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Journal articles on the topic 'Goethe, Johann Wolfgang von von Rezeption'

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Published: 4 June 2021
Last updated: 14 February 2022

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1

Williams, John R., and P. F. Ganz. "Johann Wolfgang von Goethe." Modern Language Review 81, no. 1 (January 1986): 251. http://dx.doi.org/10.2307/3728838.

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2

Haas, L. F. "Johann Wolfgang von Goethe (1749-1832)." Journal of Neurology, Neurosurgery & Psychiatry 56, no. 11 (November 1, 1993): 1148. http://dx.doi.org/10.1136/jnnp.56.11.1148.

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3

Schüller, Volkmar. "Goethe versus Newton: Zum 250. Geburtstag von Johann Wolfgang von Goethe." Physik Journal 55, no. 12 (December 1999): 62–66. http://dx.doi.org/10.1002/phbl.19990551216.

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4

Schröder, W. "Johann Wolfgang von Goethe and the aurora borealis." Acta Geodaetica et Geophysica Hungarica 43, no. 1 (March 2008): 113. http://dx.doi.org/10.1556/ageod.43.2008.1.9.

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5

Wurst, Karin A. "Johann Wolfgang von Goethe in Conversation with Things." Goethe Yearbook 26, no. 1 (2019): 199–216. http://dx.doi.org/10.1353/gyr.2019.0027.

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6

Guthrie, John. "Book Review: Jeremy Adler: Johann Wolfgang von Goethe." Journal of European Studies 51, no. 1 (March 2021): 81–82. http://dx.doi.org/10.1177/0047244121990461h.

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7

Mannetstätter, Antje, and Christoph Friedrich. "Die Zürcher Arzt-Apotheker-Familie Lavater und Johann Wolfgang von Goethe." Gesnerus 55, no. 1-2 (November 27, 1998): 5–16. http://dx.doi.org/10.1163/22977953-0550102002.

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The aim of this paper is to demonstrate the connections between Johann Wolfgang von Goethe (1749-1832) and the physician and pharmacist family Lavater in Zurich. The analysis of the correspondence between Johann Bartholomäus Trommsdorff (1770-1837) and the Lavater family and between the Lavater family and the government of the duchy of Weimar shows an interesting story about a picture "Goethe in Italy".
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8

Kestler, Izabela Maria Furtado. "Johann Wolfgang von Goethe: arte e natureza, poesia e ciência." História, Ciências, Saúde-Manguinhos 13, suppl (October 2006): 39–54. http://dx.doi.org/10.1590/s0104-59702006000500003.

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Este artigo apresenta a obra científica do poeta alemão Johann Wolfgang von Goethe (1749-1832), a qual engloba os campos da anatomia humana e animal, ótica, geologia, mineralogia, química, botânica, morfologia e meteorologia. Goethe considerava que na natureza e na arte vigiam as mesmas leis, conceituadas por ele como leis da polaridade e da intensificação. Sua obra poética só pode ser avaliada e interpretada à luz de sua visão da harmonia entre homem e natureza, assim como da complementaridade entre espírito e matéria.
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9

Resvick, Jessica C. "Faust: A Tragedy, Part I by Johann Wolfgang von Goethe." Eighteenth-Century Studies 54, no. 1 (2020): 225–27. http://dx.doi.org/10.1353/ecs.2020.0101.

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10

John, Eckhard, and Hermann Strobach. "Volkslieder gesammelt von Johann Wolfgang Goethe, Wiedergabe der Weimarer Handschrift." Jahrbuch für Volksliedforschung 31 (1986): 132. http://dx.doi.org/10.2307/848296.

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11

Caisley, Jennifer. "Stella: A Play for Lovers by Johann Wolfgang von Goethe." Goethe Yearbook 27, no. 1 (2020): 345–46. http://dx.doi.org/10.1353/gyr.2020.0018.

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12

Campe, Rüdiger. "Continuing Forms: Allegory andtranslatio imperiiin Caspar von Lohenstein and Johann Wolfgang von Goethe." Germanic Review: Literature, Culture, Theory 77, no. 2 (January 2002): 128–45. http://dx.doi.org/10.1080/00168890209597862.

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13

Körndle, Franz. "Johann Wolfgang von Goethe, Carl Friedrich Zelter und „die musikaUsche Malerey"." Anuario Musical, no. 54 (January 24, 2019): 185. http://dx.doi.org/10.3989/anuariomusical.1999.i54.259.

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Im Briefwechsel zwischen Johann Wolfgang von Goethe und Carl Friedrich Zelter nimmt die Diskussion um die sogenannte Nachahmungsästhetik einerseits und das Problem des „Durchkomponierens" andererseits einen breiten Raum ein. Am Beispiel der Ballade Johanna Sebus und ihrer Vertonung durch Zelter kann gezeigt werden, wie Goethe die Moglichkeiten der „musikalischen Malerey" einschatzte. Außerdem wird deutlich, daß der Dichter bei Balladen durchaus bereit war, vom strophischen Schema der Liedvertonung abzusehen und die individuelle Behandlung der einzelnen Abschnitte des Textes zuzulassen, hier sogar in einer der Kantate nahestehenden Form mit Vokalensemble. Mehrere Takte aus dem Eingangschor der Matthauspassion von Johann Sebastian Bach, die Zelter in seine Vertonung eingebaut hat, geben einen zusätzlichen Einblick in die ästhetischen Vorstellungen des Komponisten und belegen darüber hinaus, daß sich Zelter weitaus früher mit dem Werk Bachs befaßt hat als bisher angenommen wurde
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14

Todd, Malcolm. "Goethe and prehistory." Antiquity 59, no. 227 (November 1985): 197–201. http://dx.doi.org/10.1017/s0003598x00057264.

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In this fascinating article, the Professor of Archaeology in the University of Exeter shows us that Johann Wolfgang von Goethe (1749–1832) was not only the author of Faust, The Sorrows of Young Werther, and of beautiful lyrics, ballads and love-songs, but was keenly interested in prehistory and was well abreast of the subject as it was developing in Germany in the early nineteenth century.
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15

Eder, Ulrike. "Johann Wolfgang von Goethe, Jens Thiele (Ill.): Der Erlkönig. Weitra: Bibliothek der Provinz 2007 / Johann Wolfgang von Goethe, Sabine Wilharm (Ill.): Der Erlkönig. Berlin: Kindermann Verlag 2013." ÖDaF-Mitteilungen 30, no. 1 (March 2014): 125–29. http://dx.doi.org/10.14220/odaf.2014.30.1.125.

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16

Schmidt, Wolff A. Von, Ulrich Goebel, and Wolodymyr T. Zyla. "Johann Wolfgang von Goethe: One Hundred and Fifty Years of Continuing Vitality." Rocky Mountain Review of Language and Literature 39, no. 1 (1985): 76. http://dx.doi.org/10.2307/1346773.

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Simpkins, Scott K., Ulrich Goebel, and Wolodymyr T. Zyla. "Johann Wolfgang von Goethe: One Hundred and Fifty Years of Continuing Vitality." South Central Review 2, no. 1 (1985): 80. http://dx.doi.org/10.2307/3189416.

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18

Durrani, Osman, Ulrich Goebel, and Wolodymyr T. Zyla. "Johann Wolfgang von Goethe: One Hundred and Fifty Years of Continuing Vitality." Modern Language Review 81, no. 1 (January 1986): 254. http://dx.doi.org/10.2307/3728839.

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19

Fein, I. Alan, and Gregg Y. Lipschik. "“We only see what we know”—Johann Wolfgang von Goethe [1749–1832]*." Critical Care Medicine 37, no. 1 (January 2009): 352–53. http://dx.doi.org/10.1097/ccm.0b013e31819305f3.

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20

Maierhofer, Waltraud. "Werther, der Werwolf: Roman by Johann Wolfgang von Goethe, Wolf G. Heimrath." Goethe Yearbook 20, no. 1 (2013): 265–66. http://dx.doi.org/10.1353/gyr.2013.0011.

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21

Hamilton, Andrew. "Faust: A Tragedy by Johann Wolfgang von Goethe, Trans. by Mike Smith." Goethe Yearbook 21, no. 1 (2014): 256–58. http://dx.doi.org/10.1353/gyr.2014.0029.

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22

Stewart, Walter K. "Faust: The First Part of the Tragedy by Johann Wolfgang von Goethe." Goethe Yearbook 24, no. 1 (2017): 281–82. http://dx.doi.org/10.1353/gyr.2017.0013.

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23

Powers, Elizabeth. "Lotte meine Lotte: Die Briefe von Goethe an Charlotte von Stein, 1776–1786 by Johann Wolfgang von Goethe, and: Der Briefschreiber Goethe by Albrecht Schöne." Goethe Yearbook 23, no. 1 (2016): 273–76. http://dx.doi.org/10.1353/gyr.2016.0010.

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24

Guimaraes, Ana Rosa Gonçalves De Paula. "GOETHE: POETA E PSICANALISTA." Trama 13, no. 30 (October 20, 2017): 59–76. http://dx.doi.org/10.48075/rt.v13i30.16762.

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O presente estudo objetiva evidenciar por quais maneiras o poeta pré-romântico alemão, Johann Wolfgang von Goethe influenciou os posteriores escritores do Romantismo, como também ensejou temas próprios à psicanálise fundada por Freud. Para isso, será feita uma breve descrição do Romantismo Alemão, para, posteriormente, analisar a construção do sujeito; o valor das vivências subjetivas; aos dualismos psíquicos e aos fenômenos de natureza inconsciente – tendo como eixo a questão de que Goethe foi psicanalista e/ou Freud foi romântico.
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25

Hilfiker, Roger. "Gemeinsam planen motiviert." physiopraxis 5, no. 09 (September 2007): 28–31. http://dx.doi.org/10.1055/s-0032-1308114.

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„Erfolgreich zu sein setzt zwei Dinge voraus: klare Ziele und den brennenden Wunsch, sie zu erreichen.“ Dieser Satz stammt von Johann Wolfgang von Goethe. Für die Therapieplanung ist er essenziell. Wie man mit einer guten Zielsetzung die Motivation des Patienten erhöht, die Teamzusammenarbeit fördert und so den Therapieerfolg leichter erreicht, lesen Sie hier.
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26

Wittkowski, Wolfgang, and Ferdinand van Ingen. "Johann Wolfgang Goethe: Gotz von Berlichingen. Grundlagen und Gedanken zum Verstandnis des Dramas." German Quarterly 62, no. 2 (1989): 262. http://dx.doi.org/10.2307/407393.

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27

Madigan, Patrick. "Johann Wolfgang von Goethe. By JeremyAdler. Pp. 256, London: Reaktion Books, 2020, £11.99." Heythrop Journal 61, no. 3 (April 24, 2020): 565–66. http://dx.doi.org/10.1111/heyj.13539.

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28

Heller-Vitouch, Claudia. "„Die Flöhe und die Wanzen gehören auch zum Ganzen“ (Johann Wolfgang von Goethe)." hautnah 17, no. 2 (January 25, 2018): 64–68. http://dx.doi.org/10.1007/s12326-018-0260-1.

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29

Abdullaeva, Roviyajon. "NAVOI AND GOETHE: COMMON VITAL BENCHMARKS." INTERNATIONAL JOURNAL OF WORD ART 6, no. 3 (June 30, 2020): 5–13. http://dx.doi.org/10.26739/2181-9297-2020-6-1.

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his article discusses the common (typological) intersecting or non-intersecting lines in the life and work of two great scholars of the East and the West–the sultan of poetry Nizamiddin Amir Alisher Navoi and Johann Wolfgang von Goethe, recognized as the “great German”. If we look at the issue in the context of global literary communication, translation and influence,unfortunately, the question of familiarity and influence in the work of these word masters remains an unanswered puzzle
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30

Galle, Helmut. "Resenha: Goethe, Fausto I, Trad. de J. Klabin Segall com notas de M. V. Mazzari." Pandaemonium Germanicum, no. 8 (December 19, 2004): 229. http://dx.doi.org/10.11606/1982-8837.pg.2004.68428.

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RESENHA:GOETHE, Johann Wolfgang von: Fausto. Uma tragédia. Primeira parte. Tradução do original alemão de Jenny KLABIN SEGALL. Apresentação, comentários e notas de Marcus Vinícius MAZZARI. Ilustrações de Eugène Delacroix. Edição bilíngüe. São Paulo: editora 34, 2004.
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31

Wegmann, Nikolaus. "Im Labyrinth." Bibliothek Forschung und Praxis 42, no. 2 (June 1, 2018): 370–78. http://dx.doi.org/10.1515/bfp-2018-0047.

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Zusammenfassung Ausgehend von der Fallstudie der Bibliotheksbenutzung durch Johann Wolfgang von Goethe wird die Operation des Suchens und Findens speziell in der Bibliothek als risikoreiches Eintreten in ein Labyrinth beschrieben. Den aktuellen Versuchen gerade auch nutzerorientierter Formalisierung des Suchprozesses wird entgegen gehalten, dass diese nicht der eigentlichen „Qualität“ der Bibliothek entsprechen. Es wird eine Bibliothekskritik gefordert, die das Operative des Findens jenseits von Recommender-Systemen und einfacher Serendipity in den Blick nimmt.
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32

Clason, Christopher R. "Faust: A Tragedy; Parts One and Two, Fully Revised by Johann Wolfgang von Goethe." Goethe Yearbook 23, no. 1 (2016): 271–72. http://dx.doi.org/10.1353/gyr.2016.0004.

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33

Tocha, Veronika. "Dichtung und Wahrheit. Gesichtsmasken in der Berliner Gipsformerei." Zeitschrift für Ideengeschichte 14, no. 1 (2020): 27–38. http://dx.doi.org/10.17104/1863-8937-2020-1-27.

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Johann Wolfgang von Goethe (1749-1832) sah etwas "Fremdartiges, ja völlig Unwahres" im Medium der Totenmaske. Überhaupt schien ihm der Tod "ein sehr mittelmäßiger Porträtmaler", weshalb er sich nicht nur gegen die Abnahme seiner eigenen Totenmaske aussprach, sondern es auch ablehnte die Totenmasken seiner Freunde zu betrachten. Mit dieser Haltung nimmt Goethe im Kontext seiner Zeit eine Ausnahmestellung ein, waren Totenmasken von öffentlichen Persönlichkeiten und Geistesgrößen aller Art ab dem frühen 19. Jahrhundert doch höchst populär und wurde die Abformung des Totengesichts gerade deshalb praktiziert, weil sie - so der damalige Konsens - wie kein anderes bildgebendes Verfahren Realitätsnähe und Wahrheit verbürgte.
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34

Pirholt, Mattias. "»Gott segne Kupfer« Goethes Kunstbeschreibungen im Zeitalter der semitechnischen Reproduzierbarkeit." Zeitschrift für Kunstgeschichte 80, no. 3 (December 30, 2017): 392–417. http://dx.doi.org/10.1515/zkg-2017-0019.

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Abstract This study investigates how the experience of reproductions – drawings, copperplate engravings, woodcuts, lithography, plaster casts, and so forth – influenced Johann Wolfgang von Goethe’s conception of art in general and his descriptions of art (e.g., ekphrases, reviews, and autobiographical accounts) in particular. Well acquainted with the technologies of reproduction of his time, Goethe, often in collaboration with Johann Heinrich Meyer, acknowledged the crucial role of reproductions for the understanding of the productive idea of the original work. Experiences of reproductions and comparisons between copies, drafts, and the original enabled Goethe to grasp the idea as an ever-transforming productive constant of the continuous process of becoming of the work.
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35

Käbisch, David. "Antrittsvorlesungen. Religiöse Bildung bei Goethe. Oder: Was eine moderne Universität von ihrem Namenspatron lernen kann." Zeitschrift für Pädagogik und Theologie 67, no. 1 (March 1, 2015): 78–88. http://dx.doi.org/10.1515/zpt-2015-0110.

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Abstract Can a person have a religious education and not participate in religious practices? What is it that distinguishes religious education from religious literacy, and a religious person from a non-religious person? In his inaugural professorial lecture, which was held at Frankfurt University, David Käbisch gives an answer to these questions regarding the most famous native of Frankfurt, the poet and writer Johann Wolfgang Goethe. By doing so, the author shares his understanding of religious literacy including current research and future plans
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36

Torres Martínez, Raúl. "“Im Kampf, Penthesilea und Achill”. Pentesilea y Aquiles: ¿Kleist y Goethe?" Anuario de Letras Modernas 21 (October 31, 2019): 133–44. http://dx.doi.org/10.22201/ffyl.01860526p.2018.21.1190.

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Este pequeño ensayo pretende revisar la vieja teoría del agón literario entre Heinrich von Kleist y Johann Wolfgang Goethe, aportando algo novedoso desde el punto de vista de la Grecística, y tomando, a modo de ilustración, elementos de la tragedia Pentesilea del escritor prusiano. La Antigüedad, la androginia y el agón mismo son puntos de partida desde los que podemos sacar provecho al aproximarnos al llamado Goethezeit.
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37

Vinardell Puig, Teresa. "Desplegando a Melusina. Acerca de un proyecto inconcluso de Walter Benjamin." Res Publica. Revista de Historia de las Ideas Políticas 22, no. 3 (October 23, 2019): 659–71. http://dx.doi.org/10.5209/rpub.66181.

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Durante largo tiempo Walter Benjamin acarició la idea de escribir un ensayo sobre el cuento “La nueva Melusina”, de Johann Wolfgang von Goethe, aunque nunca llegó a realizar su propósito. Se ha señalado ya, acertadamente, la afinidad de este relato con la micrología benjaminiana. El presente artículo desarrolla cómo el cuento de Goethe, refleja en su argumento aspectos extrapolables a cómo concibió Benjamin el arte del narrador y la tarea del filólogo. Asimismo se encuentran analogías entre el texto de Goethe y algunas de las ideas de Benjamin sobre la naturaleza de la infancia y la evocación o el sentimiento amorosos.
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38

Baykan, Ali. "Critique of Education: Educator in the Work of Johann Wolfgang Von Goethe Named Faust I." Procedia - Social and Behavioral Sciences 70 (January 2013): 1880–90. http://dx.doi.org/10.1016/j.sbspro.2013.01.266.

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39

Horn, Susanne, Birgit Kreher-Hartmann, and K. Heide. "Melting experiments and field work on Komornı́ Hùrka volcano, Bohemia, by Johann Wolfgang von Goethe." Journal of Geodynamics 32, no. 1-2 (August 2001): 77–97. http://dx.doi.org/10.1016/s0264-3707(01)00028-x.

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Robert Spaethling. "Johann Wolfgang von Goethe: One Hundred and Fifty Years of Continuing Vitality (review)." Goethe Yearbook 4, no. 1 (1988): 345–47. http://dx.doi.org/10.1353/gyr.2011.0368.

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41

Allert, Beate. "Der “ideale Kunstkörper”: Johann Wolfgang Goethe als Sammler von Druckgraphiken und Zeichnungen (review)." Goethe Yearbook 18, no. 1 (2011): 311–12. http://dx.doi.org/10.1353/gyr.2011.0464.

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42

Steinberg, Holger, and Peter Schönknecht. "Goethe: A bipolar personality? Periodicity of affective states in Johann Wolfgang von Goethe as reflected by Paul Julius Möbius." Journal of Medical Biography 28, no. 3 (January 26, 2018): 174–80. http://dx.doi.org/10.1177/0967772017743880.

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This paper aims to investigate the character and etiological basis of German poet Johann Wolfgang von Goethe’s mental disorder. From 1898, German neuropsychiatrist Paul Julius Möbius developed the hypothesis that Goethe’s work provided several hints for the notion that the German poet suffered from a distinct bipolar disorder. The paper investigates Möbius’s psychopathographic study on Goethe and his hypothesis of a mood periodicity in Goethe against the mirror of modern concepts. Möbius came to the conclusion that Goethe’s illness was bipolar in character and became visible at intervals of seven years and lasted for about two years. The majority of Möbius’s contemporary psychiatric colleagues (Emil Kraepelin, Max Isserlin, Ernst Kretschmer, Josef Breuer) supported this view which has still not been convincingly challenged. In present-day terms, Möbius’s hypothesis can be best mirrored as a subclinical foundation of mood disorder. Furthermore, with his extensive study, Möbius disproved the common notion that Goethe had suffered from an illness as the result of a syphilitic infection.
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Sánchez Madrid, Nuria. "Refugiados del siglo XVIII: malestar de frontera y de género en "Hermann y Dorothea" (1797) de Johann Wolfgang von Goethe." Res Publica. Revista de Historia de las Ideas Políticas 22, no. 3 (October 23, 2019): 673–86. http://dx.doi.org/10.5209/rpub.66182.

