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Books on the topic 'Goddess Themis'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Donleavy, Pamela. From ancient myth to modern healing: Themis, goddess of heart-soul, justice, and reconciliation. Routledge, 2008.

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Donleavy, Pamela. From ancient myth to modern healing: Themis, goddess of heart-soul, justice, and reconciliation. Routledge, 2008.

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3

1943-, Shearer Ann, ed. From ancient myth to modern healing: Themis, goddess of heart-soul, justice, and reconciliation. Routledge, 2008.

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4

Babcock, Michael. Susan Seddon Boulet: The goddess paintings. Pomegranate Artbooks, 1994.

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5

Kelly, Mary B. Goddess embroideries of eastern Europe. Northland Press of Winona, 1989.

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6

Magon, Jane. Anneke Silver: Images of the goddess and nature mysticism. Craftsman House, 1995.

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7

Balas, Edith. The Mother Goddess in Italian Renaissance art. Carnegie Mellon University Press, 2003.

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8

Kelly, Mary B. Goddess embroideries of the Balkan lands and the Greek islands. StudioBooks, 1999.

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9

Liversage, Toni. Den store gudinde: Om kvindefigurer gennem 25.000 år. Gyldendal, 1990.

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10

Romani, Cinzia. Tainted goddesses: Female film stars of the Thirs Reich. -2nd ed. Gremese, 2001.

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11

Romani, Cinzia. Tainted goddesses: Female film stars of the Third Reich. Sarpedon, 1992.

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12

Romani, Cinzia. Tainted goddesses: Female film stars of the Third Reich. Gremese, 2001.

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13

Ohri, Vishwa Chander. Sculpture of the western Himalayas: History and stylistic development. Agam Kala Prakashan, 1991.

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14

Gülcay, Yağcı, and Palais des beaux-arts (Brussels, Belgium), eds. Mothers, goddesses and sultanas: Women in Turkey from prehistory to the end of the Ottoman Empire. Bozar Books, 2004.

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15

Zoubiri, Samira. Des charites grecques aux trois grâces romaines: Étude iconographique et chronologique. Éditions universitaires européennes, 2010.

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16

Vollmer, Cornelius. Im Anfang war der Thron: Studien zum leeren Thron in der griechischen, römischen und frühchristlichen Ikonographie. VML, Verlag Marie Leidorf, 2014.

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17

Ziebarth, Ursula. Eine Frau aus Gold: Über das Zutrauen zum Weiblichen. Fischer Taschenbuch Verlag, 1991.

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18

Thöne, Cornelia. Ikonographische Studien zu Nike im 5. Jahrhundert v. Chr.: Untersuchungen zur Wirkungsweise und Wesenart. Verlag Archäologie und Geschichte, 1999.

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19

Roswitha, Juffinger, and Mayr-Oehring Erika, eds. Grenzenlos weiblich in barocken und antiken Darstellungen: Residenzgalerie Salzburg, 18.11.1999-6.2.2000. Residenzgalerie, 1999.

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20

Eingartner, Johannes. Isis und ihre Dienerinnen in der Kunst der römischen Kaiserzeit. E.J. Brill, 1991.

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21

Holub, Joan. Artemis the brave. Aladdin, 2010.

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22

Shearer, Ann, and Pamela Donleavy. From Ancient Myth to Modern Healing : Themis: Goddess of Heart-Soul, Justice and Reconciliation. Taylor & Francis Group, 2008.

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23

Shearer, Ann, and Pamela Donleavy. From Ancient Myth to Modern Healing : Themis: Goddess of Heart-Soul, Justice and Reconciliation. Taylor & Francis Group, 2008.

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24

Shearer, Ann, and Pamela Donleavy. From Ancient Myth to Modern Healing : Themis: Goddess of Heart-Soul, Justice and Reconciliation. Taylor & Francis Group, 2008.

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25

Shearer, Ann, and Pamela Donleavy. From Ancient Myth to Modern Healing : Themis: Goddess of Heart-Soul, Justice and Reconciliation. Taylor & Francis Group, 2008.

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26

Shearer, Ann, and Pamela Donleavy. From Ancient Myth to Modern Healing : Themis: Goddess of Heart-Soul, Justice and Reconciliation. Taylor & Francis Group, 2008.

