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Journal articles on the topic 'Gnomic poetry. English poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Hartman, Megan E. "The Form and Style of Gnomic Hypermetrics." Studia Metrica et Poetica 1, no. 1 (2014): 68–99. http://dx.doi.org/10.12697/smp.2013.1.1.05.

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Gnomic poems have often been noted for their unusual metrical style. One aspect of their style that stands out is the hypermetric usage, both because these poems contain a notably high incidence of hypermetric verses and because the verses are frequently categorized as irregular. This paper analyses hypermetric composition in Maxims I, Maxims II, and Solomon and Saturn in detail to illustrate the major stylistic features of gnomic composition. It demonstrates that, contrary to the conclusions of some previous scholars, the hypermetric verses basically follow the form for hypermetric compositio

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2

Shippey, T. A., Carolyne Larrington, T. L. Burton, Stephanie Hollis, and Michael Wright. "A Store of Common Sense: Gnomic Theme and Style in Old Icelandic and Old English Wisdom Poetry." Modern Language Review 90, no. 2 (1995): 402. http://dx.doi.org/10.2307/3734554.

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3

Brigaglia, Andrea. "Tarbiya and Gnosis in Hausa Islamic Verse: Al-Ṣābūn al-Muṭahhir by Muḥammad Balarabe of Shellen (Adamawa, Nigeria)". Die Welt des Islams 58, № 3 (2018): 272–325. http://dx.doi.org/10.1163/15700607-00583p02.

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Abstract This paper contains a transliteration in Latin script, an English translation and an analysis of Al-Ṣābūn al-Muṭahhir (“The Cleansing Soap”), a poem on tarbiya (spiritual training) and ma‘rifa (gnosis) originally written in the Hausa language using Arabic script by Muḥammad Balarabe (d. 1967) of Shellen, in Adamawa, Nigeria. Balarabe was a Sufi of the Tijāniyya order affiliated to the Jamā‘at al-fayḍa of the Senegalese Ibrāhīm Niasse (d. 1975). In style and content, Balarabe’s poem serves as a corrective to some of the observations on Hausa Sufi poetry made by Mervyn Hiskett in his cl

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4

Kipacha, Ahmad. "Gnomic Poetry and Innovation in Euphrase Kezilahabi’s Dhifa." Eastern African Literary and Cultural Studies 5, no. 3-4 (2019): 258–73. http://dx.doi.org/10.1080/23277408.2019.1680918.

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5

Watson, J. R. "Victorian Poetry. Poetry, Poetics, Politics." English 42, no. 174 (1993): 282–85. http://dx.doi.org/10.1093/english/42.174.282.

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6

DeWeese, Christopher. "Poetry." English: Journal of the English Association 66, no. 253 (2017): 124–25. http://dx.doi.org/10.1093/english/efx006.

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7

Scofield, M. "Edwardian Poetry." English 41, no. 170 (1992): 168–75. http://dx.doi.org/10.1093/english/41.170.168.

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8

Bromley, Carole. "Poetry Lesson." English: Journal of the English Association 66, no. 254 (2017): 261–62. http://dx.doi.org/10.1093/english/efx020.

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9

Oberlin, Adam. "Brittany Erin Schorn, Speaker and Authority in Old Norse Wisdom Poetry. Trends in Medieval Philology, 34. Berlin: de Gruyter, 2017, viii, 198 pp." Mediaevistik 31, no. 1 (2018): 387–88. http://dx.doi.org/10.3726/med012018_387.

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This slim volume, 155 pages apart from the introduction and back matter, is the revised version of a recent dissertation on the dialogic and discursive exchange of wisdom in the Gnomic genre of Old Norse-Icelandic Eddic poetry. As the author notes in the introduction (Ch. 1), this genre is well attended in the scholarly literature and many studies have addressed similar or adjacent topics. Five chapters after the introduction describe and investigate narrative and discursive aspects of wisdom poetry informed by a pre-Christian past but located firmly within a post-conversion manuscript context

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10

Sen, Sudeep. "Recent Indian English Poetry." World Literature Today 74, no. 4 (2000): 783. http://dx.doi.org/10.2307/40156088.

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11

Attridge, Derek. "Rhythm in English Poetry." New Literary History 21, no. 4 (1990): 1015. http://dx.doi.org/10.2307/469197.

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12

Thornton, R. K. R., and Tim Kendall. "Modern English War Poetry." Modern Language Review 103, no. 4 (2008): 1119. http://dx.doi.org/10.2307/20468059.

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13

Sullivan, J. P. "Martial and English Poetry." Classical Antiquity 9, no. 1 (1990): 149–74. http://dx.doi.org/10.2307/25010924.