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Las obras en que Goethe se ocupa de los desastres de la guerra y del sufrimiento de los refugiados ponen de manifiesto una percepción de la normatividad social en la que la crisis no se reconoce nunca como una resistencia que no pueda ser sometida por la subjetividad. Este trabajo se ocupa en primer lugar de ofrecer una interpretación de las consideraciones de Goethe acerca del campo de batalla postrevolucionario en Francia y Alemania y la experiencia de desclasamiento y de racismo cultural que genera. En segundo lugar, me centraré en el idilio Hermann y Dorothea para señalar de la mano de la transformación sufrida en esta obra por el personaje de Dorothea las limitaciones del planteamiento de la condición de la mujer que Goethe lleva a cabo en ella. Finalmente, propongo emplear las obras de Goethe mencionadas como hilo conductor para acceder a su percepción del orden civil y a la destinación que ese marco reserva a la mujer excluida y marginada socialmente en la Alemania del siglo XVIII.
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Silva, Felipe Vale da. "A LITERATURA ALEMÃ DE WOLFGANG MENZEL, RESENHADA POR HEINRICH HEINE:." Belas Infiéis 6, no. 2 (December 20, 2017): 177–97. http://dx.doi.org/10.26512/belasinfieis.v6.n2.2017.11461.

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Die deutsche Literatur von Wolfgang Menzel (1828) não é apenas uma das resenhas mais conhecidas de Heinrich Heine, mas também um importante documento sobre a cultura alemã em sua fase de transição do romantismo para a literatura da Jovem Alemanha (Junges Deutschland). O presente artigo, além de trazer a tradução integral do texto em questão, faz uma leitura que visa a evidenciar as principais tensões vividas por escritores naquele momento de assumida estagnação cultural e censura política. Heine se vale do registro da resenha para propor um programa estético inovador, e o faz declarando o final do Período da Arte (Kunstperiode) representado por Johann Wolfgang von Goethe e os teóricos do romantismo.
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Călin, Mariana Floricica, Mihaela Rus, and Mihaela Luminița Sandu. "The influence of the educational and family environment on the preschool." Technium Social Sciences Journal 15 (January 9, 2021): 55–60. http://dx.doi.org/10.47577/tssj.v15i1.2420.

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Johann Wolfgang von Goethe says behavior is "the mirror in which each reflects his image." This is also visible to preschoolers who through their innocence and sincerity exhibit behavioral differences in the family and in the educational institution. The creativity and imagination of the children goes beyond the imaginary lines of reason and the physical contour of this drawing, having a story behind the visible stories of the craft that it carries out.
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Dezhi, Li, and Qin Aili. ""The Metamorphosis of Plants" by Johann Wolfgang von Goethe with Gordon L. Miller. 2009. [book review]." Canadian Field-Naturalist 123, no. 4 (October 1, 2009): 382. http://dx.doi.org/10.22621/cfn.v123i4.1018.

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47

Bidney, Martin. "West-Östlicher Divan: Eigenhändige Niederschriften, Vol. I; Vol. II. Johann Wolfgang von Goethe and Katharina Mommsen." Wordsworth Circle 28, no. 4 (September 1997): 253–54. http://dx.doi.org/10.1086/twc24044736.

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48

Abbott, Scott. "The Sufferings of Young Werther by Johann Wolfgang von Goethe, Trans. and ed. by Stanley Corngold." Goethe Yearbook 21, no. 1 (2014): 255–56. http://dx.doi.org/10.1353/gyr.2014.0022.

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49

Kling, Vincent. "GRIEFS, NOT GRIEVANCES: JOHANN WOLFGANG VON GOETHE, ANTHONY HECHT, AND CONTEXTS FOR AN ACT OF TRANSLATION." Yale Review 105, no. 3 (June 19, 2017): 51–68. http://dx.doi.org/10.1111/yrev.13233.

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50

Kling, Vincent. "GRIEFS, NOT GRIEVANCES: JOHANN WOLFGANG VON GOETHE, ANTHONY HECHT, AND CONTEXTS FOR AN ACT OF TRANSLATION." Yale Review 105, no. 3 (2017): 51–68. http://dx.doi.org/10.1353/tyr.2017.0120.

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