Dissertations / Theses on the topic 'Globalization in literature'
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Omwomo, Beatrice O. "Revisiting Frantz Fanon in the era of globalization." Miami University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=miami1311683491.
Cadle, Nathaniel Thrailkill Jane F. "The mediating nation American literature and globalization from Henry James to Woodrow Wilson /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,1673.
Title from electronic title page (viewed Sep. 16, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English." Discipline: English; Department/School: English.
Harrison, Charlotte Louise Monamy. "Fictions of globalisation in the twenty-first century." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46700870.
Daigle, Amelie. "Transnational Communities and the Novel in the Age of Globalization:." Thesis, Boston College, 2019. http://hdl.handle.net/2345/bc-ir:108571.
The novel is generally read through a Western lens that privileges both individual subjectivity and the nation-state. My dissertation acts as an intervention into the critical tradition that sees the novel as a genre preoccupied with the individual, the nation-state, and the rights and responsibilities of citizenship through which the two relate to each other. This tradition includes seminal theorists Ian Watt, Fredric Jameson, and Benedict Anderson as well as contemporary critics such as Pascale Casanova and Joseph Slaughter. Transnational Communities challenges this accepted framework for understanding the novel genre through an examination of novels which decenter the categories of individual and nation-state and argues that in this moment of unprecedented globalization, the novel’s ability to imagine new forms of community is an increasingly relevant social function
Thesis (PhD) — Boston College, 2019
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: English
Reyes-Santos, Irmary. "Racial geopolitics interrogating Caribbean cultural discourse in the era pf globalization /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3274592.
Title from first page of PDF file (viewed October 4, 2007). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 234-245).
Kim, Jinah. "U.S. racial imaginaries." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3221813.
Title from first page of PDF file (viewed September 19, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 160-175).
Weiser, Sterling. "Analyzing the Globalization of Traditional Chinese Medicine through a Cultural and Institutional Lens." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1396967860.
Ingvoldstad, Bjorn Paul. "Post-socialism, globalization, and popular culture 21st century Lithuanian media and media audiences /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3219906.
Source: Dissertation Abstracts International, Volume: 67-06, Section: A, page: 1962. Adviser: Barbara Klinger. "Title from dissertation home page (viewed June 21, 2007)."
Sugden, Edward. "American literature and global time, 1812-59." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:0c1a68fe-2e17-48bd-851b-00133ca256f0.
Nandi, Swaralipi. "Narrating The New India: Globalization And Marginality In Post-Millennium Indian Anglophone Novels." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1342390183.
Roberts, Amanda. "“Shifting Boundaries and Unfixing Fixities”: Boundary Crossing in Pauline Melville’s The Ventriloquist’s Tale." Thesis, Stockholm University, Department of English, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-8677.
A central theme in Pauline Melville’s novel, The Ventriloquist’s Tale, is the question of endogamy and exogamy, with the opposing alternatives embodied in Melville’s characters. This theme has received much attention in the critical commentaries generated by the novel, with a prevailing number of critics claiming that Melville proposes endogamy as the only option for indigenous communities to remain intact. However, such an argument overlooks the significant fact that Melville’s characters are always already the offspring of exogamous encounters, through which a multiplicity of boundaries have been permeated. Furthermore, the spatial motifs developed in the novel can be seen to undermine commonly accepted delimitations of supposedly homogenous groups, the nation-state constituting the prime example, and this in turn profoundly alters the notion of mixing. Consequently, contending that Melville even enters a debate on endogamy and exogamy stems from a predisposition to see the world in other terms than those Melville sets out in her novel. The nature of boundaries and borders in Melville’s fictitious world are therefore explored using Benedict Anderson’s Imagined Communities as a framework. This examination shows that the novel undermines the notion of the nation-state as a homogenous entity and reveals a global structure that dictates and drives interaction on a global scale. Consequently, instead of a debate on exogamy, we see in the novel an exploration and dismantling of notions of borders, boundaries and barriers between individuals and groups of people.
Gard, Ron. "Bodies of Capital: Spatial Subjectivity in Twentieth-Century U.S. Fiction." Diss., The University of Arizona, 2007. http://hdl.handle.net/10150/195847.
Redmond, Dennis Robert. "Global storm : Theodor Adorno's Negative dialectics /." view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9978596.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 377-380). Also available for download via the World Wide Web; free to University of Oregon users.
Zeino, Arwa, and Aiat Tabiei. "The benefits of using world literature for globalizing English in the ESL classroom." Thesis, Malmö universitet, Malmö högskola, Institutionen för kultur, språk och medier (KSM), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-39591.
Mateu, D. M. "An investigation into the impact of globalization on the intergenerational transmission of oral literature in Namibia: a community based education perspective." Thesis, University of the Western Cape, 2014. http://hdl.handle.net/11394/4279.
This study endeavoured to gauge the impact of globalization on the intergenerational diffusion of oral literature and its pedagogic role in Namibia. The study also sought to highlight the contribution of oral literature and its pedagogic value in addressing the aims and objectives of the Namibian education system in regard to the training of learners to acquire the skills, knowledge, attitudes and values needed for them to become effective and valuable members of society. The theoretical framework that underpins the study, the functionalist approach, foregrounds the functional values of social systems and structures. Oral heritage is seen as having various societal functions, pre-eminently that of moulding, educating and shaping young people to be functional members of the society (Finnegan, 1970). The aims of this study were pursued through a case study of two educational contexts in the Zambezi (formerly Caprivi) region of north-east Namibia. The inquiry in the formal educational setting was done in four schools, while that into the non-formal educational setting took place in four rural villages. The latter were crucial in the study in that they were home to research subjects who possessed valuable insights into the pedagogic role of oral literature as a form of community based education. The four schools were purposefully selected for offering Silozi, a lingua franca in Zambezi region, as a first language subject
Lemos, Alessandra Maia de. "Guillermo Arriaga, um autor midiático: as fronteiras entre cinema e literatura na pós-modernidade." Universidade do Estado do Rio de Janeiro, 2011. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=3166.
Postmodernity is characterized by the dissolution of boundaries, whether spatial, cultural, social or artistic. In artistic field, it is perceived a significant mutual influence between cinema and literature, to the extent that the aesthetics, styles and resources are passable between these two arts, to the point of some novels have film language characteristics and cinema has a narrative very close to the literary. On the other hand, postmodernity is also characterized by a large growth of filmic and literary productions to the masse, for an audience whose interest is entertainment, not discussion, criticism or reflection. In this sense, there are several authors who will concentrate themselves on producing their art in a way that reaches a bigger amount of people and public, which inevitably brings their works closer to the market ones or converts them into a work of market. Therefore, the present study aims at analyzing some of the artistic productions of the novelist, cinema director and screenwriter Guillermo Arriaga, whose work goes through cinema and literature, but joining them from a contemporary realistic aesthetics, which makes his works for the masse public, being characterized, as defined by Professor Vera de Figueiredo (2010), as a mediatic author
Piper, Eleanor. "A Transnational Reading of My Heart Will Cross this Ocean, The Dark Child, and Ambiguous Adventure." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1367415367.
MacPherson, Sandra. "From Spectator to Citizen: Urban Walking in Canadian Literature, Performance Art and Culture." Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/37321.
Awele, Emmanuel Chukwudi. "Globalization and slow violence : slow genocide at the periphery in Jeannette Armstrong’s Whispering in shadows and Kaine Agary’s Yellow-Yellow." Mémoire, Université de Sherbrooke, 2015. http://hdl.handle.net/11143/6850.
Résumé : Ce qui suit analyse des dispositifs environnementaux, culturels, économiques et rhétoriques qui engendrent le déplacement chez les peuples traditionnels autochtones et du Delta de Niger. Whispering in Shadows de Jeannette Armstrong et Yellow-Yellow de Kaine Agary représentent, de manière similaire, la façon dont les peuples traditionnels autochtones et ceux du Delta de Niger expérimentent les formes contemporaines du génocide lent sous forme de pollution environnementale, ainsi que des déplacements spatiaux. Cette analyse porte un regard particulier sur le sens de la vie, du bien-être et du progrès selon les cultures traditionnelles autochtones qui se basent sur une vision globale de la vie commune sur la Terre ancestrale. Cette cosmologie est mise en contraste avec la culture mondialisée qui encourage notamment l’utilisation non-traditionnelle des terrains et l'exploitation des peuples traditionnels autochtones. L'environnementalisme autochtone reflété dans les romans d'Armstrong et d’Agary considère les relations des humains avec la Terre comme étant une dépendance familiale interconnectée. Cette relation ne se définit pas sur base des notions extrêmes d'abstinence romancée ou de non-dépendance sur la Terre. Elle n’est pas définie non plus par des notions de l'exploitation écocidaire capitaliste de la Terre. À la lumière de la critique environnementale de Whispering in Shadows et de Yellow-Yellow, je propose que les deux textes soient lus comme des éco-littératures. Cependant, le travail des deux romans écocritiques est fondé non sur les notions occidentales de l’écocritique qui privilégient souvent les non-humains dans un environnementalisme que Graham Huggan et Helen Tiffin (2010) décrivent comme étant « antihumain », mais plutôt sur celles qui considèrent les humains et les non-humains non pas comme des sujets en concurrence, mais comme les parties interdépendantes et intimement liées au sein d’une seule entité: la Terre. La conception de la question du déplacement selon Agary et Armstrong déstabilise la perception dominante matérialiste de la Terre en montrant que la Terre est porteuse d’un sens et d'une identité qui peuvent sembler arbitraires, mais qui englobent au fait la culture, la vie sociale, personnelle et communautaire. Je propose qu’une base solide pour gagner la guérison spirituelle, la préservation des cultures marginalisées et la lutte contre la mondialisation se trouve dans la réaffirmation des relations culturellement fondées avec la terre, la reconnexion à la terre et la construction de réseaux localisées entre les individus dans les communautés éco-dévasté, ainsi qu’entre ces communautés, dans une forme de « mondialisation d’en bas. » La collaboration entre les minorités et l'affirmation culturelle ont de la potentielle à déstabiliser et résister la mondialisation de manière durable. Cette globalisation d’en bas isole aussi les communautés de l'hégémonie des modèles socio-culturels dominants venant souvent de l’occident. Les liens familiaux étroits que partagent les peuples autochtones et leur Terre, ainsi que les significations historiques, culturels et économiques de la Terre pour ces communautés autochtones, suggèrent que la perte des espaces terrestres traditionnelles sous les systèmes de la mondialisation est vécue comme une véritable expérience traumatisante et dévastatrice. Cette injustice normalise par la suite une tendance de la violence latérale et de l'instabilité sociale qui devient une violence autoreproductrice et qui maintient le processus historique du génocide lent: «le préjudice émotionnel et physique subi par les victimes de la violence au fil du temps qui mène à la pauvreté extrême et à la mort prématurée pour beaucoup» (ma traduction : Cottam, Huseby, et Lutze 2). Au cœur des textes d'Armstrong et d’Agary se trouvent des critiques contre les injustices sociales et environnementales émanant des activités industrielles dans les espaces traditionnelles autochtones. L’environnementalisme d'Armstrong et d’Agary décrit des cosmologies autochtones qui interagissent entre l'écologie et les aspects culturelles, économiques et sociaux du développement durable. L’environnementalisme autochtone d’Armstrong et l’environnementalisme africain d’Agary, en fonction de leurs cosmologies traditionnelles respectives, ne conceptualisent pas des «préoccupations environnementales» et les questions de justice dans le contexte des questions distinctes qui devraient être liées comme la culture dominante occidentale les conçoivent. Pour eux, les questions de l'équité, de la justice, de la stabilité environnementale, spirituelle et culturelle ne sont qu’une et la même question du développement durable.
Nusky, Carmela Esther. "Language Defense, the French Response to Globalization: A Critical Analysis." Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1248209088.
Stengel, Julia. "Die ,globale Provinz' ? Der Globalisierungsdiskurs am Beispiel von Arnold Stadlers Roman Ein hinreissender Schrotthändler (1999) und Andreas Maiers Roman Klausen (2002)." Thesis, University of Waterloo, 2006. http://hdl.handle.net/10012/2815.
Both texts are set largely in provincial towns, and the regions themselves play commanding roles in the stories being told. This focus on the provincial takes on an ironic appearance in the era of globalization where one would assume that localities have lost meaning. It is therefore useful to look at theories that broach the issue of the tense relation between globality and locality. Since no universally accepted definition of globalization exists, it is necessary to establish the crucial aspects of the phenomenon to be applied in the analysis of the novels by examining the work of various theorists on the topic.
The prominent model of 'glocalization,' originated by the sociologist Roland Robertson to refer to 'global localization,' offers useful categories for the analysis of the provincial in the era of globalization. In this model the simultaneity of global and local processes is assumed and with it the alleged antagonism of the 'global' and the 'local' is overcome. Claiming those dynamics Robertson's model can serve as a confirmation of the arguments put forward in this thesis which looks at literature about the 'local' through the prism of globalization. Other theories relating to explicit local dynamics are presented to round out the model of 'glocalization. ' In addition, the thesis takes into account normative ideas regarding the province in the global era.
The textual analysis that follows the delineation of the model of 'glocalization' demonstrates how the novels illustrate the global and local processes postulated by the model. The investigation also explains how the literary texts themselves evaluate the provinces portrayed. The results of the examination show that selected aspects of the globalization discourse have found their way into two contemporary German-language novels and therefore into German literary discourse. Even though the two novels deal with different ideas from the discourse, and even reject to a certain extent some of these concepts, they each reveal a particular literary manner of echoing the processes of globalization. Finally, the thesis demonstrates that the globalization discourse is of use for the interpretation of literary texts.
Stengel, Julia. "Die ,globale Provinz' ? Der Globalisierungsdiskurs am Beispiel von Arnold Stadlers Roman Ein hinreissender Schrotth??ndler (1999) und Andreas Maiers Roman Klausen (2002)." Thesis, University of Waterloo, 2006. http://hdl.handle.net/10012/2815.
Both texts are set largely in provincial towns, and the regions themselves play commanding roles in the stories being told. This focus on the provincial takes on an ironic appearance in the era of globalization where one would assume that localities have lost meaning. It is therefore useful to look at theories that broach the issue of the tense relation between globality and locality. Since no universally accepted definition of globalization exists, it is necessary to establish the crucial aspects of the phenomenon to be applied in the analysis of the novels by examining the work of various theorists on the topic.
The prominent model of 'glocalization,' originated by the sociologist Roland Robertson to refer to 'global localization,' offers useful categories for the analysis of the provincial in the era of globalization. In this model the simultaneity of global and local processes is assumed and with it the alleged antagonism of the 'global' and the 'local' is overcome. Claiming those dynamics Robertson's model can serve as a confirmation of the arguments put forward in this thesis which looks at literature about the 'local' through the prism of globalization. Other theories relating to explicit local dynamics are presented to round out the model of 'glocalization. ' In addition, the thesis takes into account normative ideas regarding the province in the global era.
The textual analysis that follows the delineation of the model of 'glocalization' demonstrates how the novels illustrate the global and local processes postulated by the model. The investigation also explains how the literary texts themselves evaluate the provinces portrayed. The results of the examination show that selected aspects of the globalization discourse have found their way into two contemporary German-language novels and therefore into German literary discourse. Even though the two novels deal with different ideas from the discourse, and even reject to a certain extent some of these concepts, they each reveal a particular literary manner of echoing the processes of globalization. Finally, the thesis demonstrates that the globalization discourse is of use for the interpretation of literary texts.
Franco, Adenize Aparecida. "Labirintos perdidos: ficção contemporânea em trânsito nos romances de Bernardo Carvalho e Francisco José Viegas (2000-2010)." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-27012014-104758/.
This thesis investigates how the contemporary fiction of Portuguese language meets possibilities of resistance to the crisis of the romance that has established in the contemporaneity. The titles of the authors Bernardo Carvalho and Francisco José Viegas, registered in the beginning of the 21st century, allow examining how the fiction from the current era supplants the narrative crisis and inscribes itself as a resistance element. Based in the theories of Walter Benjamim, Theodor Adorno, Zygmunt Bauman and Andreas Huyssen about the decline of the narrative and the romance allied to questions of displacement, memory and identity we try to demonstrate that this fiction responds to a moment of crisis and transition. Thus, the fiction of the authors investigated represents not the crisis of the romance, before, it configures itself as romance of the crisis, justly for meeting in the conflicting questions (narrative transgression, spatial displacement, dilution of the memory and fluid identities) the walls for the construction of its fictional labyrinth.
Ahyicodae. "The programmer : a saint run mad." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1390648.
Revisiting ADP -- A crime of passion -- A power like God.
Department of English
Cesare, Nicole L. "Intricate Fictions: Cartography and the Contemporary African Novel." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/255972.
Ph.D.
Intricate Fictions: Cartography and the Contemporary African Novel examines the relationship between narrative and mapping practices in recent African novels. Considering the continent's well-documented history as a site of cartographical projection, I ask how its literary output remaps this space in the years following colonial rule. This project responds to calls for increased attentiveness to space in African literature, employing an interdisciplinary methodology that puts critical cartography into conversation with African literary criticism and globalization studies. I trace a trajectory from post-independence novels writing against colonial depictions of the continent to contemporary novels interested in engaging the instability concomitant with globalization and its attendant diasporas, migrations, and challenges to epistemological categories such as the nation. These novels develop what I term dynamic cartography, a mode of space-writing characterized by fluidity, disjunction, and mobility. This study brings to the fore a corpus of works that embody the spatial tensions of the contemporary era, raising provocative questions about our metageographical and cartographical tendencies. As absolute frameworks of time and space give way, new modes of space-writing continue to blur the boundaries between the map and the novel, offering further avenues of analysis. Ultimately, I pursue these avenues in order to contend that as global space becomes increasingly dynamic, so too do the genres that represent that global space. Contemporary African novels, composed with a profound awareness of geographical transformation, are thus also positioned at the forefront of generic transformation.
Temple University--Theses
Elmersson, Filip. "Som en brygga över kulturer helt enkelt : Lärares förhållningssätt till icke västerländsk litteratur i gymnasieskolans svenskundervisning." Thesis, Linnéuniversitetet, Institutionen för svenska språket (SV), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-61607.
Azevedo, Felipe Vigneron. "A resistência na literatura em tempos de globalização." Universidade do Estado do Rio de Janeiro, 2015. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=8684.
This dissertation aims at investigating the relationship between the market, the globalization, the so-called Postmodernity and literature. First, for this purpose, a brief view of contemporary Brazilian literature is outlined, in order to present part of what is currently produced in terms of criticism and fiction. Then, the controverted concept of Postmodernity is analysed, focusing specially on the terminological differences that have been raised, which is the main object of the final considerations. So, the phenomenon of globalization is analyzed, especially in what it concerns the constitution of new subjectivities, as well as in its impact on the conception of values in general and aesthetic values in particular. This work also deals with the concept of resistance, based on theoretical elements drawn from Schiller (the role of the artist), Agambem (the issue of contemporary) and Alfredo Bosi (relationship between narrative and resistance), focusing on the literary production, by means of a brief analysis of Luiz Ruffatos narrative There were many horses
Thompson, Jay. "Sex and power in Australian writing during the Culture Wars, 1993-1997 /." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/6714.
My texts fit into two broad genres, fiction and scholarly non-fiction. The texts are: Helen Garner’s The First Stone (1995), Sheila Jeffreys’ The Lesbian Heresy (1993), Catharine Lumby’s Bad Girls (1997), Linda Jaivin’s Eat Me (1995) and Justine Ettler’s The River Ophelia (1995). I engage with various critical responses to these texts, including reviews, essays and interviews with the authors. I draw also from a range of theoretical sources. These include analyses of the culture wars by the American theorist Lillian S. Robinson and the Australian scholars McKenzie Wark, David McKnight and Mark Davis. Davis has provided a useful overview of how the metaphor of ‘generational conflict’ circulated in Australian culture during the 1990s. I draw on Arjun Appadurai’s model of “global cultural flows” and Ann Curthoys’ history of feminism in Australia. I engage with research into the increasingly ‘globalised’ nature of Australian writing, as well as a number of feminist works on the relationship between sex and power
Kulbaga, Theresa A. "Trans/national subjects genre, gender, and geopolitics in contemporary American autobiography /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1150386546.
Hoddinott, Merrill R. "Globalization, utilitarianism, and implications for the study of literature : a critical analysis of the eclectic nature of the senior high English language arts curriculum of the Atlantic Provinces Education Foundation /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0032/MQ47457.pdf.
Govender, Shanali Candice. "On the fringes of a diaspora : an appraisal of the literature on language diaspora and globalization in relation to a family of Tamil-speaking, Sri Lankan migrants to South Africa." Master's thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/3609.
Includes bibliographical references.
While the language attitudes and reported behaviours of migrants have long been of interest to linguists, educationalists and sociologists, increased levels of global mobility and technological activity are changing the nature of migration. This mini-thesis considers competing paradigms of mobility including diaspora, transnationalism and super-diversity and emerges at the recognition that the shape of migration has changed considerably over the last 20 years, especially in the South African context. This new migration, characterised in this paper as a shift from diaspora to transnationalism, might have significant consequences for the way migrants conceptualise host countries and countries of origin. This study sought to investigate the language attitudes and behaviours of a family of recent Sri Lankan migrants to South Africa. The aim of the study was to describe their attitudes and reported language behaviours, and having done so, to consider whether, in theory, any of these language attitudes or behaviours might be related to longer-term language attitudes and behaviours such shift, maintenance or loss.
Geary, James P. "Social Realism in Central America: the Modern Short Story Translated." Wright State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=wright1215444512.
Lin, Yu-Fang. "The Cultural Construction of Taiwan in the Literatures of Taiwan, China, and the United States." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent149178259135258.