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14

Perry, John Oliver, and Makarand Paranjape. "Indian Poetry in English." World Literature Today 68, no. 3 (1994): 635. http://dx.doi.org/10.2307/40150579.

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15

Gagen, Derek. "Lorca and “English” poetry." Journal of Iberian and Latin American Studies 5, no. 2 (1999): 161–72. http://dx.doi.org/10.1080/13507499908569492.

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16

Клещина and Natalya Kleshchina. "Poetry in Teaching English." Socio-Humanitarian Research and Technology 4, no. 1 (2015): 41–43. http://dx.doi.org/10.12737/10324.

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English poetry plays an important role in teaching English as personal focused approach application method. This paper considers the poetry value and poetry teaching purposes, such as learner’s increase of cultural and intercultural awareness and pronunciation skills. The poetry can be also used in teaching grammar, lexis, reading and translation. In conclusion this work offers some ways for effective use of poetry in teaching English.

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17

Williams, A. "The Poetry Toolkit: The Essential Guide to Studying Poetry." English 58, no. 223 (2009): 367–69. http://dx.doi.org/10.1093/english/efp036.

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18

Bowen, Bernadette Ann. "Poetry." Explorations in Media Ecology 20, no. 2 (2021): 221–25. http://dx.doi.org/10.1386/eme_00086_1.

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These pieces of COVID-19 poetry in their pixelated form follow McLuhan’s playful use and misuse of the phonetic English language. They contribute to media ecology a continued poetic exploration into how our blurry presences in physical and digital spaces engender our landscapes at varying degrees and levels of experience. Through poetic exploration of this envirusment, I invoke the inherently insufficient and terminally playful qualities of language; both enabling and disabling our dualistic experiential accounts of proximity, relations and visceral corporeality in present-COVID. Depending on

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19

Dreppec, Alex. "Periodic Poetry." Ecozon@: European Journal of Literature, Culture and Environment 11, no. 1 (2020): 178–85. http://dx.doi.org/10.37536/ecozona.2020.11.1.3233.

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20

Patke, Rajeev S. "Poetry in English from Singapore." World Literature Today 74, no. 2 (2000): 293. http://dx.doi.org/10.2307/40155573.

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21

Prem, PCK. "Indian English Poetry: An Introduction." POETCRIT 32, no. 2 (2019): 77–86. http://dx.doi.org/10.32381/poet.2019.32.02.12.

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22

Nazareth, Peter, and Bruce King. "Modern Indian Poetry in English." World Literature Today 76, no. 2 (2002): 138. http://dx.doi.org/10.2307/40157314.

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23

Rajani, Leena, and Dr Dipti H. Mehta. "Pre – Independence Indian English Poetry." Indian Journal of Applied Research 4, no. 2 (2011): 3–4. http://dx.doi.org/10.15373/2249555x/feb2014/80.

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24

Cavill, Paul, and Kathryn A. Lowe. "Maxims in Old English Poetry." Nottingham Medieval Studies 44 (January 2000): 204–6. http://dx.doi.org/10.1484/j.nms.3.315.

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25

Edwards, A. "Memorabilia. Fifteenth-century English poetry." Notes and Queries 48, no. 4 (2001): 359. http://dx.doi.org/10.1093/nq/48.4.359.

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26

Howe, N. "Maxims in Old English Poetry." Notes and Queries 49, no. 4 (2002): 506–7. http://dx.doi.org/10.1093/nq/49.4.506.

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27

Howe, Nicholas. "Maxims in Old English Poetry." Notes and Queries 49, no. 4 (2002): 506–7. http://dx.doi.org/10.1093/nq/490506.

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28

STANLEY, E. G. "LATE MIDDLE ENGLISH ALLITERATIVE POETRY." Notes and Queries 37, no. 3 (1990): 261—b—261. http://dx.doi.org/10.1093/nq/37-3-261b.

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29

Zecchini, Laetitia. "Marginalized: Indian poetry in English." Journal of Postcolonial Writing 51, no. 3 (2014): 364–65. http://dx.doi.org/10.1080/17449855.2014.946256.

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30

Perry, John Oliver, and Bruce King. "Modern Indian Poetry in English." World Literature Today 62, no. 1 (1988): 180. http://dx.doi.org/10.2307/40144251.

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31

Marshall, Donald G. "Kant and English Nature Poetry." Iowa Review 21, no. 2 (1991): 78–83. http://dx.doi.org/10.17077/0021-065x.4015.

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32

Ní Ríordáin, Clíona. "Best Irish Poetry in English." Études irlandaises, no. 35-1 (June 30, 2010): 166. http://dx.doi.org/10.4000/etudesirlandaises.1868.

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33

Perry, John Oliver. "Contemporary Indian Poetry in English." World Literature Today 68, no. 2 (1994): 261. http://dx.doi.org/10.2307/40150140.

