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Dissertations / Theses on the topic 'Goethean'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Hoffmann, Nigel, of Western Sydney Hawkesbury University, of Health Humanities and Social Ecology Faculty, and School of Social Ecology. "Goethe's notion of 'theory' : Goethean phenomenology as a new ecological discipline." THESIS_FHHSE_SEL_Hoffmann_N.xml, 1994. http://handle.uws.edu.au:8081/1959.7/234.

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Around two hundred years ago Goethe made the statement: ‘Let us not seek for something behind the phenomena – they themselves are the theory’. This would appear to be the antithesis of the claim of certain contemporary schools of epistemological thought, that a ‘theory’ is a construction of the human mind. Yet Goethe’s scientific aims are resonant with a present day ecological need: to find a form of ‘nature study’ which springs from a desire to care for things rather than merely to explain them, which can help to create a harmony between human and non-human nature. Goethe’s approach is phenom

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2

Hoffmann, Nigel R. "Goethe's notion of 'theory' : Goethean phenomenology as a new ecological discipline /." View thesis, 1994. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030625.092616/index.html.

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3

Brook, Hazel Isis. "Goethean science in Britain." Thesis, Lancaster University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.238940.

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4

Charles, Matthew. "Speculative experience and history : Walter Benjamin's Goethean Kantianism." Thesis, Middlesex University, 2009. http://eprints.mdx.ac.uk/3449/.

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My thesis explicates and defends what I term an implicit Goetheanism present in the philosophy of Walter Benjamin. It begins by examining Benjamin’s early critique of the Kantian and neo-Kantian concept of experience and argues that a Goethean theory of the primal phenomenon provides the phenomenological model for Benjamin’s radical transformation of the neo-Kantian Idea. I analyse the importance of Goethe’s aesthetics of science for Benjamin’s critical development of Early German Romanticism and suggest that Goethe’s tender empiricism provides the intellectual backdrop to Benjamin’s later mat

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5

Suskin, Karen Leigh. "Beyond knowledge to understanding: a Goethean perspective on design education as living process." Thesis, Cape Peninsula University of Technology, 2016. http://hdl.handle.net/20.500.11838/2410.

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Thesis (MTech (Design))--Cape Peninsula University of Technology, 2016.<br>This study explores appropriate responses to some of the challenges inherent to life today, and how a holistic design education can bring about a new reality. The approach to design learning advocated here acknowledges the present reality of fragmentation and reductionism as the fundamental and pervasive mode of understanding our world and ourselves, and seeks to develop instead a design approach grounded in inclusion, context and connectedness. Under the primary concept of profound engagement with self, cultu

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6

Butler, Stephen. "Convergences with, and divergences from, the Goethean paradigm in Gérard de Nerval's translations and adaptations of 'Faust'." Thesis, University of Manchester, 2017. https://www.research.manchester.ac.uk/portal/en/theses/convergences-with-and-divergences-from-the-goethean-paradigm-in-gerard-de-nervals-translations-and-adaptations-of-faust(bf660d51-3ebc-4d38-a910-1c0270253c9e).html.

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Gérard de Nerval's French translations of Goethe's Faust are key works in Franco-German cultural relations, but they have been mythologised; this thesis presents a nuanced view of works that continue to be the principal conveyors in France of arguably the foremost work of German literature. Less well known than his translations, Nerval's own Faustian dramas the Faust fragment ([1827(?)]), Nicolas Flamel (1831), and L'Imagier de Harlem (1851) have received little scholarly attention and yet reveal much about his, and indeed other French, interpretations of Faust. The thesis examines Nerval's co

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7

Eno, Dianne E. "Mountain Dance: A Transdisciplinary Exploration of Environmental Dance as an Autopoietic Expression of Ecological Connectivity and Synthesis." Antioch University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1535143191801524.

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8

Possebon, Ennio Lamoglia. "A teoria das cores de Goethe hoje." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-10052010-144639/.

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Este trabalho investiga os pressupostos e fundamentos da Teoria das Cores de Goethe (Farbenlehre) como parte dos seus empenhos enquanto cientista da natureza. Apresenta a tradução de um texto seu sobre o método científico (Kautelen des Beobachters) e de um segundo texto sobre experimentos prismáticos (Beitrag zur Optik), no qual ele lança as bases do seu trabalho de mais de 30 anos sobre as cores. Estes textos, até então inexistentes em português, fornecem os subsídios para um entendimento mais amplo da Farbenlehre. E a pesquisa como um todo se orienta no sentido de contribuir para um resgate

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9

Willison, Lemke Ann. "Singing Goethe’s Praises. Goethe Songs by Women Composers." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71966.

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10

Jäger, Jana Christina [Verfasser]. "Dämon und Charisma bei Goethe : Ein zentrales Begriffsfeld in Goethes spätem Weltbild / Jana Christina Jäger." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2013. http://d-nb.info/1042418209/34.

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11

Kahlenborn, Ulrike. "Goethes Lyrik in russischer Übersetzung : V.A. Z̕ukovskij und F.I. Tjutčev als bedeutendste Goethe-Übersetzer der russischen Romantik /." München : O. Sagner, 1985. http://catalogue.bnf.fr/ark:/12148/cb36624781c.

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12

Nicholls, Angus 1972. "The mantic art : an examination of the notion of the daemonic in the writings of Plato, Goethe and Goethe's contemporaries." Monash University, Centre for Comparative Literature and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/9148.

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13

Ravini, Sinziana. "Goethes Schöpfungsmythen." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2008. http://d-nb.info/989362132/04.

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14

Hofmann, Peter. "Goethes Theologie /." Paderborn : F. Schöningh, 2001. http://catalogue.bnf.fr/ark:/12148/cb388609326.

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15

Baynes, Thomas Gordon. "Tennyson and Goethe's Faust." Thesis, University of Bristol, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683393.

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The influence of Faust on Tennyson begins around 1824, reaches a remarkable level of intensity in 1833-34, and continues, intermittently, until 1855. This can be demonstrated by drawing attention to the numerous verbal echoes of Goethe's drama - and the close thematic links to it - that are discernible in at least two dozen of Tennyson's poems, including several of the greatest. The 'Introduction' argues that in nineteenth-century Britain, Faust was a central text, which influenced dozens of authors from Shelley to Wilde. However, the widespread perception of Goethe's drama as immoral and irre

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16

Galé, Pedro Fernandes. "Em torno do olhar: a formação do método morfológico de Goethe." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-02022010-172509/.

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Nosso estudo busca apresentar as etapas da formação do método morfológico de Goethe: do nascimento de sua empreitada em relação às ciências naturais, ainda ligado ao signo de Espinosa, até a tentativa de formação de um método que se pretendesse objetivo. Dada a sua intenção de estudar as formas e as formações do mundo orgânico o poeta se viu confrontado com as etapas de desenvolvimento do olhar, para depois lançar-se numa investigação acerca do espírito, devido à distância existente entre nós e os fenômenos. Da viagem à Itália, onde Goethe aprendeu a respeitar as formas da natureza de uma mane

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17

Kelly, Stephen Peter. "The rhetoric of Goethe's erlebnislyrik." Thesis, University College London (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401730.

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18

Krines, Sigrid. "Das häusliche Umfeld Goethes /." Frankfurt am Main : P. Lang, 2000. http://catalogue.bnf.fr/ark:/12148/cb39012845g.

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19

Waldura, Markus. "Goethe und Figaro." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71950.

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20

Höffgen, Thomas [Verfasser]. "Goethes Walpurgisnacht-Trilogie / Thomas Höffgen." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2015. http://d-nb.info/108045862X/34.

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21

Kaus, Rainer J. "Anmerkungen zu Goethe eine psychoanalytische Untersuchung über Goethe als Repräsentant deutscher Kultur /." [S.l. : [Groningen] : s.n.] ; [University Library Groningen] [Host], 1994. http://irs.ub.rug.nl/ppn/123904323.

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22

Peters, Friedrich Ernst. "Goethe in Vicenza 1952." Universität Potsdam, 2012. http://opus.kobv.de/ubp/volltexte/2012/5959/.

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Besichtigung des Teatro Olimpico in Vicenza mit einer Führung durch einen deutschlandbegeisterten Italiener, der, neuer Architekt des Goethe-Mythos, des Dichters Aufenthalt in Vicenza für die Reisenden neu erfindet.

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23

Büchsenschuß, Jan. "Goethe und die Architekturtheorie /." kostenfrei, 2009. http://nbn-resolving.de/urn:nbn:de:kobv:83-opus-23241.

