8, no. 1 (2019): 15. http://dx.doi.org/10.3390/arts8010015.

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This paper focuses on the characteristics and use of transparent homogenous coloured glass for cast glass sculpture. It provides an overview of glass colouring agents and their characteristics, and establishes factors that influence the appearance of colour in glass. Methods to visually evaluate appropriate colour density for a given form are discussed, as well as essential characteristics that a form must possess to achieve results within a density threshold area, where coloured glass changes in value and/or hue between thick and thin sections.

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Hu, Zhengjuan. "Research on the Application of Computer in the Design of Arts and Crafts." E3S Web of Conferences 290 (2021): 02025. http://dx.doi.org/10.1051/e3sconf/202129002025.

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Firstly, this paper expounds the design methods of traditional arts and crafts, including the traditional design methods of sculpture crafts, glass crafts and ceramic crafts. Then it analyzes the advantages of computer technology in the design of arts and crafts, including improving the product performance of arts and crafts, improving the design interest of arts and crafts designers and improving the modern flavor of arts and crafts; then it expounds the application of computer technology in different stages of arts and crafts design in detail, including the early preparation, concrete implem

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17

Sparkes, Brian A. "Greek Bronzes." Greece and Rome 34, no. 2 (1987): 152–68. http://dx.doi.org/10.1017/s0017383500028102.

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When I first began to study Greek art, back in the mid 1950s, a book on Greek sculpture had recently been published in Germany and in England that did much to encourage my interest. It was Reinhard Lullies and Max Hirmer's big picture book, Greek Sculpture, since enlarged and running into three German and two English editions. Its basic idea was not totally novel but was rare for its time and never previously done so well. It presented large, clear photographs of original Greek works (by Hirmer) with a scholarly commentary to each piece (by Lullies); it omitted anything that was known, or cons

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Bergman, Robert P. "Romanesque Sculpture in campania: Patrons, Programs, and Style.Dorothy F. Glass." Speculum 69, no. 1 (1994): 147–49. http://dx.doi.org/10.2307/2864813.

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Abdu Lhsan Abd Ali ALJASHEAMIU, Dr Khawlah, and Dr Inam Eesa Kadhim AJAM. "THE EFFECTIVENESS OF USING SUSTAINABLE MATERIALS IN CONTEMPORARY SCULPTURE IN IRAQ." International Journal of Humanities and Educational Research 06, no. 02 (2024): 333–54. http://dx.doi.org/10.47832/2757-5403.25.20.

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The use of raw materials in contemporary sculpture is a practice aimed at maintaining indicators of the development of work in the field of art. A variety of materials are used in the manufacture of contemporary sculpture, and this includes the use of sustainable wood obtained from well-established forests that contribute to the availability of a variety of Wood sources, in addition, the possibility of using recycled materials such as iron, glass and recycled plastic in unique construction work, all in reducing loss and making better use of available resources. It includes the research of the

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20

Stefańska, Alicja, and Daniel Załuski. "High Rise Building: The Mega Sculpture Made Of Steel, Concrete and Glass." IOP Conference Series: Materials Science and Engineering 245 (October 2017): 082005. http://dx.doi.org/10.1088/1757-899x/245/8/082005.

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21

Vetvicka, I. "Inhomogeneous moldavites: the dependence of sculpture on chemical composition and glass flow structure." Journal of Non-Crystalline Solids 323, no. 1-3 (2003): 34–41. http://dx.doi.org/10.1016/s0022-3093(03)00287-4.

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22

Ioannis, Michaloudis, and Matthew van Roden. "Spirited Skies project: Silica Aerogel in Art and Design Applications." MRS Advances 2, no. 57 (2017): 3491–97. http://dx.doi.org/10.1557/adv.2017.349.

