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Dissertations / Theses on the topic 'Goethe, Johann Wolfgang von, Classical literature'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Koh, Seonmi. "Kennst du das Land : performance guide to six musical settings of Goethe's poem /." Connect to resource, 1991. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1217875414.

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2

Erli, Peter. "Eine Unterrichtskonzeption zu Johann Wolfgang von Goethes „Faust I“ im Leistungskurs der Jahrgangsstufe 11 auf der Basis des Prinzips der Anschaulichkeit." Thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-ds-1242045436156-01035.

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Die Bedeutung des Prinzips der Anschaulichkeit wird im Zusammenhang mit Planung und Durchführung einer Unterrichtssequenz zu Johann Wolfgang von Goethes „Faust. Der Tragödie erster Teil“ herausgestellt. Dabei wird besonderes Augenmerk darauf verwendet, die Relevanz dieses Prinzips auch und gerade für die gymnasiale Oberstufe nachzuweisen.

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3

Lee, Charlotte Louise. "Self-consciousness in the works of the very late Goethe." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610832.

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4

Canfield-Budde, David. "Sacred and seductive space : the problem of domesticity in Goethe's Wilhelm Meisters Wanderjahre /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/9953.

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5

Trépanier, Michèle. "Food, flesh and death : anorexic discourse in Goethe's Die Wahlverwandtschaften." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21273.

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This thesis examines the development of an anorexic discourse in Goethe's Die Wahlverwandtschaften. Chapter 1 investigates anorexia as a cultural signifier and its relationship to non-clinical and non-medical disciplines. I then submit that female self-starvation serves a structural and a thematic function in WV. In Chapter 2, I argue that Ottilie's arrested female development illustrates the central, concept (elective affinities) of the novel. Chapter 3 examines food as a non-verbal system of communication in the narrative. Here, I demonstrate that Ottilie's eating disorder denies her subject

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6

Steele, Melodie Joy. "Ottilie: Expression of the Ideal of Romantic Childlikeness in Goethe's Wahlverwandtschaften." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5201.

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The interpretation of Ottilie in Goethe's Wahlverwandtschaften stems from an understanding of romantic motifs, which find their most systematic expression in her childlike character. Ottilie embodies the romantic idealization of childhood as a means of withdrawal from the enlightened world, echoing the Romantics' rejection of the disenchanted Age of Enlightenment. Through her portrayal of innocent childlikeness, her adolescent conflict with the rational world, and her final rejection of enlightenment, Ottilie maintains her childlike purity, expressing the romantic ideal of childhood. Ottilie's

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7

Rosa, Elis Piera [UNESP]. "O símbolo e a alegoria nos textos teóricos de Goethe [de 1772 a 1798]." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/93999.

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Made available in DSpace on 2014-06-11T19:26:51Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-05-16Bitstream added on 2014-06-13T20:34:56Z : No. of bitstreams: 1 rosa_ep_me_arafcl.pdf: 934093 bytes, checksum: e8923f38d0c273124682f279188c39f2 (MD5)<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>A presente dissertação delineará as noções que baseiam a oposição goethiana entre símbolo e alegoria (a partir dos textos do autor que dissertaram sobre arte, dos anos de 1772 a 1798), visando to

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8

Zacharewicz, Fernanda. "O fim escrito no início: contribuições de Fausto de Goethe à Psicanalise." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21249.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-07-23T12:49:52Z No. of bitstreams: 1 Fernanda Zacharewicz.pdf: 1320305 bytes, checksum: c3568addbf05108dbb5171a4f48ecb8d (MD5)<br>Made available in DSpace on 2018-07-23T12:49:52Z (GMT). No. of bitstreams: 1 Fernanda Zacharewicz.pdf: 1320305 bytes, checksum: c3568addbf05108dbb5171a4f48ecb8d (MD5) Previous issue date: 2018-05-03<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The aim of this thesis was to research the contributions of Faust by Goethe to the Psychoanalysis. For that we left from the hypotesi

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9

Erli, Peter. "Eine Unterrichtskonzeption zu Johann Wolfgang von Goethes „Faust I“ im Leistungskurs der Jahrgangsstufe 11 auf der Basis des Prinzips der Anschaulichkeit: Schriftliche Arbeit als Teil der Zweiten Staatsprüfung für das Höhere Lehramt an Gymnasien." Thesis, Sächsisches Staatsministerium für Kultus, 2006. https://slub.qucosa.de/id/qucosa%3A200.

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Die Bedeutung des Prinzips der Anschaulichkeit wird im Zusammenhang mit Planung und Durchführung einer Unterrichtssequenz zu Johann Wolfgang von Goethes „Faust. Der Tragödie erster Teil“ herausgestellt. Dabei wird besonderes Augenmerk darauf verwendet, die Relevanz dieses Prinzips auch und gerade für die gymnasiale Oberstufe nachzuweisen.

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10

Roos, Dorette Maria. "The Faust legend and its musical manifestations : a historical overview." Thesis, Stellenbosch : Stellenbosch University, 2010. http://hdl.handle.net/10019.1/5156.

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Thesis (MMus (Music))-- Stellenbosch University, 2010.<br>ENGLISH ABSTRACT: This thesis explores the Faust legend and its musical manifestations since the 19th century. The objective is to provide a thorough background to the legend, before drawing up an account of compositions inspired by the Faust legend. Firstly, the origin of the legend is investigated, followed by a brief summary of the most important literary works on the subject of Faust. This is followed by a comprehensive outline of the story as told by Johann Wolfgang von Goethe, and then the most significant compositions inspi

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11

Fontanella, Marco Antonio Rassolin. "Vestigios de Espinosa na produção literaria de Goethe." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270058.

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Orientador: Marcio Orlando Seligmann-Silva<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-11T21:18:56Z (GMT). No. of bitstreams: 1 Fontanella_MarcoAntonioRassolin_D.pdf: 1011102 bytes, checksum: e6ae69edd0c4b03860c27f41c7fba517 (MD5) Previous issue date: 2008<br>Doutorado<br>Historia e Historiografia Literaria<br>Doutor em Teoria e História Literária

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12

Guidotti, Mirella [UNESP]. "Zweckmässigkeit ohne Zweck: ideias kantianas presentes na estética de Goethe." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/123315.

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Made available in DSpace on 2015-05-14T16:53:21Z (GMT). No. of bitstreams: 0 Previous issue date: 2014-04-24Bitstream added on 2015-05-14T16:58:59Z : No. of bitstreams: 1 000824228_20190624.pdf: 87788 bytes, checksum: b2078016ab433594363661bc6a6b4a20 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>A tese investiga as afinidades de ideias entre a Crítica da Faculdade do Juízo de Kant, e o pensamento estético de Goethe, abordando os elementos presentes nos textos que o escritor produziu sobretudo a partir de 1786, ano em que realiza a famosa viagem à Itália e es

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13

Nicholls, Angus 1972. "The mantic art : an examination of the notion of the daemonic in the writings of Plato, Goethe and Goethe's contemporaries." Monash University, Centre for Comparative Literature and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/9148.

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14

Marko, Englund Leo. "Bortsprungna katter ropar tillbaks! : Håkan Hellströms svar på ett splittrat jags sökande efter mening." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-4609.

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15

Bührle, Iris Julia. "La littérature et la danse : l'adaptation chorégraphique d'oeuvres littéraires en Allemagne et en France du XVIIIe siècle à nos jours." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030032.

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Cette thèse traite de la transposition de la littérature en danse, sujet presque inexploré par les chercheurs jusqu’à présent. Elle porte sur des textes servant de base à une intrigue de ballet – livrets et œuvres littéraires non conçus pour la danse – et sur les ouvrages chorégraphiques qui s’en inspirent. La comparaison des sources littéraires avec les livrets et ballets qui les transposent permet d’appréhender comment les librettistes et chorégraphes ont adapté la littérature depuis la naissance du „ballet d’action“ en tant que genre artistique indépendant. Il s’agit ici d’analyser les élém

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16

Moussaoui, Nedjma. "Max Ophuls et l’œuvre de Goethe : matériau génétique et substrat esthétique." Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20106.

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Max Ophuls reste un cinéaste méconnu. Plusieurs de ses films (Liebelei, Lettre d’une inconnue, La Ronde) l’ont associé à la Vienne fin de siècle et à la littérature autrichienne, faisant oublier sa relation avec l’Allemagne, son pays natal, et avec Goethe. Cette thèse propose une nouvelle approche auctoriale fondée sur l’étude de sa relation avec l’écrivain. Il s’agit d’examiner la façon dont le matériau goethéen travaille les œuvres inspirées de Goethe et nourrit les conceptions esthétiques du cinéaste. La première partie s’attache à Goethe en tant que source d’inspiration créatrice. Elle rep

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17

Batista, Miguel. "Bildung and initiation : interpreting German and American narrative traditions." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14616.

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This thesis is divided into two main parts. The first, comprising the three initial chapters, looks, in chapter one, at the specifically German origins of the Bildungsroman, its distinctive features, and the difficulties surrounding its transplantation into the literary contexts of other countries. Particular attention is paid to the ethical dimension of the genre, i.e. to the relation between the individual self and the exterior world, and how it affects individual formation. The focus then shifts to American literature, and the term 'narrative of initiation' is recommended as a credible alte

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18

Lynn, Andrew. "Minstrels in the drawing room: music and novel-reading in Johann Wolfgang von Goethe, Walter Scott, and George Eliot." Thesis, 2014. https://doi.org/10.7916/D8PV6HF5.

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"Minstrels in the Drawing Room" is an investigation of the representation of musical listening in the nineteenth-century novel. Theoretical accounts of the novel have tended to see it as a universal form, one that opportunistically subsumes all others as its represented content; descriptions of the novel's implied audience often interpret novel-reading as an essentially absorptive activity linking private reading to public belonging through an act of identification. For the writers I discuss here, however, musical listening is interesting because it is a rival mode of shared aesthetic experien

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19

Shields, Ross Gillum. "Hanging-Together: Kant, Goethe, and the Theory of Aesthetic Modernism." Thesis, 2019. https://doi.org/10.7916/D8475TVQ.

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My dissertation, titled Hanging-Together: Kant, Goethe, and the Theory of Aesthetic Modernism, observes that many of the composers, artists, and writers working in the early twentieth century developed theories of aesthetic coherence (Zusammenhang) that contradict the canonical interpretation of the period in terms of discontinuity and fragmentation. I show that the modernists drew on Goethe’s morphology in order to conceive of the inner coherence of the work of art as neither an aggregate (in which the parts precede the whole), nor as a system (in which an idea of the whole precedes its parts

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20

Rothne, Zadori Zsuzsanna. "Decoding Charlotte's Prevalence. A Kristevian Approach to the Representation of Femininity in Johann Wolfgang von Goethe's Die Wahlverwandtschaften." 2010. http://trace.tennessee.edu/utk_graddiss/746.

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This dissertation examines Goethe’s portrayal of femininity in Die Wahlver-wandtschaften and how his depiction of all three central female characters relates to feminine ideals that were promoted through the theoretical gender debate of the late 1700s in Germany and Western Europe. I analyze Charlotte’s, Luciane’s, and Ottilie’s actions and interactions in various triadic character constellations in order to offer new insights into Goethe’s portrayal of femininity. In so doing, I argue that Goethe’s depiction of Charlotte holds the key to understanding how far Die Wahlverwandtschaften function

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21

Holman, Donald Wood. "The death of Dionysos formative experience and human autonomy in Wilhelm Meisters Lehrjahre /." Diss., 2005. http://etd.library.vanderbilt.edu/ETD-db/available/etd-04232005-033746/.

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22

Weed, Janelle. "Investigation and Analysis in Cross-Media Reception: Schubert, Goethe, and Others." Master's thesis, 2009. http://hdl.handle.net/10048/498.

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Thesis (M.A.)--University of Alberta, 2009.<br>Title from pdf file main screen (viewed on August 10, 2009). A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts Comparative Literature. Includes bibliographical references.

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23

Koster, John M. "Goethe and the Sublime." Thesis, 2013. http://hdl.handle.net/1807/35868.

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The dissertation situates the Goethean sublime in an obscured countermovement of resistance to the aestheticization the concept underwent in the 18th century. Before the encounter with the English aesthetic concept of the sublime, the German notion of das Erhabene (the sublime) named not a category of aesthetic experience, but a social affect. In contrast to the Sublime of Edmund Burke's theory, which explicitly excludes melancholy from the sources of the Sublime, das Erhabene is an affect related to the self-overcoming of melancholic subjectivity. As the aestheticized notion of the sublime di

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24

Rehbinder, Nina Maroussia Graefin. "Dimensionen der Moderne im Faust II : Goethes kritische darstellung Gesellschaftlicher Entwicklungen des frühen 19. Jahrhunderts im Fünften Akt." Diss., 2012. http://hdl.handle.net/10500/11962.

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Die vorliegende Untersuchung arbeitet die wesentlichen gesellschaftspolitischen und ökonomischen Entwicklungslinien heraus, die sich während der geschichtlichen Umbruchphase um 1830 im deutschen Raum aus dem letzten Akt von Goethes Faust II ableiten lassen. Tiefgreifende politische, wirtschaftlich-technische und kulturelle Umwälzungen zu Beginn des 19. Jahrhunderts wirkten auf Goethe als Zeitgenossen ein und wurden von ihm in seinem literarischen Spätwerk verarbeitet. Aus Goethes Alterswerk Faust II heraus lassen sich Konstanten und Entwicklungen seiner Zeit sichtbar machen und, immer eingebe

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