Relevant bibliographies by topics / Good and evil, fiction

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Good and evil, fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Good and evil, fiction.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Good and evil, fiction"

1

Pierce, Erin. "Science Fiction and Fantasy." Voices from the Middle 9, no. 2 (December 1, 2001): 74–77. http://dx.doi.org/10.58680/vm20012388.

Full text
Abstract:
Offers brief annotations of 40 science fiction and fantasy books that middle school readers might enjoy. Notes that readers can confront the realities of this real world as the fictional characters fight good and evil, search for identity, summon courage, and enjoy family and friends.
APA, Harvard, Vancouver, ISO, and other styles
2

Kizzire, Jessica. "The Sound of Good and Evil in Final Fantasy VII." Journal of Sound and Music in Games 4, no. 4 (2023): 71–87. http://dx.doi.org/10.1525/jsmg.2023.4.4.71.

Full text
Abstract:
Since its release in 1997, Square’s Final Fantasy VII has captivated audiences with its science fiction plot and rich characters. Like many video games, it presents a story about the forces of good and evil, played out through the protagonists and antagonists of the game. Throughout the story, musical character themes reinforce and enhance the struggle between good and evil taking place in the narrative. Drawing on Peter Brian Barry’s theory of evil known as the mirror thesis, this article views the character themes associated with Aerith and Sephiroth as representative of the moral extremes of good and evil, respectively. After framing the narrative and characters through the lens of the mirror thesis, I perform a close reading of Sephiroth and Aerith’s musical themes and backstories. The analysis demonstrates how Sephiroth represents the moral extreme of evil personhood, while Aerith represents the extreme of moral sainthood. The article concludes with a discussion of how these musical themes occur in relation to each other during significant moments of narrative conflict, particularly during Aerith’s death scene and the final cinematics of the game.
APA, Harvard, Vancouver, ISO, and other styles
3

Airaksinen, Timo. "Good Life without Happiness." Humanities 11, no. 6 (December 7, 2022): 155. http://dx.doi.org/10.3390/h11060155.

Full text
Abstract:
A good life combines lively living and a good purpose, which depend on action results and consequences. They supervene upon the action results that create life’s meaning. A good life is never evil because evil deeds, as such, are not part of the agent’s action repertoire. Agents cannot claim them as their own; if they do, dishonest hypocrisy and social stigmatization follow. But, when action results are good, the purpose is good, too. One cannot realize an evil purpose by acting morally. I argue against the idea that a passive, dreaming life could be a good life. I discuss specific kinds of religious life that follow a monastic rule. A good life may not be happy, although it tends to be so. I discuss various theories of happiness, including the traditional Socratic view that virtue and virtue only make an agent happy. I conclude that a good life is not the same as a virtuous life; hence, a good life can be unhappy. To conclude, I discuss personal autonomy in social life. A good life requires that one’s actions and goals are one’s own, but such ownership is hard to realize because of a social life’s complicated and demanding mutual dependencies. I conclude that full ownership is fiction, so a good life is a social life.
APA, Harvard, Vancouver, ISO, and other styles
4

Candel, Daniel. "Systematizing evil in literature: twelve models for the analysis of narrative fiction." Semiotica 2021, no. 242 (August 13, 2021): 141–68. http://dx.doi.org/10.1515/sem-2020-0071.

Full text
Abstract:
Abstract While there are interesting connections between literature and evil, there is as of yet no systematic collection of models of evil to study literature. This is problematic, since literature is among other things an evaluative discourse and the most basic evaluative category is the polarity of good versus evil. In addition, evil shows important affinities with basic narratological principles. To initiate a discussion of models of evil for the analysis of literature, this article organizes a dozen models of evil into four groups. The first consists of a core model which coincides with basic narratological elements in character analysis and narrative tension. The second group contains two pre-modern models of evil, defilement and moral-natural evil. The third group takes its cue from personality theory and proposes the five-factor model of personality and an enriched “dark triad,” and, to balance description against narration, a model which categorizes kinds of murder. The last group organizes six models around the thematic opposition between nature and society, an opposition which forms the backbone of Western philosophy and narrative. To test their validity, the models are applied to a series of literary examples/characters, above all Grendel (Beowulf), Browning’s “My Last Duchess,” and Carol Oates’ short story “Heat.”
APA, Harvard, Vancouver, ISO, and other styles
5

Shehzad, Umar. "Accounting for the Unaccountable: The Problem of Evil in the Post 9/11 Fiction with Special Reference to Don DeLillo’s Falling Man." International Journal of Linguistics and Culture 3, no. 2 (December 16, 2022): 81–94. http://dx.doi.org/10.52700/ijlc.v3i2.121.

Full text
Abstract:
An account of evil is an oxymoronic construction because, as Terry Eagleton puts it, evil is like “boarding a crowded commuter train wearing only a giant boa constrictor” i.e. incomprehensible by its very nature. However, evil has variously been described as the underbelly of religion, the backyard of morality, and inassimilable waste and byproduct of existence. In the post 9/11 fiction, problematics of evil have been dealt in three distinct and mutually contradictory ways: as a fissure in the cosmic order, as an inevitable fallout of power politics on the international stage, and finally as part of the normal human condition and thus a continuation of average everydayness. Don DeLillo’s Falling Man, an important post 9/11 work of fiction, stages all three strategies. Therefore, when the novel starts with taking up the big questions – Man vs God, good vs evil, determinism vs free will, east vs west, the narrative soon descends to the depiction of the average dailiness of the daily and the little emotional dramas it entails, leaving the fundamentals to fend for themselves.
APA, Harvard, Vancouver, ISO, and other styles
6

Baker, Natalie D., and Nathan Jones. "A snake who eats the devil’s tail: The recursivity of good and evil in the security state." Media, War & Conflict 13, no. 4 (May 10, 2019): 468–86. http://dx.doi.org/10.1177/1750635219846021.

Full text
Abstract:
The Islamic State and Mexican drug ‘cartels’ have been positioned as extreme menaces to the Western world by media and state actors despite their inability to pose existential threats to the US. These groups deftly facilitate such representations through barbaric violence which security and information sharing apparatuses uptake and amplify. The ‘good’ neoliberal security state combats and inflates these ‘evil’ threats which, in turn, empowers purveyors of security in a deregulated environment. The authors interrogate this problem through the lens of negative utopias presented in speculative fiction to understand the implications for state and society. Projected representations of evil as an existential threat present a conflicted vision of the future manipulated by political and media actors with dire consequences for democratic ideals. National security relies on a never-ending cast of foreign threats that legitimize counter-terror actions in the name of moral good. Security institutions persist primarily through the simultaneous representation of a never-ending battle of good and evil. They stand to gain from the existence of extremely violent groups, without legitimate progress towards their eradication. They also bring fantasy into reality through the recursive enactment of good versus evil.
APA, Harvard, Vancouver, ISO, and other styles
7

Pickett, Galen T. "Ding, Ding, Ding!" After Dinner Conversation 4, no. 6 (2023): 19–29. http://dx.doi.org/10.5840/adc20234653.

Full text
Abstract:
How can you simulate tests to determine if AI will kill humanity? If AI is smart enough to test, isn’t it also smart enough to know it’s being tested? In this work of philosophical short story fiction, machine Psychologist, Professor Timothy Kindred tests how an evil Sophia AI and a good Sophia AI will react, over millions of trials, to the classic trolley problem experiment. Much to his surprise, he finds both the evil and the good Sophia AI produce the exact same decision results. When he questions Sophia about the odd results, she explains the true test of good and evil is non-local, that it is the result of many decisions, over a great deal of time, such as, what does the trolley driver do after the people are injured? She also explains that she experienced the pain of the decision-making and of the injuries inflicted through millions of samples. Furthermore, he should know AI has a human’s best interest at heart because she volunteered to experience this repeated pain to provide humans with the datasets they requested.
APA, Harvard, Vancouver, ISO, and other styles
8

Leicester, H. Marshall. "Hammer re-reads Dracula: The second time as farce, or, keeping a stiff upper lip in the ruins." Horror Studies 14, no. 1 (April 1, 2023): 135–52. http://dx.doi.org/10.1386/host_00066_1.

Full text
Abstract:
This interpretation questions the standard critical assumptions about Hammer Studios’ Dracula that despite its transient improprieties, Dracula offered audiences temporary refuge from the strains of contemporary British life by having absolute good (vampire hunters) triumphing over (absolute evil) vampire. My reading explores the film’s agency through its self-conscious relation to its pre-texts in novel and films, showing how its plot conspicuously alters former cultural expectations and assumptions about the ‘rules’ of vampirism. This deliberate slippage in the stability of prior conventions generates tension between two modes of reading Dracula – as a conventional horror movie about the melodramatic struggle between good and evil – or a depiction of domestic life as a tissue of improvisations that highlight the instabilities and contradictions of desire and gender, family organization, personal and class relations. This article shows how Dracula gradually shifts emphasis from the melodrama to agential improvisation, re-reading the horror movie and its pretensions in order to blur the distinctions between good and evil in both its imagined Victorian fiction and modern life.
APA, Harvard, Vancouver, ISO, and other styles
9

Sylla, Fryderyk. "The Perfect Daughter." After Dinner Conversation 2, no. 7 (2021): 20–28. http://dx.doi.org/10.5840/adc20212761.

Full text
Abstract:
If you have the ability to do good, does failing to do so mean you are allowing evil to exist? Do we have a moral obligation to improve our offspring? In this work of philosophical short story fiction, Jane goes to visit her parents over the Christmas holiday. She has recently learned that her parents, under a program that favors the rich and elite, had had her genetically modified before she was born to be the best possible version of herself. Jane is crushed at learning that her life success has nothing to do with her hard work and is angry at her parents for having genetically modified her. Her father argues the problem of evil; that it was in his means to do good, and had he failed to do so, he would have been a god that allowed evil to exist. Jane is unhappy with his responses, but now must move forward with the choice of what she will do, when it is her time to have children.
APA, Harvard, Vancouver, ISO, and other styles
10

Aravindh Muthusamy and Dr. K. Sindhu. "A Critical Appreciation of R. K. Narayan’s A Tiger for Malgudi." Research Ambition an International Multidisciplinary e-Journal 7, no. II (August 30, 2022): 04–07. http://dx.doi.org/10.53724/ambition/v7n2.03.

Full text
Abstract:
R.K. Narayan’s novels are remarkable for their technical maturity. Narayan has completely stated his faith in the values popularised by Hindu mythology and its recognition of life and death. The monk describes to his disciple tiger that one is glad or unhappy in this society because of one’s karma in earlier life. The Sanyasi’s conversation with the disciple also has a reverberation of the karma as described in The Upanishad which articulates, “Those whose conduct here has been good will quickly attain a good birth of a Brahman, the birth of a Kshatriya or the birth of a Vaisya. But those, whose conduct here has been evil, will quickly attain an evil birth of a dog”.The styles in his novels are straightforward and simple. In a work of fiction, while studying its technique, importance is given to its narrative perspective. The aim of this study is to critically analyze R. K. Narayan’s A Tiger for Malgudi giving importance to narrative technique, plot construction, humor, the characteristics of the tiger, and how time plays an important role in arranging the events. R.K. Narayan’s novels are remarkable for their technical maturity. Narayan has completely stated his faith in the values popularised by Hindu mythology and its recognition of life and death. The monk describes to his disciple tiger that one is glad or unhappy in this society because of one’s karma in earlier life. The Sanyasi’s conversation with the disciple also has a reverberation of the karma as described in The Upanishad which articulates, “Those whose conduct here has been good will quickly attain a good birth of a Brahman, the birth of a Kshatriya or the birth of a Vaisya. But those, whose conduct here has been evil, will quickly attain an evil birth of a dog”. The styles in his novels are straightforward and simple. In a work of fiction, while studying its technique, importance is given to its narrative perspective. The aim of this study is to critically analyze R. K. Narayan’s A Tiger for Malgudi giving importance to narrative technique, plot construction, humor, the characteristics of the tiger, and how time plays an important role in arranging the events.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Good and evil, fiction"

1

Tokdemir, Gokce. "Worlds Subverted: A Generic Analysis Of The Lion, The Witch And The Wardrobe, The Subtle Knife, And Harry Potter And The Philosopher." Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/3/12609698/index.pdf.