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ABSTRACTThis comparative study on two interdisciplinary artistic practices aims to improve public perception of scientific research and to facilitate informed decision making regarding climate change and how it affects everyday life. It also hopes to break down (or bridge?) the isolated silos of Art and Science, by emphasizing the role of imagination as a tool of creation and innovation in the new economies of the 21st century. Notwithstanding the ephemeral appearance of the super-light nanomaterial silica aerogel used by Ioannis Michaloudis (Michalous) in his sculptures, the longevity of some

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23

Guo, Jifeng. "Art Decoration Design of Electrochemical Silicon Oxide Ceramic Sculpture Based on 3D Printing Technology." Journal of Chemistry 2022 (May 27, 2022): 1–9. http://dx.doi.org/10.1155/2022/9728402.

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In order to solve the art decoration design of silicon oxide ceramic sculpture, a method for silicon oxide ceramic sculpture based on 3D printing technology is proposed. Firstly, the density of photosensitive resin premix before curing was measured by pycnometer method; the photosensitive resin was coated on tinplate and then put into a self-made UV curing box for curing. Secondly, the critical exposure and critical transmission depth of photosensitive resin without formula are calculated. Finally, the viscosity of ceramic slurry was measured by mixing S2 photosensitive resin formula with cera

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24

Osthoff, Simone. "Art on the Moon, Poetry for Homo spaciens: An Interview with Eduardo Kac about His Artwork Adsum." Journal of Posthuman Studies 6, no. 1 (2022): 19–25. http://dx.doi.org/10.5325/jpoststud.6.1.0019.

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Abstract This interview focuses on Eduardo Kac’s new artwork-poem Adsum, a laser-etched glass sculpture created for the lunar environment. From the work’s enigmatic title to its five stages of development involving NASA spacecraft, cosmic tests, as well as micro, human, and cosmic scales, the artist considers the following questions: How do you create a meaningful visual composition at the threshold of visibility? How do you write with symbols in a manner that is not dictated by Earth gravity? How do you consciously forward a message into the future while maintaining the ability to communicate

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25

Zhovkva, Olha. "Features of art synthesis in architecture and design." Current problems of architecture and urban planning, no. 65 (March 17, 2023): 59–70. http://dx.doi.org/10.32347/2077-3455.2023.65.59-70.

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The article makes a brief excursion into the history of the development and formation of various types of art such as painting and sculpture from the time of Ancient Egypt. The question of the canon in sculpture and painting is considered. It also reveals the main features and methods of using the synthesis of arts (painting, sculpture, stained glass, artistic ceramics, etc.) in the formation of modern interior space in residential and public architecture. The formation of the interior space of objects of architecture by means of art tools in the broad sense of the word is dealt with. A brief

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Beniakh, Nataliia. "Glass Art Department at Lviv National Academy of Arts: unique centre of contemporary glassmaking." Bulletin of Lviv National Academy of Arts, no. 41 (December 26, 2019): 53–56. http://dx.doi.org/10.37131/2524-0943-2019-41-04.

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The preconditions for the emergence of professional art education in the field of art glass in Lviv and Galicia are considered. The history of artistic glass and its influence on the development of the modern center in Lviv on the basis of the Lviv National Academy of Arts is analyzed. The history of the Department began in 1961 with an experiment, when at Lviv State Institute of Applied and Decorative Art (today Lviv National Academy of Arts) a small department of plastic and glass art was opened. Full formation of the unit took place in 1963–1964 and corresponded to the needs of provision wi

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27

Burganova, Maria A. "LETTER FROM THE EDITOR." Scientific and analytical journal Burganov House. The space of culture 18, no. 2 (2022): 6–9. http://dx.doi.org/10.36340/2071-6818-2022-18-2-6-9.

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Dear readers, We are pleased to present to you Issue 2, 2022, of the scientific and analytical journal Burganov House. The Space of Culture. Upon the recommendation of the Expert Council of the Higher Attestation Commission, the journal is included in the List of Leading Peer-reviewed Scientific Journals and Publications in which the main scientific results of theses for the academic degrees of doctor and candidate of science must be published. The journal publishes scientific articles by leading specialists in various humanitarian fields, doctoral students, and graduate students. Research are

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Casas, Lluís, Roberta Di Febo, Carme Boix, et al. "The Colors of the Circus Mosaic from Barcino (Roman Barcelona): Characterization, Provenance, and Technology Issues." Minerals 11, no. 7 (2021): 746. http://dx.doi.org/10.3390/min11070746.

