Relevant bibliographies by topics / Górecki, Henryk Mikołaj

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Górecki, Henryk Mikołaj'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Górecki, Henryk Mikołaj.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Górecki, Henryk Mikołaj"

1

Sucharska, Weronika. "Dzieła kameralne Henryka Mikołaja Góreckiego w kontekście przemian stylu kompozytora. Wybrane przykłady." Kwartalnik Młodych Muzykologów UJ, no. 46 (3) (2020): 91–113. http://dx.doi.org/10.4467/23537094kmmuj.20.014.12856.

Full text
Abstract:
Henryk Mikołaj Gorecki's Chamber Works in the Context of the Changes of the Composer's Style: Selected Examples The aim of this paper is to study stylistic changes in Henryk Mikołaj Górecki’s works based on four predefined instances of chamber music: Quartettino, Op. 5, Concerto for Five Instruments and String Quartet, Op. 11, Muzyczka IV, Op. 28 and Aria scena operowa, Op. 59. The use of structural, auditory and style-critics analyses has made is possible to follow the variety of the composition techniques present in chamber compositions. Additionally, it has allowed to exhibit idiomatic feat
APA, Harvard, Vancouver, ISO, and other styles
2

Siedlik, Włodzimierz. "Henryk Mikołaj Górecki i jego muzyka." Pro Musica Sacra 10 (September 30, 2012): 89. http://dx.doi.org/10.15633/pms.341.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Sucharska, Weronika. "Henryk Mikołaj Górecki’s Chamber Music Works in the Context of the Transformations of the Composer’s Style: Selected Examples." Kwartalnik Młodych Muzykologów UJ, no. 46 (3) (2020): 87–108. http://dx.doi.org/10.4467/23537094kmmuj.20.039.13912.

Full text
Abstract:
The aim of this paper is to analyse stylistic changes in Henryk Mikołaj Górecki’s output on the example of four selected chamber music works: Quartettino, Op. 5, Concerto for Five Instruments and String Quartet, Op. 11, Little Music 4, Op. 28 and Aria (‘operatic scene’), Op. 59. By applying the methods of structural and auditory analysis as well as style criticism, I discuss the diversity of composition techniques found in these compositions. Additionally, my methodology has allowed me to represent the idiomatic, idiosyncratic features of Górecki’s style and study the ways in which Górecki app
APA, Harvard, Vancouver, ISO, and other styles
4

Dzialak-Savytska, Anna. "Dialogue in Sonata for Two Violins Op. 10 by Henryk Mikołaj Górecki from a Performer’s Perspective." Edukacja Muzyczna 15 (2020): 151–63. http://dx.doi.org/10.16926/em.2020.15.16.

Full text
Abstract:
The article aims at defining the specificity of dialogue in Sonata for two violins Op. 10 by Hen- ryk Mikołaj Górecki from the point of view of the performer. This piece, though created in the early period of the composer’s career, belongs to important examples of this genre in 20th century Euro- pean music. With regard to the declared aim, various versions of the dialogue in this sonata were examined. The issue of dialogue in the discussed piece is presented in the context of the individual composer’s style. In order to address the core matter, the analysis of all three movements of the sona
APA, Harvard, Vancouver, ISO, and other styles
5

Bolesławska-Lewandowska, Beata. "„Łzy lejąca” w arcydziełach muzyki polskiej XX wieku." Sympozjum 25, no. 1 (40) (2021): 67–82. http://dx.doi.org/10.4467/25443283sym.21.006.13719.

Full text
Abstract:
„Mother weeping” in the masterpieces of Polish music of the 20th century The theme of the sorrowful mother has been present in music for centuries. The medieval sequence Stabat mater dolorosa brought many excellent interpretations. As far as the music of Polish composers in the 20th century is concerned, the first name to be mentioned is Karol Szymanowski and his masterpiece: Stabat Mater, Op. 53 (1926). This work, using a text in Polish and referring to folklore, set one direction for the interpretation of the theme of the sorrowful mother in the Polish music of the last century. It was conti
APA, Harvard, Vancouver, ISO, and other styles
6

Mikolon, Anna. "Composition trends in polish vocal lyric. Musical language features in polish songs after the mid-20th century based on selected examples." Notes Muzyczny 2, no. 12 (2019): 175–98. http://dx.doi.org/10.5604/01.3001.0013.7176.

Full text
Abstract:
The subject for analysis were works for voice and piano by selected Polish composers of the 20th and 21st centuries, e.g. Grażyna Bacewicz, Tadeusz Baird, Henryk Czyż, Henryk Mikołaj Górecki, Henryk Hubertus Jabłoński, Wojciech Kilar, Zygmunt Krauze, Szymon Laks, Witold Lutosławski, Juliusz Mieczysław Łuciuk, Wojciech Łukaszewski, Paweł Łukaszewski, Maciej Małecki, Paweł Mykietyn, Edward Pałłasz, Konrad Pałubicki, Krzysztof Penderecki, Witold Rudziński, Marian Sawa, Kazimierz Serocki, Tadeusz Szeligowski and Romuald Twardowski. An important matter for the author was to determine whether there
APA, Harvard, Vancouver, ISO, and other styles
7

Malecka, Teresa. "Mieczysław Tomaszewski. Muzykolog wolny, niezależny i zaangażowany." Res Facta Nova. Teksty o muzyce współczesnej, no. 20 (29) (December 15, 2019): 7–16. http://dx.doi.org/10.14746/rfn.2019.20.1.

Full text
Abstract:
The article discusses the culture-creating activities of Mieczysław Tomaszewski (1921–2019) at the Polish Music Publishing House and within the context of Musical Encounters at Baranów Sando- mierski (1976–1981). The text is mainly concerned with Tomasze-wski’s publications relating to twentieth-century Polish composers: Karol Szymanowski, Witold Lutosławski, Krzysztof Penderecki and Henryk Mikołaj Górecki. The reflections of the Polish musicologist are closely entwined with the theoretical conceptions developed by himself: the conception of Wort-Ton, the method of integral interpre-tation of
APA, Harvard, Vancouver, ISO, and other styles
8

Kiwała, Kinga. "Aspects of Intertextuality in the Works of the ‘Stalowa Wola Generation’ (Eugeniusz Knapik, Andrzej Krzanowski, Aleksander Lasoń)." Interdisciplinary Studies in Musicology, no. 19 (December 31, 2019): 155–72. http://dx.doi.org/10.14746/ism.2019.19.11.

Full text
Abstract:
In the panorama of Polish music of the 2nd half of the 20th century the works of Silesian composers stand out. They were born in 1951 and thus they are referred to as the ‘Generation 51’ or the ‘Stalowa Wola Generation’ (from the place of their debut at the Festival ‘Young Musician for the Young City’ in Stalowa Wola in 1976): Eugeniusz Knapik, Aleksander Lasoń and Andrzej Krzanowski. They constituted the first generational phenomenon of such significance in Polish music since the debut of ‘Generation 33’ (Krzysztof Penderecki, Henryk Mikołaj Górecki and others). The musical style of these you
APA, Harvard, Vancouver, ISO, and other styles
9

Karwaszewska, Monika. "Henryk Mikołaj Górecki’s "Symphony No. 4" as Manifestation of ‘Music Within Music’." Prace Naukowe Akademii im. Jana Długosza w Częstochowie. Edukacja Muzyczna 10 (2015): 93–105. http://dx.doi.org/10.16926/em.2015.10.04.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Górecki, Henryk Mikołaj"

1

Kostka, Violetta. "National Elements in the Music of Henryk Mikołaj Górecki." Gudrun Schröder, 2004. https://ul.qucosa.de/id/qucosa%3A21345.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Górecki, Henryk Mikołaj"

1

Jaraczewska-Mockałło, Krystyna. Henryk Mikołaj Górecki w piśmiennictwie polskim i obcym: Bibliografia. Akademia Muzyczna im. Fryderyka Chopina w Warszawie, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Jarachewska-Mockałło, Krystyna. Henryk Mikołaj Górecki w piśmiennictwie polskim i obcym: Bibliografia. Akademia Muzyczna im. F. Chopina w Warszawie, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Twórczość wybranych kompozytorów polskich drugiej połowy XX i pocątku XXI wieku: Witold Lutosławski, Henryk Mikołaj Górecki, Krzysztof Penderecki. Wydawnictwo Uniwersytetu Rzeszowskiego, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Górecki, Henryk Mikołaj"

1

Ziemlewski, Mateusz. "„Błogosławieni solidarni”." In Horyzonty wolności. Uniwersytet Papieski Jana Pawła II w Krakowie. Wydawnictwo Naukowe, 2019. http://dx.doi.org/10.15633/9788374388320.13.

Full text
Abstract:
The issue of social issues was not alien in the theological reflection of Joseph Cardinal Ratzinger. A kind of opus magnum in the output of Pope Benedict XVI is the encycli-cal from 2009: Caritas in veritate. The Pope touches upon contemporary problems that concern humanity, trying to point to the most important capital which is a human being. At the same time, he indicates that for the defense of integral human development, it is necessary to agree and respect his spiritual layer. The Pope warns that humanism without God becomes inhuman humanism. An expression of solidarity is respect for religious free-dom, and the greatest enemy of solidarity, according to Benedict XVI, is marginalization. In 1983, in Bydgoszcz, there was a confrontation of the social movement of “Solidarity” with the civic militia. In response, Henryk Mikołaj Górecki dedicated his work to Byd-goszcz Miserere op. 44. The composer’s religious creativity in times of forcing the idea of practical materialism reminded us of a deeper (spiritual) layer of reality. The words taken from the Bible and the Roman Missal, accompanied by a four-part choir, lead the listener through meditation on the human person and life. The article points to the main idea of both authors not to degrade man to the material and biological. The evidence points to the theological way of the Pope’s command and the musical form of the message of religious content by H. M. Gorecki.
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography