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Relevant bibliographies by topics / Glazed ceramics / Dissertations / Theses

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Dissertations / Theses on the topic 'Glazed ceramics'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Nash, K. "3D printed, self-glazed ceramics : an investigation inspired by Egyptian faience." Thesis, University of the West of England, Bristol, 2018. http://eprints.uwe.ac.uk/29682/.

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This thesis investigates the potential for developing 3D printable ceramic materials inspired by an ancient Egyptian ware known as faience. Faience was produced in Egypt and the near east from the 4th millennium BC and was the first glazed ceramic material to be produced by man. Valued for its optical properties and likeness to Turquoise and Lapis Lazuli, faience was used to produce a wide range of artefacts including jewellery, statuettes and ceremonial objects for several thousands of years. It is known that Egyptian faience is difficult to work with in paste form, primarily due to a lack of

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2

Shlasko, Ellen. "Delftware Chronology: A New Approach to Dating English Tin-Glazed Ceramics." W&M ScholarWorks, 1989. https://scholarworks.wm.edu/etd/1539625501.

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3

Velimirovic, Nada. "Reflections of the divine| Muslim, Christian and Jewish images on luster glazed ceramics in Late Medieval Iberia." Thesis, Graduate Theological Union, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10240733.

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<p> For eight centuries, from 711 until 1492, a unique combination of political, cultural, and faith traditions coexisted in the mostly southern region of the Iberian Peninsula now called Spain. From the thirteenth century through the fifteenth century, two key production centers of luster glazed ceramics emerged in this region: Islamic-ruled Málaga and Christian-ruled Valencia. Muslim artisans using Islamic decorative motifs on reflective luster glaze ceramics created objects that patrons, including nobility and Christian royalty, clamored to collect. Initially, traditional Islamic de

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4

Aarab, Ali. "Technological and Archaeological studies of the Middle-Elamite and Neo-Elamite colord glazed ceramics (1500-540 BCE)." Electronic Thesis or Diss., Sorbonne université, 2022. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2022SORUS579.pdf.

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L’Iran a toujours été un lieu important pour l’histoire de l’étude des glaçures sur les corps en céramique. Selon certains chercheurs, les glaçures sur céramiques du site de Chogha Zanbil (1250 avant notre ère) peuvent être considérées comme les premières glaçures sur céramique dans le monde antique. Cependant, la présente recherche a montré que le début de la fabrication de glaçure sur les corps en céramique en Iran devrait être connu un peu plus tôt. En effet, nous avons proposé que le processus de fabrication de glaçures sur les corps en céramique en Iran soit envisagé à partir du site de H

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5

Santarelli, Brunella. "Technological Analysis of Pueblo I Lead Glazed Ceramics from the Upper San Juan Basin, Colorado (ca.700-850 CE)." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/578888.

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The production of lead glaze paints has intrigued Southwestern archaeologists since the 1930s, and significant efforts have been dedicated to the study of this technology by researchers interested in the Pueblo IV (ca. 1275-1400 CE) glazes. In this dissertation I explore the technology of production of the earliest glaze paints produced in the Southwest: the Pueblo I (ca. 700-850 CE) glaze paints from the Upper San Juan. These glaze paints were produced nearly 500 years before the later and well studied Pueblo IV glaze paints, and these technologies represent two separate, independent instance

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6

Matin, Moujan. "Revisiting the origins of Islamic glazed pottery : a technological examination of 8th-10th century AD ceramics from Islamic lands." Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:a2a95336-5173-490e-aa67-f0262b221294.

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The beginnings of Islamic ceramics have long been attributed to the opaque white glazed wares made in Iraq in the 9<sup>th</sup> century in response to the imported Chinese porcelain and stoneware. These Islamic glazes were known to have been opacified by tin-oxide and much work has been undertaken to characterise their development and spread. However, little has been done to explain the origins of this technology and its invention in Iraq. This thesis takes a new approach to investigating the beginnings of Islamic glazed pottery. It examines the technical aspects of early Islamic glazed wares

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7

Sklebitz, Anne [Verfasser]. "Glazed Ceramics from Karakorum : The Distribution and Use of Chinese Ceramics in the Craftsmen Quarter of the Old-Mongolian Capital During the 13th–14th Century A. D. / Anne Sklebitz." Bonn : Universitäts- und Landesbibliothek Bonn, 2018. http://d-nb.info/116557425X/34.

