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1

England's first family of writers: Mary Wollstonecraft, William Godwin, Mary Shelley. Johns Hopkins University Press, 2007.

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2

Romantic narrative: Shelley, Hays, Godwin, Wollstonecraft. Johns Hopkins University Press, 2010.

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3

Brewer, William D. The mental anatomies of William Godwin and Mary Shelley. Fairleigh Dickinson University Press, 2001.

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4

"My hideous progeny": Mary Shelley, William Godwin, and the father-daughter relationship. University of Delaware Press, 1995.

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5

Hill-Miller, Katherine. My hideous progeny: Mary Shelly, William Godwin, and the father-daughter relationship. University of Delaware Press, 1995.

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6

The Godwinian novel: The rational fictions of Godwin, Brockden Brown, Mary Shelley. Clarendon Press, 1993.

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7

The Godwins and the Shelleys: The biography of a family. Johns Hopkins University Press, 1991.

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8

The Godwins and the Shelleys: The biography of a family. Faber, 1990.

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9

The Godwins and the Shelleys: The biography of a family. Norton, 1989.

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10

The Godwins and the Shelleys: The biography of a family. Faber and Faber, 1989.

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11

Romantic consciousness: Blake to Mary Shelley. Palgrave Macmillan, 2003.

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12

Charles, Clairmont, Godwin Fanny Imlay, and Stocking Marion Kingston, eds. The Clairmont correspondence: Letters of Claire Clairmont, Charles Clairmont, and Fanny Imlay Godwin. Johns Hopkins University Press, 1994.

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13

Ackroyd, Peter. The Casebook of Victor Frankenstein. Knopf Doubleday Publishing Group, 2009.

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14

Ackroyd, Peter. The casebook of Victor Frankenstein. Thorndike Press, 2010.

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15

Sex, lies, and autobiography: The ethics of confession. University of Virginia Press, 2006.

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16

Carlson, Julie A. England's First Family of Writers: Mary Wollstonecraft, William Godwin, Mary Shelley. The Johns Hopkins University Press, 2007.

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17

Carlson, Julie Ann. England's First Family of Writers: Mary Wollstonecraft, William Godwin, Mary Shelley. Johns Hopkins University Press, 2007.

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18

Carlson, Julie A. England's First Family of Writers: Mary Wollstonecraft, William Godwin, Mary Shelley. Johns Hopkins University Press, 2007.

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19

Pamela, Clemit, Jump Harriet Devine, and Bennett Betty T, eds. Lives of the great romantics III: Godwin, Wollstonecraft & Mary Shelley by their contemporaries. Pickering & Chatto, Publishers, 1999.

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20

(Editor), Pamela Clemit, Harriet Devine Jump (Editor), and Betty T. Bennett (Editor), eds. Lives of the Great Romantics III: Godwin, Wollstonecraft & Mary Shelley by Their Contemporaries (Lives of the Great Romantics). Pickering & Chatto Publishers, 1999.

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21

Elbert, Hubbard. William Godwin And Mary Wollstonecraft. Kessinger Publishing, LLC, 2005.

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22

John, Mullan, Wallace Jennifer, Pite Ralph, and Robertson Fiona, eds. Lives of the great Romantics II by their contemporaries. Pickering & Chatto, 1997.

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23

(Editor), John Mullan, Jennifer Wallace (Editor), Ralph Pite (Editor), and Fiona Robertson (Editor), eds. Lives of the Great Romantics II. Pickering & Chatto Publishers, 1997.

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24

Brewer, William D. Mental Anatomies of William Godwin and Mary Shelley. Rowman & Littlefield Publishers, Incorporated, 2001.

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25

Rajan, Tilottama. Romantic Narrative. Johns Hopkins University Press, 2010.

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26

Shelley, Mary Wollstonecraft, and Majestic Majestic Classics. Frankenstein; or, the Modern Prometheus by Mary Wollstonecraft (Godwin) Shelley (Majestic Classics and Illustrated with Doodles). Independently Published, 2021.

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27

Shelley, Mary Wollstonecraft, and Majestic Majestic Classics. Frankenstein; or, the Modern Prometheus by Mary Wollstonecraft (Godwin) Shelley (Majestic Classics and Illustrated with Doodles). Independently Published, 2021.

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28

Shelley, Mary Wollstonecraft, and Majestic Majestic Classics. Frankenstein; or, the Modern Prometheus by Mary Wollstonecraft (Godwin) Shelley (Majestic Classics and Illustrated with Doodles). Independently Published, 2021.

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29

Shelley, Mary Wollstonecraft, and Majestic Majestic Classics. Frankenstein; or, the Modern Prometheus by Mary Wollstonecraft (Godwin) Shelley (Majestic Classics and Illustrated with Doodles). Independently Published, 2021.

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30

Lives of the Great Romantics, Part III, Volume 1: Godwin, Wollstonecraft and Mary Shelley by Their Contemporaries. Taylor & Francis Group, 1999.

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31

Lives of the Great Romantics, Part III, Volume 3: Godwin, Wollstonecraft and Mary Shelley by Their Contemporaries. Taylor & Francis Group, 1999.

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32

Lives of the Great Romantics, Part III, Volume 2: Godwin, Wollstonecraft and Mary Shelley by Their Contemporaries. Taylor & Francis Group, 1999.

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33

Beer, J. Romantic Consciousness: Blake to Mary Shelley. Palgrave Macmillan Limited, 2004.

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34

Shelley, Mary Wollstonecraft, and World Literature World Literature Classics. Frankenstein; or, the Modern Prometheus by Mary Wollstonecraft (Godwin) Shelley (World Literature Classics and Illustrated with Book-End Doodles about Reading). Independently Published, 2021.

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35

Shelley, Mary Wollstonecraft, and World Literature World Literature Classics. Frankenstein; or, the Modern Prometheus by Mary Wollstonecraft (Godwin) Shelley (World Literature Classics and Illustrated with Book-End Doodles about Reading). Independently Published, 2021.

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36

Language and Revolution in Burke, Wollstonecraft, Paine, and Godwin. Ashgate Pub Co, 2007.

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37

Diary of Dr. John William Polidori : 1816: Relating to Byron, Shelley, Etc. Creative Media Partners, LLC, 2018.

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38

Diary of Dr John William Polidori 1816: Relating to Byron, Shelley, Etc. University of Cambridge ESOL Examinations, 2014.

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39

Diary of Dr. John William Polidori : 1816: Relating to Byron, Shelley, Etc. Creative Media Partners, LLC, 2018.

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40

Rossetti, William Michael, and John William Polidori. Diary of Dr John William Polidori 1816: Relating to Byron, Shelley, Etc. University of Cambridge ESOL Examinations, 2014.

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41

Cayton, Andrew. Love in the Time of Revolution: Transatlantic Literary Radicalism and Historical Change, 1793-1818. University of North Carolina Press, 2017.

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42

Cayton, Andrew. Love in the Time of Revolution: Transatlantic Literary Radicalism and Historical Change, 1793-1818. Omohundro Institute of Early American History & Culture, 2014.

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43

McCann, Andrew. Cultural Politics in the 1790s. Palgrave Macmillan, 1998.

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44

Cayton, Andrew R. L. Love in the Time of Revolution: Transatlantic Literary Radicalism and Historical Change, 1793-1818. University of North Carolina Press, 2013.

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45

The Casebook of Victor Frankenstein. Vintage Books, 2009.

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46

Lynch, Deidre Shauna. Philosophical Fictions and ‘Jacobin’ Novels in the 1790s. Edited by Alan Downie. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.018.

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This essay on the novel of ideas in the 1790s investigates the sometimes conflicting goals pursue by the ‘Jacobin’ novelists—figures such as Mary Wollstonecraft, William Godwin, and Mary Hays—and also charts their characteristic preoccupations with the proper relations between reason and passion and mind and body. Revamping the Enlightenment tradition of the conte philosophique, these supporters of the Revolution in France and political reform in Britain advocated a newly ambitious species of novel capable of building bridges between the discursive domains of fiction and political theory. Thes
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47

Manly, Susan. Literature for Children. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.14.

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The child is often imagined in the work of Coleridge and Wordsworth as a source of creative energies and of hope for the future of humanity, as well as symbolizing a return to original naturalness. But these ideas about childhood were not peculiar to the Lake poets: they have their origin in the politicized educational theories of John Locke and Jean-Jacques Rousseau, as well as in Joseph Priestley’s revolutionary rhetoric and the children’s literature that emerged from this tradition. Variously combining these influences, a new, often realist children’s literature written by Anna Barbauld, Jo
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48

Hegele, Arden. Romantic Autopsy. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192848345.001.0001.

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Romantic Autopsy: Literary Form and Medical Reading charts how medicine influenced the literature of British Romanticism in its themes, motifs, and—most fundamentally—forms. Drawing on new medical specialties at the turn of the nineteenth century along with canonical poems and novels, this book shows that both fields develop analogies that saw literary works as organic bodies and anatomical features as legible texts. Such analogies invited readers and doctors to produce a shared methodology of interpretation. The book’s most distinctive contribution is protocols of diagnosis: a set of practice
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