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Journal articles on the topic 'Global beauty'

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1

Lam, Samuel M. "Toward a Global Beauty." Archives of Facial Plastic Surgery 6, no. 3 (2004): 216. http://dx.doi.org/10.1001/archfaci.6.3.216.

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Blaszczyk, Regina Lee. "Beauty imagined: a history of the global beauty industry." Business History 55, no. 2 (2013): 313–15. http://dx.doi.org/10.1080/00076791.2012.716714.

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Fields, J. "Beauty Imagined: A History of the Global Beauty Industry." Enterprise and Society 13, no. 2 (2012): 442–44. http://dx.doi.org/10.1093/es/khr079.

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Warhurst, Chris. "Geoffrey Jones: Beauty Imagined: A History of the Global Beauty Industry." Administrative Science Quarterly 56, no. 2 (2011): 314–16. http://dx.doi.org/10.1177/0001839211430078.

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SÖDERBERG, JOHAN. "Beauty imagined: a history of the global beauty industry - By Geoffrey Jones." Economic History Review 64, no. 2 (2011): 704–5. http://dx.doi.org/10.1111/j.1468-0289.2010.00578_28.x.

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Dyhouse, C. "Beauty Imagined: A History of the Global Beauty Industry, by Geoffrey Jones." English Historical Review CXXVI, no. 519 (2011): 504–6. http://dx.doi.org/10.1093/ehr/cer051.

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Ko, Eunju, Eunha Chun, and Seulgi Lee. "Korean Beauty in a Global Cultural Context*." Journal of Global Fashion Marketing 2, no. 4 (2011): 200–212. http://dx.doi.org/10.1080/20932685.2011.10593098.

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8

Parameswaran, Radhika. "Global Beauty Queens in Post-Liberalization India." Peace Review 17, no. 4 (2005): 419–26. http://dx.doi.org/10.1080/10402650500374702.

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9

Sands, Noah, and Peter Adamson. "Global Facial Beauty: Approaching a Unified Aesthetic Ideal." Facial Plastic Surgery 30, no. 02 (2014): 093–100. http://dx.doi.org/10.1055/s-0034-1371905.

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10

Butler, Erika, and Lauren Sagadore. "Global Circuits of Fashion and Beauty symposium review." International Journal of Fashion Studies 2, no. 2 (2015): 331–33. http://dx.doi.org/10.1386/infs.2.2.331_7.

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Swift, Arthur, and Kent Remington. "BeautiPHIcation™: A Global Approach to Facial Beauty." Clinics in Plastic Surgery 38, no. 3 (2011): 347–77. http://dx.doi.org/10.1016/j.cps.2011.03.012.

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12

Griffiths, Danielle, and Alex Mullock. "Cosmetic Surgery: Regulatory Challenges in a Global Beauty Market." Health Care Analysis 26, no. 3 (2017): 220–34. http://dx.doi.org/10.1007/s10728-017-0339-5.

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Thomas, J. Regan, and Tatiana K. Dixon. "A Global Perspective of Beauty in a Multicultural World." JAMA Facial Plastic Surgery 18, no. 1 (2016): 7–8. http://dx.doi.org/10.1001/jamafacial.2015.1563.

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Permata, Inda Mustika, and Bima Jon Nanda. "Pasar Kecantikan dan Penindasan Wanita Di Cina." Andalas Journal of International Studies (AJIS) 6, no. 2 (2017): 93. http://dx.doi.org/10.25077/ajis.6.2.93-108.2017.

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This study examines about China beauty market associated with beauty perception in their society. The beautiful perception in China differs from time to time, most contradictory to the Mao era; beautiful women are women who did not do self-beautification, while post-Mao era, in line with the opening of the economy, beautiful women associated with white skin, young, and tall. To meet these criteria, women do beauty treatments and buy cosmetics so the demand for cosmetics becomes high. This behavior encourages the rise of cosmetic trading activities in China, so China has become one of the large
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15

Nolan, Cynthia. "Global Problem, Individual Solutions?" Catholic Social Science Review 25 (2020): 279–85. http://dx.doi.org/10.5840/cssr20202538.

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Our Holy Father Pope Francis has encouraged the entire world to care for the earth by protecting its beauty and gifts. Laudato Si was written in 2015, and we are perhaps even more challenged five years later with global environmental problems mostly because the solutions have gotten harder. China refuses to import foreign recyclables, and many developed nations do not have anywhere else to turn. So, what is the obligation of the individual to solve the global problems of pollution, waste, and degraded climate? Is the effort just as virtuous as the result?
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16

Chen, Wangheng, Jun Qi, and Pingting Hao. "On Chinese Aesthetics: Interpretative Encounter between Taoism and Confucianism." Culture and Dialogue 6, no. 1 (2018): 61–76. http://dx.doi.org/10.1163/24683949-12340042.

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Abstract Chinese aesthetics mainly derives from Confucianism and Taoism. This essay attempts to revisit the main theories that run through Confucian and Taoist aesthetics in order to make them comprehensible within a broader global context. Aesthetics in Confucianism pertains to fields as various as literature, art, music and the natural environment. It holds the idea of ren 仁 (human-heartedness) as the essential attribute of beauty. In comparison, Taoist aesthetics emphasizes the centrality of tao 道 (way), which transpires through naturalness, and, as such, considers natural forms to offer th
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17

Mills, Presley. "Alien Beauty: Posthuman Re-Imaginings." Fashion Studies 2, no. 1 (2019): 1–23. http://dx.doi.org/10.38055/fs020105.

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In the fall of 2018 WGSN (World Global Style Network) ran a report on the emerging “alien beauty” trend, which they defined as “an otherworldly aesthetic inspired by extraterrestrial life forms … signifying a new rebellious attitude towards quintessential beauty norms” (Bailey). Instagram is one of the largest platforms to represent the trend of alien beauty, presented by a thriving community of makeup artists pushing the boundaries of conventional beauty practices. These artists are developing otherworldly and exaggerated makeup looks created through the combination of makeup, fashion, techno
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18

Tessema, Getaneh Addis, Jean Poesen, Gert Verstraeten, Anton Van Rompaey, and Jan van der Borg. "The Scenic Beauty of Geosites and Its Relation to Their Scientific Value and Geoscience Knowledge of Tourists: A Case Study from Southeastern Spain." Land 10, no. 5 (2021): 460. http://dx.doi.org/10.3390/land10050460.

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Scenic beauty is one of the most-commonly used indicators in the inventory and assessment of geosites for geoconservation, geoheritage management and geotourism development. It is an important driver of tourists to visit natural areas and it also provides support for the protection of natural heritage. Previous studies on scenic beauty mainly focused on landscape preference and physical characteristics of geosites that affect scenic beauty appreciation. The relationships between the scenic beauty of geosites, their scientific value and the geoscience knowledge of tourists has not been empirica
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19

Wright, Pamela, Colleen Ballerino Cohen, Richard Wilk, and Beverly Stoeltje. "Beauty Queens on the Global Stage: Gender, Contests, and Power." Journal of the Royal Anthropological Institute 3, no. 2 (1997): 378. http://dx.doi.org/10.2307/3035027.

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20

Rogers, Mark, Colleen Ballerino Cohen, Richard Wilk, and Beverly Stoeltje. "Beauty Queens on the Global Stage: Gender, Contests, and Power." Anthropological Quarterly 70, no. 3 (1997): 156. http://dx.doi.org/10.2307/3317677.

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21

Nakray, Keerty. "The global beauty industry, colorism, racism and the national body." Journal of Gender Studies 27, no. 7 (2018): 861–63. http://dx.doi.org/10.1080/09589236.2018.1521117.

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22

Banet-Weiser, Sarah. "Figures of beauty, figures of nation: global contests of femininity." American Quarterly 50, no. 1 (1998): 166–74. http://dx.doi.org/10.1353/aq.1998.0049.

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23

Popov, Milena. "Global fashion - fashion without borders: Savage beauty of Alexander McQueen." Kultura, no. 138 (2013): 227–36. http://dx.doi.org/10.5937/kultura1338227p.

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24

Elledge, Annie M., and Caroline Faria. "“I want to … let my country shine”: Nationalism, development, and the geographies of beauty." Environment and Planning D: Society and Space 38, no. 5 (2020): 829–48. http://dx.doi.org/10.1177/0263775820911953.

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There is little geographic work on beauty. Yet beauty offers important insights into spatial, geopolitical, and geoeconomic processes. In this article, we attend to the powerful role of beauty labor, norms, and practices in national development. We center the Miss Tourism Uganda beauty pageant, held annually since 2011, and the centerpiece of tourism-based development in Uganda. Designed to attract foreign visitors and investors and to promote a sense of nationalist pride among Ugandans, the pageant-as-development strategy is increasingly mirrored across the neoliberalized Global South. This a
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25

Richardson, Benjamin J., Emily Barritt, and Megan Bowman. "Beauty: ALingua Francafor Environmental Law?" Transnational Environmental Law 8, no. 1 (2018): 59–87. http://dx.doi.org/10.1017/s2047102518000195.

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AbstractThis article investigates whether beauty in nature can provide a global language to inform environmental governance, such as by providing shared values and collaborative approaches across and within different cultures. Because art mediates how many people experience environmental aesthetics, such as through photography and music, this enquiry extends to the arts. As is the case for other aesthetic values, beauty is ultimately about relationships and ways of knowing our environment, and the law can best engage with such values through interpretive guidance and processes for participator
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26

Emmer, C. E. "Kantian Beauty, Fractals, and Universal Community." Dialogue and Universalism 29, no. 2 (2019): 65–80. http://dx.doi.org/10.5840/du201929222.

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Benoit B. Mandelbrot, when discussing the global appeal of fractal patterns and designs, draws upon examples from across numerous world cultures. What may be missed in Mandelbrot's presentation is Immanuel Kant’s precedence in recognizing this sort of widespread beauty in art and nature, fractals avant la lettre. More importantly, the idea of the fractal may itself assist the aesthetic attitude which Kantian beauty requires. In addition, from a Kantian perspective, fractal patterns may offer a source for a sense of community with humanity. I close with an excursus on the more sombre note of Ka
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27

Seo, Yuri, Angela Gracia B. Cruz, and ‘Ilaisaane ME Fifita. "Cultural globalization and young Korean women’s acculturative labor: K-beauty as hegemonic hybridity." International Journal of Cultural Studies 23, no. 4 (2020): 600–618. http://dx.doi.org/10.1177/1367877920907604.

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This article aims to understand how young Korean women respond to the changing ideals of K-beauty, a form of gender imagery embodied by Korean pop celebrities, when such ideals become exported as global cultural products. The findings reveal that K-beauty is characterized by three paradoxical themes: manufactured naturalness, hyper-sexualized cuteness, and the ‘harmonious kaleidoscope’. When we unravel these paradoxes further, we observe that they provoke unsettlement and ambivalence among young Korean women, who shed light on the acculturative labors of concealment, selective resistance, and
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28

El Jurdi, Hounaida, and Sandra Smith. "Mirror, mirror: national identity and the pursuit of beauty." Journal of Consumer Marketing 35, no. 1 (2018): 40–50. http://dx.doi.org/10.1108/jcm-11-2016-2001.

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Purpose This research aims to draw on social identity theory (SIT) and social comparison theory (SCT) to examine how social and cultural contexts influence the construction and pursuit of beauty ideals. Design/methodology/approach Sixteen Lebanese women aged between 18 and 45, from a range of backgrounds, were recruited for the purpose of this research. Interview questions probed the respondents’ female beauty ideals in relation to themselves and others. Photo-elicitation was used to facilitate and enrich each discussion. Findings The pursuit of beauty involves rich processes and is motivated
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29

Parameswaran, Radhika. "Global Media Events in India: Contests over Beauty, Gender and Nation." Journalism & Communication Monographs 3, no. 2 (2001): 52–105. http://dx.doi.org/10.1177/152263790100300202.

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30

Mann, Sebastian Porsdam, Helle Porsdam, and Yvonne Donders. "“Sleeping Beauty”: The Right to Science as a Global Ethical Discourse." Human Rights Quarterly 42, no. 2 (2020): 332–56. http://dx.doi.org/10.1353/hrq.2020.0020.