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8

Roth, Roman Ernst. "Ceramics and social change in Italy during the Hellenistic period : a study of stylistic variability in Volterran black-glazed wares." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615834.

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9

Walton, Marc Sebastian. "A materials chemistry investigation of archaeological lead glazes." Thesis, University of Oxford, 2004. http://ora.ox.ac.uk/objects/uuid:eb3eb473-d434-4f45-ac78-03b6f6de3649.

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In this thesis, the fabrication technology of Roman lead glazes were examined using a number of materials science techniques: namely, electron probe microanalysis, X-ray diffraction, and inductively coupled plasma atomic emission spectroscopy. The overall aim of this work was to discern particular technological styles for a wide group of lead glazes by quantifying the chemical and microstructural features of glaze production. Using experimental replication, it was found that two basic methods of glazing could be identified chemically. When applying PbO alone to an earthenware ceramic, the resu

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10

Vela, Carlos Andrés Camara. "Islamic ceramics: trade and technology in the southern Garb al-Andalus (X-XI century)." Master's thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/31701.

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RESUMO: Cerâmica Islâmica: comércio e tecnologia no sul do Gharb al-Andalus (Seculos X-XI) A produção de cerâmica vidrada na Península Ibérica foi generalizada durante o período islâmico. Durante este período, a técnica do vidrado era caracterizada pelo uso de chumbo como principal fundente, para além de coexistirem outras práticas tais como a utilização de fritas e aplicação de soluções de esmalte sobre os corpos cerâmicos calcários cozidos. O principal objetivo do presente estudo é comparar a produção de cerâmica vidrada em Évora com outras cidades, tais como Mértola e Silves, a fim de ident

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11

Denis-Dupuis, Jessica. "La céramique à Paris après Bernard Palissy (1590-1650) : œuvres, fabricants, collections : Vol. 1 et vol.2-Annexes." Thesis, Cergy-Pontoise, 2018. http://www.theses.fr/2018CERG0924.

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L’ensemble constitué par les céramiques en terre cuite à glaçure plombifère, auparavant regroupées sous le terme de « céramiques de Bernard Palissy » puis « suites de Palissy » ou « atelier d’Avon », n’a plus aujourd’hui d’attache géographique concrète ni d’histoire attestée. Il est en effet avéré que la légende et le mythe ont, depuis le début du XIXe siècle, toujours largement dominé. En dépit de leur présence importante au sein des collections publiques françaises et étrangères, la fragilité des connaissances actuelles sur ces pièces rend aujourd’hui leur étude approfondie indispensable. De

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12

Yin, M. "The earliest high-fired glazed ceramics in China : scientific studies of the proto-porcelain from Zhejiang during the Shang and Zhou periods (c.1700-221 BC)." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1380281/.

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Proto-porcelain, a kind of high-fired lime-rich glazed ceramic, with maturing temperatures in excess of 1200 °C, began to appear in China during the Shang dynasty (c. 1700 to 1027 BC) and became more widespread during the subsequent Zhou dynasty (1027 to 221 BC). Since the 1950s, proto-porcelain has been unearthed from various tombs and sites across the country; most of them in mound tombs and kiln sites in the lower reaches of the Yangtze River. Bodies and glazes of 61 proto-porcelain sherds and 19 non proto-porcelain samples from Shang and Zhou periods production sites in Deqing, Zhejiang pr

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13

Maalaoui, Jamila. "Perceptions, influences et transferts mutuels entre la civilisation arabo-musulmane et la civilisation occidentale chrétienne : l’exemple de la céramique." Electronic Thesis or Diss., Paris 8, 2019. http://www.theses.fr/2019PA080060.

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Les transferts scientifiques et culturels entre l’Orient musulman et l’Occident chrétien ont évolué en dents de scie. En effet, avec l’avènement de l’Islam, les transferts entre science, philosophie, et arts hellénistiques connaissent une rare intensité. C’est sur cette base que la culture arabo-musulmane développera son identité propre. Le contact direct avec l’Occident a favorisé un échange des plus fructueux, mais varié suivant les zones géographiques de contact (royaume franc de Jérusalem, Maghreb, Andalousie, Europe centrale et échanges maritimes). Cet échange va s’intensifier tout au lon

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14

Birkhimer, Bradley Charles. "Wood ash glaze." Morgantown, W. Va. : [West Virginia University Libraries], 2006. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=4573.

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Thesis (M.F.A.)--West Virginia University, 2006.<br>Title from document title page. Document formatted into pages; contains iv, 27 p. : col. ill. Vita. Includes abstract. Includes bibliographical references (p. 25).

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15

Nichols, Gail 1953. "Technical and aesthetic investigations in soda glaze ceramics." Monash University, Gippsland Centre for Art and Design, 2001. http://arrow.monash.edu.au/hdl/1959.1/8684.

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16

Henshaw, C. M. "Early Islamic ceramics and glazes of Akhsiket, Uzbekistan." Thesis, University College London (University of London), 2010. http://discovery.ucl.ac.uk/19688/.

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The thesis examines the technical aspects of ceramics and glazes from Akhsiket, a regional capital in the early Islamic period, which was abandoned in the early 13th century. Ceramics and glazes of the time period under discussion (9th - 13th century) in Uzbekistan are understudied, with minimal scientific analysis of the technological processes. These processes include the forming and firing of ceramic vessels, the origin of raw materials used in ceramics and glazes, and decoration methods such as slip painting and colored glazes. A variety of commonly-seen ceramic types have been studied, gi

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17

GONCALVES, PAULO S. "Influencia do caulim nas caracteristicas reologicas de esmaltes ceramicos." reponame:Repositório Institucional do IPEN, 2003. http://repositorio.ipen.br:8080/xmlui/handle/123456789/11094.

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Made available in DSpace on 2014-10-09T12:48:14Z (GMT). No. of bitstreams: 0<br>Made available in DSpace on 2014-10-09T13:57:04Z (GMT). No. of bitstreams: 1 09458.pdf: 5565544 bytes, checksum: 4fb384d317386b05f7e92b3e9eaa9b58 (MD5)<br>Dissertacao (Mestrado)<br>IPEN/D<br>Instituto de Pesquisas Energeticas e Nucleares - IPEN/CNEN-SP

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18

Gohier, Pauline. "Les céramiques à glaçure plombifère antiques en Gaule méridionale et dans la vallée du Rhône (Ier s. av. J.-C – IIIe s. apr. J.-C)." Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3106.

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Cette thèse a pour objectif premier de fournir une documentation complète des différentes céramiques à glaçure plombifère antiques signalées dans les contextes archéologiques de Gaule méridionale et de la vallée du Rhône. L’inventaire a mis en lumière l’existence de six groupes de production de céramiques à glaçure plombifère durant une période comprise entre la fin du Ier s. av. J.-C et le milieu du IIIe siècle apr. J.-C. Ces céramiques proviennent d’Asie Mineure, d’Italie septentrionale, des ateliers de Lyon et de Saint-Romain-en-Gal, du centre de la Gaule, d’Italie centrale et de l’atelier

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19

Kara, Alpagut. "Characterisation of the interfaces between leadless glazes and a bone china body." Thesis, University of Bath, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268189.

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20

Williams, Robert A. "Glaze Exploration via Nostalgic Locations." BYU ScholarsArchive, 2018. https://scholarsarchive.byu.edu/etd/7112.

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In my art practice, collecting materials from personally significant locations has become a way to subtly reconnect people with places, nature, natural materials and processes. I produce well-made objects, with the end goal of allowing the viewer to feel and interact with traditional forms of beauty through craft, which is increasingly rare in our mechanized world. Raw materials are a direct link to nature and earth, a link which people in general can benefit from in essential ways. The processes of collecting and using naturally occurring materials to form links between objects and places re

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21

Metcalfe, Carol. "New ash glazes from arable crop waste : exploring the use of straw from Pisum sativum (combining pea) and Vicia faba (field bean)." Thesis, University of Sunderland, 2008. http://sure.sunderland.ac.uk/3657/.

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The Chinese first developed stoneware ash glazes about 3500 years ago, when their kiln technology progressed sufficiently to reach temperatures high enough to fuse such glazes. More than 2000 years went by before this knowledge reached Japan and Korea, where ash glazes were also subsequently produced. In Britain, the advent of studio pottery in the 20th century led to interest in oriental approaches to ceramics, including ash glazes. A number of studio potters used and indeed continue to use ash glazes in their work. The great majority of these glazes have, throughout history, been made of woo

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22

Boos, Emmanuel. "The poetics of glaze : ceramic surface and the perception of depth." Thesis, Royal College of Art, 2011. http://researchonline.rca.ac.uk/1131/.

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This research by practice into the visual and aesthetic qualities of ceramic glaze investigates its ability to create an impression of depth. Because perspectival depth alone can not fully account for my artistic concerns, and the requirements of perspectival illusion are at odds with some of my major artistic preoccupations, such as an interest in accidents and imprecision in material rendering, I raised the hypothesis of a poetic dimension of depth, posing the research question for this project: “What is poetic depth in a ceramic glaze?” Traditionally, research into glazes focuses on aspects

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23

Di, Febo Roberta. "Identification of microcrystalline phases in Lead Glazes of ceramics from 17th-19th centuries: archaeometric implications." Doctoral thesis, Universitat de Vic - Universitat Central de Catalunya, 2019. http://hdl.handle.net/10803/669903.

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Crystalline phases inside ancient glazes can have different origins: unreacted compounds (thus already formed before the glaze formation), crystallites developed during the glaze production or devitrification crystals formed after the glaze production (during burial by weathering processes). This study deals with the identification of the crystalline phases developed during the firing of lead glazes in ceramics from the 17th to 19th centuries. The formation of the crystallites during firing and their distribution depends on the original composition of the glaze and body (clay, stonepastes

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24

Gibson, Melanie. "Takūk and Timthāl : a study of glazed ceramic sculpture from Iran and Syria circa 1150-1250." Thesis, SOAS, University of London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627913.

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25

Donà, V. "Diagnostica e monitoraggio del degrado di manufatti ceramici di valore storico - artistico: la facciata del Grande Hotel Ausonia & Hungaria." Doctoral thesis, Università degli studi di Padova, 2011. http://hdl.handle.net/11577/3421683.

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This Ph.D. thesis reports on the results obtained by a research on the productive technology and the decay of glazed ceramic tiles (XX century), and on polymeric treatments employed for their restoration. The subject has been the ceramic tiles of the Grande Albergo Ausonia  Hungaria at the Lido of Venice; it is a unique example of Art Nouveau artwork because the decoration of its façade of 700 m2 was completely decorated with mono- and polychrome lead glazed tiles made by the local pottery master Luigi Fabris (Bassano del Grappa, 1883 – 1952). The characterization of the materials, that is

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Shen, Jingyi. "Chemical and isotopic analysis in the investigation of glazes from northern China and the Middle East, 7th-14th centuries AD." Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/48201/.

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Both Chinese and Islamic glazed ceramics played a significant role in the history of ancient ceramic production. Moreover, it was innovation in glazes that made the Chinese and Islamic ceramics constantly innovative in various categories with different manufacturing techniques. This study applies chemical and isotopic analyses to investigate the manufacturing techniques and provenances of different types of glazes from Northern China and the Middle East, and extends the use of Sr isotopic analysis to investigate raw materials and glaze recipes used to making lime/alkaline glazes in Northern Ch

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Olupot, Peter Wilberforce. "Characterization of Ceramic Raw Minerals in Uganda for Production of Electrical Porcelain Insulators." Doctoral thesis, KTH, Mekanisk metallografi, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-13266.

