Relevant bibliographies by topics / Goldoni

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Goldoni'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Goldoni"

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Cope, Jackson I. "Goldoni's England and England's Goldoni." MLN 110, no. 1 (1995): 101–31. http://dx.doi.org/10.1353/mln.1995.0006.

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Montante, Michela, Maria Luisa Spaziani, Maria Luisa Caldognetto, and Jean Portante. "La Vedova Goldoni / La Veuve Goldoni." World Literature Today 72, no. 4 (1998): 812. http://dx.doi.org/10.2307/40154306.

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Barni, Roberta. "O Teatro Cômico de Carlo Goldoni ou a “Reforma” de um Iluminista." Revista de Italianística, no. 19-20 (December 30, 2010): 221. http://dx.doi.org/10.11606/issn.2238-8281.v0i19-20p221-235.

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O presente artigo mostra que O teatro cômico, de Carlo Goldoni, é uma peça que deve ser lida em toda sua pluralidade expressiva. A função de “poética em ação” deste texto, apontada pelo próprio autor em suas Memoires é, na verdade, parte de uma estratégia maior de Goldoni, que não deseja se afirmar simplesmente como mais um ”poeta de companhia”, mas como dramaturgo. Para além do conhecido desejo de expurgo dos palcos, numa Veneza cujo viço teatral, à época, não tinha igual em toda Europa, a reforma de Goldoni, que esse texto metateatral expõe em andamento, como um manifesto de estética, foi “culpada” de querer retirar do ator aquela centralidade que as velhas companhias da arte lhe haviam dado, e transferi-la ao autor, para que este pudesse responder aos seus desejos iluministas deatribuir à comédia uma função moral. Assim Goldoni realizou sua reforma aos poucos, com grande senso de realidade. Em jogo paradoxal, no entanto, a velha Improvvisa italiana ficará eternamente conhecida como Commedia dell’Arte justamente graças a Goldoni e a essa peça.
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Andreev, Mikhail L. "Tragicomedies of Carlo Goldoni." Studia Litterarum 1, no. 3-4 (2016): 70–81. http://dx.doi.org/10.22455/2500-4247-2016-1-3-4-70-81.

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Hiller, Jonathan R. "Carlo Goldoni, Five Comedies." Forum Italicum: A Journal of Italian Studies 52, no. 1 (January 23, 2018): 211–12. http://dx.doi.org/10.1177/0014585818755682.

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Strehler, Giorgio. "Goldoni ed il Teatro." Quaderns d’Italià 2 (November 2, 1997): 39. http://dx.doi.org/10.5565/rev/qdi.450.

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Strehler, Giorgio. "Goldoni e il teatro." Estudos Italianos em Portugal, no. 2 (2007): 9–21. http://dx.doi.org/10.14195/0870-8584_2_1.

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Strehler, Giorgio. "Goldoni e o teatro." Estudos Italianos em Portugal, no. 2 (2007): 23–37. http://dx.doi.org/10.14195/0870-8584_2_2.

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Buccini, Stefania, and Franco Fido. "Le inquietitudini di Goldoni." Italica 74, no. 3 (1997): 425. http://dx.doi.org/10.2307/479951.

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Cicali, Gianni. "Destouches e Goldoni tra nobildonne, arcadi e liberi muratori. Percorsi della riforma del teatro comico italiano del Settecento." Quaderni d'italianistica 40, no. 2 (October 4, 2020): 49–81. http://dx.doi.org/10.33137/q.i..v40i2.34878.

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La riforma del teatro italiano promossa da Carlo Goldoni a metà del Settecento ha avuto dei momenti preparatori. Tra le fasi importanti di questa preparazione si devono includere le traduzioni di testi teatrali francesi di Destouches, drammaturgo aristocratico e accademico di Francia. Inoltre, questi segnali di una pre-riforma si notano particolarmente in ambienti legati all’illuminismo, all’aristocrazia e alla Massoneria in Toscana, regione in cui il giovane avvocato Goldoni soggiornò per alcuni anni. Un altro elemento sono le donne della nobiltà italiana che in alcuni casi non solo recitano da dilettanti i testi del francese durante eleganti villeggiature ma a volte li traducono o li fanno circolare tra compagnie significative di attori e attrici. In questo saggio vedremo questi antecedenti formativi della riforma di Goldoni e in particolare una traduzione di un testo di Destouches che si rivela importante per le persone coinvolte e che era sfuggita agli studi sui rapporti tra Goldoni e Destouches e la riforma del teatro italiano del Settecento.
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Dissertations / Theses on the topic "Goldoni"

1

Jossif, Fabien. "Goldoni librettiste." Aix-Marseille 1, 1993. http://www.theses.fr/1993AIX10058.

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Les livrets d'opera de goldoni sont generalement peu connus bien que cet aspect de son activite artistique tienne une place importante dans sa vie. Le succes de goldoni correspond a celui de l'opera comica qui s'affirme a venise dont la vie musicale est intense et ou la tradition du spectacle etait deja profondement enracinee. Goldoni donne a ses livrets une structure qui leur permet de s'adapter a leur environnement musical sans negliger les exigences du texte theatral. Ses livrets mettent en scene une typologie de personnages dont la source est la meme qu'au theatre. Ils offrent une representation de la societe ancree dans le quotidien et conduisent a une reflexion ou l'on ressent surtout l'influence des idees philosophiques des lumieres. Ils soulignent aussi l'emergence d'une morale de type bourgeois fondee sur le travail et sur la prosperite economique dont l'affirmation correspond deja aux valeurs d'un milieu social en plein expansion. S'efforcant de repondre a l'attente du public, librettiste et dramaturge ne sont qu'une seule et meme personne qui s'adapte aux exigences propres a l'opera ou au theatre
Goldoni's librettos are generally little known though this aspect of his artistic activity occupies an important place in his life. Goldoni's success corresponds to the one of the opera comica which thrives in venice where the musical activity is intensive and where the tradition of the show was already deeply rooted. Goldoni gives his librettos a structure which enables them to adapt to their musical enivronment without neglecting the requirements of the theatrical text. His librettos set on stage a typology of characters whose origin is the same as the theatrical one. The offer a representation of society rooted in the daily occurence and lead to a reflection where we most of all feel the influence of philosophical ideas of enlightenment. They also underline the emergence of a middleclass moral based on work and economic prosperity whose assertion already corresponds to the values of a social class in full expansion. Trying to comply with the audience, the librettist and the playwright are the same one person who adapts oneself to the requirements proper to the opera or theatre
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Weichmann, Birgit. "Eccomi finalmente a Parigi ! : Untersuchungen zu Goldonis Pariser Jahren (1762-1793) /." Bonn : Romanistischer Verl, 1993. http://catalogue.bnf.fr/ark:/12148/cb390680045.

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MUSTO, DANIELE. "Carlo Goldoni, l'uomo di mondo : edizione critica e commento." Doctoral thesis, Scuola Normale Superiore, 2022. http://hdl.handle.net/11384/124944.

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Kipper, Christian. "Musikalische Aktion in der Opera buffa : Il mercato di Malmantile von Carlo Goldoni /." Frankfurt am Main ; Bern ; Bruxelles : P. Lang, 2003. http://catalogue.bnf.fr/ark:/12148/cb39056852j.

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Penzo, Alice <1988&gt. "Giovanni Verga e Carlo Goldoni: I Malavoglia e Le baruffe chiozzotte." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3115.

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Zipf, Hanna Maria. "Giorgio Strehlers Arlecchino am Piccolo Teatro di Milano /." Marburg : Tectum-Verl, 2010. http://d-nb.info/1000653234/04.

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Sansa, Anna. "L’écriture juridique et théâtrale de Carlo Goldoni, "Avocat Vénitien" : thèmes, rhétorique, style." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040067.