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Archaeometric studies on mosaics often concentrate only on glass tesserae, while comprehensive studies including both stone and glass tesserae are scarce; however, both types of tesserae can sometimes bring relevant data to elaborate archaeological knowledge on a studied mosaic. In this paper, a representative set of tesserae from a large polychrome Roman mosaic retrieved in Barcelona (NE Spain) is investigated using various methods. Most of the techniques were directly applied on samples prepared as petrographic thin sections (including polarized-light, cathodoluminescence and electron micros

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Bugslag, James. "St. Eustace and St. George: Crusading Saints in the Sculpture and Stained Glass of Chartres Cathedral." Zeitschrift für Kunstgeschichte 66, no. 4 (2003): 441. http://dx.doi.org/10.2307/20055357.

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30

Srhoj, Vinko. "Kuzma Kovačić - priroda, kultura i vjera kao korektivi modernističke skulpture." Ars Adriatica, no. 1 (January 1, 2011): 169. http://dx.doi.org/10.15291/ars.436.

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Affirming himself during the postmodern period, it is as if sculptor Kuzma Kovačić never cared about the appearance of the new artistic trend. His oeuvre does not display any inclination, not even a rudimentary interest in postmodern compiling and referencing of historical sources. The age of fragmentary visual models creaed by the idea about the loss of cultural unity which attempted to construct itself on the shards of the broken ‘art-historical vase’ did not seem to touch him at all. On the other hand, Kovačić is not a follower of the preceding modernist period which emphasized the experime

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Вербовский, А. В., and Л. Г. Шепко. "SOCIAL FUNCTIONS OF PORTRAIT IMAGES DEPICTING FRENCH KINGS DURING THE HUNDRED YEARS WAR." Человеческий капитал 2, no. 11(179) (2023): 18–27. http://dx.doi.org/10.25629/hc.2023.11.31.

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В статье рассматриваются социальные функции монаршего портрета во Франции XIV–XV вв. В рамках зрелищности средневековой культуры произведения пластических искусств приобретают самостоятельное значение. В качестве объекта исследования использованы портретные изображения королей династии Валуа: Филиппа VI Валуа, Иоанна II Доброго, Карла V Мудрого, Карла VI Безумного, Карла VII Победителя, созданные придворными мастерами в различных видах пластики: живописи, скульптуре, книжной миниатюре, витраже. Главные достижения в портретном жанре XIV в. были сделаны в скульптуре. Изображения монархов имеют в

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زينهم, محمد علي حسن, سحر شمس الدين محمد та أفروديت وسيم السيسي. "الاستفادة من التشكيل الحر في تصميم النحت الزجاجي = Using the Free Formation in the Glass Sculpture Design". مجلة العمارة والفنون والعلوم الإنسانية, № 4 (жовтень 2016): 164–92. http://dx.doi.org/10.12816/0036580.

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33

Baer, Kurt. "Spanish Colonial Art in the California Missions." Americas 18, no. 1 (1989): 33–54. http://dx.doi.org/10.2307/979751.

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Art work throughout almost the entire history of the Church has been primarily didactic. Man was taught through the arts of sculpture, painting, mosaic, and stained glass, all that he should know of the creation of the world, the dogmas of religion, the virtues, the hero-saints, and during the middle ages especially, the range of the sciences, the arts and crafts. Thus, in the latter half of the eighteenth century when the Franciscans came to the remote outposts in California, they brought with them the pictures and statues by which the simple and ignorant Indian might learn, through his eyes,

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Whitmire, Heather, and Mary Haque. "INCORPORATING CREATIVE LEARNING INTO HORTICULTURE CLASSES." HortScience 40, no. 3 (2005): 883d—883. http://dx.doi.org/10.21273/hortsci.40.3.883d.

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The Clemson University Communication Across The Curriculum program is coordinating a creative response for learning (CRL) project to provide students with creative learning and critical thinking opportunities relevant to course content while creating a learning community. Faculty representing numerous disciplines asked their students to respond with creative projects (e.g., drawings, poems, posters, multimedia, sculpture, music, etc.) to the subject matter of the course. Students in Horticulture courses responded by writing poems in a Landscape Appreciation class, designing creative solutions

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Sparkes, Brian A. "IV Luxury Items." New Surveys in the Classics 40 (2010): 75–94. http://dx.doi.org/10.1017/s0017383510000732.

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The uneven survival of material evidence from Greek antiquity has tended to guide interest and research towards the diferent forms and functions of sculpture (Chapters II and III) and of vase-painting (Chapters V and VI). They have been preserved in such numbers that, although we have only a fraction of the total output, we can study the ways in which they developed over the centuries against the social, economic, and political background and in the diferent parts of the Greek world. This has encouraged a tendency towards positivism and has had the unfortunate outcome of considering them as th

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Alcock, Leslie, and Elizabeth A. Alcock. "Reconnaissance excavations on Early Historic fortifications and other royal sites in Scotland, 1974-84: 4, excavations at Alt Clut, Clyde Rock, Strathclyde, 1974-75." Proceedings of the Society of Antiquaries of Scotland 120 (November 30, 1991): 95–149. http://dx.doi.org/10.9750/psas.120.95.149.

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As part of a long-term programme of research on historically documented fortifications, excavations were carried out in 1974--75 at Dumbarton Castle, anciently known as Alt Clut or Clyde Rock. These disproved the hypothesis that a nuclear fort, after the pattern of Dunadd or Dundurn, could be identified on the Rock, but revealed a timber-and-rubble defence of Early Historic date overlooking the isthmus which links the Rock to the mainland. Finds of especial interest include the northernmost examples of imported Mediterranean amphorae of the sixth century AD, and fragments from at least six gla

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Moynihan, Conor. "Timelessness and Precarity in Orientalist Temporality: Mehdi-Georges Lahlou’s Aesthetics of Disorientation." Contemporaneity: Historical Presence in Visual Culture 8 (October 30, 2019): 1–22. http://dx.doi.org/10.5195/contemp.2019.272.

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The Hourglasses (2015), by French-Moroccan artist Mehdi-Georges Lahlou, features five large hourglasses displayed artifact-like upon a table. As one would expect of an hourglass, these glass sculptures can be inverted to measure out time. This, though, is where convention ends, as these are filled with couscous, not sand. Unlike sand, couscous cannot measure time consistently and the inversion of any one of these five hourglasses results in a different measurement of time. In effect, they disorient any linear notion of temporality, raising the specter of Orientalism and its fantasy of a timele

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Asmaz, Ayşenur Ceren. "AESTHETIC EFFECT OF LAYERS: GLASS SCULPTURES." E-journal of New World Sciences Academy 15, no. 1 (2020): 1–16. http://dx.doi.org/10.12739/nwsa.2020.15.1.d0248.

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Ilkosz, Jerzy, Ryszard Wójtowicz, and Jadwiga Urbanik. "New Form, New Material and Color Scheme, the Exposed Concrete Phenomenon—The Centennial Hall in Wrocław." Arts 11, no. 1 (2022): 17. http://dx.doi.org/10.3390/arts11010017.

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The aim of the article is to present the remarkable changes in architecture that took place in the 20th century. They can easily be called a revolution regarding the architectural form and the color scheme. Progress was being made through the development of reinforced concrete production methods. In the German Empire (Deutsches Kaiserreich), this material quickly found applications in more and more interesting solutions in architectural structures. In Wrocław (formerly Breslau), then located in the eastern German Empire, exceptional architectural works were realized before and after the First

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Berman, Constance H. "The Cistercian Monastery of Zaraka, Greece, edited by Sheila Campbell. Kalamazoo, MI: Medieval Institute Publications, May 2018; pp. xviii, 260." Mediaevistik 31, no. 1 (2018): 397–99. http://dx.doi.org/10.3726/med012018_397.

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Excavations undertaken by Sheila Campbell and her associates at Zaraka, Greece, beginning in the early 1990s provide much <?page nr="3"?>of the evidence for this volume on this thirteenth-century Cistercian monastery in the eastern Mediterranean established after the Latin Conquest of Constantinople. Ten experts contributed articles that provide evidence about the political and religious context of the Frankish Morea; the architecture and the sculpture of the abbey; a comment on what its library may have contained; its medieval pottery, glass and coins; human and faunal remains, and the

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froelich, sarah. "Set for Transition: Dansk Designs' Fjord Flatware." Gastronomica 11, no. 1 (2011): 9–11. http://dx.doi.org/10.1525/gfc.2011.11.1.9.

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While artist-designer Jens Quistgaard sold his flatware designs to Copenhagen’s Museum of Arts and Crafts, Martha and Ted Nierenberg searched for designs that coordinated well with the changing landscape of the American kitchen and the modern home. The eventual collaboration between these transcontinental families led to the launch of the American company and well-known brand, Dansk Designs; it all began with a set of flatware. “Set for Transition: Dansk Designs’ Fjord Flatware” is the story behind the foundation of the company, featuring a thorough description of Fjord flatware’s form and rel

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Lisy-Wagner, Laura. "Jan Hasištejnský z Lobkovic: A Fifteenth-Century Czech Traveler to the Mediterranean World." Review of Middle East Studies 46, no. 1 (2012): 72–78. http://dx.doi.org/10.1017/s2151348100003013.

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In 1493, a Czech nobleman named Jan Hasištejnský z Lobkovic embarked on a pilgrimage to Jerusalem. As nearly all Central European pilgrims did, he traveled south through the Tyrol to Venice and joined a large, multinational group there before setting out across the Mediterranean. He remained nearly a month in Venice, meeting prominent political figures, visiting churches and cloisters, and admiring the realism of the painting and sculpture of the Venetian quattrocento. Among all the other marvels of Venice that he describes in his 1505 travelogue is the memory of his day trip to the island of

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Matteini, Mauro, José Delgado Rodrigues, Rute Fontinha, and A. Elena Charola. "Conservation and Restoration of the Don José I Monument in Lisbon, Portugal. Part II: Metal Components." Restoration of Buildings and Monuments 22, no. 2-3 (2016): 81–87. http://dx.doi.org/10.1515/rbm-2016-5678.

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Abstract The equestrian statue of D. José I, in Lisbon, is a masterpiece of the sculptor Joaquim Machado de Castro. It weights over thirty eight tons and was made in a single casting by Bartolomeu da Costa in a copper alloy (brass). After over two centuries exposure, the statue presented an unappealing heterogeneous appearance and showed some deterioration features that required attention. Preliminary studies showed that the deterioration phenomena were typical of copper alloys exposed to outdoor urban environments. The proximity of the seacoast also contributed to some specific decay mechanis

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Olsson, Gunnar. "Notes from the dome." Human Geography 15, no. 1 (2021): 7–13. http://dx.doi.org/10.1177/19427786211061422.

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A condensed story of how I came to understand how I understand, a perpetual struggle of identity and difference, a deconstruction of the taken-for-granted. An imagination which eventually comes to rest in the sculpture Mappa Mundi Universalis, a glass tetrahedron held together by an updated version of Peirce's trinity of signs: the dialectical symbol (/) of internal relations; the icon of the semiotic fraction line (––); the logical index (=) of ontological transformations. Three projection screens specially prepared to capture the projected messages of religion, the arts, and the sciences. Fr

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Tomasini, Eugenia P., Fernando Marte, Valeria P. Careaga, Carlos Rúa Landa, Gabriela Siracusano, and Marta S. Maier. "Virtuous colours for Mary. Identification of lapis lazuli, smalt and cochineal in the Andean colonial image of Our Lady of Copacabana (Bolivia)." Philosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences 374, no. 2082 (2016): 20160047. http://dx.doi.org/10.1098/rsta.2016.0047.

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The image of Our Lady of Copacabana, a gilded polychrome sculpture carved in maguey wood in 1583, is one of the most important devotions in the Americas. In former research, we have identified the use of gypsum, Armenian bole, cerussite and atacamite in its polychromy. In this study, a red sample taken from the Virgin's tunic and a blue sample extracted from the cloak have been analysed with the aim to identify both pigments and offer insights into the painting technique. Analysis by micro-Raman spectroscopy complemented with scanning electron microscopy–energy dispersive spectroscopy and high

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Sullivan, Alice Isabella. "Arts of the Medieval Cathedrals: Studies on Architecture, Stained Glass and Sculpture in Honor of Anne Prache ed. by Kathleen Nolan, Dany Sandron." Parergon 35, no. 1 (2018): 188–89. http://dx.doi.org/10.1353/pgn.2018.0037.

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Yakymova, Olena. "Classification of the Human Image in the Eastern Halychyna Monumental Art of the Early 20th Century." Bulletin of Lviv National Academy of Arts 50, no. 50 (2023): 74–81. http://dx.doi.org/10.37131/2524-0943-2023-50-7.

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Eastern Halychyna has always been a territory on the border between the cultural paradigms of the East and the West. At the end of the 19th - the first third of the 20th cen. this region became the center of the multicultural environment formation, where certain typological groups of anthropomorphic images were determined at the regional-provincial level. It was reflected in monumental art, in particular temple murals, stained glass and mosaics, as well as architectural decor and monumental sculptural plastic, such as monuments and plastic tombstones. The subject of this research is the charac

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Campbell, Ewan, and Adrián Maldonado. "A NEW JERUSALEM ‘AT THE ENDS OF THE EARTH’: INTERPRETING CHARLES THOMAS’S EXCAVATIONS AT IONA ABBEY 1956–63." Antiquaries Journal 100 (June 11, 2020): 33–85. http://dx.doi.org/10.1017/s0003581520000128.

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Iona was a major European intellectual and artistic centre during the seventh to ninth centuries, with outstanding illustrated manuscripts, sculpture and religious writings produced there, despite its apparently peripheral location ‘at the ends of the earth’. Recent theological discourse has emphasised the leading role of Iona, and particularly its ninth abbot, Adomnán, in developing the metaphor of the earthly monastery as a mirror of heavenly Jerusalem, allowing us to suggest a new appreciation of the innovative monastic layout at Iona and its influence on other monasteries in northern Brita

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López-Bahut, Emma. "De los collages y maquetas de vidrio de Oteiza al hormigón de Sáenz de Oíza." VLC arquitectura. Research Journal 3, no. 1 (2016): 55. http://dx.doi.org/10.4995/vlc.2016.4255.

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The Jorge Oteiza Foundation Museum in Alzuza (Navarra, Spain) was designed by the architect Francisco Javier Sáenz de Oíza, with the sculptor Jorge Oteiza intervening in the architectural decisions at particular moments. The building marked the conclusion of a series of collaborations between them, beginning in the early 1950s, marked by an intense convergence between art and architecture. The building contains and interacts with the artistic works in a powerful way, but at the same time with great care and awareness, demonstrating the extent to which Sáenz de Oíza understood the sculptural wo

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Saitum, Waiyawat. "The Study of Solar Incident on Planar Surface for Kinetic Art." International Journal of Creative and Arts Studies 4, no. 2 (2018): 19–35. http://dx.doi.org/10.24821/ijcas.v4i2.1974.

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In future, renewable energy will become mainstream global energy source because it flows all the time, also the solar energy. The sun always directly emits light through the earth, depending on how we utilize it. The study will fill the gap that the most of photovoltaic panel facing to the same direction against solar incident for maximum efficiently. It would be better if photovoltaic appliance to have aesthetic and capability in the same time. But changing planar surface angle for artistic purpose also need to consideration of efficiency for solar energy. The purpose of this study is to expl

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