Relevant bibliographies by topics / Gorani poetry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Gorani poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "Gorani poetry"

1

Mohammad, Anwar Qader, and Lhon Qadr Abdulrahman. "The General Features of Epic and Lyrical Poetry in the Kurdish- Gorany (Hawrami) Dialect." Journal of University of Human Development 7, no. 3 (August 8, 2021): 41–51. http://dx.doi.org/10.21928/juhd.v7n3y2021.pp41-51.

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The well- known Russian orientalist and Kurdolog, V.F. Minorsky was the first researcher who classified Gorany Poetry into three literary genres: Epic, Religion, and Lyrical poetries. Our study is included within the frame of research of the literature of the Gorani (Hawrami) dialect. Therefore, we attempted to investigate this topic through the poetic methods of the two literary genres: Epic and Lyric to indicate their high level style and aesthetic values.
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2

Ghaderi, Farangis. "The literary legacy of the Ardalans." Kurdish Studies 5, no. 1 (May 17, 2017): 32–55. http://dx.doi.org/10.33182/ks.v5i1.419.

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Classical Gorani literature is believed to be the oldest Kurdish literary tradition which under the patronage of the Ardalans developed into a “literary koinè” in the seventeenth and the eighteenth centuries. However, despite its antiquity and significance in the history of Kurdish literature, it has remained largely under-studied. It is against this backdrop that I offer an overview of Gorani literature, its history of development, and main literary characteristics in this article. Through extensive text analysis I examine the classical Gorani poetry for its major genres and forms and predominant themes and images. I study Gorani oral and written literature and their interactions, and the role it played in Kurdish poetic modernisation in the twentieth century.Abstract in KurmanjiMîrasa edebî ya ErdelaniyanEdebiyata goranî ya sunnetî wek kevntirîn kelepora edebî ya kurdî tê hesibandin, ku bi patronaja xanedana Erdelaniyan di sedsalên hevdeh û hejdehan de şiklê “koinèyeke edebî” wergirt. Lê belê, li gel qedîmî û girîngiya xwe bo dîroka edebiyata kurdî, heta niha kêm xebat li ser wê hatine kirin. Li ser vê paşxaneyê di vê gotarê de ez dixwazim giştiyekê li ser edebiyata goranî, li ser dîroka geşedana wê, û xasiyetên wê yên edebî yên serekî pêşkêş bikim. Bi rêya tehlîlên berfireh ên metnan ez dê cure û qalibên serekî û mezmûnên serdest ên edebiyata klasîk a goranî binirxînim. Herwiha behs dê bikeve ser edebiyata goranî ya devkî û ya nivîskî û têkiliya wan, li gel rola ku vê edebiyatê di nûjenkirina helbesta kurdî ya sedsala bîstan de gêraye.Abstract in SoraniKeleporî Edebîy ErdellanekanEdebiyatî klasîkî goranî be kontirîn edebî kurdî dadenrêt ke le sedekanî hevde w hejde be pallpiştî Erdellanekan wekû zimanî edebî hawbeş geşey kird. Bellam be pêçewaney kewnî w girîngîy le mêjûy edebî kurdî da, lêkollînewey zor kemî le ser kirawe. Lem wutare be leberçawgirtinî em paşxane, edebî goranî, mêjûy geşesendinî w layene edebîye berçawekanî bas dekem. Le rêgey şîkarî deqî şî‘rî klasîkî goranî, janr û form û herweha têma w wêna serekîyekan şirove dekem. Em wutare herweha edebî zarekî w nûsrawey koranî w pêwendîyan û rollî le nûkirdinewey şî‘rî kurdî le sedey bîstem tawtwê dekat.
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3

Idrizi, Sadik. "INFLUENCE OF THE GREEK LANGUAGE ON THE SPEECH AND FOLK POETRY OF GORA." Journal Human Research in Rehabilitation 2, no. 1 (April 2012): 58–63. http://dx.doi.org/10.21554/hrr.041207.

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Based on its many structural features, the Gorani dialect belongs to Balkan linguistic union. Some features have joined this dialect as a result of lingustic and ethnic mixtures present in the southeastern part of Balkan peninsula. Romanic, Turkish and Greek languages have influenced a lot the creation of the Balkan linguistic association. Balkan languages show a lot of parallel features in phonetics, morphology, suntax and vocabulary.
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4

Idrizi, Sadik. "IMPACT OF THE NON-SLAVIC BALKAN LANGUAGES ON SPEECH AND FOLK POETRY OF GORA." Journal Human Research in Rehabilitation 2, no. 2 (August 2011): 43–47. http://dx.doi.org/10.21554/hrr.081106.

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Based on its many structural features, the Gorani dialect belongs to Balkan linguistic association. Some features have joined this dialect as a result of lingustic and ethnic mixtures present in the southeastern part of Balkan peninsula. Romanic, Turkish and Greek languages have infl uenced a lot the creation of the Balkan linguistic association. Balkan languages show a lot of parallel features in phonetics, morphology, suntax and vocabulary.
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5

Stawczyk, Ewa. "Piękno starości. Poetycki obraz przemijania w prozie Gorana Petrovicia." Slavica Wratislaviensia 163 (March 17, 2017): 761–70. http://dx.doi.org/10.19195/0137-1150.163.64.

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The beauty of old age. Poetic image of passingin Goran Petrovic’s proseThe aim of the article was to present the beauty of aging heroes living in adreamlike and idealized worlds of Goran Petrovic’s prose, and to reveal the mechanism of beautifying the aging process itself by reffering to folklore, playing with stereotypes, and using strongly metaphoric language. Presented paper focuses on Petrovic’s interesting ways of showing the beauty hidden in old age, also pointing to forgetting names and words as the most important determinant of aging what indicates aclose connection between human existence and language ontological status of language.Lepota starosti. Poetska slika upokojenjau prozi Gorana PetrovićaCilj ovog članka je da se predstavi lepotu starenja junaka koji žive uoniričkim iidealiziranim svetovima proze Gorana Petrovića, ida se otkrije mehanizam ulepšavanja samog procesa starenja igrajući sa stereotipima, koristeći folklor isnažno metaforički jezik. Predstavljen rad usredotočuje pažnju na Petrovićev zanimljiv način pokazivanja lepote skrivene ustarosti, isto ina zaboravljanje imena ireči kao najvažnije determinante starenja što ukazuje na blisku vezu između ljudskog postojanja ijezika ontološki status jezika.
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6

Sorel, Sanjin. "Revisionism in Poetry." Fluminensia 32, no. 2 (2020): 101–15. http://dx.doi.org/10.31820/f.32.2.6.

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The article identifies the ways/procedures of revisionism in poetry. Not only does the exclusion of the poetry of Goran Babić from the national corpus not correspond with its poetic complexity and value, but it is also ethically inconsistent. Revisionism follows a national identity path according to which literature with clearly expressed views on socialism cannot fully exist within the history of poetry. Politics has taken the place of poetics.
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7

Horton, Andrew. "Laughter Dark & Joyous in Recent Films from the Former Yugoslavia." Film Quarterly 56, no. 1 (2002): 23–28. http://dx.doi.org/10.1525/fq.2002.56.1.23.

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Studying recent films from the former republics of Yugoslavia, Andrew Horton examines how film-makers depict important issues and themes of the times through humor. Focusing particularly on Goran Paskaljevic's award-winning Cabaret Balkan (1998), which is set in Belgrade during the Bosnian War and weaves a variety of narratives "framed" within a cabaret, Horton places these recent films in a larger context of Yugoslav culture. He draws connections between Balkan comedy and a Yugoslav tradition of satirical theater and poetry, where humor——particularly laughter, dark and joyous——is used to illustrate pressing social and political issues.
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8

Yüksel, Metin. "Solidarity without borders: The poetic tributes to Paul Robeson of Goran and Cegerxwîn." Journal of Postcolonial Writing 51, no. 5 (August 11, 2015): 556–73. http://dx.doi.org/10.1080/17449855.2015.1065287.

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9

Azad Azeez, Ranjdar, and Shakhawan Bawadin Kareem. "The beauty of females between Goran and Ahmad Hardi" in two poetic texts "le drzi piçewa, and çawerwani bé hude"." Twejer 2, no. 2 (June 2019): 73–108. http://dx.doi.org/10.31918/twejer.1922.3.

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10

"The language of senses in Goran poetry." Zanco Journal of Humanity Sciences 23, no. 1 (February 15, 2019). http://dx.doi.org/10.21271/zjhs.23.1.7.

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Dissertations / Theses on the topic "Gorani poetry"

1

Ghaderi, Farangis. "The emergence and development of modern Kurdish poetry." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/22267.

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This thesis challenges the traditional literary criticism’s definition of modern poetry and the explanation of its emergence as a radical break with the past in the 1930s and 1940s and conducted by Abdula Goran, “the father of modern Kurdish poetry”. In traditional criticism, the classification of poetry is based on its formal features and modern poetry is characterized by abandoning the classical metrical system (aruz), and employing syllabic meter and free rhyme schemes. However, guided by Lotman’s theory of literary change, this thesis offers a more nuanced approach to the study of modern poetry and examines its emergence as a process of literary change that unfolded through the oeuvre of several poets, starting from the late nineteenth century and culminating in the 1940s. Exploring the process of the poetic change in time and investigating the mechanism of the transformation, three stages of transformation are identified which are represented by the works of Hacî Qadirê Koyî, Rehîm Rehmê Hekarî, and Pîremêrd. A close reading of the works of the selected poets reveals a gradual move from the classical norms and conventions of poetry and a successive introduction of new perspectives, rhetoric, and literary devices into the poetic system. This thesis argues that modern Kurdish poetry emerged in response to the advent of modernity and nationalism in Kurdish society. The study argues that modern poetry was the literary form which accompanied the emergence of Kurdish nationalism, a phenomenon which can be equated with the role played by the novel in Europe. Poetry played a significant role in constructing and disseminating Kurdish nationalism, making it intelligible to uneducated people. The examination of the evolution of modern poetry in this study has revealed lesser known aspects of the formation and the development of Kurdish nationalism and has brought to light the neglected contribution of Kurdish religious intellectuals.
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2

Samsom, Ridder H. "Tungo za Mzee Kimbunga: Haji Gora Haji." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-97759.

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Haji Gora Haji (1933) is a Swahili poet from Tumbatu. Some people in Zanzibar call him `The Old Hurricane´ after the title and the first poem of his anthology Kimbunga (1994 Dar es Salaam: Taasisi ya Uchunguzi wa Kiswahili) that made him well-known all over Taniania. While making a living from the sea, as a fisherman, porter in the harbour, sailor and transporter of cloves, he has been composing, since 1955, a large amount of ngoma and taarab songs, riddles, tenzi and mashairi, short stories and, recently, a short novel. This paper discusses metaphors and images that are characteristic of Haji Gora`s work, the way in which they reveal his identity and how they have been put in terms of contradictions and oppositions.
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Books on the topic "Gorani poetry"

1

Dānishnāmah-i nāmʹāvarān-i Yārisān: Shāmil, mashāhīr va chihrahʹhā-yi adabī, aḥvāl va ās̲ār-i ānān ... Tihrān: Hīrmand, 1997.

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2

Nāmah-ʼi Saranjām, yā, Kalām-i khazānah: Yakī az mutūn-i kuhan-i Yārsān (Ahl-i Ḥaqq) : matn-i muṣaḥḥah va tarjamah-i ān bih zabān-i Fārsī ... Tihrān: Intishārāt-i Hīrmand, 1997.

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3

Karīm, Muḥammadî Mela. Mewlewî: Jiyan u berhemî. Hewlêr [Kurdistan, Iraq]: Dezgay Çap u Biławkirdinewey Aras, 2001.

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4

Şêwazî şîʻri goran. Silêmanî [Kurdistan, Iraq]: Mełbendî Kurdolocî, 2009.

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5

Goran le yadewerî [sic] hawçerxekanîda. Silêmanî [Kurdistan, Iraq]: Lebiławkirawekanî Dezgay Çap u Pexşî Ḧemdî, 2007.

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Siruşt le şîʻrî Goran da. Silêmanî, Kurdistan: Le Biławkirawekanî Dezgay Çap u Pexşî Serdem, 2007.

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7

Lêkçûnu ciyawazîyekanî nwêkirdinewe lay Goran u Nîma Yuşîc. Silêmanî [Kurdistan, Iraq]: Wezaretî Roşinbîrî, Berêweberêtîy Çap u Biławkirdinewey Silêmanî, 2008.

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8

Simić, Goran. Immigrant blues. London, Ont: Brick Books, 2003.

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9

Ṭāhir, Amir. Nîma Yûşîc u ʻEbdułla Goran: Niwêkirdinewe w dabir̄an. Dihok [Kurdistan, Iraq]: Spîrêz, 2006.

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10

Chegodaeva, Marii︠a︡ Andreevna. Tam za gorami gori︠a︡ . . .: Poety, khudozhniki, izdateli, kritiki v 1916-1923 godakh. Sankt Peterburg: Dmitriĭ Bulanin, 2002.

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