Relevant bibliographies by topics / Gonzalo de Berceo, Gonzalo de Berceo

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Reports

Academic literature on the topic 'Gonzalo de Berceo, Gonzalo de Berceo'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Gonzalo de Berceo, Gonzalo de Berceo"

1

Varaschin, Alain. "Le miracle selon Gonzalo de Berceo." Atalaya, no. 9 (October 20, 1998): 135–58. http://dx.doi.org/10.4000/atalaya.80.

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Alvar, Manuel. "De las Glosas emilianenses a Gonzalo de Berceo." Revista de Filología Española 69, no. 1/2 (June 30, 1989): 5–38. http://dx.doi.org/10.3989/rfe.1989.v69.i1/2.388.

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Capuano, Thomas M. "Agallain the Works of Gonzalo de Berceo." Romance Quarterly 33, no. 1 (February 1986): 117–18. http://dx.doi.org/10.1080/08831157.1986.9925768.

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Toro, Mauricio. "El niño judío reloaded: Un milagro reescrito desde el Siglo XXI." Cuadernos Judaicos, no. 31 (December 29, 2014): 142. http://dx.doi.org/10.5354/0718-8749.2014.35678.

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Donahue, Christopher J. "‘Cocha e asada’:more wordplay in Gonzalo de Berceo?" Bulletin of Spanish Studies 80, no. 6 (November 2003): 657–64. http://dx.doi.org/10.1080/1475382032000159505.

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Silva, Andréia Cristina Lopes Frazão da. "O corpo e a carne: uma leitura das obras Vida de Santo Domingo de Silos e Vida de Santa Oria a partir da categoria gênero." Revista Estudos Feministas 14, no. 2 (September 2006): 387–408. http://dx.doi.org/10.1590/s0104-026x2006000200004.

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Baseado na proposição do pós-estruturalismo, adotada por Joan Scott, de que "os significados não são fixos no léxico de uma cultura", o presente artigo tem como objetivo discutir, usando a categoria de gênero, os significados de duas palavras espanholas medievais - cuerpo e carne - em textos hagiográficos que foram escritos por Gonzalo de Berceo na primeira a metade do século XIII, Vida de Santo Domingo de Silos e Vida de Santa Oria. Queremos verificar, procurando ambigüidades e conflitos, como a categoria gênero é articulada às concepções de Berceo sobre o corpo e a carne.
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Goldberg, Harriet, and Dana A. Nelson. "Gonzalo de Berceo y el "Alixandre": Vindicacion de un estilo." Hispanic Review 60, no. 4 (1992): 470. http://dx.doi.org/10.2307/473430.

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Capuano, Thomas M. "Refining the Meaning ofEríain Gonzalo de Berceo and Juan Ruiz." Romance Quarterly 36, no. 1 (February 1989): 97–100. http://dx.doi.org/10.1080/08831157.1989.9932610.

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González, Javier Roberto. "Una cuestión de género: ¿Poema de Santa Oria, o Vida de Santa Oria?" SIGNUM - Revista da ABREM 14, no. 1 (June 14, 2013): 171. http://dx.doi.org/10.21572/2177-7306.2013.v14.n1.11.

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El poema narrativo dedicado por Gonzalo de Berceo a Santa Oria ha sido generalmente conocido y nominado por la crítica como Vida de Santa Oria y clasificado dentro del género hagiográfico. Después de las tesis mediante las cuales Isabel Uría ha buscado demostrar que Oria, más que una obra hagiográfica, es una muestra de literatura visionaria (1976, 1978), el viejo título fue abandonado casi por completo y sustituido por el de Poema de Santa Oria. El propósito de este artículo es probar que el texto de Berceo pertenece indubitablemente al género hagiográfico, y debe por lo tanto recuperar su tradicional nombre de Vida de Santa Oria.
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Roedel, Leila Rodrigues, and Andréia Cristina Lopes Frazão da Silva. "A Igreja Hispana medieval em dois momentos: a preocupação com a instrução de clérigos e leigos." Estudos Ibero-Americanos 24, no. 2 (December 31, 1998): 169. http://dx.doi.org/10.15448/1980-864x.1998.2.27259.

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O objetivo deste artigo é demonstrar, através do estudo de nuanças da biografia e produção intelectual de Martinho de Braga e Gonzalo de Berceo, clérigos que atuaram em contextos históricos diferentes, que o corpo eclesiástico hispano procurou agir, ao longo da Idade Média, no sentido de elevar o nível intelectual não só dos religiosos, mas também dos leigos.
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Dissertations / Theses on the topic "Gonzalo de Berceo, Gonzalo de Berceo"

1

Albert, Galera Josefina. "Estructura funcional de los "Milagros" de Berceo /." Logroño : Gobierno de La Rioja, Instituto de estudios riojanos, 1987. http://catalogue.bnf.fr/ark:/12148/cb35426606b.

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Biaggini, Olivier. "L'auctoritas en Castille au XIIIe siècle : l'exemple de Gonzalo de Berceo." Paris 3, 1999. http://www.theses.fr/1999PA030040.

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En castille, le xiiie siecle voit l'affirmation d'une production litteraire en langue vernaculaire qui, face a l'auctoritas de ses antecedents ou modeles latins, cherche a definir pour elle-meme une legitimite et une autorite nouvelles. Gonzalo de berceo, premier auteur castillan qui ait integre son nom a la matiere de ses uvres, accorde a la problematique de l'auctoritas une place centrale. Le poete du mester de clerecia, sous forme de references ou de citations, sollicite constamment l'auctoritas de ses sources latines, afin d'attester la veracite de son propre discours. Cette face la plus evidente de l'auctoritas a longtemps suscite chez la critique une vision reductrice de l'ecriture de berceo, seulement envisagee dans sa fidelite a un ecrit anterieur. Une etude globale de l'auctoritas doit depasser le probleme de la conformite effective aux sources latines et examiner en contexte les manifestations de l'autorite. Le principe d'auctoritas se manifeste dans toutes les compositions de berceo et la narration en prete l'usage aux personnages eux-memes. Cette universalite, neanmoins, n'est pas une uniformite. Le caractere probant des references a une auctoritas nous invite a replacer ce procede dans le regime general des preuves elabore par berceo. De plus, chaque reference prend un sens particulier selon le contexte argumentatif ou narratif dans lequel elle s'insere. Soucieux de fonder une certitude, le poete s'efforce d'etablir des liens analogiques et genealogiques entre la source latine autorisee et son propre discours : il peut alors se presenter comme l'heritier legitime de la tradition hagiographique ou doctrinale. Le texte etablit une continuite fictionnelle de l'histoire au recit, des evenements miraculeux a l'ecrit qui les rapporte, si bien que berceo, plus ou moins explicitement, peut revendiquer une auctoritas personnelle : comme auctor, il se veut responsable de la production de son oeuvre et garant de sa portee argumentative et litteraire
The castilian xiiith century sees the rising tendency of the literary production to develop the vernacular. In the face of its latin predecessors or models, the vernacular work attempts to define a legitimacy and an authority that are both new. Gonzalo de berceo, being the first castilian writer to integrate his name into his works, attaches a major importance to the problem of auctoritas. Under the form of references or quotations, the poet of mester de clerecia constantly refers to the auctoritas of his latin sources in order to testify the truthfulness of his own words. This aspect which is the most obvious side of the auctoritas has for a long time created among critics a reduced apprehension of berceo's writings that have been mainly considered as faithful works to earlier writings. A global study of auctoritas has to go beyond the problem of conformity to the latin sources and examine the expression of authority in its context. The system of auctoritas pervades throughout all berceo's compositions and its use is also extended to the characters themselves. Nevertheless, universality does not mean uniformity. The authoritative reference as a convincing technique invites us to put it back into the general system of the evidence elaborated by berceo. Moreover, each reference possesses its own specific meaning according to its argumentative or narrative context. Concerned with the construction of certainty, the poet attempts to establish analogical and genealogical links between the authoritative latin sources and his own discursive reasoning. He can then stand as the legitimate heir of the doctrinal or hagiographical tradition. The text establishes a fictional continuity from the story to the narrative, from the miraculous events to the writing, so that berceo can more or less explicitly claim a personal auctoritas : as an auctor he considers himself as responsible for the production of his works and as the guarantor for its argumentative and literary significance
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Álvarez, Álvarez Manuela. "Estudio de la flexión verbal en la obra de Gonzalo de Berceo (siglo XIII) /." Bilbao : Universidad de Deusto, 1991. http://catalogue.bnf.fr/ark:/12148/cb354949660.

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El, Ganaoui Amal. "Prière et textualité dans les oeuvres hagiographiques et mariales de Gonzalo de Berceo." Aix-Marseille 1, 2006. http://www.theses.fr/2006AIX10014.

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Le XIIIe siècle voit apparaître et se développer, par opposition au "mester de juglaria", une nouvelle forme littéraire, cléricale, en langue vernaculaire et qui perdure jusqu'au XIVe siècle, le "mester de clerecia". Gonzalo de Breceo (ca1196-1264), est sans doute l'une des figures les plus éminentes de cet art en Castille. Soucieux de produire une oeuvre salutaire aussi bien pour lui que pour son public de lecteurs-auditeurs, Berceo combine art et liturgie dans un texte qui exploite tous les registres de la prière. En effet, sa production tient à la fois de l'orthodoxie parfaite du clerc, de la connaissance liturgique et de l'exigence didactique du théologien, tandis que s'y manifestent la diversité et la richesse poétiques de l'écrivain et la dévotion populaire du fidèle médiéval. La prière donne donc son élan sacré au texte bercéen ; notre recherche sur les oeuvres hagiographiques et mariales de cet auteur majeur du moyen âge espagnol a mis en oeuvre une interprétation de la littérarité des prières ainsi qu'une réflexion sur le rapport de la littérature au sacré. La prière est omniprésente dans ces textes narratifs. Le texte se construit sur des fragments liturgiques qu'il contextualise de différentes façons. Cette étude fait le tour des références liturgiques et bibliques. Orants, destinataires, modes sont également examinés. Au-delà du travail sur Berceo et ses oeuvres littéraires, c'est le rapport entre la foi et la littérature au XIIIe siècle qui est posé à travers ces pratiques textuelles de la prière.
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Bastante, Pamela. "Milagros de Nuestra Señora by Gonzalo de Berceo and Lais by Marie de France, similarities and differences." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ61407.pdf.

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Maravi, Pilar L. "Del cielo a la tierra: Gonzalo de Berceo, Signos que aparecerán antes del Juicio Final, y sus nexos con la arquitectura medieval española." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/272222.

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Spanish
Ph.D.
This dissertation is a study of the links between the poem Signos que aparecerán antes del juicio final of Gonzalo de Berceo and the Spanish medieval architecture. The analysis is based on a comparative and systematic contrast between the literary work of Berceo and the monumental sculptures present in three cathedrals that represent the Spanish medieval architecture. The iconographies found in the portals of these cathedrals have thematic and symbolic similarities with the poem of Gonzalo de Berceo.
Temple University--Theses
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Deeter, Elizabeth M. "An Analysis of the Literary Manifestations of the Cult of the Virgin Mary in Gonzalo de Berceo's Milagros de Nuestra Senora." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5249.

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The cult of the Virgin Mary reached its climactic point in Europe during the Middle Ages, and was particularly strong in Spain. Literature became a concrete expression of Marianism because it reflected the beliefs of the populace. Gonzalo de Berceo, a Castilian monk, greatly influenced by the ever-growing Marian piety, wrote a collection of poems in which the activity of the Blessed Mother in everyday human life is documented. I propose to do a detailed miracle-by-miracle analysis of Mary's interactions with others by focusing on Berceo's characterization of her in her principal role as a mother. In addition, I will analyze the characters to whom Mary renders assistance since they are representative of Berceo's audience and are people to whom the common people were able to relate. Finally, I will consider the visions of Mary that occur during the miracles, particularly whether or not she appears, to whom she appears, and why. Through this study of the Milagros, it will become apparent that while Berceo incorporates elements of the predominating theology into his miracles, the stories are primarily a reflection of the popular belief. Berceo demonstrates the influence of theology by depicting in his miracles all of the maternal qualities Mary embodied that appealed to people looking for a motherly figure to turn to in time of need. In addition, the role of Mary as an all-powerful intercessor who decides on her own who receives miracles, and who does not, reflects the common faith of the people living in the Middle Ages.
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Smolen, Carol Tueting. "Reconciliation of the Prostitute, Anchoress, and Wandering Shepherd: Coming to Terms with Self, Society, and the Divine in Thirteenth Century Iberia." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/446331.

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Spanish
Ph.D.
This doctoral dissertation examines the manifestation of Christian reconciliation in three thirteenth century literary works from the Iberian Peninsula and the island of Mallorca, then part of the Crown of Aragon. This study discusses interpretations of the term “reconciliation” and applies the term to each work with regard to three aspects: reconciliation of self with self, of self with society, and of self with the divine. Chapter 1 discusses the various connotations of the term “reconciliation.” It outlines reconciliation as a synonym of penance, as in the four-steps in the Catholic Sacrament of Penance, now referred to as the Sacrament of Reconciliation. It also discusses the related Pauline concept of reconciliation and Paul’s possible sources. Chapter 2 will analyze these three aspects of reconciliation in an anonymous thirteenth century Castilian work in verse: La Vida de Santa María Egipciaca, or the Life of Santa María, the Egyptian. The prepubescent Alexandrian prostitute has an epiphany outside a church in Jerusalem, realizes the error of her ways, repents at the moment of intersection between human activity and divine intervention, and changes how she views herself, interacts with society, and regards the connection between earthly life and divinity. Chapter 3 takes a look at Gonzalo de Berceo’s cuaderna vía poem, written in Castilian about 1250 , Vida de Santa Oria, the Life of Saint Oria, through the same three lenses of reconciliation. This time the female figure is the Egyptian’s polar opposite. Oria is a young anchoress who has behaved in a saintly way mortifying the flesh since childhood. It might seem that in her case there is no need of reconciliation with herself because her virtue exceeds that of the majority of humans around her. I posit that, even in her case, there is room for acceptance of inner conflict. In addition, Oria reconciles herself to society (which admires her but tries to pull her back toward Earth against her will) and to the divine (which promises she will receive what she most desires when God deems it time). Chapter 4 studies the Romanç d’Evast e Blaquerna, a prose work in Catalan which dates from 1283-85. This early text provides an opportunity to analyze not only the protagonist’s reconciliation with self, society, and the divine but also that of an array of fictional characters including family members, his potential fiancée and the many people he meets along his journey to become a hermit. Finally, the Epilogue suggests that the idealistic notion of reconciliation has already been put to practical use in modern times in large-scale conflicts within and across borders. Coming to terms and living peaceably with differences, even grave ones, was accomplished at moments in Medieval Iberia among the three monotheistic religions: Christianity, Judaism, and Islam, and hope remains that such moments of peace will extend beyond borders and be found again today.
Temple University--Theses
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Daas, Martha Mary. "A new view of Mester de Clerecia myth and mythopoesis in the Milagros de Nuestra Señora and the Libro de Alexandre /." 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3077520.

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Escuer-Riera, Iris. "El sacrificio de la misa de Gonzalo de Berceo : estudio socio-cultural del poema con un análisis particular de su estructura tipológica." Thesis, 2002. http://hdl.handle.net/2429/12012.

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The following study is divided into two parts. The first is a socio-cultural analysis of a poem by Gonzalo de Berceo (late 12th-early 13th century) entitled Sacrificio de la Misa. The second is a study of the typological structure of Berceo's poem. Critics have generally advanced the idea that Berceo was a poet with little academic formation, and that he composed his poetry for the delight of a lay audience. This study of the Sacrificio de la Misa suggests that the opposite is true; that is, that Berceo could well have received academic training, even though it may not have been what was available to monks who, at that time, received the highest level of education. The Sacrificio de la Misa also shows that the audience to whom it was aimed was not an unlettered one; rather, it was directed to students, specifically those who were preparing for the priesthood in the monastery of San Millan. We reach these conclusions after a study of the academic world of Berceo's time. We also examine the likelihood that Berceo attended a studium generate, specifically the University of Palencia. The thesis also questions the purpose of the poem, and the reason why Berceo composes a doctrinal work in which he describes in detail the canon of the Mass according to the Roman Rite. We conclude that the Sacrificio de la Misa was composed in order to establish this rite in a territory where previously the Mozarabic Rite had predominated. The poet takes the opportunity of teaching the structure of the Roman Rite to the students to whom he addresses the poem. The second part of the thesis consists of an analysis of the typological structure of the poem, a subject about which little has been written. Berceo adds nothing new to the use of typology in a Christian context, since he has acquired this method from the Bible itself, from which St. Paul already took events in the Old Testament as prophetic prefigurations of the New. Berceo's novelty lies in his adaptation of this literary technique to Castilian poetry.
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Books on the topic "Gonzalo de Berceo, Gonzalo de Berceo"

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Berceo, Gonzalo de, active 13th century, ed. Relectura de Gonzalo de Berceo. León: Edilesa, 2010.

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Domínguez, Juan Antonio Ruiz. El mundo espiritual de Gonzalo de Berceo. Logroño: Gobierno de la Rioja, Instituto de Estudios Riojanos, 1999.

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Domínguez, Juan Antonio Ruiz. El mundo espiritual de Gonzalo de Berceo. Logroño: Instituto de Estudios Riojanos, Gobierno de la Rioja, 1999.

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Quejigo, Francisco Javier Grande. Ritmo y sintaxis en Gonzalo de Berceo. Cáceres [Spain]: Universidad de Extremadura, 2001.

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Domínguez, Juan Antonio Ruiz. El mundo espiritual de Gonzalo de Berceo. Logroño: Gobierno de la Rioja, Instituto de Estudios Riojanos, 1999.

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Gonzalo de Berceo: The poet and his verses. Woodbridge: Tamesis, 2008.

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Nelson, Dana Arthur. Gonzalo de Berceo y el "Alixandre": Vindicación de un estilo. Madison: Hispanic Seminary of Medieval Studies, 1991.

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Pérez, María Rosa. El sistema verbal en Gonzalo de Berceo: Las formas de irrealidad. [Santiago de Compostela, Spain]: Universidade de Santiago de Compostela, 1997.

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K, Bartha Jeannie, Cash Annette Grant 1943-, and Mount Richard Terry 1944-, eds. The collected works of Gonzalo de Berceo in the English translation. Tempe, Ariz: Arizona Center for Medieval and Renaissance Studies, 2007.

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Domínguez, Juan Antonio Ruiz. La historia de la salvación en la obra de Gonzalo de Berceo. Logroño [Spain]: Gobierno de La Rioja, Instituto de Estudios Riojanos, 1990.

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Book chapters on the topic "Gonzalo de Berceo, Gonzalo de Berceo"

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Wild, Gerhard. "Berceo, Gonzalo de." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2714-1.

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Gier, Albert. "Berceo, Gonzalo de: Milagros de nuestra señora." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2715-1.

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Daas, Martha M. "The Radical Mary: Gonzalo de Berceo’s Re-interpretation of the Miracles of our Lady." In The Medieval Translator. Traduire au Moyen Age, 149–64. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.tmt-eb.3.2247.

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"Gonzalo de Berceo, trovador." In Revisitando a Berceo :lecturas del siglo XXI, 129–52. Vervuert Verlagsgesellschaft, 2020. http://dx.doi.org/10.31819/9783964568649-007.

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de Lope-Rivière, Monique, and France Autesserre. "Le sacrifice de la messe." In Gonzalo de Berceo – Sacrement et Apocalypse. e-Spania Books, 2017. http://dx.doi.org/10.4000/books.esb.1114.

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de Lope-Rivière, Monique, and France Autesserre. "Introduction." In Gonzalo de Berceo – Sacrement et Apocalypse. e-Spania Books, 2017. http://dx.doi.org/10.4000/books.esb.1115.

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de Lope-Rivière, Monique, and France Autesserre. "Signes qui apparaîtront avant le Jugement dernier." In Gonzalo de Berceo – Sacrement et Apocalypse. e-Spania Books, 2017. http://dx.doi.org/10.4000/books.esb.1143.

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"«Sonó por Compostela esta grand maravilla»: el milagro VIII de Gonzalo de Berceo." In Revisitando a Berceo :lecturas del siglo XXI, 171–96. Vervuert Verlagsgesellschaft, 2020. http://dx.doi.org/10.31819/9783964568649-009.

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"Los relatos celestiales y terrenales de Gonzalo de Berceo en el Poema de santa Oria." In Revisitando a Berceo :lecturas del siglo XXI, 93–128. Vervuert Verlagsgesellschaft, 2020. http://dx.doi.org/10.31819/9783964568649-006.

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"Sobre la distinción entre latín y romance en Gonzalo de Berceo: una interpretación de Santo Domingo de Silos, 2 ABC." In Revisitando a Berceo :lecturas del siglo XXI, 51–76. Vervuert Verlagsgesellschaft, 2020. http://dx.doi.org/10.31819/9783964568649-004.

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Reports on the topic "Gonzalo de Berceo, Gonzalo de Berceo"

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Deeter, Elizabeth. An Analysis of the Literary Manifestations of the Cult of the Virgin Mary in Gonzalo de Berceo's Milagros de Nuestra Senora. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7122.

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