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34

Collett, Barry. "English Poetry before Chaucer (review)." Parergon 23, no. 1 (2006): 221–24. http://dx.doi.org/10.1353/pgn.2006.0061.

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35

Newman, Barclay M. "Biblical Poetry and English Style." Bible Translator 44, no. 4 (1993): 405–10. http://dx.doi.org/10.1177/026009439304400402.

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36

Marino, Adrian. "Romanian Poetry in English Translation." Translation Review 32-33, no. 1 (1990): 72. http://dx.doi.org/10.1080/07374836.1990.10523497.

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37

GRIBBEN, CRAWFORD. "English Poetry in Cromwellian Ireland." Seventeenth Century 25, no. 2 (2010): 281–99. http://dx.doi.org/10.1080/0268117x.2010.10555650.

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38

., Mudita. "Mysticism in Indian English poetry." RESEARCH HUB International Multidisciplinary Research Journal 7, no. 10 (2020): 1–2. http://dx.doi.org/10.53573/rhimrj.2020.v07i10.001.

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39

Кузуб, Алёна Владимировна. "J. BRODSKY’S ENGLISH POETRY IN ENGLISH CRITICS." Tomsk state pedagogical university bulletin, no. 5(211) (September 7, 2020): 181–91. http://dx.doi.org/10.23951/1609-624x-2020-5-181-191.

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Введение. Рассматриваются высказывания в адрес оригинальной англоязычной поэзии И. Бродского, сделанные англоязычными критиками, поэтами и переводчиками. Все высказывания разделены на группы согласно географической, лингвистической и профессиональной принадлежности их авторов. Большинство характеристик в адрес английских стихов Бродского носят ситуативный, несистемный характер, представляя собой разрозненные высказывания. Объединяет их то, что многие даже самые ярые сторонники английской поэзии Бродского вынуждены отмечать некоторые шероховатости использования им языка, стилистические несурази

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40

Alexander, M. J. "Old English Poetry into Modern English Verse." Translation and Literature 3, no. 3 (1994): 69–75. http://dx.doi.org/10.3366/tal.1994.3.3.69.

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41

Robinson, P. "Fellows' Poetry Prize 2008." English 58, no. 221 (2009): 112–15. http://dx.doi.org/10.1093/english/efp019.

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42

Skoulding, Zoë. "Poetry in Expanded Translation." English: Journal of the English Association 69, no. 267 (2020): 305–9. http://dx.doi.org/10.1093/english/efaa038.

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43

Dance, Richard, and H. Momma. "The Composition of Old English Poetry." Modern Language Review 94, no. 4 (1999): 1067. http://dx.doi.org/10.2307/3737239.

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44

Liuzza, R. M., and Peter Orton. "The Transmission of Old English Poetry." Modern Language Review 98, no. 1 (2003): 154. http://dx.doi.org/10.2307/3738184.

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45

Abdel-Daem, Mohamed Kamel. "Postcolonial Elements in Early English Poetry." Khazar Journal of Humanities and Social Sciences 17, no. 1 (2014): 25–41. http://dx.doi.org/10.5782/2223-2621.2014.17.1.25.

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In this article, the writer highlights certain elements in Anglo-Saxon and Anglo-Norman verse, that can unsurprisingly be a precursor of postcolonial writing. These marks are: heroic spirit, religious devotion, chivalric pride and elegiac vein. All these topics were nothing but aids to the early English poets' attempt to coin a unified English identity. This study manifestly assumes that nineteenth and twentieth century, imperial England had once been a colonized nation that produced postcolonial culture and literature. This article proposes that postcolonialism is not restricted just to moder

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46

Min Gun Kang. "English Reproduction in Seamus Heney's Poetry." Journal of English Cultural Studies 5, no. 2 (2012): 5–34. http://dx.doi.org/10.15732/jecs.5.2.201212.5.

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47

Goddard, Horace I., and John Haynes. "African Poetry and the English Language." Canadian Journal of African Studies / Revue Canadienne des Études Africaines 24, no. 1 (1990): 117. http://dx.doi.org/10.2307/485608.

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48

Dorsey, David, and John Haynes. "African Poetry and the English Language." World Literature Today 62, no. 3 (1988): 497. http://dx.doi.org/10.2307/40144449.

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49

Guibbory, Achsah, and George Parfitt. "English Poetry of the Seventeenth Century." Modern Language Review 83, no. 3 (1988): 671. http://dx.doi.org/10.2307/3731309.

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50

Allen, Rosamund S., Carol Braun Pasternack, and Peter Clemoes. "The Textuality of Old English Poetry." Modern Language Review 92, no. 3 (1997): 682. http://dx.doi.org/10.2307/3733397.

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