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La présente thèse de doctorat étudie les apports réciproques entre l’expérience juridique et l’expérience littéraire de Carlo Goldoni. En fait, avant de se consacrer entièrement à sa carrière de dramaturge, à l’âge de quarante et un an, l’auteur a exercé les métiers de greffier et d’avocat, après avoir suivi des études dans le domaine du droit. Cette recherche se compose de trois parties. Dans la première partie, on a restitué le contexte juridique et social dans lequel a œuvré le dramaturge : pour ce faire, on s’est attardé dans un premier temps sur le parcours juridique de Goldoni, étudiant d’abord et professionnel du droit après. Ensuite, on a traité de la singularité du système juridique vénitien, élément indispensable pour mesurer la compétence dont l’auteur fait preuve en la matière dans ses comédies. Dans la seconde partie, on a analysé les thèmes juridiques et sociaux formant une constante de l’œuvre de l’auteur. On a ainsi constaté une présence marquée du droit du commerce et des successions, ainsi que du mariage et des problèmes qui l’accompagnent. Dans chaque chapitre, on a étudié la question de droit concernée, en la replaçant dans le contexte juridique vénitien de l’époque et en mettant en évidence le lien direct existant avec les comédies choisies comme base de notre analyse. La troisième partie, enfin, est consacrée aux éléments de rhétorique judiciaire qu’on retrouve dans les répliques de certains personnages des comédies de l’auteur. Les deux chapitres, qui composent cette dernière section, proposent des exemples de représentants de la société civile, qui se servent de la loi pour revendiquer ou défendre leurs droits.L’hypothèse d’un engagement politique de Goldoni au moyen du droit, posée comme fondement de cette recherche, se trouve confirmée par l’utilisation que fait l’auteur de ses compétences dans le domaine juridique pour soumettre à ses contemporains des problèmes d’actualité, sur lesquels le dramaturge se prononce au moyen de sa création artistique
This graduation thesis examines the mutual contribution between the legal experience and the literary experience of Carlo Goldoni. Before devoting his entire career as a playwright, when he was 41 years old, the author worked as a clerk and lawyer, after having undertaken law studies. This study consists of three parts. In the first part, the legal and social environments in which the author worked were recreated and to that end, the focus was in the first instance on Goldoni’s legal career, first as a student and later as an expert of law. Subsequently, an in-depth analysis was made on the peculiarities of the Venetian legal system, essential element necessary in order to value the abilities that the author showed on the matter in his comedies. In the second part, we examined the legal and social themes that represented a permanent feature in the work of the author. Thus, an important presence of commercial and inheritance laws were found, as well as those of marriage and related problems. In each chapter, the related legal problem was examined, setting it back in the Venetian legal context of the time and by highlighting the direct existing link with the comedies chosen as a basis of our analysis. The third part is finally focused on the elements of judicial rhetoric that can be found in the lines of certain characters of the author’s comedies. The two chapters that make up this last section suggest examples of representatives from the civil society who make use of law in order to claim or defend their rights. The hypothesis of a political commitment by Goldoni by means of the use of law, laid down as a basis of this research, can be confirmed by the use the author’s use of his abilities in the legal field in order to submit to his Contemporaries current problems over which the playwright expresses himself by means of his artistic creation
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Goodman, Jessica Mary. "La gloire et le malentendu : Goldoni and the Comédie-Italienne, 1760-93." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:ec5ab3e3-812e-49f7-92e6-b1eea488cad5.

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Eighteenth-century Paris was the cultural capital of Europe and home to a vibrant network of theatres, not all of which are equally present in modern scholarship. The Comédie-Italienne in particular has frequently been downplayed in historical accounts, and there is no existing work outlining its relationship with its authors. This thesis aims to address this gap through a case study of the Italian author Carlo Goldoni, who began work for the Comédie-Italienne in 1762. His thirty years in Paris hold an ambiguous place in his career: the preface to his autobiography draws attention to France as the site of his authorial glory, but his work for the Comédie-Italienne is dismissed as a failure; a view echoed by many modern critics. This study therefore also sets out to explore this apparent contradiction. Substantial original work on the Comédie-Italienne archives sheds new light on the administration of this theatre, building up the most comprehensive existing account of its finances, audiences and author relations in the 1760s, and situating it in the contemporary cultural field. Dramatic authors are revealed to be at the heart of tensions between symbolic and financial concerns across eighteenth-century theatrical Paris. This re-evaluation also provides a new context for understanding Goldoni’s equivocal account of his Parisian career. He desired a glorious image in posterity, yet the Comédie-Italienne’s collaborative production and lack of publication thwarted the reputation-shaping tactics he had developed in Italy. The only weapon that remained was his French Mémoires (1787), in which he consciously constructed his image and the claim of Parisian glory. Goldoni’s case also raises broader questions about the creation of literary gloire, and the fate of the cosmopolitan artist in a strange land. In modern France, Goldoni is remembered as a famous foreigner, not the Frenchman he believed he had become. The thesis concludes that this failure in posterity stems from his misunderstanding of how to achieve gloire in his French context: to rely on artificially created image alone is not enough, and yet Goldoni had no choice.
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Cohade, Donnarel Évelyne. "De Venise à Paris : un itinéraire au service du théâtre : Goldoni 1762-1793." Toulouse 2, 1990. http://www.theses.fr/1990TOU20033.

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Étude de la vie et de la production dramatique de Goldoni en France de 1762 à 1793. La première partie explique son départ de Venise et ce qu'il est en droit d'attendre du public parisien compte tenu du succès de ses pièces dans la capitale française. La seconde partie est une étude systématique et chronologique de son œuvre : analyse de ses pièces, comparaison avec les canevas, problèmes de traduction
Study of Goldoni's life and plays in France from 1762 to 1793. The first part deals with his departure from Venice and what he is entitled to expect from the public of Paris, considering the success of his plays in the French capital. The second part is a systematic and chronological study of his works: analysis of the plays, comparison with the framework and problems of translation
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Meylan-Kelmanowitz, Claire. "L'émergence de la figure d'auteur par l'autobiographie : l'exemple de Casanova et de Goldoni." Dijon, 2000. http://www.theses.fr/2000DIJOL017.

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Casanova et Goldoni ont ceci de commun qu'ils sont vénitiens et qu'ils ils ont écrit leur vie en français. Le choix d'une langue d'adoption pour se raconter ne va pas de soi. La langue natale traduit en effet de manière plus immédiate et plus intime le premier rapport que l'on a au monde. La langue d'adoption retrace au contraire un processus d'acquisition et de reconstruction de soi. L'écriture en français pose donc un problème d'ordre générique, celui de l'autobiographie, fortement solidaire du contexte historique, national, et européen. L'Europe est alors sous une domination linguistique française qui éclipse les autres langues, et qui place les auteurs étrangers dans une position minoritaire et périphérique. L'autobiographie des vénitiens offre donc un témoignage très intéressant sur un cosmopolitisme mythique prôné par les Lumières, mais qui rejette en réalité d'autres cultures, et tout particulièrement celles de l'Europe méridionale, jugée retardataire et obscurantiste. Des lors, l'écriture autobiographique devient véritablement le lieu d'une revendication à la fois auctoriale et identitaire. Ecrivant en français, les mémorialistes privilégient leur lectorat et la diffusion de leur récit autobiographique à la spontanéité et à l'intimité de la langue maternelle. Ainsi, dépassant le clivage que l'on distingue traditionnellement entre mémoires et autobiographie, Histoire de ma vie de Casanova et les Mémoires de Goldoni offrent une variante originale du récit de soi. En écrivant leur vie, les deux vénitiens en effet visent moins à la "confession" telle que l'entend rousseau, ou au témoignage historique de ceux que l'on appelle stricto sensu les "mémorialistes", qu'au désir de se faire reconnaitre en tant qu'auteurs. Ces deux écrivains en exil voient dans le récit autobiographique l'ultime occasion de s'imposer sur la scène européenne, tendant, selon des stratégies qui leur sont propres, à faire de l'espace autobiographique un lieu de promotion du moi auctorial.
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Books on the topic "Goldoni"

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1926-, Ronfani Ugo, ed. Goldoni vivo. Roma: Presidenza del consiglio dei ministri, Dipartimento per l'informazione e l'editoria, 1994.

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Carlo. Carlo Goldoni. Roma: Istituto poligrafico e Zecca dello Stato, 1995.

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Carlo. Carlo Goldoni. London: Oberon Books, 1994.

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1926-2009, Rosso Renzo, ed. Carlo Goldoni. Roma: Istituto poligrafico e Zecca dello Stato, 1995.

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Cuppone, Roberto. Il Teatro Goldoni. Padova: Il poligrafo, 2010.

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Convegno "Goldoni sulla scena italiana dell'Ottocento" (1992 : Venice, Italy), ed. Goldoni e l'Ottocento. Roma: Bulzoni, 1992.

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Joly, Jacques. L' altro Goldoni. Pisa: ETS Editrice, 1989.

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Jacques, Joly. L' altro Goldoni. Pisa: ETS, 1989.

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Marzia, Pieri, ed. Il teatro di Goldoni. Bologna: Il Mulino, 1993.

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Carlo. Carlo Goldoni, volume two. London: Oberon Books, 1999.

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Book chapters on the topic "Goldoni"

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Wild, Gerhard. "Goldoni, Carlo." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3821-1.

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Hecker, Kristine. "Goldoni, Carlo: La vedova scaltra." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3823-1.

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Strauß, Manfred, and Kristine Hecker. "Goldoni, Carlo: La moglie saggia." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3825-1.

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Ferris, Lesley. "Goethe, Goldoni and woman-hating." In Acting Women, 47–64. London: Macmillan Education UK, 1990. http://dx.doi.org/10.1007/978-1-349-20506-6_4.

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Hecker, Kristine. "Goldoni, Carlo: La bottega del caffè." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3824-1.

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Hecker, Kristine. "Goldoni, Carlo: Il servitore di due padroni." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3822-1.

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Braida, Lodovica. "Carlo Goldoni and the Construction of Authorship." In New Directions in Book History, 139–79. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-03898-3_5.

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Sanders, Hans. "Carlo Goldoni: Der Diener zweier Herren (1747)." In Meisterwerke der europäischen Literatur – Von Aristophanes bis Dürrenmatt, 167–70. Berlin: Frank & Timme GmbH, 2024. http://dx.doi.org/10.57088/978-3-7329-8913-3_36.

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Hecker, Kristine, and KLL. "Goldoni, Carlo: Mémoires de M. Goldoni, pour servir à l'histoire de sa vie et à celle de son théâtre." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3827-1.

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Strauß, Manfred. "Ferrari, Paolo: Goldoni e le sue sedici commedie nuove." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3576-1.

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Conference papers on the topic "Goldoni"

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Merli, Francesca, Antonella Bevilacqua, and Lamberto Tronchin. "Acoustic response of the Goldoni theater of Bagnacavallo." In 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). IEEE, 2021. http://dx.doi.org/10.1109/i3da48870.2021.9610884.

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Fabiano, Andrea. "Intrigues et caractères chez Carlo Goldoni : un parcours expérimental." In Pensée et pratique de l'intrigue comique (France-Italie, XVIe-XVIIIe siècles). Fabula, 2020. http://dx.doi.org/10.58282/colloques.6538.

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Daraklitsa, Elina. "Carlo Goldoni and Carlo Gozzi. The dramaturgy of the librettos." In 7th SWS International Scientific Conferences on ART and HUMANITIES ISCAH 2020. STEF92 Technology, 2020. http://dx.doi.org/10.5593/sws.iscah.f2020.7.2/s19.22.

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LICITRA, G., G. GIUSTI, M. CERCHIAI, P. PAOLI, B. PISANI, and C. RINI. "ACOUSTICAL CHARACTERISATION AND RESTORATION OF THE GOLDONI THEATRE IN LIVORNO." In Opera and Concert Hall Acoustics 1995. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/20018.

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Murseli, Arsim. "High buildings, golden section and golden number." In University for Business and Technology International Conference. Pristina, Kosovo: University for Business and Technology, 2017. http://dx.doi.org/10.33107/ubt-ic.2017.24.

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Gleeson, Madge. "Golden parachute." In ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/259081.259133.

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Gravois, Adam. "Golden shoes." In ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/253607.253994.

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Schneider, Florian, and Chris Biemann. "Golden Retriever." In SIGIR '22: The 45th International ACM SIGIR Conference on Research and Development in Information Retrieval. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3477495.3531666.

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Tsochatzidis, Lazaros T., Chryssanthi Iakovidou, Savvas A. Chatzichristofis, and Yiannis S. Boutalis. "Golden retriever." In the 21st ACM international conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2502081.2502227.

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"Golden Spike." In Planet Austria. Wien: Verlag der Österreichischen Akademie der Wissenschaften, 2009. http://dx.doi.org/10.1553/planetaustrias100.

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Reports on the topic "Goldoni"

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Maliszewski, Jane F. Golden Bridge, Golden Gate, or Golden Wall: China Moves into the Information Age. Fort Belvoir, VA: Defense Technical Information Center, April 2000. http://dx.doi.org/10.21236/ada377631.

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Aultman, Jody. Golden Glow. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-963.

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Grgic, Sanja, and Seoha Min. Golden Bee. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1187.

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Lamar, Traci A. M., and Yanxue Ma. Golden Delicacy. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-706.

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Ducey, Lindsay, and Barbara Trout. The Golden Medallion. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-692.

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Erb, Claude, and Campbell Harvey. The Golden Dilemma. Cambridge, MA: National Bureau of Economic Research, January 2013. http://dx.doi.org/10.3386/w18706.

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Fenimore, Edward E. Four-Dimensional Golden Search. Office of Scientific and Technical Information (OSTI), February 2015. http://dx.doi.org/10.2172/1171678.

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Crist, Brianne, and Matalie M. Howard. Golden Fleece Sheath Dress. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1025.

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Struik, L. C. Golden Trees map Fault. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1990. http://dx.doi.org/10.4095/131231.

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Cen, Ling, Lauren Cohen, Jing Wu, and Fan Zhang. The Golden Revolving Door. Cambridge, MA: National Bureau of Economic Research, June 2024. http://dx.doi.org/10.3386/w32621.

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