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27

Pintchman, Tracy. Cosmological, Devotional, and Social Perspectives on the Hindu Goddess. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198767022.003.0002.

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Although Hindus recognize and revere a variety of different, discrete goddesses, they also tend to speak of “The Goddess” as a singular and unifying deity. This chapter focuses on three dimensions of the Goddess in Hindu traditions, grounding all observations in specific texts and contexts. First, the chapter examines the nature of the Goddess as a cosmogonic/cosmological creative force that creates, sustains, and permeates the universe. Second, it explores the Goddess as a being worthy of devotion who is also manifest as individual goddesses. Finally, it probes the nature of the Goddess as po

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28

Sengupta, Saswati. Domestication of the Disorderly Devī. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198767022.003.0013.

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The Hindu goddess Caṇḍī is generally understood as a manifestation of Śakti, a phenomenon of the deification of the female principle within Hinduism. But Caṇḍī is a rush of images and epithets which are quite contradictory: virgin, wife, warrior, mother, goddess of plenty, wife of a hemp-soaked mendicant. The prolific composition of the Caṇḍī Maṅgalakāvya by male poets, overwhelmingly upper-caste, helped propagate the sanctioned caste-patriarchal framing of this polysemic goddess in Bengal from the sixteenth to the eighteenth centuries. It is a measure of the march of brahminical patriarchy th

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29

Sengupta, Saswati. Mutating Goddesses. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190124106.001.0001.

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It is an enduring contradiction that Hindus revere their goddesses but their society is dominated by Brahmanical patriarchy. Although we assume that the worship of goddesses implies the celebration of so-called female power, we overlook how the development of such practices of devotion occurred within a highly patriarchal society that subjugated women in everyday life. Addressing this oversight, Mutating Goddesses traces the shifting fortunes of four goddesses—Manasā, Caṇḍī, Ṣaṣṭhī, and Lakṣmī—and their mutation within the goddess-invested tradition of Bengal’s Hinduism. It uses the vibrant la

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30

Beck, Brenda. Becoming a Living Goddess. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198767022.003.0010.

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According to South Asian Hindu tradition, what traits or actions lead to a woman becoming “a living goddess”? To answer that question, this chapter considers an ancient Tamil legend known as The Legend of Ponnivala. In that epic story, a mother and daughter are described as living goddesses. Present-day parallels for these two legendary females are then considered. The Ponnivala mother is compared to a living woman known as “Amma” or the “hugging” goddess, who now lives (primarily) in North America. The Ponnivala daughter, by contrast, is compared to a widely known, young virgin kumārī goddess

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31

Bose, Mandakranta, ed. The Oxford History of Hinduism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198767022.001.0001.

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The central purpose of the book is the critical exposition of the Hindu idea of the divine feminine, or Devī, conceived as a singularity expressed in many forms. With the theological principles examined in the opening chapters, the book proceeds to describe and expound historically how individual manifestations of Devī have been imagined in Hindu religious culture and their impact upon Hindu social life. In this quest the authors draw upon the history and philosophy of major Hindu ideologies, such as the Purāṇic, Tantric, and Vaiṣṇava belief systems. A particular feature of the book is its att

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32

Lewis, Roy. Goddess of death. 2013.

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33

Young, Serinity. Winged Goddesses of Sexuality, Death, and Immortality. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780195307887.003.0003.

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The winged Egyptian goddess Isis is an ancient and complex deity, whose mythology presents her as bestower of fertility and immortality. This chapter follows up on these themes, and the linked relationship between fertility and immortality, by exploring the involvement of women with funeral rites, and concepts of the afterlife in the Ancient Near East and Ancient Greece involving goddesses, who combine sexuality and fertility, war and death, and the promise and hope of immortality. There is a further exploration of ancient bird goddesses demonized via the concept of the monstrous-feminine: fur

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34

Schaflechner, Jürgen. Hinglaj in Perspective. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190850524.003.0003.