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24

Büchsenschuss, Jan. "Goethe und die Architekturtheorie." Hamburg Kovač, 2009. http://d-nb.info/999630091/04.

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25

Mommsen, Katharina Kuschel Karl-Josef. "Goethe und 1001 Nacht /." Bonn : Bernstein-Verl, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2849094&prov=M&dok_var=1&dok_ext=htm.

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26

Coelho, Humberto Schubert. "A religião de Goethe." Universidade Federal de Juiz de Fora (UFJF), 2007. https://repositorio.ufjf.br/jspui/handle/ufjf/3212.

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27

Hachet, Pascal. "Les psychanalystes et Goethe." Paris 7, 1994. http://www.theses.fr/1994PA070163.

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28

Lacoste, Jean. ""Goethe : art, science, poésie"." Paris, EPHE, 2006. http://www.theses.fr/2006EPHE4060.

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Les études qui composent cette thèse, hétérogènes sans doute par leur objet, leurs méthodes et leurs ambitions, ont toutes en commun de chercher à éclairer l'oeuvre littéraire de Goethe à partir des notions élaborées dans les "écrits scientifiques". Si ces études sont fragmentaires, à dessein, et par nécessité, elles renvoient toutes à une certaine unité de la pensée de Goethe, elles la postulent même. C'est dans les écrits consacrés à la géologie, à la "théorie des couleurs", à la biologie et à la botanique, etc - écrits auxquels Goethe lui-même accordait une importance qui surprenait ses int

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29

Ditters, Mareike. "Goethe's Divan - Model for a Multicultural Understanding." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/17443/.

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In the face of strong migration flows and multiculturalism on the one side and Islamic terrorism and neo-fascist populism on the other, a mutual understanding between immigrants and German citizens, regardless of their cultural background is necessary. Who would serve this purpose better than Goethe, the pride and joy of German literature, and his later work the West-East Divan, an archetype of religious tolerance and open-mindedness? This paper deals with the positive and critical representation of Islam in the Divan, with the relationship of Islam and Christianity and the political exploi

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30

Mehdizadeh, Hossein. "Mystical motifs in Goethe's "West-ostlicher Divan"." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=123034.

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A major problematic concerning Goethe's West-östlicher Divan is the possibility of a mystical interpretation of this cycle of poetry. Opinions regarding this issue range over a wide spectrum, covering the extremes of a total rejection of such an interpretation and a thoroughly Christological/Christian reading. In this work, we will re-examine the question of mysticism in the Divan and argue that a mystical reading of it is indeed possible, provided that the exact coordinates of this mysticism are explicated and demonstrated as operative in the composition of the cycle. Our interpretive/hermene

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31

Muller, Peter Max. "The Bauhaus and Weimar : rereading Goethe's Faust." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864944.

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The addition to the College of Architecture and Design Weimar, the former Bauhaus Weimar, consolidates the two existing buildings designed by Henry van de Velde into a new complex with 40,000 sf of existing building and 100, 000 sf of new structure. The new facility contains a 300 seat auditorium, library, lecture and seminar rooms, administrative offices, cafeteria, photo lab and gallery as well as extended studios and offices.Contrary to the brief of the competition which only requires an addition for the Department of Architecture, the position taken here, proposes an interweaving of the Ar

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32

Colavito, Carl Nicholas. "Educating for democracy lessons from Goethe's Faust /." [Gainesville, Fla.] : University of Florida, 2009. http://purl.fcla.edu/fcla/etd/UFE0024658.

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33

Powik, Andreas Christian. "Goethe's poetic epistemology and the visual arts /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/6642.

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34

Sebastian, Birte Carolin. "Die Rezeption Goethes in "Le Globe"." Diss., lmu, 2005. http://nbn-resolving.de/urn:nbn:de:bvb:19-60139.

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35

Han, Chol. "Ästhetik der Oberfläche die Medialitätskonzeption Goethes." Würzburg Königshausen & Neumann, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2927585&prov=M&dok_var=1&dok_ext=htm.

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36

Rohde, Carsten. "Spiegeln und Schweben Goethes autobiographisches Schreiben." Göttingen Wallstein-Verl, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2746465&prov=M&dok_var=1&dok_ext=htm.

