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1

Dimitra, Vakaloglou. Women advertising and the role of the supermodel in women's glossy magazines. Birmingham: University of Central England in Birmingham, 2001.

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2

Dennison, Fiona. Are women's glossy magazines guilty of stereotyping women along with increased sexual titillation in order to sell themselves. [s.l: The Author], 1996.

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3

Gaputina, Violetta. Mediadiscourse of fashion: processes, phenomena, effects. ru: Publishing Center RIOR, 2021. http://dx.doi.org/10.29039/02079-1.

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The monograph is devoted to the study of the Russian-language discourse of fashion, actualized in the space of modern mass media: in television broadcasts and glossy magazines, blogs and social networks. The main attention is paid to the processes of hybridization of fashion discourse and media discourse and their linguistic and speech manifestations, reflecting the intersection of fashion discourse with other types of discourse. The book is addressed to specialists in the field of media linguistics and journalism, students, teachers and researchers, employees of the fashion industry, as well as all those who are interested in fashion and style issues.
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4

Crawford, Carena. The role of celebrity in women's glossy monthly magazine publishing. London: LCC, 2004.

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5

Magazine, SAS/RISK. The SAS / Risk Magazine Basel II glossary. London: Incisive Financial Pub, 2004.

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6

Leeming, Kristy Jane. Is a totally digital workflow finally a reality for the UK glossy consumer magazine industry?. London: LCP, 2001.

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7

Hallawell, Seona M. Women's glossy magazines. 1989.

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8

Hallawell, Seona M. Women's glossy magazines. c1989, 1989.

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9

The Glossy Years: Magazines, Museums and Selective Memoirs. Fig Tree, 2019.

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10

Coleridge, Nicholas. The Glossy Years: Magazines, Museums and Selective Memoirs. Penguin, 2020.

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11

Hillard, Michael G. Shredding Paper. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501753152.001.0001.

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From the early twentieth century until the 1960s, Maine led the United States in paper production. The state could have earned a reputation as the Detroit of paper production, however, the industry eventually slid toward failure. What happened? This book unwraps the changing US political economy since 1960, uncovers how the paper industry defined and interacted with labor relations, and peels away the layers of history that encompassed the rise and fall of Maine's mighty paper industry. For a century, the story of the nation's most widely read glossy magazines and card stock was one of capitalism, work, accommodation, and struggle. Local paper companies in Maine dominated the political landscape, controlling economic, workplace, land use, and water-use policies. Hillard examines the many contributing factors surrounding how Maine became a paper powerhouse and then shows how it lost that position to changing times and foreign interests. Through a retelling of labor relations and worker experiences from the late-nineteenth century up until the late 1990s, the book highlights how national conglomerates began absorbing family-owned companies over time, which were subject to Wall Street demands for greater short-term profits after 1980. This new political economy impacted the economy of the entire state and destroyed Maine's once-vaunted paper industry. The book tells the great and grim story of blue-collar workers and their families and analyzes how paper workers formulated a “folk” version of capitalism's history in their industry. Ultimately, it offers a telling example of the demise of big industry in the United States.
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12

Risk magazine guide to credit risk: A glossary of terms. London: Incisive RWG Ltd, 2003.

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13

J.P. Morgan & Co., ed. The JPMorgan/Risk magazine guide to risk management: A glossary of terms. 5th ed. London, England: Risk Waters Group, 2001.

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14

Queen, The Kyng's. MELANIZED: Faux Magazine for black women. Large lined notebook with beautiful glossy cover for african american women of color. Independently published, 2019.

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15

Robinson, Martyn, and Bruce Thomson. Australian Wildlife After Dark. CSIRO Publishing, 2016. http://dx.doi.org/10.1071/9781486300730.

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Australia is a land of many unique animals, some of which are active only during the cooler evening and night-time and so are rarely seen. These are the after dark animals so widespread yet so little noticed by humans, whether in our backyards, the arid desert, woodlands or rainforest. Australian Wildlife After Dark brings this hidden fauna into the light. The after dark fauna includes a surprising diversity of familiar (and some not-so-familiar) species, from cockroaches, moths and spiders through to bandicoots, bats and birds – and then some. Each example is described in a unique, friendly style by Martyn Robinson, familiar to many Australians through his frequent media appearances on ABC Radio and in Burke’s Backyard magazine, and Bruce Thomson, an internationally renowned wildlife photographer and bat researcher. The book includes stunning photography and boxes that highlight selected topics, such as the ‘windscreen wiper’ eyelids of geckoes and the strategies used by night-time plants to attract pollinators. Also included are practical tips on finding nocturnal wildlife, a glossary of scientific terms and a short bibliography. The book will appeal to a general family audience, wildlife enthusiasts, bushwalkers, amateur naturalists, national parks lovers, natural history museum visitors, libraries, gift book buyers and international visitors to Australia.
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