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In this work an extended literature survey on ceramics and porcelains in particular, has been documented. Samples from two Ugandan deposits of each feldspar and quartz were characterised by means of X-ray diffraction, thermal analysis, chemical analysis and scanning electron microscopy and found to possess requisite properties for making electro porcelain insulators. Five porcelain bodies were formulated and samples were fabricated from materials collected from selected deposits in Uganda using different mixing proportions of clay, feldspar and quartz. The properties of the formulated bodies w

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28

Petrie, Kevin. "Water-based ceramic transfer printing : the development and creative use of a new on-glaze screenprinting system." Thesis, University of the West of England, Bristol, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322023.

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Screenprinted ceramic transfers are one of the primary methods of decorating industrial ceramics with polychromatic imagery. The technique has also been used by individual artists as a means of personal creative expression. Currently transfers are produced by printing enamels mixed with a solvent-based medium onto a prepared paper. The image is overprinted with a solvent-based film, covercoat, thus fonning a transfer which can be applied to two or three dimensional ware. Once fired the print is bonded permanently with the glaze. In recent years Environmental and Health and Safety legislation,

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Gray, Jessica M. "Rhythmic Relations." Kent State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=kent1286447395.

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30

Gohari, Mohammed El. "Design tools for enriching the ceramics forms aesthetically by experimental treatments during and post firing." Thesis, Paris, CNAM, 2012. http://www.theses.fr/2012CNAM0824.

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Dans les arts plastiques, le concept de la beauté doit être associé aux techniques sous-jacentes. L'artiste doit choisir et maîtriser ces techniques afin de les appliquer à l'art en vue d'atteindre les résultats esthétiques visés. Une approche scientifique de ces techniques a un rôle important dans l'amélioration de leur application dans les arts plastiques. Les céramiques et poteries sont un domaine complexe où les réactions chimiques et les propriétés physiques des argiles et des glaçures doivent être prises en compte. Dans ce domaine l'histoire de la science était un guide utile dans une te

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Di, Giuseppe H. "Ceramic production and history : an interdisciplinary approach to the black glaze ware in Etruria and in the rest of Italy." Thesis, Birkbeck (University of London), 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541997.

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Sonenberg, Marc Ian. "Discovery through Numeric Strata: A Balance of Form and Aesthetics." [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0719101-221505/restricted/sonenbergm0809b.pdf.

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33

Viat, Ariane. "Troisième corps à l'interface céramique métal sous chargement de fretting usure à hautes températures." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSEC054.

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Dans un turboréacteur civil, le contact aube/disque de la turbine basse pression est soumis à un cyclage thermomécanique dû aux dilatations et déplacements différentiels des pièces pendant les phases de vol. Ce cyclage implique des micro-mouvements alternés relatifs, c’est-à-dire du fretting, à l’interface aube/disque. Le fretting à l’étude ici concerne un contact céramique-métal, en vue de comprendre le comportement tribologique des futures aubes revêtues de céramique en remplacement des pièces métalliques traditionnelles. Dans un premier temps, différents revêtements sont comparés vis-à-vis

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Tobar, Raul Julian Revelo. "Reformulação de esmaltes cerâmicos a partir de vidros de CRT." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/18/18158/tde-10122014-112933/.

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A atual problemática da disposição de resíduos eletroeletrônicos estimula a realização de pesquisas visando o reaproveitamento desse tipo de resíduo na fabricação de novos produtos ou na utilização dos mesmos em processos já existentes. O descarte de monitores de computadores e TVs com a tecnologia de tubos de raios catódicos (CRT) não é simples, pois os mesmos contêm metais pesados e há poucas alternativas de reciclagem estabelecidas, o que gera um passivo ambiental ainda sem solução. O CRT corresponde a 80% do peso de um monitor de computador e é constituído por três tipos de vidro, com dife

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Fenn, Thomas. "APPLICATIONS OF HEAVY ISOTOPE RESEARCH TO ARCHAEOLOGICAL PROBLEMS OF PROVENANCE AND TRADE ON CASES FROM AFRICA AND THE NEW WORLD." Diss., The University of Arizona, 2011. http://hdl.handle.net/10150/204329.