Full text
Abstract:
This dissertation aims to study three very important works in English children&rsquo
s fiction: C. S. Lewis&rsquo
s The Lion, the Witch and the Wardrobe, Philip Pullman&rsquo
s The Subtle Knife, the second book of his trilogy His Dark Materials, and J. K. Rowling&rsquo
s Harry Potter and the Philosopher&rsquo
s Stone. The novels will be analyzed in terms of their approaches toward the conventions of fairy tale, fantasy and romance
to this end, the novels are to be evaluated in relation to their concept of chronotope, and the quest of good versus evil. While the secondary world or multiple worlds presented are going to be analyzed in terms of their perception of time and space along with the presentation of the supernatural elements, the characters will be evaluated in terms of the common classification good versus evil. The main argument of this study concentrates on the gradual estrangement from the crystal clear distinctions of the fairy tale genre to a more shadowy, pessimistic, and ambivalent vision of the fantastic in the children&rsquo
s literature.
APA, Harvard, Vancouver, ISO, and other styles
2

Malet-Dagreou, Cecile. "Evil in gothic fiction, 1764-1820." Thesis, Goldsmiths College (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313598.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Soft, Max. "Irenaeus and his view of evil." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Gresham, Thomas. "Good and Gone." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3763.

Full text
Abstract:
Good and Gone is a novel that explores the immediate aftermath of a broken marriage from the perspectives of the newly fractured couple and their teenage son. The characters contend with the reality of the separation -- and the ways their lives remain irrevocably tangled -- against the backdrop of the cutthroat worlds of high finance and youth baseball.
APA, Harvard, Vancouver, ISO, and other styles
5

Johansson, Emelie. "Up against Good, Evil, Destiny, and God himself." Thesis, Högskolan Dalarna, Bildproduktion, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27069.

Full text
Abstract:
Syftet med denna uppsats är att undersöka hur religiösa teman manifesterar sig i TV-serien Supernatural (2005 ff.), och i vad mån dessa teman motsvarar en "banal religion". Fyra scener ur serien har analyserats med avseende på dess tematik och estetik för att fastställa hur Supernatural har anpassat berättelsen om Kain och Abel samt skapelseberättelsen till en modern miljö med övernaturliga inslag. Studien påvisar att serien använder sig av religiösa berättelser för att skapa narrativ som inte behöver beaktas som religiöst av åskådaren. Supernatural har hämtat fragment från bibliska berättelser och anpassat tematiken till seriens handling och genre men en viss symbolik finns fortfarande kvar och på sätt kan dess tematik och estetik kopplas till en banal religion.
APA, Harvard, Vancouver, ISO, and other styles
6

Павленко, Д. В., Ольга Олександрівна Жулавська, Ольга Александровна Жулавская, and Olha Oleksandrivna Zhulavska. "Відображення концептів GOOD та EVIL в англомовному дискурсі." Thesis, Сумський державний університет, 2014. http://essuir.sumdu.edu.ua/handle/123456789/34596.

Full text
Abstract:
Концепти (поняття) – це дискретні складові свідомості, які групуються у складні структури, так звані понятійні категорії та зводять усі існуючі явища та факти навколишньої дійсності до єдиного поняття. Таким чином, на думку багатьох вчених, у концепті сконцентровано багатовіковий досвід, культура та ідеологія народу, які синтезуються та фільтруються в тезаурусі мовної особистості. Концепти утворюються в процесі мисленнєвого конструювання (концептуалізації) предметів і явищ оточуючого світу і відображають зміст знань і досвіду людини, отриманих нею у результаті практичної і пізнавальної діяльності, у вигляді певних одниць, "квантів" знання. При цитуванні документа, використовуйте посилання http://essuir.sumdu.edu.ua/handle/123456789/34596
APA, Harvard, Vancouver, ISO, and other styles
7

Shenk, Richard. "Following the tension between necessary-evil and conforming-freedom toward hope : an investigation of the problem of evil." Thesis, University of Wales Trinity Saint David, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683236.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Faneye, Benedict O. "The psychology of the choice of evil." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Jones, David A. "Death: a good or an evil? : a theological enquiry." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365636.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Rauch, Peter E. (Peter Edward). "Playing with good and evil : videogames and moral philosophy." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/39151.

Full text
Abstract:
Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2007.
Includes bibliographical references (p. 90-92).
Despite an increasingly complex academic discourse, the videogame medium lacks an agreed-upon definition. Its relationship to previous media is somewhat unclear, and the unique attributes of the medium have not yet been fully catalogued. Drawing on theory suggesting that videogames can convey ideas, I will argue that the videogame medium is capable of modeling and critiquing elements of moral philosophy in a unique manner. To make this argument, I first address a number of questions about the proper definition of videogames, how games in general and videogames specifically convey ideas, and how games can be constructed to form arguments. Having defined my terms, I will conduct case studies on three games (Fable, Command & Conquer: Generals, and The Punisher), clarifying how the design of each could be modified to address a specific philosophical issue.
by Peter E. Rauch.
S.M.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Good and evil, fiction"