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37

Hartmann, Tina. "Goethes Musiktheater : Singspiele, Opern, Festspiele, "Faust /." Tübingen : M. Niemeyer, 2004. http://catalogue.bnf.fr/ark:/12148/cb399344256.

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38

Schneider, Annette Johanna. "Idylle und Tragik im Spätwerk Goethes." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2008. http://d-nb.info/997662956/04.

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39

Schmeißner, Katrin. ""Goethe è tedesco ma è anche nostro" : die Goethe-Rezeption in Italien 1905-1945 /." Hamburg : DOBU-Verl, 2009. http://deposit.d-nb.de/cgi-bin/dokserv?id=3247757&prov=M&dokv̲ar=1&doke̲xt=htm.

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40

Schmeissner, Katrin. ""Goethe è tedesco ma è anche nostro" : die Goethe-Rezeption in Italien 1905-1945 /." Hamburg DOBU, Wiss. Verl. Dokumentation & Buch, 2008. http://d-nb.info/992806763/04.

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41

Manteau, Roger Avanzini Guy. "Les Idées pédagogiques de Goethe." [S.l.] : [s.n.], 1985. http://theses.univ-lyon2.fr/sdx/theses/lyon2/1985/manteau_r.

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42

Reck, Alexander Vischer Friedrich Theodor. "Friedrich Theodor Vischer - Parodien auf Goethes "Faust" /." Heidelberg : Winter, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2966523&prov=M&dok_var=1&dok_ext=htm.

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43

Paoletti, Karl. "Scenen aus Goethes Faust a performer's analysis /." connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9053.

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Thesis (D.M.A.)--University of North Texas, 2008.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recordedNov. 24, 2003, June 5, 2006, and June 17, 2008. Includes bibliographical references (p. 40-41).

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44

Rehrl, Annette. "Illustrierte Ausgaben von Goethes Lyrik, 1800-1933 /." Stuttgart : M & P Verlag für Wissenschaft und Forschung, 1996. http://catalogue.bnf.fr/ark:/12148/cb35827106w.

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45

Paoletti, Jr Karl. "Scenen aus Goethes Faust: A performer's analysis." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9053/.

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Robert Schumann's dramatic music remains, for the most part, undiscovered and therefore performed infrequently. Genoveva, Das Paradies und die Peri, Manfred, and Scenen aus Goethes Faust are comprised of some of Schumann's most beautiful music from his last stylistic period. Schumann envisioned a national German opera that had a complete union of text and music and a plot based upon the supernatural and mythical German legends. His lofty aspiration was to raise the dramatic music of his time to the high standards of the literary culture. Composing dramatic music for Goethe's Faust was a challe

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46

Kupšytė, Agnė. "Johanno Wolfgango von Goethe's „Faustas“ ir Charles‘io Gounod „Faustas“." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130805_095409-52293.

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47

Biester, Claudia Janine. "Fission figures split characters in Goethe's novel "Elective Affinities" /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 71 p, 2009. http://proquest.umi.com/pqdweb?did=1654488171&sid=5&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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48

Chew, Ellen C. "Goethe’s "Gretchentragodie" in Song: A Multidimensional Woman, not Victim." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1458893328.

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49

Bischof, Ulrike. "Nachlasserschließung im Goethe- und Schiller-Archiv." Universität Potsdam, 2005. http://opus.kobv.de/ubp/volltexte/2005/608/.

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Beiträge zum Thema "Nachlässe an Universitäts- und Hochschularchiven sowie Archiven wissenschaftlicher Institutionen" im Rahmen der Frühjahrstagung der Fachgruppe 8: "Archivare an Hochschularchiven und Archiven wissenschaftlicher Institutionen" am 16./17. Juni an der Universität Potsdam.

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50

Arnaiz, Ferrer José Manuel. "Empiria lene de Goethe y ecofilosofía." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/399922.

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La presente tesis doctoral estudia los «Naturwissenschaft» de Johann Wolfgang von Goethe, quien es mundialmente conocido como literato, pero también desarrolló un paradigma científico como «Naturforscher» ―estudioso de la naturaleza―; un paradigma distinto del newtoniano y del de la «Naturphilosophie». La investigación reivindica el interés del pensamiento naturalista de Goethe para resolver positivamente los retos de nuestro presente. Los cuales caracterizamos desde dos ámbitos intervinculados: por un lado, la crisis ambiental, con el deterioro de la vida y sus condiciones en la globalidad

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