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Applications of lead and strontium isotope analysis were made on archaeological materials from three different contexts in both the Old and New Worlds. These materials comprised pre-Hispanic glaze painted ceramics from Arizona, U.S.A., glass beads from late first millennium AD Igbo-Ukwu, Nigeria, and copper-based metals from early first millennium AD Kissi, Burkina Faso. All materials contain lead at major, minor, or trace concentrations, and lead isotope analysis was employed to determine a provenance for that lead. Strontium isotope analysis also was applied to glass beads from Igbo-Ukwu to

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Foster, Elizabeth M. "Sort of Specific." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555443642092248.

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Gaucci, Andrea. "Necropoli etrusca di Valle Trebba (Spina). Studio di un lotto di tombe del "Dosso E" e indagini archeometriche sulla ceramica a vernice nera dei relativi corredi." Doctoral thesis, Università degli studi di Padova, 2014. http://hdl.handle.net/11577/3423535.

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The Etruscan necropolis of Valle Trebba (Spina). Study of a batch of graves of the "Dosso E" and archaeometrical analysis on black glazed pottery of the grave goods. The Research theme is the study of a topographically coherent batch of 184 graves located in the middle of the "Dosso E" of the Necropolis of Valle Trebba. This work is part of a wider project on the necropolis headed by the Chair of Etruscology and Italic Archaeology of the Bologna University. Primary aim of the research is the study of the graves of this area and its funerary and spatial analysis. Collateral but not secondary

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Marcinkowska, Malgorzata. "Elaboration and characterization of mechanical properties of ceramic composites with controlled architecture." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSEI021/document.

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L'objectif de cette thèse était de développer et de caractériser la microstructure et les propriétés mécaniques des céramiques bio-inspirées. L'alumine inspirée par la nacre fabriquée par texturation à la glace (freeze-casting), précédemment développée dans le cadre de la thèse de F. Bouville, a été choisie comme matériau de référence. La simplification et le changement d’échelle du procédé d’élaboration des matériaux ont été étudiés. Le procédé sophistiqué de freeze-casting a été remplacé par le pressage uniaxial à cru. Les mesures de diffraction des électrons rétrodiffusés ont confirmé le bo

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Gatelytė, Aurelija. "Synthesis and characterization of novel black pigments." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120402_093928-15742.

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For this doctoral dissertation there were synthesized and observed the black pigments which are important in both – in art and industry. It was the first time when using the sol-gel method in our laboratory were synthesized YFeO3, Y3Fe5O12, CoFe2O4, NiFe2O4, ZnFe2O4 nanocompounds, which latter were fitted for the black pigmentation of the ceramic glazes.<br>Buvo sudaryti modeliniai juodieji pigmentai iš C suodžių ir K2CO3, Ca3(PO4)2, CaCO3 bei Mg3(PO4)2.Vandeniniu zolių-gelių metodu buvo susintetinti įvairūs metalų vienfaziai nanoferatai YFeO3, Y3Fe5O12, CoFe2O4, NiFe2O4, ZnFe2O4, kurie pirmą

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Gatelytė, Aurelija. "Naujų juodųjų pigmentų sintezė ir tyrimas." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120402_094119-86236.

