Academic literature on the topic 'Gond'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Gond.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Gond"

1

Panwar, Apeksha, and Archana Rani. "CONTEMPORARY LANDSCAPE IN TRADITIONAL GOND ART." International Journal of Research -GRANTHAALAYAH 9, no. 1 (2021): 169–75. http://dx.doi.org/10.29121/granthaalayah.v9.i1.2021.3047.

Full text
Abstract:
English: Indian Folk art mainly depicts social and cultural aspects of trible society. Gond Painting is developed by Gond Community which is a large trible community in India and hence named after the same. “This art is quite famous in central India.
 Traditionally Gond Art were painted on walls and floors during weddings and on auspicious occasions. With time the art witnessed developments and now it is seen on textile, canvas, clothes, articles and valuable artifacts. Last decade witnessed a boom in the popularity of Gond Art. Jangan Singh Shyam who is called the father of Gond Art is one such artist who introduced Gond art at world platform. The presented research paper highlights the initial and contemporary changes which were introduced by Jangan Singh and his descendants Mayank Shyam (Son) and Japani Shyam (Daughter) and famous gond artist Vanket Raman Singh Shyam in their Gond Paintings under the effects of the surroundings with Time.
 
 Hindi: भारतीय लोक कलाएँ मुख्यतः आदिवासी समाज के सामाजिक और सांस्कृतिक स्वरूप को दर्शाती है। गोंड चित्रकला भारत के विशाल जनजातीय गोंड समुदाय द्वारा विकसित की गयी है। अतः इस कला को यह नाम गोंड जनजाति से मिला। यह कला मध्य भारत की एक विख्यात कला है। अपने परम्परागत रूप में गोंड चित्र दीवारों और धरातल पर शादी-विवाह और अन्य शुभ अवसरों पर सृजित किये जाते थे। अब समय के साथ उनके माध्यम में परिवर्तन दिखाई देने लगा और ये कैनवास, पेपर, कपड़े, उपयोगी एवं सजावटी वस्तुओं पर भी बनायी जाने लगी है। पिछले एक दशक में इस कला को अत्यधिक प्रसिद्धि प्राप्त हुई है। गोंड कला के पितामह कहे जाने वाले जनगण सिंह श्याम एक ऐसे पहले कलाकार है जिन्होनेगोंड कला को विश्व स्तर पर परिचित कराया। प्रस्तुत शोध पत्र में गोंड कला के प्रणेता श्री जनगण सिंह श्याम और उनकी कला की संरक्षक पीढी पुत्र मयंक श्याम व पुत्री जापानी श्याम तथा प्रसिद्ध चित्रकार वेंकेटरमन सिंह श्याम के चित्रों में पारम्परिक और समसामयिक परिवेश के अनुरूप आये बदलाव के संदर्भ से प्रस्तुत करने का प्रयास किया है।
APA, Harvard, Vancouver, ISO, and other styles
2

Sanyal, Srabani, and Ram yash. "Livelihood sources of Gond Tribes: A study of village Mangalnaar, Bhairamgarh block, Chhattisgarh." National Geographical Journal of India 66, no. 2 (2020): 174–85. http://dx.doi.org/10.48008/ngji.1739.

Full text
Abstract:
India has the largest concentration of tribal population of the world with 8.6 per cent population (2011). Gond is the largest tribe in India and most of its concentration is in Madhya Pradesh, Maharashtra, Chhattisgarh, Odisha, Telangana and Jharkhand. As most of the population of Chhattisgarh are tribes (30.6 per cent, 2011), popularly called a tribal state. Gond tribes are mostly concentrated in the southern part of the Bastar region, in seven districts and village Mangalnaar comes under district Bijapur. The Gond tribes are known as Maria and Muriya in Bastar region. Majority of the population of Mangalnaar village are Gonds followed by Yadav. Some of the Gond families have got converted to Christian. The study is based on personal observations, interviews and collecting information about livelihood sources of Gond community, how much they collect and earn from it. Most of them are dependent on traditional sources of livelihood like forest and forest-based products
APA, Harvard, Vancouver, ISO, and other styles
3

Talluru, Vinay. "GOND FESTIVAL; THE RITUAL THEATRE." International Journal of Advanced Research 6, no. 11 (2018): 480–84. http://dx.doi.org/10.21474/ijar01/8020.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Tewari, Laxmi G., and Jan Van Alphen. "Inde Centrale: Traditions Musicales des Gond." Yearbook for Traditional Music 24 (1992): 182. http://dx.doi.org/10.2307/768503.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Knight, Roderic, and Jan Van Alphen. "Inde centrale: traditions musicales des Gond." Cahiers de musiques traditionnelles 5 (1992): 309. http://dx.doi.org/10.2307/40240146.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Roche, David, and Jan Van Alphen. "Inde Centrale: Traditions musicales des Gond." Ethnomusicology 36, no. 3 (1992): 440. http://dx.doi.org/10.2307/851882.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Koreti, Shamrao. "Socio-Cultural History of the Gond Tribes of Middle India." International Journal of Social Science and Humanity 6, no. 4 (2016): 288–92. http://dx.doi.org/10.7763/ijssh.2016.v6.659.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Bharadwaj, Kumkum, and Anu Ukande. "COLORS IN GOND TRIBAL ART: AN INTERPRETATION AND CRITICAL EVALUATION OF COLORS IN GOND PAINTINGS OF MADHYA PRADESH." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–5. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3514.

Full text
Abstract:
Fork-art forms have the great social mission of creating cultural identity. The integrity of individuals and equipping them to meet social challenges are a part of this. In Madhya Pradesh- the heart of India lies the oldest found art heritage in the world. Gond Tribal paintings ofMadhya Pradesh have gained worldwide recognition in recent years. The Gond tribe, one of the largest Tribal communities of central India resides in Madhya Pradesh and Chhattisgarh. Over the past decades it has been observed that tribal people are being assimilated with the rest of the population and this process has been a continuous one. With the process of integration arise challenges of retaining, preserving and promoting the cultural elements of the tribes which may face the threat of extinction. This paper attempts to analyze the changes in Gond art brought about by their gradual assimilation into mainstream arts, and the future approaches to colors.
APA, Harvard, Vancouver, ISO, and other styles
9

Gurav, Nishanth S., Abdul Kareem, Sangeeta Srivastava, and N. Dhatchanamoorthy. "Studies on ethno-medicinal plants used by the Gond tribes of Bilaspur district from Chhattisgarh, India." International Journal of Current Research in Biosciences and Plant Biology 8, no. 10 (2021): 42–47. http://dx.doi.org/10.20546/ijcrbp.2021.810.008.

Full text
Abstract:
The ethnobotanical study was carried out among the ethnic group (Gond tribe) in Bilaspur district from Chhattisgarh. A field survey of the study area was carried out during 2009 to 2008 document the medicinal use of plants occurring in the area by Gond tribe. Traditional uses of 54 plant species belonging to 40 families are described. The documented ethnomedicinal plants are mostly used to cure skin diseases, asthma, diarrhea, joint pain, cough, wounds, piles, urinary troubles, swelling and as an eye drop.
APA, Harvard, Vancouver, ISO, and other styles
10

Dr. V. S. Irpate, Dr V. S. Irpate. "Marriage System of Madia Gond Tribe in Bhamragad Maharashtra, India : A Sociological Study." International Journal of Scientific Research 2, no. 10 (2012): 1–2. http://dx.doi.org/10.15373/22778179/oct2013/133.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography