Relevant bibliographies by topics / Gloria in excelsis Deo

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Gloria in excelsis Deo'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Gloria in excelsis Deo"

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Leaver, Robin A. "Bachs lateinische Kantate "Gloria in excelsis Deo" BWV 191 und eine lateinische Rede über Lukas 2:14." Bach-Jahrbuch 99 (October 22, 2018): 329–34. http://dx.doi.org/10.13141/bjb.v20132990.

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Dieser Beitrag untersucht, anschließend an den vorangehenden Artikel von Markus Rathey, die Tradition universitärer Festreden in der Leipziger Paulinerkirche und widmet sich sodann speziell den Beiträgen zum Festakt am Weihnachtstag des Jahres 1742, den Rathey für die Erstaufführung von BWV 191 annimmt. Daran knüpfen sich einige weitere Fragen zu den Umständen der Bach'schen Komposition.
 
 Erwähnte Artikel: Gregory G. Butler: Johann Sebastian Bachs Gloria in excelsis Deo BWV 191. Musik für ein Leipziger Dankfest. BJ 1992, S. 65-71
 Peter Wollny: Ein Quellenfund zur Entstehungsg
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Butler, Gregory G. "Johann Sebastian Bachs Gloria in excelsis Deo BWV 191." Bach-Jahrbuch 78 (February 8, 2018): 65–71. http://dx.doi.org/10.13141/bjb.v19921119.

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Die Bestimmung des Aufführungsanlasses wie die Einordnung in den weiteren Kontext von Bachs Kirchenkantaten sind für BWV 191 schwierig. Beiden Fragen widmet sich der Beitrag und stellt die Komposition in den Kontext eines Friedensfestaktes 1745 und der Entstehung der h-moll-Messe.
 Erwähnter Artikel: Arnold Schering: Die Hohe Messe in h-moll. BJ 1936, S. 1-30
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Rathey, Markus. "Zur Entstehungsgeschichte von Bachs Universitätsmusik "Gloria in Excelsis Deo" BWV 191." Bach-Jahrbuch 99 (October 22, 2018): 319–28. http://dx.doi.org/10.13141/bjb.v20132989.

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Der Beitrag folgert aus aufführungspraktischen, textlichen und quellenkundlichen Erwägungen eine um drei Jahre frühere Datierung von BWV 191 als bisher angenommen, auf Weihnachten 1742. Auch wird die Annahme gestärkt, es handle sich um eine Komposition für einen universitären Festakt und nicht um eine Kirchenkantate.
 
 Erwähnte Artikel: Arnold Schering: Die Hohe Messe in h-Moll. BJ 1936, S. 1-30
 Gregory G. Butler: Johann Sebastian Bachs Gloria in excelsis Deo BWV 191. Musik für ein Leipziger Dankfest. BJ 1992, S. 65-72
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4

EBIED, Rifaat. "Una versión árabe de un milagro de San Jorge en la ciudad de Bagdad." Collectanea Christiana Orientalia 15 (July 20, 2018): 21–30. http://dx.doi.org/10.21071/cco.v15i.1069.

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Los manuscritos conservados en la colección de Mingana -Mingana Syr. MS 83 y Syr. MS 155- contienen, inter alia, una breve pero interesante parte del texto “Gloria in Excelsis Deo” en siriaco y árabe, respectivamente, con anotaciones de San Atanasio el Grande. El objetivo de este trabajo es mostrar a los investigadores y compañeros la existencia de estos manuscritos inéditos, así como presentar el texto y un análisis del contenido del mismo, sus rasgos lingüísticos y su autenticidad
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Jasiński, Tomasz. "Kolędy i pastorałki zapisane przez Jerzego Jasińskiego, organistę kościoła parafialnego w Łabuniach na Zamojszczyźnie." Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes 16, no. 1/2 (2019): 87. http://dx.doi.org/10.17951/l.2018.16.1/2.87-99.

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<p>W latach 60-tych ubiegłego wieku Jerzy Jasiński (1922-2006), podówczas organista kościelny w Łabuniach pod Zamościem, sporządził rękopiśmienny zbiór polskich kolęd i pastorałek, liczący trzydzieści numerowanych pozycji. Obok kolęd mniej lub bardziej znanych łabuński manuskrypt przynosi śpiewy, których nie udało się znaleźć w innych przekazach. Są to: śpiewy dotąd nieznane od strony melodycznej i tekstowej (<em>Gloria in excelsis Deo – Idźmy prędzej</em>, <em>Gloria in excelsis, Gloria i Tobie, Maryja</em>, <em>Hej, bracia, co się dzieje</em>, <em
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Brace, C. Loring. "The creation of specific hominid names: Gloria in excelsis deo? or ego? or praxis?" Human Evolution 8, no. 3 (1993): 151–66. http://dx.doi.org/10.1007/bf02436712.

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7

Diaconu, George. "One of the First Liturgical Hymns of the Eastern and Western Christian Church: the Great Doxology – Gloria in excelsis Deo." Review of Ecumenical Studies Sibiu 7, no. 3 (2015): 313–35. http://dx.doi.org/10.1515/ress-2015-0027.