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Buvo sudaryti modeliniai juodieji pigmentai iš C suodžių ir K2CO3, Ca3(PO4)2, CaCO3 bei Mg3(PO4)2.Vandeniniu zolių-gelių metodu buvo susintetinti įvairūs metalų vienfaziai nanoferatai YFeO3, Y3Fe5O12, CoFe2O4, NiFe2O4, ZnFe2O4, kurie pirmą kartą panaudoti juodaisiais keraminiais pigmentais.<br>For this doctoral dissertation there were synthesized and observed the black pigments which are important in both – in art and industry. It was the first time when using the sol-gel method in our laboratory were synthesized YFeO3, Y3Fe5O12, CoFe2O4, NiFe2O4, ZnFe2O4 nanocompounds, which latter were fitte

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Métreau, Laetitia. "La " faïence " dans les pavements médiévaux en France (XIIIe-XIVe s.) : approche technique, stylistique et symbolique du cas de Suscinio (c. 1330-1350)." Thesis, Bordeaux 3, 2012. http://www.theses.fr/2012BOR30036.

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De son apparition dans les cours raffinées du lointain Orient islamisé à son exploitation industrielle en Occident, les procédés d’élaboration et les usages de la faïence ont évolué. En France, en l’état actuel des connaissances, l’introduction de cette technique remonte à l’époque gothique. Elle se manifeste alors de manière simultanée, dans des zones géographiques spécifiques, ponctuellement utilisée dans la composition de quelques luxueux pavements, où elle coexiste fréquemment avec des carreaux de terre cuite à glaçure transparente de tradition indigène. De tels pavements, parce qu’ils tém

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MANTOVANI, VALENTINA. "ASPETTI DELLA PRODUZIONE E DEL COMMERCIO DELL'INSTRUMENTUM DOMESTICUM DI ETÀ ROMANA AD ADRIA, ALLA LUCE DEI RINVENIMENTI DI VIA RETRATTO." Doctoral thesis, Università degli studi di Padova, 2011. http://hdl.handle.net/11577/3421579.

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The research is focused on the analysis of a large quantity of pottery coming from an urban landfill located in Adria in a site known as Retratto, between the area behind the Civil Hospital and the navigable branch of the Canal Bianco. This landfill well documented north-Italic terra sigillata both plain and relief-decorated, sometimes with stamps, pink and gray Thin-Walled ware, Black Glaze pottery, cooking pots and amphorae. The subject of this analysis was restricted to fine pottery, that is the decorated terra sigillata, the Black Glaze pottery and Thin-Walled ware. Over 2000 diagnostic

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Romachelli, João Celso. "Processo de desenvolvimento de produtos na indústria de revestimentos cerâmicos: estudo de caso em fabricantes que utilizam o processo de moagem a úmido, de moagem a seco e colorifícios." Universidade Federal de São Carlos, 2005. https://repositorio.ufscar.br/handle/ufscar/3813.

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Made available in DSpace on 2016-06-02T19:52:15Z (GMT). No. of bitstreams: 1 DissJCR.pdf: 3375786 bytes, checksum: 1a57425c9778203f1f18dbdb3bb55719 (MD5) Previous issue date: 2005-12-20<br>The increase of the competitiveness in the markets, demand products with high quality and that they are developed of form the one that the companies present fast cycle of development, high performance, and low cost. Some tools of the production engineering are available of form to optimize and to become more previsible the happened results of the process of development of products. An important aspect in t

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Burlot, Jacques. "Premières productions de céramiques turques en Anatolie occidentale : Contextualisation et études techniques." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2061/document.

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Depuis les années 1990, des études archéométriques ont permis d’attester la production de nouveaux types céramiques en Anatolie occidentale, liée à l’installation de populations turques dans la région à partir de la fin du XIIIe siècle. Parmi ces nouveaux types figurent des céramiques dont les formes et les décors, très répandus dans le monde islamique, témoignaient de l’introduction de nouvelles techniques de fabrication.Sur la base d’un échantillonnage de 87 tessons découverts sur cinq sites turcs et trois sites de Crimée, l’étude, associant approche archéologique et analyses physico-chimiqu

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Bajer, Radim. "Autosalon." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2015. http://www.nusl.cz/ntk/nusl-227514.

