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Journal articles on the topic 'Globalizing culture'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Tse-Hei Lee, Joseph. "Globalizing Macau’s Food Culture." DAXIYANGGUO - REVISTA PORTUGUESA DE ESTUDOS ASIÁTICOS / PORTUGUESE JOURNAL OF ASIAN STUDIES 28 (2022): 123–29. http://dx.doi.org/10.33167/1645-4677.daxiyangguo2022.28/pp.123-129.

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Fomina, M. N., and O. A. Borisenko. "Globalizing culture in transboundary space." IOP Conference Series: Earth and Environmental Science 274 (June 7, 2019): 012143. http://dx.doi.org/10.1088/1755-1315/274/1/012143.

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Imanova,Allahverdiyeva, Irada,Farida. "Globalizing world and Azerbaijan culture." Filologiya məsələləri Journal of Philological Issues, no. 3 (2025): 370. https://doi.org/10.62837/2025.3.370.

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4

Adam, Nabil, Baruch Awerbuch, Jacob Slonim, Peter Wegner, and Yelena Yesha. "Globalizing business, education, culture through the Internet." Communications of the ACM 40, no. 2 (1997): 115–21. http://dx.doi.org/10.1145/253671.253748.

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5

Peet, Richard. "Book Review: A globalizing world? Culture, economics, politics." Progress in Human Geography 26, no. 2 (2002): 276–77. http://dx.doi.org/10.1177/030913250202600220.

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Kim, Shin Dong, and Anthony YH Fung. "Temptation of control in the globalizing culture industries." Global Media and China 2, no. 1 (2017): 3–7. http://dx.doi.org/10.1177/2059436417705917.

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SVITAČOVÁ, Eva, and Danka MORAVČÍKOVÁ. "Environmental responsibility of young people in the context of globalizing culture and economy." Scientific Papers of Silesian University of Technology. Organization and Management Series 2017, no. 110 (2017): 191–200. http://dx.doi.org/10.29119/1641-3466.2017.110.18.

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8

Kononov, Sergey Viktorovich, and Artem Vadimovich Zhukov. "The Philosophy of Security in the Globalizing Culture System." Journal of History Culture and Art Research 9, no. 3 (2020): 415. http://dx.doi.org/10.7596/taksad.v9i3.2848.

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Von Eschen, P. M. "Globalizing Popular Culture in the "American Century" and Beyond." OAH Magazine of History 20, no. 4 (2006): 56–63. http://dx.doi.org/10.1093/maghis/20.4.56.

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Mazrui, Ali A. "Pretender to Universalism: Western Culture in a Globalizing Age." Journal of Muslim Minority Affairs 21, no. 1 (2001): 11–24. http://dx.doi.org/10.1080/13602000120050523.

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Mickūnas, Algis. "Resistance to Western Popular and Pop-Culture in India." Coactivity: Philosophy, Communication 25, no. 1 (2017): 48–62. http://dx.doi.org/10.3846/cpc.2017.268.

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The essay is designed to present the phenomena of popular culture, its difference from pop culture, both products of modern West, and their impact on film and advertisement media in India. First, the discussion focuses on the Critical School which proposed the initial thesis of commodification of culture with a resultant “lowering” of standards to appeal to “the masses”, and an appeal to the “average” tastes. In the essay an argument is presented that pop culture is a “critique” of popular culture and is an elitist position attempting to shock popular mores and media content. Given this settin

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Kvidal, Trine. "Tensions of Consumer Individualism." Nordicom Review 32, no. 2 (2011): 111–24. http://dx.doi.org/10.1515/nor-2017-0116.

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Abstract Globalizing poses particular challenges to likhet – Norwegian conceptualizations of alikeness – and with it the Norwegian conceptualization of individualism, because globalizing advances a different conceptualization of equality than the one on which likhet is based. The present essay explores cultural identity negotiations within Norwegian globalized consumer culture and addresses culturally expressed aspects of globalization as they emerge in negotiations of local identities in cultural texts. TV commercials are analyzed via a critical cultural theoretical framework. Specifically, t

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13

Berg, Daria. "A New Spectacle in China's Mediasphere: A Cultural Reading of a Web-Based Reality Show from Shanghai." China Quarterly 205 (March 2011): 133–51. http://dx.doi.org/10.1017/s0305741010001438.

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AbstractThis study offers a cultural reading of the web-based reality show Soul Partners (2007) from Shanghai. Soul Partners serves as a case study to explore how 21st-century Chinese cultural discourse debates the transformation of urban society in China, providing insight into the Chinese cultural imagination, perceptions of the globalizing metropolis and the impact of consumer culture. This reading positions Soul Partners within the discursive context of Chinese popular, postmodern and post-socialist culture and in relation to the cultural import of the reality show genre into China's media

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Fomina, M. N., and O. A. Borisenko. "THINKING ABOUT TRANSCULTURAL SPACE AS A REFLECTION OF GLOBALIZING CULTURE." Concept: philosophy, religion, culture 1, no. 5 (2018): 105–13. http://dx.doi.org/10.24833/2541-8831-2018-1-5-105-113.

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15

Tröhler, Daniel. "Globalizing Globalization: The Neo-Institutional Concept of a World Culture." Teachers College Record: The Voice of Scholarship in Education 111, no. 14 (2009): 29–48. http://dx.doi.org/10.1177/016146810911101403.

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16

Van Sant, John E. "Consuming Japan: Popular Culture and the Globalizing of 1980s America." Journal of American History 105, no. 3 (2018): 765–66. http://dx.doi.org/10.1093/jahist/jay429.

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17

Larson-Harris, Marwood. "Conflict, Culture, Change: Engaged Buddhism in a Globalizing World (review)." Buddhist-Christian Studies 27, no. 1 (2007): 166–68. http://dx.doi.org/10.1353/bcs.2007.0019.

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trÃ¶hler, daniel. "Globalizing Globalization: The Neo-Institutional Concept of a World Culture." Yearbook of the National Society for the Study of Education 108, no. 2 (2009): 29–48. http://dx.doi.org/10.1111/j.1744-7984.2009.01160.x.

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Swigert-Gacheru, Margaretta. "Globalizing East African Culture: From Junk to jua kali Art." Perspectives on Global Development and Technology 10, no. 1 (2011): 127–42. http://dx.doi.org/10.1163/156914911x555152.

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AbstractDespite Africa’s experience of economic decline, poverty, political instability and disease, keen observers of the cultural landscape have reckoned that cultural productivity in the region is on the rise, leading scholars to refer to the phenomenon as an African Renaissance. This is particularly the case in Kenya where a contemporary art movement is flourishing through both local art worlds and global networks. But the question remains: how in the midst of poverty and political instability can there be so much cultural productivity? Based on field research involving participant observa

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20

Chandler, Stuart. "Globalizing Chinese Culture, Localizing Buddhist Teachings: the Internationalization of Foguangshan." Journal of Global Buddhism 3 (January 1, 2002): 46–78. https://doi.org/10.5281/zenodo.1310625.

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21

Polumbaum, Judy. "China Urban: Ethnographies of Contemporary Culture; Popular China: Unofficial Culture in a Globalizing Society." Journal of Communication Inquiry 26, no. 4 (2002): 450–52. http://dx.doi.org/10.1177/019685902236902.

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22

Farxodjon Qizi, Farxodjonova Nodira. "Modernization Of Uzbek Language And National-Spiritual Heritage In National Culture." American Journal of Social Science and Education Innovations 03, no. 01 (2021): 585–94. http://dx.doi.org/10.37547/tajssei/volume03issue01-102.

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Development of science and education aspiration, as well as the international spread of the achievements of Science and technology contributed to the emergence of new technologies, which in turn caused the world to receive a new look. Mankind lives under the influence of global changes. Global changes and achievements in the world are affecting all spheres of society's life. Economic life is globalizing. In social political life, too, global changes are taking place. At the same time, the sphere of culture and national culture is also experiencing certain changes, updates. In this article high

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23

Assael, Brenda. "BEYOND EMPIRE: GLOBALIZING THE VICTORIANS." Victorian Literature and Culture 43, no. 3 (2015): 643–50. http://dx.doi.org/10.1017/s1060150315000133.

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In her influential work, Civilising Subjects: Metropole and Colony in the English Imagination 1830-1867 (2002), Catherine Hall argued that “a focus on national histories as constructed, rather than given, on the imagined community of the nation as created, rather than simply there, on national identities as brought into being through particular discursive work, requires transnational thinking” (9). Similarly, Antoinette Burton made a provocative case for de-centering Britain even in the narratives of its own history, arguing in her edited collection, After the Imperial Turn: Thinking with and

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24

Ma, Jen, and Hugh Dang. "Thinking About Globalizaton as an Integration Process." Journal of Global Information Management 31, no. 6 (2023): 1–14. http://dx.doi.org/10.4018/jgim.321175.

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For a long time, many studies have been involved with the globalization research among academia, business practitioners, and policy analysts. It is highly controversial on what globalization is about. Scholars and experts explore globalization from a variety of perspectives with an emphasis on business and economic matters. Many recognize that it was complex of examining globalization. Based on the literature reviewed, this study aims at discussing the globalization as an ongoing integration process. By taking an interdisciplinary approach, the article seeks for clarifying the concept of globa

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25

Fong, Jimmy. "Pop Culture Production in the Philippine Cordillera." Plaridel 3, no. 1 (2006): 27–52. http://dx.doi.org/10.52518/2006.3.1-02jfng.

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Most of the media representations of the Igorot continue to exoticize and freeze them in an ideal, primitive past. This paper foregrounds the cultural products not being produced by the Igorot using modern technology and media. In these self-conscious products, where they exercise agency, what can be learned from such pop culture products? How are the Igorot representing themselves? In pop songs, they construct who they are and what they have become. In recorded songs using mostly American folk, rock and country melodies and forms, they tell stories of how they are making sense of their experi

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26

Hollenbach, David. "Religious Nationalism, a Global Ethic, and the Culture of Encounter." Theological Studies 83, no. 3 (2022): 361–78. http://dx.doi.org/10.1177/00405639221113457.

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This article sketches the global ethic proposed by Hans Küng and how Pope Francis’s writings on a culture of encounter help advance it. Religious nationalism impedes the development of this global ethic. Küng’s global ethic resists this nationalism and Francis’s approach provides guidance on whether the local or the global should take priority in concrete circumstances. The contributions of Küng and the pope are complementary and together can advance the ethic needed for greater justice and peace in a globalizing world.

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27

Lee, Sang-Woo. "The Transformation of the British Business Culture under the Globalizing Environment." International Area Review 8, no. 2 (2005): 203–22. http://dx.doi.org/10.1177/223386590500800211.

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The British business culture from the view point of industrial relations still remains at the position of the bargained constitutional form based on the adversarial relationships between employers and employees, even if some limited moves into a sophisticated modern type were noticed. This limits came from the distrust between the two parties which occurred in the implementation of a partnership agreement. Some cases here, though still quite pragmatic or opportunistic, indicate the possibility of moving into the sophisticated modern or a true partnership which is defined as cooperative or conc

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28

Ning *, Wang. "Globalizing Chinese literature: toward a rewriting of contemporary Chinese literary culture." Journal of Contemporary China 13, no. 38 (2004): 53–68. http://dx.doi.org/10.1080/1067056032000151337.

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29

Švob-Đokić, Nada. "Culture and Development in a Globalizing World: Geographies, Actors and Paradigms." Development in Practice 17, no. 1 (2007): 156–58. http://dx.doi.org/10.1080/09614520601092097.

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30

Holden, Nigel. "Why Globalizing with a Conservative Corporate Culture Inhibits Localization of Management." International Journal of Cross Cultural Management 1, no. 1 (2001): 53–72. http://dx.doi.org/10.1177/147059580111007.

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31

Kong, Lily. "Book Review: Space, culture and power: new identities in globalizing cities." Progress in Human Geography 23, no. 2 (1999): 298–300. http://dx.doi.org/10.1177/030913259902300211.

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32

Breslau, Joshua. "Globalizing Disaster Trauma: Psychiatry, Science, and Culture after the Kobe Earthquake." Ethos 28, no. 2 (2000): 174–97. http://dx.doi.org/10.1525/eth.2000.28.2.174.

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33

Zheng, Tiantian. ":Queering Chinese Kinship: Queer Public Culture in Globalizing China." China Journal 90 (July 1, 2023): 159–61. http://dx.doi.org/10.1086/725574.

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34

Laela Putri, Annisa, Dinie Anggraeni Dewi, and Rizky Saeful Hayat. "Pengembangan Literasi Budaya dan Kewargaan di Keluarga." Jurnal Multidisiplin Indonesia 1, no. 3 (2023): 223–30. https://doi.org/10.62007/joumi.v1i3.211.

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Easy access to information allows the entry of foreign cultures which sometimes do not match local cultural values. Children become more aware of foreign cultures because a lot of information is spread from their cell phones. The world is increasingly globalizing, but knowing and understanding local culture is an important thing in inheriting cultural values and local wisdom. In the midst of the pressure of the influx of foreign cultures that is difficult to stop, it is a challenge for parents to ensure that their children understand their nation's culture. For this reason, the family plays

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35

García Romero, Marta, and Ariane Ruyffelaert. "La interculturalidad en Lengua y Lingüística del Grado en Estudios Franceses de la Universidad de Granada." Çédille, no. 26 (2024): 309–29. https://doi.org/10.25145/j.cedille.2024.26.17.

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The article takes us on a journey through the French Language and Linguistics subjects in the Bachelor’s Degree in French Studies at the University of Granada, in order to identify the presence of the (inter)cultural dimension. The study of scientific literature and teaching guides enabled us to determine which type of culture is worked on the most. This work is based on the types of culture proposed by Oliviéri (1996), which serve as a filter in the research. Thus, the anthropological culture and the globalizing culture, as defined by Oliviéri (1996), are the protagonists, showing that teachi

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Ashilova, Madina Serikbekovna, Alibek Serikbekovich Begalinov, Yury Viktorovich Pushkarev, Kalimash Kapsamarovna Begalinova, and Elena Aleksandrovna Pushkareva. "Values in foundation of modern globalizing society: Change study." Science for Education Today 13, no. 2 (2023): 99–121. http://dx.doi.org/10.15293/2658-6762.2302.05.

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Introduction. The modern era is experiencing a prolonged pandemic, migration issues, conflicts, and other global catastrophes. Many researchers see the cause of these problems in the crisis of traditional values, which is becoming increasingly apparent today. Values and value orientations are an integral part of human life and culture. They determine life goals, as well as ways and means of achieving them. Global catastrophes and continuous social changes lead to the transformation of the value system, which is reflected in scholarly literature, as researchers primarily react to particularly a

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37

Damian, Theodor. "Christianity as Ideal Paradigm of Globalization." Journal of Interdisciplinary Studies 20, no. 1 (2008): 155–70. http://dx.doi.org/10.5840/jis2008201/29.

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With its varied definitions, globalization evokes both skepticism and optimism. This essay explores how globalization relates to secularization and culture, in particular Christianity, It analyzes major aspects of this relationship: man as a globalizing being communication and obedience, and the global village in its historic, contemporary, and eschatological dimensions, Christianity has many tools at its disposal that can be used to enhance co-habitation as an enriching experience in a globalizing world. Some of these tools may be found in the traditional rituals of the Christian Church, whil

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38

SEXTON, JAY. "THE GLOBAL VIEW OF THE UNITED STATES." Historical Journal 48, no. 1 (2005): 261–76. http://dx.doi.org/10.1017/s0018246x04004297.

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In the past decade, ‘internationalizing’ or ‘globalizing’ American history has become the mantra of the historical profession. This essay reviews this new body of literature that situates American history within a global framework, searches for connections between the United States and the rest of the world, and explores how American practices and culture have been exported. The ‘globalizing’ project, it shall be argued, has helped historians move beyond the limiting concept of American exceptionalism, whilst providing new explanations for the distinct and, at times, unique, history of the Uni

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39

Davis, Christian S. "Dorian Bell. Globalizing Race: Antisemitism and Empire in French and European Culture." American Historical Review 125, no. 5 (2020): 1955–56. http://dx.doi.org/10.1093/ahr/rhaa373.

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40

Marcuse, Peter. "The Production of Regime Culture and Instrumentalized Art in a Globalizing State." Globalizations 4, no. 1 (2007): 15–28. http://dx.doi.org/10.1080/14747730701245574.

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41

Fitch, Nancy. "Globalizing Race: Antisemitism and Empire in French and European Culture, Dorian Bell." Antisemitism Studies 4, no. 1 (2020): 183–90. http://dx.doi.org/10.2979/antistud.4.1.09.

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42

Ashyrbekova, Almira. "COMMUNICATIVE CULTURE IS AN IMPORTANT AREA OF TEACHER TRAINING." Alatoo Academic Studies 19, no. 4 (2019): 78–84. http://dx.doi.org/10.17015/aas.2019.194.10.

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In the modern globalizing world, the communicative culture of the teacher’s personality is becoming increasingly important, since communication is the main means of pedagogical activity. Without studying the essence and significance of the development of the communicative culture of teachers, the development of education is impossible. Responsible for the spiritual and of course the intellectual development of the young generation are pedagogical staff, i.e. at all levels of the country's vocational education system, the professional teaching staff of the education system should train high-cla

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43

Gasimova, Narmina. "MULTICULTURALISM AND THE CONCEPT OF CONSENSUS ‎OF CULTURES." History of Science 6, no. 2 (2025): 103–11. https://doi.org/10.33864/2790-0037.2025.v6.i2.103-111.

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The main essence of the practice of multiculturalism, which has become one of the main ‎philosophical concepts of the world society, is mutual understanding, joint activity and equal ‎dialogue of different cultures. In a globalizing society, people migrate and get acquainted with ‎different cultures, creating conditions for cultural and transformative dialogue. Of course, in a ‎civilized society, any culture must be accepted with mutual understanding, conditions and ‎grounds must be created for different cultures to respect and understand each other. ses the need ‎for international cultural di

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44

Gasimova, Narmina. "THE ROLE OF TRANSFORMATIVE DIALOGUE IN THE SOCIO-CULTURAL DEVELOPMENT OF MODERN SOCIETY." Metafizika Journal 8, no. 3 (2025): 255–64. https://doi.org/10.33864/2617-751x.2025.v8.i3.255-264.

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The main essence of the practice of multiculturalism, which has become one of the main philosophical concepts of the global society, is the mutual understanding, joint activity and their equal dialogue of different cultures. In a globalizing society, people migrate and become acquainted with different cultures, which creates conditions for cultural and transformative dialogue. Naturally, in a civilized society, any culture should be accepted with mutual understanding, and conditions and grounds should be created for different cultures to respect and understand each other. The exchange and dial

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45

Safira, Btari Anya, and Muhammad Badaruddin. "Consuming Korea Global Branding and Soft Diplomacy from the Lens of K-Drama Cyber Travelers." Jobmark: Journal of Branding and Marketing Communication 06, no. 01 (2024): 13–27. https://doi.org/10.36782/jobmark.v1i1.69.