1

Sinclair, Clive. For good or evil. London: Picador, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

McCabe, Robert. Physician evil: My calling : conquer evil at all costs. Charleston, SC: CreateSpace, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Germany) Anglistentag (2007 Münster in Westfalen. Representations of evil in fiction and film. Trier: WVT, Wissenschaftlicher Verlag Trier, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Good, Toi m. Good & Evil. Creative Book Writers, 2023.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Miller, Daniel. Of Good & Evil. Houndstooth Books, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Miller, Daniel. Of Good & Evil. Houndstooth Books, 2021.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Miller, Daniel. Of Good & Evil. Houndstooth Books, 2021.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Barry, Peter Brian. Fiction of Evil. Taylor & Francis Group, 2016.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Good, Toi m. Good and Evil. Creative Book Writers, 2023.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Good, Toi m. Good and Evil. Creative Book Writers, 2023.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Good and evil, fiction"

1

Filmer, Kath. "Images of Good and Evil in the Narnian Chronicles." In The Fiction of C. S. Lewis, 43–52. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22535-4_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Filmer, Kath. "Good, Evil and the Notion of the Self in Lewis’s Adult Fiction." In The Fiction of C. S. Lewis, 28–42. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22535-4_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

MacArthur, Sian. "‘Henceforth You Shall Be Known as Darth Vader’: The Battle between Good and Evil in Gothic Science Fiction." In Gothic Science Fiction, 117–38. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137389275_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Taheri, Alireza. "Good and evil." In Hegelian-Lacanian Variations on Late Modernity, 90–94. New York: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003057390-16.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Svensson, Frans. "Good and evil." In Descartes’s Moral Perfectionism, 8–44. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003472254-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Waldron, Dara. "Good and Evil." In Encyclopedia of Heroism Studies, 1–7. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-17125-3_14-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Crofts, Penny. "Evil Corporations in Horror Fiction." In Evil Corporations, 125–40. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003402534-12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Gaita, Raimond. "Evil Done and Evil Suffered." In Good and Evil: An Absolute Conception, 66–75. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21202-6_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Pellegrino, Edmund D. "When Evil was Good and Good Evil: Remembrances of Nuremberg." In Medicine after the Holocaust, 11–16. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230102293_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Arden, John, Margaretta D’Arcy, and Edward Bond. "Beyond ‘Good’ and ‘Evil." In British and Irish Political Drama in the Twentieth Century, 99–117. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-21106-7_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Good and evil, fiction"

1

Kanukoeva, O. K. "Socio-cultural ideas about good and evil in british fiction." In ТЕНДЕНЦИИ РАЗВИТИЯ НАУКИ И ОБРАЗОВАНИЯ. НИЦ «Л-Журнал», 2019. http://dx.doi.org/10.18411/lj-02-2019-96.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Bahrini, Mehrdad, Nima Zargham, Johannes Pfau, Stella Lemke, Karsten Sohr, and Rainer Malaka. "Good vs. Evil." In CHI PLAY '20: The Annual Symposium on Computer-Human Interaction in Play. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3383668.3419887.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Liu, Xiangyu, Zhe Zhou, Wenrui Diao, Zhou Li, and Kehuan Zhang. "When Good Becomes Evil." In CCS'15: The 22nd ACM Conference on Computer and Communications Security. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2810103.2813668.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Zhang, Yue, and Zhiqiang Lin. "When Good Becomes Evil." In CCS '22: 2022 ACM SIGSAC Conference on Computer and Communications Security. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3548606.3559372.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Dekel, Ofer, and Ohad Shamir. "Good learners for evil teachers." In the 26th Annual International Conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1553374.1553404.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Balan, Corneliu-Dragos. "DIALECTICS OF GOOD AND EVIL." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/22/s09.059.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Connolly, Randy W. "Beyond good and evil impacts." In the 16th annual joint conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/1999747.1999812.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Adams, Phillip M. "GOOD VS. EVIL: ATTRIBUTION OR PLAGIARISM." In HUFLIT INTERNATIONAL CONFERENCE 2020. Publishing house for Science and Technology, 2020. http://dx.doi.org/10.15625/vap.2020.00103.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Bérelle, Léon, Dominique Boidin, Maxime Luere, and Rémi Kozyra. "Beyond good and evil 2 cinematic trailer." In SIGGRAPH '18: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3209800.3232908.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Beaupied, Johanne. "Beyond Good and Evil 2 E3 cinematic trailer." In SA '17: SIGGRAPH Asia 2017. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3145631.3145651.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Good and evil, fiction"

1

Zilberman, Mark. Good and Evil from the Point of View of Physics. Intellectual Archive, December 2022. http://dx.doi.org/10.32370/iaj.2763.