Kuo, Chien-hua. "A post-colonial critique of the representation of Taiwanese culture in children's picturebooks." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1124153596.
Title from first page of PDF file. Document formatted into pages; contains xvi, 312 p.; also includes graphics (some col.). Includes bibliographical references (p. 305-312). Available online via OhioLINK's ETD Center
Hildebrand, Laura A. ""Speculated Communities": The Contemporary Canadian Speculative Fictions of Margaret Atwood, Nalo Hopkinson, and Larissa Lai." Thesis, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/20503.
Thierry, Raphaël. "Le marché du livre africain et ses dynamiques littéraires : le cas du Cameroun." Thesis, Université de Lorraine, 2013. http://www.theses.fr/2013LORR0302/document.
Since the eighties, international industrial firms enter North publishing houses' capital. This was the beginning of what is called book globalization. That process raises a standardization fear of published material; it also involves the emergence of thoughts and projects concerning bibliodiversity. In that context, African book's market has been structured in different kind of networks with the goal of sustaining its diffusion/distribution. On the end of the nineties, scholar researches increase their interest for African literature production's background. Behind each book, we find institutions, economies, authors' strategies, which are important to take in account. In this present work, we will consider the relations between African literary productions and Global book's market. Secondly, our work will focus on Cameroonian book's market as an editorial system, and will question its participation to the economy of literature at national, regional and international scales
Lee, Michael Ethan. "La Influencia de Jugadores de América Latina y España en El NBA de Una Perspectiva Mercadeo y de Negocios." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/391.
Orfall, Blair. "Bollywood retakes : literary adaptation and appropriation in contemporary Hindi cinema /." Connect to title online (ProQuest), 2009. http://proquest.umi.com/pqdweb?did=1883677651&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.
Ngadi, Maissa Laude. "La littérature française contemporaine au prisme de la littérature-monde : à propos des « Étonnants voyageurs » et de l’œuvre d’Olivier Rolin." Thesis, Université de Lorraine, 2018. http://www.theses.fr/2018LORR0267.
This thesis confronts the manifestos of the Étonnants Voyageurs movement and Olivier Rolin’s work. From the outset in the contemporary history of France, she highlights the mecanisms of literay globalization understood as a global phénomenon. The global dimension of French literature is apprehended in its relation to foreign literature, which also include other Francophone literatures, from the analysis of the speech in its report to history and the institutional framework. From a multiscal approach, which crosses transdisciplinarity and systemic, this study resituates the « world literature in French » in its French literay heritage and shows that openess to francophone literature contributes to the strengthening of the Parisian center. The socio-historical and poetic articulation of the corpus puts forward a triple movement of globalization : this one results at first, following a crisis in the literary field, from a set of singularization strategies is implemented by central and foreign peripheral writers who intend to challenge traditional canons ; it then responds to the demand felt by writers to develop poetic arts of the world or the real, the practices of conquest of elsewhere and cosmopolitism, after national or individual trauma which implies the detestation of nation of origin ; finally, it corresponds to the need to create works likely to construct an imaginary that would relfect contemporary globalization. It’s then possible to perceive globality in the literary programs and the viatic literature in France as a production which develops in reaction to the circumstances proper and as a consequence of the interplay between tradition and modernity
Shen, Yipeng. "In the Heat of Sentiments: Nationalism, Postsocialism, and Popular Culture in China, 1988-2007." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10846.
My dissertation delves into the recent articulation of popular nationalism in Mainland China, with particular emphasis on the changes that globalization and transnationalism have brought about to the representation of the Chinese nation in sentimental terms. Complementing the rich existing literature of Chinese nationalism that focuses mainly on the pre-1949 period, my study explores the less-treaded contemporary era characterized by the new historical condition of postsocialism, which features a residual of the socialist past as well as its reinvention under new overwhelming trends of globalization. Postsocialism and its consequences-the deepening of a neoliberalist economic refonn, the state-intellectual promotion of cultural economy, the emergence of a dominant consumer culture, etc.-have produced new issues existing scholarship on Chinese nationalism has yet to address. One such issue is how the paradoxical entity of the "nation" in time and space has been fragmented by the accretion of diversified voices from a wide spectrum of Chinese society. In postsocialist China, the agents imagining the nation include not only regulars like the state and intellectuals, but also new players like mass-media elites and netizens (wangmin). I argue that these voices of different social forces that break up the hegemony of the state in representing the nation-the result of which being not that the state is excluded from this enterprise but that it now tells only part of the story-become expressed as modes of national sentiments (minzu qinggan) when the nation is imagined under the historical condition of postsocialism. My study then explores in detail the fashioning and refashioning of contemporary Chinese subjectivity, as it relates through the joining of national sentiments to the literal and figurative body of the nation and the social power structure, by analyzing these specific voices in a broad range of popular texts from TV, film, and the Internet. The detailed examination includes four chapters dealing with specific modes of national sentiments articulated by the intellectuals, the state, the mass-media elites, and the netizens, respectively.
Committee in charge: Tze-lan Sang, Co-Chairperson, East Asian Languages & Literature; David Leiwei Li, Co-Chairperson, English; Maram Epstein, Member, East Asian Languages & Literature; Bryna Goodman, Outside Member, History
Mombach, Clarissa Kristen. "A representação da cultura brasileira teuto-gaúcha na literatura sul-rio-grandense contemporânea." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2008. http://hdl.handle.net/10183/15003.
The present research is a reflection about the cultural identity in the contemporary context, more specifically, about the Teuto-Gaucha Brazilian culture and its representation on the contemporary riograndense literature. For this reason, it was researched books on the gaucha literature which focus the immigrants and German descendents as main characters in the narrative. Among these books it was selected a corpus consisting from A Asa esquerda do anjo (1981), by Lya Luft, and Valsa para Bruno Stein (1986), by Charles Kiefer. Based on the performed analysis, it was noticed that the Teuto-Gaucha culture is represented through a stressed ambiguity in the main characters life, which came from an in-between place condition, consisting of the German culture heritage and the life in Brazil. In general, the presence of the Teuto-Gaucha culture can be observed in the use of the German language, in the strictness of the customs and behaviors, in the ethnic and genre prejudice, in the food and religion defended and later abandoned (in the case of Bruno Stein). This way it is clearly perceived the marks of the German immigration – which began in 1824 – on the contemporary literature written in Rio Grande do Sul. This culture, translated by the German descendents and integrated into the Brazilian context, created the hybrid Teuto-Gaúcha Brazilian culture, specific from this group, whose members are still visible, considering the novels analyzed.
Dadras, Danielle Mina. "Circulating Stories: Postcolonial Narratives and International Markets." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1222096875.
Ivanova, Tsvétélina. "Littérature et paysage mondial." Thesis, La Rochelle, 2017. http://www.theses.fr/2017LAROF002.
The doctoral thesis proposes to effectuate an analytical and comparative reading of the literary production that took place during the first and second modernist globalization in the Late modern period. According to the logic of the world economic evolution of Kondratiev wave, it would be the period of modern aesthetic and literary creation between 1850 and 1920, postmodern between 1950 and 1990, and hypermodern from 2000 onwards. In order to ascertain whether the modernist, post- and hyper- modernist, colonial and postcolonial novel could acquire the status of world literature (Weltliteratur) based on the dualistic unity of the capitalist world-system theory and on the idea of modern anti-modernism ; as Baudelaire defined it in 1863 in The Painter of Modern Life (Le peintre de la vie moderne). The thesis proposes to explain the antagonistic unity of the notion of world literature and to affirm it as a modern "total work of art" (Gesamtkunstwerk), through the parallel verification of the existence of a literary world landscape. The latter, also based on a dualistic approach - aesthetic /stylistic and phenomenological - would be the (anti)modernist product of the two periods of capitalist globalization
Balestra, Alisa. "Shift in Work, Shift in Representation: Working-Class Identity and Experience in U.S. Multi-Ethnic and Queer Women's Fiction." Miami University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=miami1303080667.
Martin, Samuel James Louis. "The 'Lad Lit' dilemma : institutional influences on creative writing practice." Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/17032/1/Sam_Martin_-_eighteenth.pdf.
Martin, Samuel James Louis. "The 'Lad Lit' dilemma : institutional influences on creative writing practice." Queensland University of Technology, 2008. http://eprints.qut.edu.au/17032/.
Gancea, Uliana. "L’écocritique dans les romans "Globalia" et "Amour à l’Ancienne Ligne"." Thesis, Paris Est, 2014. http://www.theses.fr/2014PEST0008/document.