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Abstract The doxological character is one of the essential aspects of the Christian worship, taken from the Hebrew divine worship. Thus, the doxological character of many Christian prayers and liturgical hymns represents the foundation and at the same time the key which reveals and explains the theology of the Creation, its mystery and purpose. The role of the Creation is to praise the Creator, as invited conclusively by the last verse of the last canonical Psalm: ”Let everything that has breath praise the Lord!” (Ps. 150, 6). We will bring to the forefront of our debate the Great Doxology, on
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8

Chaudier, Stéphane, and Frédéric Montfort. "Soli Deo gloria." Roman 20-50 45, no. 1 (2008): 49. http://dx.doi.org/10.3917/r2050.045.0049.

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9

Hennion, Antoine. "Soli Deo Gloria." Gradhiva, no. 12 (November 24, 2010): 40–55. http://dx.doi.org/10.4000/gradhiva.1837.

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10

Bussini, François. "Soli Deo gloria." Revue des Sciences Religieuses 75, no. 3 (2001): 365–79. http://dx.doi.org/10.3406/rscir.2001.3585.

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Dissertations / Theses on the topic "Gloria in excelsis Deo"

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Kolani, Bakimani. "Etude de la place et de la fonction des éléments supposés tardifs du livre d'Amos : contribution à la lecture de type synchronique du livre d'Amos." Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAK002/document.

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Les deux premiers chapitres de cette étude mettent en exergue les raisons pour lesquelles des biblistes sont de plus en plus convaincus que lire ce corpus, dans sa forme actuelle, comme un tout reste la voie la mieux indiquée pour cerner son message. Le premier chapitre montre que les exégètes partisans de l’approche diachronique tentent de justifier son organisation par la reconstitution hypothétique des ipsissima verba d’Amos. Ils morcellement ce corpus en de petits fragments indépendants, dévalorisent neuf de ses passages, perçus comme secondaires et ré-disposent, à leur guise, ceux supposé
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Books on the topic "Gloria in excelsis Deo"

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Bach, Johann Sebastian. Cantata No. 191 - Gloria in Excelsis Deo, Kalmus Edition. Alfred Publishing Company, 1985.

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2

Das Gloria in Beethovens Missa solemnis. H. Schneider, 1997.

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3

Falconer, Keith Andrew. Some early tropes to the Gloria. UMI, 1989.

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Falconer, Keith Andrew. Some early tropes to the Gloria. Mucchi, 1993.

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5

Liberati, Stefano. Gloria in excelsis Deo: Immagini della natività nelle incisioni dei grandi maestri dal XV al XX secolo. F.lli Palombi, 1999.

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6

Cantalamessa, Raniero. The mystery of Christmas: A comment on the Magnificat, Gloria, Nunc dimittis. Liturgical Press, 1988.

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7

Boccherini, Luigi. Gloria for mixed voices, S.A.T.B., with keyboard. Hinshaw Music, 1993.

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8

Hudson, Barton. Mass movements: Critical commentary. Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 1999.

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9

Leach, Mark Alan. The Gloria in excelsis Deo tropes of the Breme-Novalesa Community and the repertory in North and Central Italy. UMI, 1986.

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10

Äikää, Ermo. Hymnus angelicus: Turun hiippakunnan keskiaikaisen messusävelmistön Gloria-melodiat, niiden tekstipohja ja käyttö. Suomen Kirkkohistoriallinen Seura, 1995.

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Book chapters on the topic "Gloria in excelsis Deo"

1

Stopa, Sasja Emilie Mathiasen. "Soli Deo honor et gloria – the Concepts of Honour and Glory in the Theology of the Young Martin Luther." In Anthropological Reformations - Anthropology in the Era of Reformation. Vandenhoeck & Ruprecht, 2015. http://dx.doi.org/10.13109/9783666550584.229.

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"4: Gloria in Excelsis Deo: The Hymn of the Angels." In Laus angelica. Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.mcs-eb.4.000006.

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Ott, Bernhard. "Soli Deo Gloria." In Faces of Holistic Mission. Fortress Press, 2013. http://dx.doi.org/10.2307/j.ctv1ddcp8t.17.

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Ott, Bernhard. "Soli Deo Gloria." In Faces of Holistic Mission. Fortress Press, 2013. http://dx.doi.org/10.2307/j.ctv1ddcp8t.17.

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Kelly, Thomas Forrest. "Introducing the Gloria in Excelsis *." In Embellishing the Liturgy. Routledge, 2017. http://dx.doi.org/10.4324/9781315256665-19.

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"The Philippines: Gloria in Excelsis." In Southeast Asian Affairs 2002. ISEAS Publishing, 2002. http://dx.doi.org/10.1355/9789812306920-015.

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7

"Musik: „Soli Deo Gloria“." In Konfessionskulturen. Verlag Ferdinand Schöningh, 2019. http://dx.doi.org/10.30965/9783657787272_023.

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8

"On the “Glory to God in the Highest [Gloria in Excelsis]”." In Rationale IV. Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.cct-eb.4.00206.

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9

"6. Soli Deo Gloria – Der gnädige dreieinige Gott in Lobpreis, Liturgie und Lehre." In Von Gott poetisch-musikalisch reden. Vandenhoeck & Ruprecht, 2009. http://dx.doi.org/10.13109/9783666571244.299.

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10

"In festo sancto Benedicti, die 21 martii ‘Dilectus deo et hominibus, cuius memoria in benedictione est. Similem illum fecit in gloria sanctorum’ (Eccli. 45:1–2)." In Meister Eckhart, The German Works. Peeters Publishers, 2020. http://dx.doi.org/10.2307/j.ctv1q26v88.10.

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