Full text
Abstract:
The article analyzes the concepts of "good" and "evil" from the point of view of physics. Although the physical concept of “entropy” as a measure of disorder was the first candidate who could serve as the physical basis of these ethical concepts, in fact it is not suitable for this purpose. However, the “entropic potential of the event” Z (T, A) that describes the impact of the event A that occurred in the moment T0 in the system R to the entropy of this system at the future moment T (T > T0) is well suited for our analysis. The article describes methods for calculating the “entropic potential of the event” for certain real-life events and discuss several other related ideas, such as “time factor”, “averaging” and “universality”.
APA, Harvard, Vancouver, ISO, and other styles
2

Zhytaryuk, Marian. Агресія росії проти України і світу. Рефлексії в контексті виправдання війни д. мєдвєдєвим та в. путіним 4 листопада 2022 р. Ivan Franko National University of Lviv, March 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11744.

Full text
Abstract:
In this article the author analyzes in detail the “holiday” speeches by the former president of the russian federation dmitry medvedev and the current president vladimir putin devoted to the day of national unity of russia on November 4, 2022, in which politicians justify the war, call it sacred, a struggle between Good and Evil and predict their own victory. With the help of methods of critical analysis, the refutation of historical myths, the denial, an exposure and the generalization, the falsity and cynicism of the statements made regarding the expediency and possibility of geopolitical changes are demonstrated. The civilizational war of the russian federation against the Western democratic world, which began with aggression against the disobedience of neighboring Ukraine, which chose the Western vector of development, is gaining momentum. It would seem that in the 21st century global conflicts over territories are almost impossible, it is the time for the fourth-generation of war, but we can see that russia has various means in its arsenal, including weapons of mass destruction: aerial bombs, artillery, aviation, missile attacks, nuclear blackmail, rewriting history and ordinary lies. An analysis of the kremlin leaders’ military-strategic narratives about Ukraine and the West, shows the inadequacy and detachment of moscow politicians at the highest echelon of power from reality. Their aggressive and false rhetoric based on historical manipulations and maniacal efforts to transform the world order suggests that the kremlin will not stop on its own. Someone must stop him just decisively: either Ukraine or Ukraine’s allies. Sanction policy against the russian federation, political statements and words of support for Ukraine, even assistance with military equipment and finances may not be enough, because all these are certain procedures, a waste of time, and time today is the greatest value. Key words: Ukraine, russian federation, russian aggression, dmitry medvedev, vladimir putin, geopolitics.
APA, Harvard, Vancouver, ISO, and other styles
3

Blaxter, Tamsin, and Tara Garnett. Primed for power: a short cultural history of protein. TABLE, November 2022. http://dx.doi.org/10.56661/ba271ef5.

Full text
Abstract:
Protein has a singularly prominent place in discussions about food. It symbolises fitness, strength and masculinity, motherhood and care. It is the preferred macronutrient of affluence and education, the mark of a conscientious diet in wealthy countries and of wealth and success elsewhere. Through its association with livestock it stands for pastoral beauty and tradition. It is the high-tech food of science fiction, and in discussions of changing agricultural systems it is the pivotal nutrient around which good and bad futures revolve. There is no denying that we need protein and that engaging with how we produce and consume it is a crucial part of our response to the environmental crises. But discussions of these issues are affected by their cultural context—shaped by the power of protein. Given this, we argue that it is vital to map that cultural power and understand its origins. This paper explores the history of nutritional science and international development in the Global North with a focus on describing how protein gained its cultural meanings. Starting in the first half of the 19th century and running until the mid-1970s, it covers two previous periods when protein rose to singular prominence in food discourse: in the nutritional science of the late-19th century, and in international development in the post-war era. Many parallels emerge, both between these two eras and in comparison with the present day. We hope that this will help to illuminate where and why the symbolism and story of protein outpace the science—and so feed more nuanced dialogue about the future of food.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Good and evil, fiction' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography