Relevant bibliographies by topics / Gogols work

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Gogols work'

Author: Grafiati
Published: 28 May 2022
Last updated: 31 July 2025

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Journal articles on the topic "Gogols work"

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Koltsova, Natalia Z., and Miaowen Liu. "Gogol’s traditions in V. Kaverin’s novel “The Troublemaker, or Evenings on Vasilyevsky Island”." RUDN Journal of Studies in Literature and Journalism 25, no. 3 (2020): 434–46. http://dx.doi.org/10.22363/2312-9220-2020-25-3-434-446.

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The novel The Troublemaker, or Evenings on Vasilyevsky Island by V. Kaverin is one of the most representative manifestations of the Russian Hoffmanian of the 1920s, as evidenced by the grotesque imagery of the novel. The very understanding of the grotesque is not limited to the Bakhtin theory, but implies a reference to the works of V. Kaiser and V. Shklovsky. Besides, it is suggested that the Saint Petersburg theme, which is relevant to the writer, is being developed under the banner of the formalist concept of literary life, as well as other ideas and theories of Russian formalism (including
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Mildon, Valery I. "Involuntary Behavior of Gogol’s Heroes." Journal of Flm Arts and Film Studies 10, no. 4 (2018): 54–61. http://dx.doi.org/10.17816/vgik10454-61.

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Taking Nikolai Gogols work as an example, the article searches into literary characters, points out to the difficulties of translating literature to screen, reveals the aesthetic incompatibility of literature and cinema. Special attention is paid to the psychological and behavioral motivation of the characters, which is particularly vital for the work of the script-writer and director working with literary source material.
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Paderina, Ekaterina G. "Nikolay Gogol's work with “a modest titleˮ: “Selected Passages from Correspondence with Friendsˮ". Vestnik of Kostroma State University 28, № 2 (2022): 93–98. http://dx.doi.org/10.34216/1998-0817-2022-28-2-93-98.

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For the first time, scientific attention has been paid to the title of Nikolai Gogol’s book “Selected Passages from Correspondence with Friends”. The article examines the author's paradoxical choice of the word “correspondenceˮ, although the book includes only Gogol’s letters to friends. The author of the article attempts to explain the noted contradiction. It is emphasised that Gogol was going to give the book a name familiar to the reader (a “not noisyˮ one). Special attention is paid to the perception of Gogol's book title by the first readers of Correspondence with Friends in 1847–1848. Pr
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Vinogradov, Igor A. "N.V. Gogol’s Works and Censorship." Literary Fact, no. 20 (2021): 238–56. http://dx.doi.org/10.22455/2541-8297-2021-20-238-256.

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For the first time, an analytical review of all, without exception, censorship stories of N.V. Gogol’s works is presented. An objective picture of Gogol's relationship with the censorship is being recreated. The findings of the study allow, with good reason, to judge about the interference of censors in the writer's works in a fundamentally different way, in comparison with the ideas offered by literary criticism of the previous period without solid evidence. Based on a thorough analysis, involving numerous archival sources, the common, stereotypical opinions about the extremely negative role
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Sholokhova, Anna S. "Gogol, N.V. “The Old World Landowners.” Autograph, text prep. and comment. by A.S. Sholokhova." Literary Fact, no. 24 (2022): 8–36. http://dx.doi.org/10.22455/2541-8297-2022-24-8-36.

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The author of the article publishes autograph of N.V. Gogol’s story “The Old World Landowners” — the earliest edition of the text — for the first time. This is the only handwritten source, which is different mainly stylistically from the printed version of “Mirgorod” (1835). At the same time, numerous amendments, corrections and additions made in the process of text transformation clearly demonstrate the nature of Gogol's work. The footnotes show the revision canceled by Gogol in the manuscript.
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Parnis, Aleksandr Efimovič. "О Гоголевском мифе Хлебникова. К прочтению стихотворения «Замороженный Озирис...»". Modernités Russes 8, № 1 (2009): 53–85. http://dx.doi.org/10.3406/modru.2009.1455.

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1. For some strange reason Gogol was not numbered among the classic writers, who the Futurists proposed to cast overboard from the “Steamship of modernity”. Although struggle against the “classics” was part of the Futurists’ esthetic program, Gogol’s exclusion from this group was neither an accident, nor the result of his being overlooked : rather, this was a purposeful decision. The Futurists had a very definite cult of Gogol. As Andrei Belyi noted in his book Masterstvo Gogolia (Gogol’s Craft, 1935), “Gogol’s sentence begins a period, the fruits of which we too enjoy : in Mayakovsky, in Khle
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Schukov, Denis. "The Influence of V.A. Zhukovsky’s Works on the Concept of N.V. Gogol’s Novella “Taras Bulba”." Philology & Human, no. 1 (March 5, 2023): 129–38. http://dx.doi.org/10.14258/filichel(2023)1-09.

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The article reveals the influence of V.A. Zhukovsky’s works on the concept of N.V. Gogol’s novella “Taras Bulba”, which could have arisen as a result of the writer’s reception of the poet’s work. The analysis made it possible to detect a significant influence of V.A. Zhukovsky the concept of N.V. Gogol’s novella “Taras Bulba”. A number of similar points were highlighted in Gogol's novella “Taras Bulba” and Zhukovsky's dramatic poem “The Maid of Orleans”: civil issues, the image of a people's leader, and so on. Writers are equally interested in the end of the country's turning point, as well as
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Gorodnicheva, Marina A. "GENRE OF THEATRICAL REVIEW IN THE WORK OF N. V. GOGOL." Sign problematic field in mediaeducation 49, no. 3 (2023): 68–75. http://dx.doi.org/10.47475/2070-0695-2023-49-3-68-75.

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The purpose of the article is to consider the ideological, thematic and genre features of the theater review in the works of Nikolay V. Gogol, as well as to identify the writer’s views on the development of the theater in the mid-1830s. Based on the analysis of the texts «Petersburg Notes for 1836» and «The Petersburg stage in 1835/36», the patterns of development of the Gogol’s aesthetic concept are determined. The writer perceives the theater as the center of the cultural life of St. Petersburg society, sees in theatrical art a huge potential for moral improvement and social transformation.I
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Sartakov, Egor V. "The first translations of Gogol’s works in Serbia (1849–1860)." Vestnik of Saint Petersburg University. Language and Literature 21, no. 3 (2024): 566–80. https://doi.org/10.21638/spbu09.2024.303.

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The article deals with the all early translations of Gogol’s works into Serbian (1849–1860). The lower chronological limit is explained by the discovery of the first known translation of Gogol into Serbian, the upper one by the release of the first Serbian realistic novel by Yakov Ignatovich, focused on “Dead Souls”, which indicated the transition of Gogol’s influence to a qualitatively new level. The article also establishes the precedent texts of translations, since the first translations were made from intermediary languages, primarily German. The names of the first translators of Gogol’s s
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Karpa, Romana. "The Works of Gogol in the Interpretation of the French New Critic Jean-Paul Weber." LITERARY PROCESS: methodology, names, trends, no. 24 (2024): 60–65. https://doi.org/10.28925/2412-2475.2024.24.5.

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The article aims to research Jean-Paul Weber’s interpretation of M. Gogol’s works. Besides, it aims to rethink the main themes of this writer, but precisely in the interpretation of thematic criticism, which is fundamentally different from the representation of themes by classical thematology. Jean-Paul Weber, as a representative of one of the streams of French new criticism — thematic criticism, devoted an entire chapter to Gogol in his work “Thematic Domains” (“Domaines thématiques”) (1963). This is a rather unique case, since literary critics of this stream studied only French writers, with
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Dissertations / Theses on the topic "Gogols work"

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Козинцева, Тетяна Олександрівна, Татьяна Александровна Козинцева та Tetiana Oleksandrivna Kozyntseva. "Сміх як засіб відтворення цілісності (на прикладі творчості М.Гоголя)". Thesis, Видавництво СумДУ, 2009. http://essuir.sumdu.edu.ua/handle/123456789/3742.

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Kaderabek, Sarah. "Beyond fidelity : the works of Gogol', Dostoevskii and Chekhov in Soviet and Russian film." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36962.

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The transfer of an artistic work from the literary medium to the filmic medium presents technical, personal, social and political factors for consideration which are capable of revealing important information about the times in which both the literary work and the film work were created. In a Russian context, where both literature and film have played roles of central cultural importance, the study of this interaction can be particularly fruitful. The first chapter of this dissertation considers the theoretical aspects of adaptation, namely fidelity to the original work and questions of metaph
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Peterson, Kristin Anne. "The stranger in the city : genre and place in the works of Nikolai Gogol and Liudmila Petrushevskaia /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu148820385724868.

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Yagi, Benjamim Shiro. "Estudo da interface e aplicação dos materiais mimétricos ao design de produto e segurança do trabalho /." Bauru : [s.n.], 2006. http://hdl.handle.net/11449/91415.

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Orientador : Abílio Garcia dos Santos Filho<br>Banca: João Candido Fernandes<br>Banca: César Antunes de Freitas<br>Resumo: O desenvolvimento de produtos de uso pessoal que seguem o design antropomórfico nem sempre podem ser planejados em detalhes mínimos para adaptação em sujeitos que representam as extremidades estatísticas da antropometria. Atento a esse obstáculo, o projeto do produto necessita de recursos que permitam contornar essa limitação. O uso de materiais que possuem capacidade de deformação elástica / moldabilidade se torna viável no sentido de adaptar o produto ao usuário, de form
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Yagi, Benjamim Shiro [UNESP]. "Estudo da interface e aplicação dos materiais mimétricos ao design de produto e segurança do trabalho." Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/91415.

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Made available in DSpace on 2014-06-11T19:25:20Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-03-31Bitstream added on 2014-06-13T20:32:44Z : No. of bitstreams: 1 yagi_bs_me_bauru.pdf: 1496214 bytes, checksum: d65f07fb55e9825ce229034d12011865 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Universidade Estadual Paulista (UNESP)<br>O desenvolvimento de produtos de uso pessoal que seguem o design antropomórfico nem sempre podem ser planejados em detalhes mínimos para adaptação em sujeitos que representam as extremidades estatísticas da antropometria. Ate
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Yu, Chang Wen, and 張文郁. "Artistic series of literary works (on the material of the N.V. Gogol’s "Petersburg narratives”)." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/67998564505460802030.

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博士<br>中國文化大學<br>俄國語文學研究所<br>94<br>The analysis of scientific literature testifies that the theory of series remains one of the vital problems of contemporary history of literature. Many questions of the serial recurrence of prosaic works, until now, remain not to the end studied. Such works include N.V. Gogol’s "Petersburg narratives". It is known that "Petersburg narratives" occupy important place in the creation of Gogol. However, the study of narratives as serial formation, we meet only in the separate works. It needs for new turning not only to the analysis of "Petersburg narratives" as se
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HSU, TSAI-LUN, and 許綵倫. "Sentiment and Form of Metaphor inWestern Painting：A Study on Van Gogh's Works." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/68577126225666686705.

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碩士<br>大葉大學<br>造形藝術學系碩士在職專班<br>94<br>A varieaty of artistic work signals the traces of mind’s activity imprinted in the history of human beings. What the artist creates is not so much the memetic representation of a visible world as the subjective expression of an inner world of feeling. A painting transmits thoughts, stories, and concerns of the world through employment of forms, lines, colors, and materials. Therefore, artistic work is a form of language as well as an object. As a form of interpretation and communication, metaphor involves not only rhetorical techniques, but also conceptual s
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Gogela, Sphokazi. "Reasons for the reluctance to disclose sexual abuse by middle childhood children / Sphokazi Gogela." Thesis, 2013. http://hdl.handle.net/10394/10724.

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Fighting sexual violence against women and children in South Africa is regarded as a priority. The aim of this study is to explore the reasons for the reluctance to disclose sexual abuse by middle childhood children. Some of the factors that were highlighted that cause the reluctance to disclose sexual abuse by middle childhood children were: threats made by the perpetrator, the relationship with the perpetrator, stigmatization and talking about sexual related matters were seen as a taboo. The study reveals that there is lack of parental support especially when the perpetrator is a family memb
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Books on the topic "Gogols work"

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Susanne, Fusso, Meyer Priscilla, and Gogolʹ Nikolaĭ Vasilʹevich 1809-1852, eds. Essays on Gogol: Logos and the Russian word. Northwestern University Press, 1992.

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Roi͡anova, G. I. N.V. Gogolʹ: "Teperʹ meni︠a︡ zanimaet Kaluga...". 2-ге вид. Zolotai︠a︡ allei︠a︡, 2012.

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Yi, Wang-ho. Kogol iyagi: Story of Gogol Valley. Sol kwa Hak, 2020.

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Gogol, Nikolai Vasilevich. The collected tales of Nikolai Gogol. Pantheon Books, 1998.

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Aleksandrovna, Vysokolova Nadezhda, Moleva Nina Mikhaĭlovna та Kaver I͡U︡ A, ред. V leta moeĭ i͡u︡nosti--: N.V. Gogolʹ na Poltashchine : [fotoalʹbom. "Planeta,", 1991.

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Gogol, Nikolai Vasilevich. The complete tales of Nikolai Gogol. University of Chicago Press, 1985.

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Gogol, Nikolai Vasilevich. The complete tales of Nikolai Gogol. University of Chicago Press, 1985.

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Khmelevsʹkyĭ, Ĭ. T︠S︡. Hoholʹ na batʹkivshchyni: Alʹbom khudoz︠h︡nikh fototypiĭ ta heliohravi︠u︡r, shcho vidnosi︠a︡tʹsi︠a︡ do pam'i︠a︡ti M.V. Hoholi︠a︡ : vydanni︠a︡ Ĭ.T︠S︡. Khmelevsʹkoho v Poltavi = Gogol w ojczyźnie : album fototypii i heliograwiur artystycznych, poświęconych pamięci Mikołaja Gogola : wydanie Józefa Chmielewskiego w Połtawie. Vyd-vo SAHA, 2009.

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Yi, Wang-ho. Hanŭl esŏ pon kogol: Tŭron ŭro tamŭn kogol iyagi = Gogol seen from the sky. Sol kwa Hak, 2020.

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(Association), Muzeĭ Moskvy. N.V. Gogolʹ: Muzeĭ Moskvy k 200-letii︠u︡ so dni︠a︡ rozhdenii︠a︡ : iz kollekt︠s︡iĭ muzeĭnogo sobranii︠a︡. GUK Muzeĭnoe obʹedinenie Muzeĭ Moskvy, 2009.

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Book chapters on the topic "Gogols work"

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Nikolenko, Olga. "Художня рецепція образів України та українців у повісті М. Гоголя Тарас Бульба (перша редакція 1835 р.)." In Biblioteca di Studi Slavistici. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0238-1.04.

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Artistic Reception of Images of Ukraine and Ukrainians in Mykola Gogol’s Taras Bulba (First Edition, 1835). This paper discusses Mykola Gogol’s story Taras Bulba (1835) and its exploration of Ukrainian history and culture. Gogol’s work reflects his deep study of Ukrainian and world history, as well as his collection of Ukrainian folklore. The story presents a mythopoetic image of the Ukrainian Cossack and addresses the historical context of the Zaporizhian Sich’s liquidation. Gogol aims to poetically describe the grand history of the Zaporizhian Sich and recreate the Ukrainian Cossack imagery
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Shukman, Ann. "Gogol’s The Nose or the Devil in the Works." In Nikolay Gogol. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19626-5_5.

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David, Lucas Oliveira, Helio Pedrini, Zanoni Dias, and Anderson Rocha. "Authentication of Vincent van Gogh’s Work." In Computer Analysis of Images and Patterns. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-89131-2_34.

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Harré, Rom. "Science as the Work of a Community." In Hermeneutic Philosophy of Science, Van Gogh’s Eyes, and God. Springer Netherlands, 2002. http://dx.doi.org/10.1007/978-94-017-1767-0_18.

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Possamai, Donatella. "Evel Gasparini: per un profilo dell’uomo e dello studioso." In Biblioteca di Studi Slavistici. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0475-0.08.

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The paper traces the scientific path of Evel Gasparini, from his student years in Padua until the end of his academic career, half a century later, still in Padua. We have also unearthed some of his special traits as a person that bear on his fate as a scholar as well. From his thesis with Maver on Dostoevskij, to the important work Slavic Matriarchy and finally returning to Russian literature with his last article, published posthumously, on the judgment of Nabokov on Gogol's Old world landowners, all the works that Gasparini left us were always dictated by a strong impulse for knowledge and
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Geballe, Elizabeth F. "“May Russia Find Her Thoughts Faithfully Translated”." In Translating Russian Literature in the Global Context. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.05.

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Eugène-Melchior de Vogüé is widely known as a critic and cultural ambassador who, with the publication of his essays on Russian literature in Le roman russe (1886), popularized the works of Pushkin, Gogol, Turgenev, Dostoevsky, Tolstoy, and Gorky, fanning the flames of the epoch’s “Russian fever.” In this chapter I emphasize de Vogüé’s work as a translator and translation theorist. His essays on translation, which appear in his longer critiques as well as in his reviews of and prefaces to translated Russian works, unearth a paradox: the very quality he eulogized in Russian novels—the language
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Murata, Chenai, and Gladman Thondhlana. "Challenges to the Use of Traditional Ecological Knowledge in Natural Resource Management in Rural Eastern Cape, South Africa." In Sustainable Development Goals Series. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-85512-2_9.

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Abstract Although it boasts a rich historical wealth of traditional ecological knowledge, the rural Eastern Cape of South Africa continues to be an environmental hotspot since the mid-twentieth century, suffering land degradation, overharvesting of resources and water scarcity. Over the years, much research effort has been directed to investigating how local communities use traditional knowledge to manage resources. By and large, the studies argue that traditional knowledge provided effective management strategies in the past, hence communities should continue using it. This raises the questio
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Vinogradov, Igor A. "Memoir and Biographical Literature about Gogol: on the Apocryphal Nature Issue." In Documentary and Fiction Literature in Russia of the 18–19 Century. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0680-2-282-297.

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Gogol’s legacy itself is the most important document of the era. It is precisely because of its importance that a sharp ideological struggle unfolded around Gogol’s works immediately after their publication. The struggle for Gogol’s legacy continued after his death, not only in criticism, but also in the memoirs dedicated to him. The article analyzes the apocryphal features in the memoirs of Gogol by S.T. Aksakov, P.V. Annenkov, A.T. Tarasenkov, in biographical works about Gogol by P.A. Kulish, V.I. Shenrok and others. Based on the study of the entire corpus of memoirs and testimonies about Go
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Krasnikov, Yaroslav E. "A.V. Vampilov’s “Provincial Anecdotes” in the Context of N. Gogol’s Poetics." In The Non-Euclidean Geometry of Yuri Mann: In Memoriam. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/978-5-9208-0754-0-282-296.

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This article analyses A. Vampilov’s two-part comedy “Provincial Anecdotes” as a continuation of Gogol’s comedic tradition in 20th-century Russian literature. It makes use of the description of N. Gogol’s poetics by the outstanding literary historian and Gogol scholar Y. Mann. The similarities between the works of Vampilov and Gogol include symbolically meaningful names of characters, the “illusoriness” of plot lines, the musical interweaving of motifs (for example, angelic and diabolical), the love for depicting urban provincial space, and the ability to see comic elements even in everyday tri
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Paderina, Ekaterina G. "Gogol’s “The Carriage”: Problems of Text Criticism with a Parody Author’s Task." In Questions of Source and Text Studies of Russian Literature of the 19th Century. Collection of articles based on the materials of the International Scientific Conference. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0687-1-91-126.

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Criticism of the text of Gogol’s story “The Carriage” is complicated by the absence of a blank autograph and discrepancies between the two printed editions — in Pushkin’s “Sovremennik” (1836) and in the “Works of N. Gogol”, edited by N.Ya. Prokopovich (1842). The article substantiates the importance of such an additional factor as the parodic nature of the story in solving еditional problems. For a long time, “The Carriage” was perceived only as a joke and household satire. In the 1990s, Gogol studies began to discuss the parody specifics of the genre of this work. The specific characteristics
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Conference papers on the topic "Gogols work"

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Prelovšek, Anita. "The Role of Music in the Ukrainian Stories of Nikolai Vasi-lyevich Gogol." In Socratic Lectures 11. University of Lubljana Press, 2024. http://dx.doi.org/10.55295/psl.11.2024.15.

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This article discusses the role of music in the stories of Nikolai Vasilyevich Gogol that take place in Ukraine. The musical examples used refer to a selection of stories that were pub-lished in the collections Ukrajinske povesti (Ukrainian stories) from 1943, translated into Slo-vene language by Franc Terseglav, and stories that were published under the title Malo-ruske povesti in the book Izginulo pismo translated by Urša Zabukovec in 2010. By citing and analyzing examples of music from the mentioned stories, the aim is to find out how music is involved in Gogol's prose, in which situations
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Erdnieva, Ervena. "Poetics Of The Comic In Nikolai Gogol Works." In International Scientific Congress «KNOWLEDGE, MAN AND CIVILIZATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.61.

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Borell, Jonas, Anna-lisa Osvalder, and Bijan Aryana. "Evaluating the Correct Usage, Comfort and Fit of Personal Protective Equipment in Construction Work." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004812.

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Several factors contribute to the use, non-use, or inadequate use of personal protective equipment (PPE) in construction work. This study aimed to analyse correct usage of various PPE, such as helmet, ear protectors, goggles, respiratory mask, gloves, protective clothing, and a safety harness. Correct usage was assessed as guessability, which refers to human perceptions of how to don, adjust, use, and doff the equipment as intended. First an analytical evaluation was conducted using ECW (enhanced cognitive walkthrough) and PUEA (predictive use error analysis) to identify usability problems and
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Zaitseva, V. A. "THE SCREEN VERSION OF GOGOL'S STORY «THE OVERCOAT»: TO THE QUESTION OF EQUIVALENCE." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2023. https://doi.org/10.17223/978-5-907572-02-7-2023-109.

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The subject of the study is Gogol's story «The Overcoat» and the film «Il cappotto» by A. Lattuada. The article presents the theoretical basis necessary for the analysis of the film adaptation of a literary work, the finale of «Il cappotto» is of particular importance in revealing the director's concept.
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Semenov, Igor Vitalievich. "Content and Meaning of Nikolai Gogol's Play "The Government Inspector"." In 4th International Research and Practical Conference for Pupils, chair Svetlana Aleksandrovna Selezneva. TSNS Interaktiv Plus, 2020. http://dx.doi.org/10.21661/r-530083.

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The article analyzes the content and significance of the wonderful work by Nikolai Vasilyevich Gogol "Revizor". The author of the article draws attention to the relevance of the problems, holds the idea that the main "auditor" is the conscience of man.
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Stasenko, O. P. "DECONSTRUCTION OF CARNIVAL CULTURE IN THE WORK OF PETER BRUEGEL THE ELDER AND IN GOGOL’S SHORT STORY «THE FAIR AT SOROCHYNTSI»." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-65.

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Li, Ke, Aradhana Choudhuri, Susanne Schmidt, et al. "Mixed reality for laser safety at advanced optics laboratories." In ILSC 2023: Proceedings of the International Laser Safety Conference. Laser Institute of AmericaLIA, 2023. http://dx.doi.org/10.2351/7.0001453.

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Nowadays, high-power and multi-spectral lasers are increasingly demanded in many scientific experiments and industrial processes. However, direct exposure to these laser sources can lead to permanent eye damage. Individuals conducting research and development with these laser sources are required to wear laser safety goggles as a form of eye protection. Currently, most laser safety goggles are based on optical spectral filters, which could filter up to 99 % of the visible spectrum, rendering researchers working in hazardous and complex laboratory environments visually impaired. In this work, w
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Wakes, Sarah J., and Chris Brown. "Numerical Modelling of a Hand in Water." In ASME 2006 Pressure Vessels and Piping/ICPVT-11 Conference. ASMEDC, 2006. http://dx.doi.org/10.1115/pvp2006-icpvt-11-93322.

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The pressures of modern competition swimming has increased the desire for the use of technology and science in the pursuit of a speed advantage. This has lead to revolutionary new suits and other equipment such as goggles and for training. Attention to technique and minimising drag have had a less prominent profile but are beginning to become more important. Part of the lack of advancement has been that a swimming stroke is very complex action and determining precise angles and orientations is necessary before drag and lift calculations can be undertaken. Work has been done that has establishe
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Stefanov, Orlin. "EVGENY ZAMYATIN - THE GENRE OF ANTI-UTOPIA." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3691.rus_lit_20-21/45-49.

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In his novel “We,” the renowned Russian writer Evgeny Zamyatin establishes a new direction in world literature - the genre of anti-utopia. Among his stylistic predecessors are noted figures such as Gogol, Leskov, and Turgenev, regarded as classics of Russian literature, as well as Swift, Wells, and Anatole France. Conceptually, the theme resonates with Dostoevsky's Grand Inquisitor in “The Brothers Karamazov.” However, the impetus for the author's vision can be traced back to Thomas More's “Utopia,” where inhabitants wear identical uniforms. In an even more distant era, this aligns with the no
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Ma, Zhuoqi, Nannan Wang, Xinbo Gao, and Jie Li. "From Reality to Perception: Genre-Based Neural Image Style Transfer." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/485.

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We introduce a novel thought for integrating artists’ perceptions on the real world into neural image style transfer process. Conventional approaches commonly migrate color or texture patterns from style image to content image, but the underlying design aspect of the artist always get overlooked. We want to address the in-depth genre style, that how artists perceive the real world and express their perceptions in the artwork. We collect a set of Van Gogh’s paintings and cubist artworks, and their semantically corresponding real world photos. We present a novel genre style transfer framework mo
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