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31

Gladenkova, Tatiana. "Beauty and personal care transnationalization: main changes in its spatial structure." GEOGRAPHY, ENVIRONMENT, SUSTAINABILITY 13, no. 1 (2020): 244–50. http://dx.doi.org/10.24057/2071-9388-2019-94.

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At the turn of 21st century global beauty and personal care industry underwent dramatic changes in its territorial structure. The main factors of that changes were world economics institutional changes, primarily – the international trade liberalization, as well as the R&D progress. During abolition of tariffs or tariff cut the competition in beauty and personal care ratcheted up sharply. That was accompanied by sea changes in its macrogeography, particularly, by the manufacturing transnationalization (mainly, in the form of its «drift» to developing countries) and the general expansion of
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32

Sulistyani, Hapsari Dwiningtyas. "Pemaknaan Lokal terhadap Teks Global Melalui Analisis Tema Fantasi." Jurnal ILMU KOMUNIKASI 13, no. 2 (2017): 201. http://dx.doi.org/10.24002/jik.v13i2.721.

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Abstract: This study focuses on exploring the use of Fantasy Theme Analysis for examining local interpretation on global media texts, particularly the way in which Indonesian girls interpret Disney princesses. The main theory used in this research is Symbolic Convergence Theory in which the theory is used as a tool to analyze the chain of meanings. This research uses fantasy themes analysis as the method of analysis. The results indicate that the girls perceive the beauty images constructed by Disney as ideal. Consequently, they have negative perception to the dominant physical characteristics
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33

Mougoué, Jacqueline-Bethel Tchouta. "Over-MakingNyanga: Mastering “Natural” Beauty and Disciplining Excessive Bodily Practices In Metropolitan Cameroon." African Studies Review 62, no. 2 (2019): 175–98. http://dx.doi.org/10.1017/asr.2018.110.

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Abstract:This study examines how Anglophone urban elites in 1960s metropolitan Cameroon negotiated local and global ideas about culturally constructed forms of “natural” black beauty. Formally-educated Christian urbanites, such as freelance female journalists, who often worked as civil servants, sought to discipline women’s bodily practices and emotional expressivity in order to regulate the boundaries of perceived feminine respectability and to define a woman’s “natural” beauty, a descriptor with both internal and external implications. The language they used included both local terms such as
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34

Putri, Alya Indira. "THE ACCULTURATION TO GLOBAL CONSUMER CULTURE TOWARDS PURCHASE DECISION OF SOUTH KOREAN SKINCARE AND COSMETIC PRODUCT." Advanced International Journal of Business, Entrepreneurship and SMEs 3, no. 9 (2021): 102–22. http://dx.doi.org/10.35631/aijbes.39008.

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The development of the globalization era encourages the dissemination of information and beauty trends from South Korea in Indonesia. To be accepted by the Indonesian market, South Korean beauty companies need to consider the acculturation aspects, because it is one of the primary determinant factors of consumer purchase decisions in a foreign country product. The purpose of this study is to analyze the effect of acculturation on global consumer culture towards purchase decisions of South Korean skincare and cosmetic products, identify the factors that influence the consumers’ purchase decisio
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Beattie, James, and Louise Stevenson. ""[W]hat Beauty in Oriental Art Means"." Museum Worlds 7, no. 1 (2019): 58–70. http://dx.doi.org/10.3167/armw.2019.070105.

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This article presents new historical research on Asian art—particularly Chinese art—in New Zealand through the examination of the content and reception of the Loan Exhibition of Oriental Art, which was held in Christchurch from May to June 1935. It situates the exhibition within the context of Depression-era New Zealand, examines the place of Chinese art, in particular, in the developing cultural nationalism of New Zealand of this period, and highlights the role of one local connoisseur in the making of the exhibition. Moreover, the article’s focus on the southern hemisphere fills a gap in glo
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Ibrahim, Fausat Motunrayo, and Ayodele S. Jegede. "“She was neither unduly fat nor lanky”: Representation of body size and beauty in the novels of Daniel O. Fágúnwà." Nigerian Journal of Sociology and Anthropology 18, no. 1 (2020): 131–47. http://dx.doi.org/10.36108/njsa/0202/81(0190).