The following study analyzes the environment in the novels: Globalia (2004), written by the French novelist Jean-Christophe Rufin and Amor en la Línea Vieja (Love at the Old Rail) (2007), written by the Costa Rican author Walter Rojas Pérez. This research examines the expression of ecological consciousness represented from the authors’ perspectives both in different periods of time (2004/2007) and distinctive places. Below are analyzed the peculiar visions of the Mankind in relationship with the country and the city, accompanied by a corrupt political structure where the inequality of connections influences the ecological unbalance, affecting the natural, anthropic, and human beings’ ecosystems. The novels here studied do not reflect the image of nature viewed as «a green hell»; nonetheless, the natural aspects depict the portrait of a Mother furnishing all the necessary for the humankind’s survival. Thus, the denunciation premises criticize the abuse committed by mankind against the environment, the deforestation of woods, the contamination of hydrographic basins, the indistinct use of agrochemical products, air and land pollution with industrial residue dumped outside as garbage; most likely destructive elements which shorten humankind’s life on the Blue Planet. Both novels accuse the unsustainable exploitation of natural resources by the human conqueror of nature and who serves the globalization goals of the industrialization. This unsustainable development favors the ecological imbalance which leads to the disappearance of uncountable species dying without having ever been studied, taking away the opportunity to the future generations to have even known them. The texts register how the economically poor human beings devastate the nature and give into the economic power for the need to survive, and to finally become “un-people”. Global poverty is such that “three quarters of the world population live in the Third World, which stands for more than two thirds of the earth’s surface” (Stokke 19). The lucky ones, supported by certain people in power, manipulate the citizens by means of transnational companies, and –using the excuse of modernization- they steal nature’s resources. Therefore, when these living beings stop serving the petty interests of the rich, they are laid off without any benefits, directly affecting their human ecology and that of their families; consequently, the underprivileged have no other alternative but to join certain at-risk settlements, live as recycled garbage, and eat from the industrialization’s waste. The Earth embodies a living being that pertains to a universal ecosystem and which requires its own sustainable space, within a healthy ecological environment. The planet’s stability is of supreme importance to the rest of the species that live together on it. This is the ecocritical discourse that the novelists Rufin and Rojas Pérez desire to transmit, hoping to perpetuate the terrestrial viability that all species could enjoy the nectar which maintains it strong. The novelists’ denunciation awakens the consciousness for preserving the Blue Planet’s ecological balance. Moreover, the environmental-literary discourse goes beyond the terrestrial frontiers, getting to the Earth’s cosmic and universal worlds, as the one that appears in the novel Globalia. A defined cosmological reality surges in Amorn en la Línea Vieja, when –from an inextricable point of vegetation on Earth- one may go through a tunnel onto another dimension where friendly beings interact with each other. On that terrestrial-universal world, the vegetation resembles the one known on Earth, and where the characters Ion and Elena welcome Nuria as member of their family, thus giving Nuria the opportunity to coexist with an interplanetary society of common root species. Both Globalia and Amor en la Línea Vieja pass on to the new generations a clear ecocritical message: they are dedicated to save the global habitat
Pacheco, Lozada Zaira. "Manuel Abreu Adorno: El mundo como escenario literario." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/299532.
Manuel Abreu Adorno's literature represents a change in the use of the national identity metaphors, of which would have appropriated the Puerto Rican literary classics in the past decades. As proof, within his writings we see various characters who are not anchored to any specific territory. Because of this, the search for a homogeneous identity looses the prominence that has in national literature. Instead, post national literature, a phenomenon that emerged in the late XIX and early XX centuries, presents identity constructions related with the changes resulting from globalization in the contemporary world. In this article we will study how post national tradition establishes a dialogue with the work of Abreu Adorno and in what ways it becomes a reflection space for a broad interpretation of his literary project.
Strecker, William. "Ecologies of knowledge : narrative ecology in contemporary American fiction." Virtual Press, 2000. http://liblink.bsu.edu/uhtbin/catkey/1177991.
Department of English
Anacleria, Valentina. "Pour une poétique de l'entre dans la littérature de migration." Thesis, Université Grenoble Alpes, 2020. http://www.theses.fr/2020GRALL008.
The common thread of this research is to focus on the patterns and the figures of the “entre” (F. Jullien) in order to prove the existence of a new way of thinking because of the analysis of a body made up of four migrant novels (French and Italian).As the exploratory activity of the “écart” stresses on the elements that it separated, the challenge of this research is to avoid bringing the literature of migration to a closed category. We want to bring out its innovative nature which reflects its singular creativity connected to the authors, but also the effects of the globalization on the evolution of national literatures.The new way of thinking that emerges from the analysis of our body is able to set productive connections at the intersection of several disciplines. Thereby the literature of migration provides a multidisciplinary and intercultural methodology to comprehend the complexity of the contemporary world