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This master thesis is focused on elaboration of project documentation for constructing autosalon in Žďár nad Sázavou. Project and appendix are processed by current applicable laws, regulations and standarts. Designed object is situated on plat #6167/2. Both plat sis parts of cadastral area of Žďár nad Sázavou. There are all needed engineering netwoeks nearby. Object is divided on two functional parts, which are operationally and constructionally connected. First part is exhibition and representatice hall, which are capacity of 7 exhibited vehicles. Other partis formed by administrative facilit

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Bouville, Florian. "Self-assembly of anisotropic particles driven by ice growth : Mechanisms, applications and bioinspiration." Thesis, Lyon, INSA, 2013. http://www.theses.fr/2013ISAL0155/document.

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Les phénomènes d'auto-assemblage sont au premier plan de la recherche en sciences des matériaux car ils comblent le vide laissé entre les procédés d'assemblage à l'échelle macroscopique et nanoscopique. L'auto-assemblage est basé sur l'organisation spontanée de composants individuels en motifs et structures. Contrôler l’agencement de la matière peut accroître les propriétés de matériaux en introduisant une certaine anisotropie. Cet agencement, comme de nombreux matériaux naturels le prouvent, peut même sous certaines conditions faire émerger de nouvelles caractéristiques. Au cours de ces trois

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Jones, Ian Nicholas. "Wabicha and the Perception of Beauty in Wood-fired Ceramics." Phd thesis, 2015. http://hdl.handle.net/1885/109179.

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Wabicha and the Perception of Beauty in Wood-fired Ceramics I developed a passion for the surface effects found on Japanese wood-fired pottery when I read the book, The Heritage of Japanese Ceramics, by Fujio Koyama in 1975. In retrospect this was a significant moment in my life, for the unglazed ceramics from Shigaraki, Bizen, Tokoname, and Tamba that are shown in that book set the trajectory of my making career—unglazed pottery fired in large cross-draught kilns with the deposits of ash from the fire melting and glazing the surface. In recent yea

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Ling-Ling, Shu, and 許玲鈴. "Variations of Glaze Colors：The Establishment of General Ceramic Glazes." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/58841142164502530564.

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碩士<br>臺北市立教育大學<br>視覺藝術學系碩士班<br>97<br>Pottery has been one of the students’ favorite courses in elementary school art courses. However, pottery teachers are usually not satisfied with the colors and the effects of glaze, therefore, I’d like to propose the referenced glaze-amendment procedure, and test a glaze-General by this study for the teaching and the creation of pottery in elementary school. The steps to carry out this study are exploring the literature to understand the glaze colors, collecting glaze-side, amending the glaze-like manner, and then exploring of the study by test. The three

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Joshi, Narayan Dutt. "Development of Glaze with Alkali Free Frit." Thesis, 2015. http://ethesis.nitrkl.ac.in/7686/1/2015_MT_Development_Narayan_JOshi.pdf.

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The term glaze can be defined as a thin layer or coating that is used to coat or seal the ceramic substrate. The glazed ceramic product gives high strength, 0% porosity, good chemical resistant, color, hardness, resistant to chemical attacks, high thermal shock resistant, glossiness, whiteness and decorate. Because of all these characteristic and properties in ceramic glazes which makes glaze useful for the various field such as electrical, chemical, mechanical, tile applications, tableware, sanitary-ware and refractory applications. In most cases of glazes to tile applications the major probl

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Lo, Shao-chi, and 羅紹綺. "“Earth in living, ash after death”-The ceramics creation by using slurry glaze and plant ash glaze." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/51329535216769920565.

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碩士<br>國立臺北教育大學<br>藝術學系碩士班<br>95<br>“Earth in living, ash after death”—it was a dissertator of my creation in 2004 to 2007. The dissertator can be divided into three aspects as following: perspective of creation, material of using, exploration of molding. My perspective of creation came from natural circulations of life and death and opposite theory. According this viewpoint, I used slurry glaze and plant ash glaze of the nature world as the core center of my creative work to discover the natural circulation and relationship between life and death. I connected my emotional attachment to Taiwan

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