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South Korea’s popular culture has been globalizing massively through various channels. Popular culture becomes a giant magnet that attracts global consumers to enjoy South Korea. Particularly by consuming k-drama, foreign consumers can expand their experience by doing internet-based-imaginary travel to South Korea’s landscape and daily cultures. This phenomenon is suitable for what we discuss later as the concept of cyber traveling. Departing from that point, this research focuses on South Korea’s global branding and soft diplomacy by analyzing k-drama’s cyber traveling experience by Indonesia

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46

Wong, Loong. "'Globalizing' Management Theories: Knowledge, Ignorance and the Possibility of a Postcolonial Critique." Copenhagen Journal of Asian Studies 21 (March 10, 2005): 125. http://dx.doi.org/10.22439/cjas.v21i0.42.

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In international management, the study of culture has rapidly become critically salient. Business and management consultants, academics and practitioners alike all claim that the development of cross-cultural skills is crucial in the new era of globalization. This, they claim, will enable managers to better manage the risks within a globalized economy and consequently, add to greater productive growth and increased competitiveness. This 'turn to culture' has generated diverse competency skills training programmes, units and writings dealing with cross-cultural skills in management. Whilst the

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47

Wadell, Elizabeth, and April Shandor. "Changing Views on Motivation in a Globalizing World." Language Teacher 36, no. 6 (2012): 32. http://dx.doi.org/10.37546/jalttlt36.6-3.

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Traditionally, language learning motivation was conceived as being either “instrumental” or “integrative,” but recent research suggests that in today’s globalizing world this distinction no longer holds for many learners of English. Over the past ten years, there has been a shift away from the view of English learning as a way to integrate into American/British/Australian culture. Many scholars are now exploring the ways in which EFL learners develop international identities while simultaneously retaining their own cultures. The authors of the current article—English language teachers and grad

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48

Alleyne, Osei. "Dancehall City: Zongo Identity and Jamaican Rude Performance in Ghanaian Popular Culture." African Studies Review 65, no. 1 (2022): 211–33. http://dx.doi.org/10.1017/asr.2021.147.

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AbstractThe explosion of Ghanaian Reggae-Dancehall reflects the influence of Jamaican-inspired popular culture in Ghana today. This subculture is championed by local Rastafarians and by youth from the zongos (internal migrant, largely Islamic, unplanned neighborhoods). Suffering social alienation, many zongo artists have adopted postures similar to their Jamaican counterparts—mirroring Rasta and rude identities as counter-hegemonic resistance. Alleyne explores several artists variously located between the zongo, the Reggae diaspora, and the Ghanaian state, examining how subjects rework Jamaica

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49

Filiciak, Mirosław, and Piotr Toczyski. "The History of Sharing Video Content in Poland: Analog copies of the 1980s as a Factor of Digital Peer Re-production in the 2000s." Studies in Global Ethics and Global Education 9 (December 22, 2018): 60–77. http://dx.doi.org/10.5604/01.3001.0012.8148.

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We depict practices of Polish audiences in communist Poland and the transition of these practices after the fall of communism. In Eastern Europe, digital distribution of video content has been built on semi-peripheral culture of VHS tapes copying and sharing. Although the unique Polish 20th century historical trajectory contains the experience of being excluded from Western popular culture, the first decade of 21st century brought unlimited digital access to audiovisual content. Peer re-production, a non-creative mode of participation increased. Our article provides new historical data illustr

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50

Yasuda, Chinatsu. "EU Cultural Policy: Divided institutional interrelationships and strategic changes in policy development." Australian and New Zealand Journal of European Studies 15, no. 1 (2023): 64–73. http://dx.doi.org/10.30722/anzjes.vol15.iss1.17367.

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The EU has engaged with cultural policy especially after the Maastricht treaty in 1992. To compare the division within two EU institutions, this paper mainly analyses the EU official documents: the “European Agenda for culture in a globalizing world”, published by the European Commission in 2007 – which was the first “Communication” regarding cultural policy – and “Work Plan for Culture” which was published as “Conclusions” by the Council of the European Union. The aim of this paper is to reveal that the Council focus only on a part of the policy of the European Commission on culture. It also

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