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The climate of thought regarding beauty characterization among Africans and other people of colour portrays the large body as beautiful. This reflects that body size and beauty is racially and culturally expressive, making it apposite to be disparate in advancing related discourses. This is particularly important because such discourses can influence Africans’ evaluation of their self-worth. The concerns generated by the global rise in obesity further create interest in these issues. African literature offers a fine and disparate platform to understand social realities. Consequently, relevant
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37

Rowlands, Ian H. "Beauty and the Beast? BP's and Exxon's Positions on Global Climate Change." Environment and Planning C: Government and Policy 18, no. 3 (2000): 339–54. http://dx.doi.org/10.1068/c9752.

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38

Phoenix, Aisha. "Book review: The Global Beauty Industry: Colorism, Racism, and the National Body." European Journal of Women's Studies 25, no. 4 (2018): 488–89. http://dx.doi.org/10.1177/1350506818790737.

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39

Schorman, R. "Beauty Imagined: A History of the Global Beauty Industry. By Geoffrey Jones (Oxford: Oxford University Press, 2010. viii plus 412 pp.)." Journal of Social History 46, no. 1 (2012): 233–35. http://dx.doi.org/10.1093/jsh/shs018.

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40

Halim, Thalia Metta, and Kiattipoom Kiatkawsin. "Beauty and Celebrity: Korean Entertainment and Its Impacts on Female Indonesian Viewers’ Consumption Intentions." Sustainability 13, no. 3 (2021): 1405. http://dx.doi.org/10.3390/su13031405.

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The Korean entertainment industry’s popularity and global reach has prompted private companies and destination management organizations to place Korean products and position Korea as a destination to international viewers. Korean celebrities have also been found to form positively perceived Korean beauty standards, consequently serving as an antecedent of Korean beauty product awareness and perceived beauty product quality among international audiences. Although previous studies have found that audience involvement with entertainment mediums has positively impacted product purchase and visitat
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Sharon Heijin Lee. "Beauty Between Empires: Global Feminism, Plastic Surgery, and the Trouble with Self-Esteem." Frontiers: A Journal of Women Studies 37, no. 1 (2016): 1. http://dx.doi.org/10.5250/fronjwomestud.37.1.0001.

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Stern-Gillet, Suzanne. "Le Principe Du Beau Chez Plotin: Réflexions sur Enneas VI.7.32 et 33." Phronesis 45, no. 1 (2000): 38–63. http://dx.doi.org/10.1163/156852800510117.

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AbstractThe status of beauty in Plotinus' metaphysics is unclear: is it a Form in Intellect, the Intelligible Principle itself, or the One? Basing themselves on a number of well-known passages in the Enneads, and assuming that Plotinus' Forms are similar in function and status to Plato's, many scholars hold that Plotinus theorized beauty as a determinate entity in Intellect. Such assumptions, it is here argued, lead to difficulties over self-predication, the interpretation of Plotinus's rich and varied aesthetic terminology and, most of all, the puzzling dearth of references, in the whole of t
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Sippel, Hope. "Beauty and Benevolence: A History of the Cosmetics Industry’s Globalization through Philanthropy." Perspectives on Global Development and Technology 14, no. 1-2 (2015): 227–37. http://dx.doi.org/10.1163/15691497-12341342.

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This research demonstrates how after World Warii, theuscosmetics industry was able to feminize cultural imperialism by using philanthropic efforts in order to expand its influence within the global market. This article presents four important frameworks in order to understand the role of capitalism, consumerism, and the cosmetics industry in a global arena: first, the cosmetics industry’s increased globalization after World Wari; second, the emergence of corporate social responsibility and philanthropy; third, selling products and advertising through philanthropy; fourth, the use of beauty and
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44

Birlea, Oana. "From kawaii to sophisticated beauty ideals in European advertisements Shiseidō beauty print advertisements - case study." Mutual Images Journal, no. 6 (June 20, 2019): 53–69. http://dx.doi.org/10.32926/2018.6.bir.kawai.

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Having as a starting point one of the stereotypes of Japanese women considered a purveyor of kawaii this paper aims to explore a counterexample to Sanrio’s Hello Kitty mania offered by Shiseidō cosmetics through its overseas advertisements created during a long history on the European market. Even though the image of Japan is based mainly on the concept of kawaii Shiseidō tried at first on the local market to make a turn from that fragile, helpless and naïve perception of women to a more sophisticated one. Successful advertisements are made to answer a specific target audience’s needs, thus in
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Oliveira, Daiane Rodrigues de. "Receita de beleza para mulheres cristãs: o funcionamento da semântica global batista no discurso sobre o feminino (Beauty recipe for christian women: the functioning of the baptist global semantics in the discourse about the feminine)." Estudos da Língua(gem) 10, no. 1 (2012): 109. http://dx.doi.org/10.22481/el.v10i1.1175.

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A revista Visão Missionária é uma publicação da União Feminina Missionária do Brasil, a qual ensina a mulher batista como exercer suas diferentes funções cotidianas como cristã. O objetivo deste artigo é discutir a relação entre a fé e a beleza nesta publicação. Para tanto, analisa-se uma receita de beleza para a mulher cristã publicada pela União Feminina Batista. Este trabalho fundamenta-se nas nocões de Semântica Global e de Discursos Constituintes propostas por Maingueneau.PALAVRAS-CHAVE: Análise do Discurso. Discurso constituinte. Discurso Religioso. Feminino. Revista Visão Missionária.AB
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Balogun, Oluwakemi M., and Kimberly Kay Hoang. "Political Economy of Embodiment: Capitalizing on Globally Staged Bodies in Nigerian Beauty Pageants and Vietnamese Sex Work." Sociological Perspectives 61, no. 6 (2018): 953–72. http://dx.doi.org/10.1177/0731121418797292.

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How do various stakeholders capitalize off of display workers’ bodies? This article uses a comparative-case approach to examine two different sites—beauty pageants in Nigeria and high-end sex workers in Vietnam—where women’s bodies are differentially staged with varying degrees of visibility. Theoretically, this article develops the concept of political economy of embodiment to account for a network of people onstage, backstage, and offstage who capitalize off displayed bodies in qualitatively different ways. Beauty pageants in Nigeria take place on highly visible national and global stages. C
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Mondale, Clarence. "Under Reduced Circumstances: Space and Place for the Aging." Journal of American Studies 22, no. 3 (1988): 347–70. http://dx.doi.org/10.1017/s0021875800023343.

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We only half-understand how meaning depends upon geography. We usually think of meaning in global terms, as having to do with the universals of truth, goodness, and beauty. But global meanings are anchored in the unselfconscious geography of everyday life, the “rhythmic functional patterns” by which we order time and space. Those patterns change over the lifetime of the individual, profoundly altering what life means to him.
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Jin Kwon, Hye, and . "Design of Next-Generation 4D Mask Pack." International Journal of Engineering & Technology 7, no. 3.33 (2018): 82. http://dx.doi.org/10.14419/ijet.v7i3.33.18529.

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This study identified the development status and material development technology of mask packs in the beauty industry, which is recently receiving a global attention and designed a 4D mask pack enriched with hydrogels to meet the demand of the new era. This study also presented a next-generation mask model that has superior adhesion capability to facial curves. It was developed by applying hydrogels, a soft material similar to the extracellular matrix, to control mechanical properties of the mask pack for appropriate stiffness and swelling ratio. This development technology is considered to be
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Croal, Peter. "Beauty and adaptation – the marvels of Namibia’s dryland habitat." Biodiversity 15, no. 2-3 (2014): 229–30. http://dx.doi.org/10.1080/14888386.2014.931250.

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50

Liebelt, Claudia. "Manufacturing Beauty, Grooming Selves: The Creation of Femininities in the Global Economy – An Introduction." Sociologus 66, no. 1 (2016): 9–24. http://dx.doi.org/10.3790/soc.66.1.9.

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