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Relevant bibliographies by topics / Gogh, Vincent van

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Academic literature on the topic 'Gogh, Vincent van'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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Journal articles on the topic "Gogh, Vincent van"

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WALTHER, I. F., and R. METZGER. "VINCENT VAN GOGH." Art Book 1, no. 3 (June 1994): 16h—17. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00123.x.

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McKenna, Tony. "Vincent van Gogh." Critique 39, no. 2 (April 11, 2011): 295–303. http://dx.doi.org/10.1080/03017605.2011.561634.

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CIOK, AMY E. "VINCENT VAN GOGH." Academic Medicine 77, no. 4 (April 2002): 298. http://dx.doi.org/10.1097/00001888-200204000-00007.

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Meißner, Thomas. "Vincent van Gogh." Heilberufe 66, no. 12 (November 29, 2014): 75. http://dx.doi.org/10.1007/s00058-014-1081-0.

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De Oliveira, Amanda Bueno. "Expressões do vento: a adaptação de Cartas a Théo para HQ." Dito Efeito - Revista de Comunicação da UTFPR 13, no. 22 (April 17, 2023): 58. http://dx.doi.org/10.3895/rde.v13n22.15059.

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A partir dos relatos documentais constantes nas cartas de Vincent van Gogh a Théo van Gogh, este estudo comparado analisa descritivamente de que forma o vento é mencionado pelo pintor holandês no período em que viveu em Arles, no sul da França, durante seus últimos anos de vida, e as representações desse mesmo elemento em Vincent: a história de Vincent van Gogh, HQ de Barbara Stok. As distintas realizações se apresentam como significativas portas de acesso ao pensamento e à arte de produzida por Van Gogh.

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Rodrigues, Jean Carlos. "A PAISAGEM SIMBÓLICA NA TELA “CONGREGATION LEAVING THE REFORMED CHURCH IN NUENEN” DE VINCENT VAN GOGH: UMA DIMENSÃO ENTRE ARTE-ESPAÇO-EMOÇÃO." Revista Contexto Geográfico 8, no. 16 (August 13, 2023): 1–11. http://dx.doi.org/10.28998/contegeo.8i16.14893.

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O artigo discorre sobre a relação entre arte e paisagem, tendo como referência um estudo sobre a pintura de Vincent van Gogh denominada “Congregation Leaving the Reformed Church in Nuenen”, de 1884-1885. No aspecto teórico, nos apoiamos nos estudos sobre paisagem cultural de Denis Cosgrove e Giuliana Andreotti, além dos estudos sobre iconologia da arte de Erwin Panofsky. Do ponto de vista metodológico, nos dedicamos a uma pesquisa documental no site “Vincent van Gogh: The Letters”. Estas cartas foram escritas ora em inglês, ora em holandês (traduzidas para o inglês). Este site é o resultado de um trabalho de 15 anos de pesquisa e traduções elaborado pelo Van Gogh Museum e Huygens ING, na Holanda. Após tal estudo, consideramos que a pintura de Vincent van Gogh na tela interpretada reflete os aspectos simbólicos que atribuem sentidos e significados à paisagem retratada pelo artista, haja vista que tal representação esta intrinsicamente relacionada às vivências familiares e sociais de Vincent enquanto o mesmo esteve em Neunen (Holanda), demonstrando os aspectos simbólicos impregnados na paisagem de Vincent van Gogh.

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Soth, Lauren. "Vincent van Gogh Addendum." Word & Image 22, no. 2 (April 2006): 188. http://dx.doi.org/10.1080/02666286.2006.10435744.

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Krier, Leon. "Vincent Van Gogh: A Negative Result from his Modern Suicidal Profile Assessment." International Journal of Forensic Sciences 8, no. 1 (2023): 1–7. http://dx.doi.org/10.23880/ijfsc-16000289.

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Killing Vincent Project (KVP) Team evaluates Vincent van Gogh’s ‘Suicide Profile’ while living in France, namely, Arles, St Remy Asylum, and Auvers-sur-Oise Profile utilizing the C-SSRS (Columbia – Suicide Severity Rating Scale). This evaluation of Van Gogh indicates that there were some risks factors and concerns for suicide in Arles and St Remy Asylum; however, while living in Auvers-sur-Oise, the C-SSRS evaluation reinforces that Van Gogh was living an extremely productive artistic life, doing a painting a day with breakthrough originality. There were no further vertigo attacks; he expressed no suicidal ideation nor gestures or self-injurious behavior. While in Auvers-sur-Oise, Van Gogh had become emotionally settled, found love, and was becoming a recognized breakthrough artist. KVP’s C-SSRS evaluation indicates a ‘negative suicidal profile assessment’ in his last 70 days. Therefore, it is reasonable to conclude: Vincent van Gogh did not commit suicide.

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Krier, Leon. "Provide Evidence Based Proof that Vincent Van Gogh Committed Suicide: an Open Challenge and Direct Cross-Examination for the Forensic Truth!" International Journal of Forensic Sciences 8, no. 2 (2023): 1–8. http://dx.doi.org/10.23880/ijfsc-16000306.

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This is an Open Challenge to Martin Bailey, an investigative journalist and Van Gogh scholar, as well as the many art historians, art critics, museum curators, who have denied the “murder” of Vincent van Gogh as only a “myth,” and a “blasphemy.” World renowned forensic pathologists confirmed that a self-inflicted gunshot wound, without an exit wound, was dubious, if not technically impossible, for any bullet to enter the abdomen, as described by a person of interest, and to follow the unbelievable “magic bullet” ballistic course trajectory to end up where it was believed to end up, despite no evidence that a bullet was removed, and no autopsy performed [1]. Consequently, suicide is untenable. Therefore, these “deniers” of Vincent’s murder must now provide substantive, contemporaneous, evidence-based proof that Vincent van Gogh committed suicide, subject to direct (published) cross-examination, and the use of common sense “Rules of Evidence.”

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Rodrigues, Jean Carlos. "O espaço vivenciado e a paisagem de emoções na obra “A Arlesiana” de Vincent Van Gogh." PerCursos 22, no. 50 (December 22, 2021): 473–95. http://dx.doi.org/10.5965/1984724622502021441.

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O artigo tem como propósito apresentar os resultados de um estudo sobre vivências e paisagens elaborado a partir da obra “A Arlesiana”, de Vincent van Gogh. Este estudo trata tal representação como paisagem de emoção, que conforma a existência de Vincent van Gogh lhe atribuindo sentidos e significados a partir das experiências manifestadas em seu espaço vivenciado. Neste sentido, entendemos que as representações do espaço manifestadas nas pinturas de Vincent van Gogh se constituem como paisagens que, tomadas como formas simbólicas, conformam a vida do artista. Dessa forma, consideramos que o espaço simbólico atribui sentidos e significados à maneira como o espaço é vivenciado e representado pelos sujeitos.

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Dissertations / Theses on the topic "Gogh, Vincent van"

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Bantleon, Katharina. "Vincent van Gogh im Spielfilm Leben und Werk des Künstlers in Vincente Minellis Lust for Life." [Graz] Graz Grazer Univ.-Verl. Leykam, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3118753&prov=M&dok_var=1&dok_ext=htm.

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Busshoff, Maria Antonia. ""Es bleibt alles wüst" : Vincent van Goghs Selbstkonzept im Horizont der Daseinsrechtfertigung /." Köln, 2002. http://catalogue.bnf.fr/ark:/12148/cb39167871f.

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Muller, Heather Ruby. "Vincent van Gogh : a psychobiographical study." Thesis, Nelson Mandela Metropolitan University, 2009. http://hdl.handle.net/10948/1293.

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The aim of this study is to create a psychobiography of Vincent Van Gogh who was born in 1853 and died 1890. To Van Gogh art was not merely a means for an income, he converted all his aspirations and anguish into his art works. In doing so his art became the first example of a truly personal art, to him art was a deeply lived means of spiritual salvation, which he used as a means to transform himself. It was well known that Van Gogh was unstable and felt misunderstood in life, often asking “What is the use?” . He had a method of fusing what he saw in the world, and what he personally felt, into works of art that were revelations of himself. Van Gogh lived a lonely life, although for the last seventeen years of his life he wrote to his brother, Theo, almost daily. These letters give much insight to the thoughts and inner world of a much misunderstood individual. Most of these letters have been preserved and much else has been written about Van Gogh’s life and art. In our modern day he is deemed one of the most famous artists, yet in his lifetime he only sold one painting. This psychobiography employs a qualitative psychobiographical research method, which aims to describe Van Gogh’s psychological development in terms of Erik Erikson’s psychosocial developmental stages. Van Gogh was chosen as the research subject because of personal interest, his value as a famous artist, and because of the unique way in which he saw and related to the world.

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Poiré, Hélène. "Autographie du corps parlant, Vincent van Gogh." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ31505.pdf.

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Ribeiro, Claudete. "Arte e resistência : Vincent Willem Van Gogh /." São Paulo : [s.n.], 2000. http://hdl.handle.net/11449/116108.

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Resumo: Esta tese apresenta uma proposta interdisciplinar para abordar o objeto artístico, almejando demonstrar como a Psicologia pode enfocar a leitura e a interpretação das produções artísticas visuais. Foram aplicados métodos psicológicos considerados eficazes para entender o fenômeno artístico e, assim, interpretar o trabalho do artista. O instrumental teórico foi o da apreensão fenomenológica e o conhecimento psicanalítoco. Trinta e nove telas de Van Gogh (produzidas em Arles, 1888; no asilo de Saint Rémy, Provence, 1889; e em Auvers Sur Oise, 1890) foram selecionadas para análise. Foram Observados os aspectos da visualidade da obra, segundo a ótica fenomenológica, e as imagens foram investigadas em sua disposição em um espaço simbólico do espaço pessoal do artista, dos elementos configurados que compõem a foma, da iluminação e cor empregadas no trabalho e da dinâmica e expressão dos conteúdos manifestos. A tese constitui-se de quatro capítulos. O primeiro apresenta a história do artista; o segundo, a teoria para abordar a percepção fenomenológica, definindo elementos utilizados para interpretar o objeto artístico; o terceiro analisa as imagens produzidas por Van Gogh no período estudado; o quarto diagnostica, analisa e interpreta a expressão das imagens. Foi também analisada a temática explorada pelo artista, de acordo com sua manifestação simbólica. A trajetória deste trabalho assemelhase ao psicodiagnóstico, que levanta hipóteses e verifica se elas são verdadeiras ou falsas. Assim foi levantada a hipótese de que a arte atuava na existência do artista como um procedimento terapêutico e mantenedor do seu equilibrio. A maior êncase da literatura recai na loucura de Van Gogh como propulsora de sua obra, visão oposta à desta tese... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: This thesis presents an interdisciplinary proposal for the consideration of works of art, with the aim of demonstrating how Psychology can focus the reading and interprettation of visual artistic products. Psychologsical methods considered effecstive in the understanding of the artistic phenomenon and thus in interpreting the artist's work were applied. The theoreticaal tools were those of phenomenological apprehebsuaib and psychoanalytical khowledge. Thity-nine paintigs (produced in Arles, 1888;in the asylum in Saint Rémy, Provence, 1889; and in Auvers Sur Oise, 1890) were selected for analysis. The visual aspects of the work were observed from the phenomelological point of view and the images were investigated in their disposition in a space symbolizling the artist's personal space, the configuared elements which compose the form the illumination and color used in the work, and the dynamics and expression of the manifest contents. This work consists of four chapters. The first presents the artist's history; the second, the theory of phenomenological perception, defining the elements used to interpret the work of art; the third an analysis of the images Van Gogh produced in the period under discussion; the fourth, contains the diagnosis analysis and interpretation of the forms of expression of the images. The themes the artist explored were also analyzed in relation to their sympolic manifestation. the course of this work was similar to that of psychodiagnosis, raising hypothesis and verifying whether the were true or false. Thus, the hypothesis that art acted in the artist's life as a therapeutical procedure to maintain his equilibrium was raised. The greatest emphasis in the literature studiet falls on Van Gogh's madness as a stimulus for his art, the opposite of the view presented in this research... (Complete abstract, click electronic address below)

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Gandié-Espalieu, Christèle. "La maladie de Van Gogh." Saint-Etienne, 1995. http://www.theses.fr/1992STET6230.

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DiMarco, Christa Rose. "Painting in Paris: Vincent van Gogh, 1886-1888." Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/350384.

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Art History
Ph.D.
In Painting in Paris: Vincent Van Gogh, 1886-1888, Christa DiMarco explores the two-year period Van Gogh lived and worked in Paris. The paintings the artist made in The Netherlands, where he lived prior to Paris, and those he produced in Arles, where he moved afterward, usually receive scholarly attention. The imagery from the artist’s time in the capital is generally marginalized. DiMarco considers how and why the artist used a brighter palette and energetic brushwork while painting in Paris. Considering that his artistic practice spanned only a decade from 1880 to 1890, the artist’s time in the capital represents a significant period of growth in terms of his engagement with the art market, his exposure to avant-garde imagery, and his understanding of Symbolist theory in the visual arts. Van Gogh accomplished significant goals in Paris, though some of his well-developed imagery does not necessarily figure into discussions regarding the canonical paintings of the artist’s body of work. Attention to the Paris-period not only locates Van Gogh’s pictorial development within the context of the Impressionists and Neo-Impressionists, but also establishes the ways in which the artist diverged from the artistic aims of the Parisian avant-garde, such as Claude Monet and Camille Pissarro, as he developed his Symbolic approach.
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Dorn, Roland. "Décoration : Vincent van Goghs Werkreihe für das Gelbe Haus in Arles /." Hildesheim ; Zürich ; New York : G. Olms, 1990. http://catalogue.bnf.fr/ark:/12148/cb357057681.

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Homburg, Cornelia. "The copy turns original : Vincent van Gogh and a new approach to traditional art practice /." Amsterdam : [Universiteit van Amsterdam], 1994. http://catalogue.bnf.fr/ark:/12148/cb36151315h.

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Rouchès, Jean-Michel. "L'oreille de Vincent." Bordeaux 2, 1991. http://www.theses.fr/1991BOR2M194.

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Books on the topic "Gogh, Vincent van"

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Gogh, Vincent van. Vincent Van Gogh. San Francisco: Alan Wofsy Fine Arts, 1992.

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Fontana, Claudio. Vincent van Gogh. Rimini: Luisé, 1990.

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Gogh, Vincent van. Vincent van Gogh. London: Thames & Hudson, 1990.

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Buranelli, Vincent. Vincent van Gogh. [Morristown, NJ]: Silver Burdett Press, 1987.

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Gogh, Vincent van. Vincent Van Gogh. London: Park Lane, 1991.

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Arnold, Wilfred Niels. Vincent van Gogh. Basel: Birkhäuser Basel, 1993. http://dx.doi.org/10.1007/978-3-0348-6217-2.

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Buranelli, Vincent. Vincent van Gogh. [Morristown, NJ]: Silver Burdett Press, 1987.

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Gogh, Vincent van. Vincent Van Gogh. Milano: A. Mondadori, 1988.

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Cafiero, Giuseppe. Vincent van Gogh. Ospedaletto (Pisa): Pacini, 2008.

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Adeline, Peter, ed. Vincent van Gogh. New York: Lippincott, 1988.

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Book chapters on the topic "Gogh, Vincent van"

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Wiedenstried, Holger E. "Gogh, Vincent van." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4382-1.

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McKenna, Tony. "Vincent van Gogh." In Art, Literature and Culture from a Marxist Perspective, 81–90. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137526618_8.

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Arnold, Wilfred Niels. "Das Vermächtnis van Goghs." In Vincent van Gogh, 317–46. Basel: Birkhäuser Basel, 1993. http://dx.doi.org/10.1007/978-3-0348-6217-2_11.

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Arnold, Wilfred Niels. "Zur Biographie Vincent van Goghs." In Vincent van Gogh, 25–84. Basel: Birkhäuser Basel, 1993. http://dx.doi.org/10.1007/978-3-0348-6217-2_2.

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Arnold, Wilfred Niels. "Andere Hypothesen zu van Goghs Grunderkrankung." In Vincent van Gogh, 189–225. Basel: Birkhäuser Basel, 1993. http://dx.doi.org/10.1007/978-3-0348-6217-2_6.

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Arnold, Wilfred Niels. "Einführung." In Vincent van Gogh, 13–23. Basel: Birkhäuser Basel, 1993. http://dx.doi.org/10.1007/978-3-0348-6217-2_1.

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Arnold, Wilfred Niels. "Der Selbstmord." In Vincent van Gogh, 293–315. Basel: Birkhäuser Basel, 1993. http://dx.doi.org/10.1007/978-3-0348-6217-2_10.

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Arnold, Wilfred Niels. "Zusammenfassung." In Vincent van Gogh, 347–52. Basel: Birkhäuser Basel, 1993. http://dx.doi.org/10.1007/978-3-0348-6217-2_12.

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Arnold, Wilfred Niels. "Nachwort." In Vincent van Gogh, 353. Basel: Birkhäuser Basel, 1993. http://dx.doi.org/10.1007/978-3-0348-6217-2_13.

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Arnold, Wilfred Niels. "Die Krankheiten." In Vincent van Gogh, 85–114. Basel: Birkhäuser Basel, 1993. http://dx.doi.org/10.1007/978-3-0348-6217-2_3.

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Conference papers on the topic "Gogh, Vincent van"

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Martinez, Felipe Sevilhano. "Os cinco retratos da família Roulin por Vincent Van Gogh." In Encontro da História da Arte. Universidade Estadual de Campinas, 2013. http://dx.doi.org/10.20396/eha.9.2013.4427.

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Em 1888, após morar dois anos com seu irmão Theo em Paris, o pintor holandês Vincent van Gogh parte para Arles, no sul da França. Cansado da vida agitada da grande cidade, e após certo desgaste na relação com seu irmão, van Gogh procura paz e inspiração na pequena e luminosa cidade na região da Provença. Em Arles, sintetiza, de maneira própria, as tendências de vanguarda com que teve contato em Paris; também em Arles, conhece Joseph Roulin, carteiro e pai de uma família composta por cinco membros, que servirão como modelo para o pintor em diversos retratos pintados durante o ano de 1888. Cinco desses retratos, anunciados em carta enviada a seu irmão em dezembro do mesmo ano, compõem uma série que dialoga entre si e são tema deste artigo. Antes de abordar os cinco retratos mencionados, serão explorados outros aspectos da vida e da obra de van Gogh, para que melhor se compreenda a posição que tais obras ocupam em sua produção pictórica.

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Hwang, Ouchul. "Fifth Dimensional Perspectives of Cinematic Arts Digital Cinema Practice and Aesthetics of Vincent Van Gogh." In 2015 International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.32.

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azevedo, Thaís Salatiel de, and ANA CRISTINA DE ARAUJO SANTOS. "ENTRE A ARTE E A CIÊNCIA: ARRANJOS FLORAIS PELA ÓTICA PECULIAR DE VINCENT VAN GOGH." In IV Congresso Brasileiro de Ciências Biológicas On-line. Revista Multidisciplinar de Educação e Meio Ambiente, 2023. http://dx.doi.org/10.51189/conbracib2023/15603.

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Rodrigues, Pedro Henrique Eustáquio, and JEAN CARLOS RODRIGUES. "AS FORMAS SIGNIFICANTES DO ESPAÇO NAS OBRAS DE VINCENT VAN GOGH: UM ESTUDO SOBRE A OBRA “PASSEIO AO CREPÚSCULO” E SEU ESPAÇO DE REPRESENTAÇÃO." In Anais do XVII Seminário de Iniciação Científica da UFT. Recife, Brasil: Even3, 2022. http://dx.doi.org/10.29327/164649.17-8.

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