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This chapter presents three distinct strains of the Goddess’s history, corresponding to the three main historical discourses shaping the current representations of Hinglaj and the ritual journeys relating to her. The first surveys the various mentions of Hinglaj Devi in ancient Sanskrit sources, including her link to the myth of the Goddess Sati. The second demonstrates how Hinglaj rose to her role as an important caste and clan Goddess for contemporary South Asian Hindus. The third provides a glimpse into how the shrine’s Zikri-Muslim history has transformed the Goddess into a representative

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35

Kelly, Mary B. Goddess Embroideries of Eastern Europe. Northland Press of Winona, 1996.

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36

Halperin, Ehud. The Many Faces of a Himalayan Goddess. Edited by Robert Yelle. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190913588.001.0001.

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Haḍimbā is a major village goddess in the Kullu Valley of the West Indian Himalayan state of Himachal Pradesh, a mountainous, rural area known as the Land of Gods. This book is an ethnographic study of Haḍimbā and her dynamic, mutually formative relationship with her community of followers. It explores the part played by the goddess in her devotees’ lives, particularly in their encounters with players, powers, and ideas both local and external, such as invading royal forces, colonial forms of knowledge, and, more recently, modernity, capitalism, tourism, and ecological change. Haḍimbā is revea

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37

Monaghan, Patricia. Encyclopedia of Goddesses and Heroines. ABC-CLIO, LLC, 2009. http://dx.doi.org/10.5040/9798400658235.

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This two-volume set provides a comprehensive guide to the vast array of feminine divine figures found throughout the world. Drawn from a variety of sources ranging from classical literature to early ethnographies to contemporary interpretations, theEncyclopedia of Goddesses and Heroinesprovides a comprehensive introduction to the ways goddess figures have been viewed through the ages. This unique encyclopedia of over thousands of figures of feminine divinity describes the myths and attributes of goddesses and female spiritual powers from around the world. The two-volume set is organized by cul

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38

Goddess of death. Robert Hale, 2012.

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39

Taiz, Lincoln, and Lee Taiz. The “Plantheon” of Greek Mythology. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190490263.003.0007.

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“The ‘Plantheon’ of Greek Mythology” examines how—before the emergence of competing scientific paradigms—agricultural paradigms were subsumed into myth and integrated into religious worldviews that associated plants and agricultural abundance with women and goddesses. Hesiod’s Theogony provides valuable insights into Greek ideas about gender that influenced how plants were understood. Philosophers initiated a transition from myth-based to logic-based belief systems, but their proto-scientific views must be viewed against the backdrop of Greek mythology and religion. Women played important role

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40

Holub, Joan. Pallas the Pal (Goddess Girls). Aladdin, 2016.

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41

Goddess Girls Pheme The Gossip. Aladdin Paperbacks, 2013.

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42

Guardians of Tamilnadu: Folk Deities, Folk Religion, Hindu Themes. Harrassowitz, 2004.

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43

Guardians of Tamilnadu: Folk deities, folk religion, Hindu themes. Verlag der Franckeschen Stiftungen zu Halle, 2004.

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44

Ana tanrıçalar, Kybele ve çağdaş Türk resmindeki izdüşümleri. T.C. Kültür Bakanlığı, 2001.

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45

Romani, Cinzia. Tainted Goddesses. Spellmount Publishers Ltd, 1994.

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46

Rosoff, Meg. Great Godden. Bloomsbury Publishing Plc, 2020.

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47

Rosoff, Meg. Great Godden. Candlewick Press, 2021.

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48

Vonnegut, Edith. Domestic Goddesses: A Folio of Notecards (Pomegranate Notecard Folios). Pomegranate Communications, 2001.

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49

Rosoff, Meg, and Ell Potter. The Great Godden. Candlewick on Brilliance Audio, 2021.

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50

Schaflechner, Jürgen. Hinglaj Devi. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190850524.001.0001.

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The shrine of the Goddess Hinglaj is located in the desert of Balochistan, Pakistan, about 215 kilometers west of the city of Karachi. Notwithstanding its ancient Hindu and Muslim history, the establishment of an annual festival at Hinglaj took place only recently, “invented” in the mid-1980s. Only after the construction of the Makran Coastal Highway (MCH), a road that now—coincidentally—connects the formerly distant desert shrine with urban Pakistan, was the increasingly confident minority Hindu community able to claim Hinglaj as their main religious center, a site for undisturbed religious p

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